Allen A. Brown Collection (Boston Public Library).

Catalogue of the Allen A. Brown collection of music in the Public library of the city of Boston (Volume 1) online

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[1901.] M.102.18

Contents. — Les idees musicales d*un revolutionnaire italien [Mazzini].
• — Un grand musicien conservateur [Brahms]. — La salle du Con-
servatoire. — De la musique russe. — Le vaisseau fantome de Wagner.
— Don Lorenzo Perosi. — Fidelio. — Tristan et Iseult. — L'Iphigenie
en Tauride et I'Orphee de Gluck. — ■ Silhouettes de musiciens (3c
serie) : Halevy. — Critiques musicau.x d'aujourd'hui. — Leonard de
Vinci. — Ha:ndel. • — Rouget de Lisle. — Gretry. — Lamennais. —
Saint Alphonse de Liguori. — Hoffmann. — Luther. — Chefs d*or-
chestre allemands. — Frederic II. — Portraits litteraires; Victor
Cherbuliez. — Eugene Fromentin.

M. Camille Saint-Saens de I'lnstitut. Paris. Durand &
Schoenewerk. 1889. No. 3 in M. 102.38

Psychologie musicale. Paris. Delagrave. 1893. M. 138.4

Un siecle de musique frangaise. Paris. Delagrave. 1887.

M.138.6
Bellamy, Claxson.

Erminie, comic opera, libretto by Claxson Bellamy and
Harry Paulton, music by Ed. Jakobowski.

No. 2 in M.286.ig; etc.
Bellamy, Thomas Ludford, editor.

JoMMELLi, N. Celebration mass in D. No. i in M.igi.12

Bellasis, Edward.

Cherubini: memorials illustrative of his life. London.

Burns & Oates. 1874. Portrait. M.126.10

Belle Arsene, La. Opera. For the Music see Monsigny. For

the Libretto see Favart, C. S.
Belle au bois dormant, La. Opera. For the Music see Lecocq,
A. C. ; also Silver. For the Libretto see Vanloo; also
Carre, M.; also Aumer.
Belle au bois dormant. La. Pantomime. HiiE. No. i in 11.193.5
Belle au bois dormant. La. Symphonic poem. Bruneau.

No. 2 in M.405.4
Belle bouchere. La. Opera. For the Music see Villebichot.

For the Libretto see Brunei.
Belle Bourbonnaise, La. Opera. For the Music see Ccedes.

For the Libretto see Dubreuil, E.
Belle dame. La, sans merci. Symphonic poem. Mackenzie, A. C.

No. 3 in M.334.10
Belle epiciere. La. Opera. For the Music see Varney, L. For

the Libretto see Decourcelle.
Belle Espagnole, La. Opera. For the Music see Ronger, F.
Belle fermiere, La. Quadrille. Louis, N. No. 35 in 11.390.17

Belle fermiere. La. Song. Louis, N. No. 9 in M.390.1.1; etc.
Belle Helene, La. Opera. For the Music see Offenbach. For

the Libretto see Meilhac.
Belle Indienne, La. Opera. For the Music see Wachs. For

the Libretto see Degas.
Belle Isabeau, La. Song. Berlioz, L. H. No. 29 in M.39I.32; etc.
Belle Lurette. Opera. For the Music see Offenbach. For the

Libretto see Blum, E.
Belle Madelon, La. Song. Bourges. No. i in M.202.28

Belle mere, Une. Opera. For the Music see Steward.
Belle of Mayfair, The. Opera. For the Music see Barrett, T.

For the Libretto see Brookfield.
Belle of New York, The. Opera. For the Music see Kerker.

For the Libretto see Morton, H.
Belle poule. La. Opera. For the Music see Ronger, F. For

the Libretto see Cremieux.
Belle pour qui je pleure. Duet. Campra. No. 2 in M.296.6

Belleque jesers. La. Part-song. Sweelinck. Werken. Deel 7.

M.413.2.7

Belle qui tiens ma vie. Song [s. a. t. b.]. (In Smith. Musica

antiqua. Pp. 36, 37.) M.236.10

Belle Sophie, La. Opera. For the Music see Missa. For the

Libretto see Roucoux.
Belle voyageuse. La. Song. Berlioz, L. H.

No. 2 in M.341.24; etc.

Belle's stratagem, The. Comedy. Cowley. No. i in M.145.25

Belleisle march. For the harpsichord with Mr. Scheniman's

variations. [Edinburgh. 178-?] No. 7 in M.220.18

Bellemare, Eugene Louis Gabriel de Ferry de.

Le menu de Georgette. Operette. Paroles de Victor Ber-



Bellemare, Eugene Louis Gabriel de Ferry de. (Continued.)
nard et Gabriel Ferry [pseud.]. Musique de L. C. De-
sormes. , No. 3 in 11.295.35

Bellermann, Johann Friedrich.
Friedrich Bellermann. Seine Wirksamkeit auf dem Gebiete
der Musik. Leipzig. Rieter-Biedermann. 1874.

No. 3 in M.207.3
Bellermann, Johann Gottfried Heinrich.

Gesegnet ist der Mann, der sich auf den Herrn verlasst.
Motette fiir vierstimmigen Chor . . . Clavierauszug. Ber-
lin. Trautwein. [186-?] No. 3 in M.391.31
So0okXcods OIUttovs Tvpavvos. Chore und Melodramen aus dem
Konig Oedipus des Sophocles, in Musik gesetzt von H.
BelleriTiann. Op. 29. Clavierauszug, mit griechischem u.
- deutschem Text. Berlin. Schlesinger. [1882.]

No. II in M.212.3
Bellerophon. Opera. For the Music see Lully. For the Li-
bretto see Quinault.
Belli, Diomede.

Stabat Mater, for s. t. b., or x. t. b. [Accomp. for organ.]
London. Waud & Co. [187-?] No. 2 in M.191.2

Bellicose adventures of a peaceable prima donna. Lucca, P.

No. 3 in M.116.7; etc.
Bellini, Vincenzo.

Adelson e Salvini. Opera in 2 atti. [Per canto e piano.]
Paris. Schonenberger. [183-?] No. 2 in M.362.21

Ah! non crede. Preghiera. [Accomp. di piano.] {In Lira
d'ltalia. Pp. 123-125.) No. 33 in 11.157.39

From La sonnambula.
Ah, non giunge. Aria. [Accomp. di piano.] (/» Lira d'lta-
lia. Pp. 130-134.) No. 36 in M.157.39
From La sonnambula.
Angiol di pace. Terzettino [s. s. t. Accomp. de piano]. {In
£chos d'ltalie. Vol. 4, pp. 1-3.) No. i in M.157.14
From Beatrice di Tenda. Also to be found in Musical library.
Ascolta se Romeo. Aria. [Accomp. di piano.] {In Lira
d'ltalia. Pp. 46-52.) No. 10 in M.157.39
From I Capuletti.
Beatrice di Tenda. Musica del Sigf. Vincenzo Bellini. [Pa-
role di Felice Romani. Partitura.] Manuscript. [1833.]

M.30.22
Same. Opera seria pour piano et chant. Paroles italiennes
[de I'elice Romani]. Musique de V. Bellini. Paris. Girod.
[184-?] M.362.27

Bianca e Fernando. Melodramma serio. Vollstandiger Cla-
vierauszug von Zulehner. Bonna. Simrock. [183-?]

M.230.12

The words, by Felice Romani, are in both Italian and German.

Capuletti e Montecchi, ossia Giulietta e Romeo. [Musica di
Vincenzo Bellini, parole di Felice Romani. Partitura.]
Manuscript. [1830.] 2 v. M.31.1

Act 3 was written by Vaccai.

Same. I Capuletti ed i Montecchi. (Romeo e Giulietta.)
Opera complet pour piano et chant. [Paroles de F. Ro-
man!.] Musique de Bellini. Paris. Launer. [183-?]

M.362.25

Same. Romeo und Julie. Oper in 4 Aufziigen [von F. Ro-
mani. Musik von Bellini. Partitur]. Manuscript. [183-?]
2 V. M.230.10

Same. Romeo u. Julie. Scene & aria der Julie [von F. Ro-
mani. Musik von Bellini. Partitur]. Manuscript. [183-?]

M.230.10A

Chorus of druids. From Norma. Adapted by W. H. Birch.
{In The Choralist. Vol. 2, ser. 5, pp. 28-31.)

No. 56 in M.157.5.2

Ciel pietoso. Preghiera [s. Accomp. de piano]. (/» Fleurs
d'ltalie. Pp. 16, 17.) No. 2 in M.364.10

Col sorriso d'innocenza. Cavatina [s. or t. Accomp. for
pianoforte] from II pirata. {In Fleurs d'ltalie. Pp. 167,
168.) No. 2 in M.364.10

Also to be found in Musical library.

D'un pensiero e d'un accento. Quintetto [s. s. s. T. b.]. {In
fichos d'ltalie. Vol. 4, pp. 1 19-127.) No. 17 in 11.157.14

From La sonnambula.
Deh! non volerli vittime. [Aria, s. o. x. Accomp. de piano.]
{In Fleurs d'ltaUe. Pp. 33-35.) No. 2 in M.364.10



103



Bellini



THE PUBLIC LIBRARY OF THE CITY OF BOSTON



Belzebuth



Bellini, Vincenzo. (Continued.)

Giovin rosa. Melodia [a. Accomp. de piano]. (In Fleurs
d'ltalie. Pp. 125-128.) No. 2 in M.364.10

Norma. By Bellini. With Italian and English words. [Writ-
ten by F. Romani, translated by J. Wrey Mould. Vocal
score.] Boston. Ditson & Co. [185-?] M.328.1

Same. [Opera in 3 atti. Parole di F. Romani. Musica di
Bellini. Partitura.] Manuscript. [Genoa. 1865?] 2 v.

M.261.22

Same. Ouverture fiir Orchester zur Oper Norma. Partitur.

Offenbach a. M. Andre. [187-?] No. 2 in M.335.16

Now, e'en now. [Trio, s. s. A.] (In Hills. Vocal trios. Vol. 2,

pp. 81-83.) No. 17 in M.157.17.2

Oh! di qual sei tu vittima! Terzetto [s. s. t.]. (In fichos

d'ltalie. Vol. 4, pp. 4-10.) No. 2 in M.157.14

From Norma.
Oh divina Agnese. Romanza [t. Accomp. de pianoforte].

(/n Lira d'ltalia. Pp. 106-108.) No. 29 in M.157.39

From Beatrice di Tenda.
Ouvertures choisies de V. Bellini. Arrangees pour piano et

violon par W. Meves. [Partition et partie de violon.J

Braunschweig. Litolff. [188-?] 6 parts in i v.

No. 2 in M. 357.8

Contents. — Norma. — Die Puritaner. — Die Nachtwandlerin. —

I Montecchi ed i Capuleti. — Die Unbekannte. — Der Pirat.
Parlarti ancor. Quintetto [s. s. t. t. b.]. (/h Itchos d'ltalie.

Vol. 4, pp. 128-136.) No. 18 in M.157.14.4

From II pir^ta.

The parting. Song [t.] adapted [from] La straniera. [Ac-
comp. for pianoforte.] (/n Musical library. Vol. 2, pp.

102-104.) No. 41 in M.235.18.2

The parting hour. [Trio, s. s. a. Accomp. for pianoforte.]

London. Leader & Cock. [1852?] No. 17 in M.244.10.1
II pirata. Melodramma [di Felice Romani] posto in musica

... da V. Bellini. [Per canto e piano.] Milano. Ricordi.

[1827.] M.230.11

Same. Napoli. [183-?] M.311.19

Same. Paris. [184-?] M.362.22

Same. Opera [in due atti di Bellini. Parole di F. Romani.

Partitura]. Manuscript. [Milano. 1827.] 2 v. M.31.2
[I Puritani. Opera in tre atti. Musica di Bellini. Libretto

di Carlo Pepoli. Partitura. Manuscript. 18 — ?] 2 v.

M.30.1
Same. Opera in 3 atti. Poesia del Conte Pepoli. Musica

del Mo. Bellini. Accomp. di piano-forte. Paris. Pacini.

[1835?] M.362.24

Qual cor tradisti. [Aria, s. ou t. Accomp. de piano.] (In

Fleurs d'ltalie. Pp. 30-32.) No. 2 in M.364.10

4 Tantum ergo con accomp. d'orchestra o d'organo. No. 3

[s.],4[a. Partitura]. Milano. Ricordi. [186-?] 2 parts

in I V. No. S, 6inM.201.33

II rival salvar. Duetta [b. b. Mit Begleitung des Pianoforte].

Mayence. Schott. [184-?] No. 12 in M.236.6

From I Puritani.

Romeo und Julie. See his I Capuletti e Montecchi.

[La sonnambula. Opera in 2 atti. Parole di Romani, musica

di Bellini. Partitura.] Manuscript. [183-?] 3 v. M.401.3
Same. Opera seria pour piano et chant. Paroles italiennes

[de Felice Romani]. Musique de Bellini. Paris. Launer.

[183-?] M.362.26

Sorgi, O padre. Romanza [t. Accomp. di piano]. (In Lira

d'ltalia. Pp. 1 19-122.) No. 32 in M.157.39

From Bianca e Fernando.
La straniera. Opera. [Musica di Bellini, parole di Felice

Romani. Partitura.] Manuscript. [1829.] 2 v. M.31.3
Same. Musique de Bellini. Opera complet. Partition de

piano et chant. Paroles italiennes [de F. Romani. Paris].

Launer. [1830?] M.362.23

Vi ravviso. Cavatina [a. o. bar. Accomp. di piano]. (In

Lira d'ltalia. Pp. 135-140.) No. 37 in M.157.39

From La sonnambula.

We'll wreathe the fairest flowers. [Trio, s. s. a. Accomp. for
pianoforte.] London. Leader & Cock. [184-?]

No. 16 in M.244.10.1



Bellini, Vincenzo. (Continued.)'

When daylight's going. Chorus. (In The Choralist. Vol. 2,
ser. s, pp. 43-48.) No. 60 in M.157.S.2

Bellini, Vincenzo. Works about.
Cox, C. The music of Donizetti and Bellini. Illus. Por-
traits. (In The music of the modern world. Vol. i, pp.
42-44. New York. [1895.]) M.14.1.1

Florimo, F. Bellini. Memorie e lettere. Firenze. 1882.
Portrait. M. 127.3

Gehring, F. Der Schwan vom Aetna [des Bellini's]. (Cut
from Im neuen Reich. Leipzig. 1876.) No. i in M.215.4
Neumann, W. Vincenzo Bellini. Eine Biographic. Cassel.
1854. Portrait. No. 2 in M.205.16; etc.

Paroisse-Pougin, F. A. A. Bellini: sa vie et ses ceuvres.
Paris. 1868. Portrait. Facsimile. M. 118. 11

Bellman, The. Part-song. Macfarren, G. A. No. 5 in M.157.1
Bellotti, Arturo.

La carnpana di Groninga. Der Glockenguss zu Groningen.
Dramma lirico in tre atti di Eugenio de Lupi e Arturo
Bellotti. Musica di Roberto Catolla. M.389.35

Bells.

Gatty, a. The bell; its origin, history, and uses. London.

1848. M.108.17

GuERiN, J. B. Essai sur le beffroi. [Caen. 1851.] M.208.7

Bells, The. Part-song. Donizetti. No. 21 in M.157.17.2

Bells in May. Part-song. Hiller, F. No. 19 in M. 204.36.2

Bells of Aberdovey, The. Glychau Aberdyfi. [Welsh air.

Arr. for i voice, also] Harmonized for 4 voices. (In

Thomas. Welsh melodies. Vol. i, pp. 99-101.)

No. II in M. 235.6.1
Bells of Corneville. For piano. Planquette. No. 3 in M. 357. 12
Bells of New Year's eve. The. Cantata. For the Music see

Koessler. For the Libretto see Kalbeck.
Bells of St. Michael's tower, The. Part-song.

Knyvett, W. No. 37 in M. 235. 14; etc.

Stewart, R. P. No. 17 in M. 195.1. 15

Belmonte und Constanze. Opera. See Mozart. Die Ent-

fiihrung aus dem Serail.
Belocca, Anna de.

Berlioz, V. Anna de Belocca: a biographical sketch. [New
York. 1876.] M.115.4

Belone, Frederic.

Si.x etudes pour le trombone de basso, composees et ar-
rangees pour le violoncelle, avec accomp. de piano. Manu-
script. [184-?] No. 4in M.120.18
Belotti, Antonio.

L'assedio di Brescia. Melodramma posto in musica dal
Maestro C. Pontoglio. M.383.30

Beloved, I wait for thee here. Serenade. Debois.

No. 30 in M.392.6
Belphegor. Opera. For the Music see Barthelemon, F. H.

For the Libretto see Andrews, M. P.
Belsasar. Oratorio. For the Music see Reinecke, C. H. C. For

the Libretto see Roeber.
Belsatzar. Song. Schumann, R. A. No. 9 in M. 244.15.2

Belsazar. Cantata. For the Music see Clasing. For the Li-
bretto see Wolff, O. L. B.
Belsazar. Oratorio. For the Music see Handel. Werke.
Belshazzar. Cantata. For the Music see Butterfield. For the

Libretto see Blackall.
Belshazzar. Oratorio. For the Music see Handel. Werke.
Belta, se com' in ment' io t' ho scolpita. Madrigal. Palestrina.
Werkfe. Band 28. M.8o4oa.66.28

Beltjens, Joseph.
Trois cantiques a la Ste. Vierge Marie, i. Memorare. 2. Sub
tuum. 3. Tota pulchra. Pour une voix seule [s. ou t.] avec
accomp. d'orgue. Paris. Schott. [186-?]

No. 13 in M.260.10.2
Beltrame, Pietro.

Ida delle Torre. Dramma. Posto in musica dal Mo. Aless.
Nini. M.311.3

Belval, Edmond, pseud. See Caffiot, Paul Edmond.
Belzebuth, ou les jeux du roi Rene. Opera. For the Music see
Blaze, F. H. J.



104



Bemberg



THE ALLEN A. BROWN COLLECTION OF MUSIC



Bendl



Bemberg, Herman.

Le baiser de Suzon. Opera-comique en i acte de Pierre Bar-
bier. Musique de H. Bemberg. [Accomp. de piano.]
Paris. Hartmann & cie. [1888.] No. 4 in M.255.35

Elaine. Opera in four acts and six tableaux. French words
by Paul Ferrier. English translation by Eugene Oudin.
The music by H. Bemberg. Vocal score. [Accomp. for
pianoforte.] London. Chappell & Co. [1892?] M.246.2
filaine. Opera-legende en 4 actes et 6 tableaux. Poeme de
Paul Ferrier. Musique de H. Bemberg. Partition piano
et chant. Paris. Heugel & cie. 1892. M.303.18

La mort de Jeanne d'Arc. Scene historique tiree des Mes-
seniennes. Poesie de Casimir Delavigne. Musique de H.
Bemberg. [Partition chant et piano.] Paris. Leduc.
[189-?] Plate. No. I in M.213.4

Bemetzrieder, Anton.

Music made easy to every capacity in a series of dialogues;
being practical lessons for the harpsichord . . . Translated
and adapted by Giffard Bernard. [London.] Birchall &
Andrews. 1785. No. i in M. 205.2

Precis d'une nouvelle methode de musique. Londres.
L'auteur. 1783. No. 4 in M.373.10

Traite de musique, concernant les tons, les harmonies, les
accords et le discours musical. Paris. L'auteur. 1776.

M.217.2

Ben mi credea passar. Madrigal. Lassus. Sammtliche Werke.

Band 2. 111.80403.67.2

Ben sono i premi tuoi. Part-song. Lassus. Sammtliche Werke.

Band 6. 11.80403.67.6

Ben veggio di lontan il dolce lume. Part-song. Lassus. Siimmt-

liche Werke. Band 8. M.80403.67.8

Benard, Jules.

Le moulin des Lilas. Opera comique en i acte. Paroles de

Eugene Leclerc & Gabriel Bonnet. Musique de Jules

Benard. Partition chant et piano. Paris. Colombier.

[1891?] ■ No. S in M.25S.35

Benco, Silvio.

Oceana. Commedia fantastica. Musica di Antonio Smarc
glia. M.396.38

Bend down from thy chariot. Part-song. Barnett, J.

No. 13 in M.244.10.1
Bend, The, of the river. Song. Blumenthal. No. 13 in M.192.12
Benda, Friedrich Ludwig.

Der Barbier von Sevilla, eine komische Oper in 4 Akten.
[Klavier-Auszug.] Leipzig. Schwickert. 1779.

No. I in M.230.14
Louise, eine komische Operette in 3 Aufziigen, von Frie-
drich Ernst Jester. In Musik gesetzt und fiir das Clavier
eingerichtet von F. L. Benda. Konigsberg. Nicolovius.
[1791.] No. 2 in M. 230.14

Benda, Friedrich Wilhelm Heinrich.

Die Grazien, eine Cantata im Clavierauszuge nach der
Poesie des Herrn von Gerstenberg, in Musik gesetzt . . .
von Friedrich Benda. Leipzig. Breitkopf. 1789.

No. I in M.220.26

Orpheus, ein Singspiel in 3 Aufziigen vom Herrn von L . . .

zu Dresden, in Musik gesetzt . . . von Friedrich Benda.

[Klavier-Auszug.] Berlin. Rellstab. [1787.] M.230.16

Benda, Georg.

Amynts Klagen iiber die Flucht der Lalage. Eine Cantate
fiir die Discantstimme, begleitet von 2 Waldhornern, 2
Floten, 2 Violinen, Bratsche und Bass . . . Verfertiget
von Georg Benda. [Stimmen.] Leipzig. Breitkopf. 1774.

No. 3 in M.152.30
Ariadns auf Naxos. Duodrama [von F. W. Gotter]. In
Musik gesetzt von G. Benda. Klavierauszug. Leipzig.
Schwickert. 1778. No. i in M.230.15

Same. [Duodrama, von F. W. Gotter. In Musik gesetzt
von G. Benda. Klavierauszug.] Manuscript. [Leipzig?
178-?] M.391.62

Cephalus und Aurore, Cantate, aus Herrn Weissens kleinen
lyrischen Gedichten mit Begleitung von 2 Floten, 2 Vio-
linen, Bratsche, Violoncell und Clavecin oder Pianoforte,
in Musik gesetzt von Georg Benda. [Stimmen.] Leipzig.
Schwickert. [178-?] No. 2 in M.152.30



Benda, Georg. (Continued.)

Der Christ am Rande des Grabes. [Eine Cantate. Partitur.]
Manuscript. [178-?] No. 5 in M.236.17

Der Dorfjahrmarkt, eine komische Oper in 2 Akten, in
Musik gesetzt von Georg Benda. [Text von Gotter neu
bearbeitet. Klavierauszug.] Leipzig. Dyk. 1776. M.320.5

Das Findelkind, oder Unverhoft kommt oft, eine Operette
[von F. W. Gotter] in Musik gesetzt fiir das Pianoforte
von G. Benda. Leipzig. Schwickert. [179-?]

No. 3 in M.230.1S

[Der Holzhauer. Singspiel in i Akt. Partitur.] Manuscript.
U77-''?] M.320.6

Lukas und Barbchen, oder der Jahrmarkt, eine komische
Operette in i Aufzuge [von F. W. Gotter]. Fiir das Cla-
vier eingerichtet, und von einer Violine begleitet von G.
Benda. Leipzig. Schwickert. [179-?] No. 2 in M.230.15

[Mass in E flat. Full score.] Manuscript. [177-?]

No. 2 in M.250.19

Medea, im Klavierauszuge. Der Dialog von Gotter. In
Musik gesetzt von G. Benda. Leipzig. Schwickert. 1778.

M.230.17

Pygmalion. Ein Monodrama von J. J. Rousseau. Fiir das
Clavier ausgezogen von G. Benda. Leipzig. Schwickert.
1780. M.230.19

Romeo und Julie, eine Oper in 3 Akten. Klavierauszug.
Leipzig. Dyk. 1778. No. I in M.230.13

The words are by Friedrich Wilhelm Gotter.

Sammlung italienischer Arien mit [Orchester-Begleitung
und] untergelegtem Clavierauszuge. 2. Sammlung. No.
1-6. Manuscript. Leipzig. 1788. M.220.12

[Das tartarische Gesetz.] Arien und Duette aus dem Tartari-
schen Gesetze, Singspiel von Gotter. Fur das Clavier ein-
gerichtet, mit Begleitung einer Violine, von Georg Benda.
Leipzig. Schwickert. [1787.] No. i in M.152.30

Walder, eine ernsthafte Operette in i Acte, des Herrn Cot-
ters. In Musik gesetzt von G. Benda. Clavierauszug,
nebst Begleitung einiger Instrumente. Gotha. Ettinger.
1777- M.230.I8

Same. [Der Walder. Oper. Text von F. W. Gotter. Musik
von G. Benda. Partitur.] Manuscript. [177-?] M.220.11
Bendall, Wilfred Ellington.

He stoops to win. Operetta. Written by Cunningham
Bridgman. Composed by Wilfred Bendall. Vocal score.
London. Cocks & Co. 1892. No. i in M.328.3

Parizadch, cantata, for solo voices [s. a. bar.], chorus &
orchestra. [Accomp. for pianoforte.] London. Lucas,
Weber & Co. [1884.] No. 2 in M.213.3

The rosiere. Cantata for ladies' voices, the words by Louisa
Gray Compton, the music by Wilfred Bendall. [Accomp.
for pianoforte.] London. Jefferys. [1891?]

No. I in M.393.5
Bendel, Franz.

Marchenbilder. Op. 135. Fiir Orchester bearbeitet von
Karl Miiller-Berghaus. Partitur. Hamburg. Pohle. [188-?]

4 V. in I. No. I in M.332.S

Contents. — I. Aschenbrodcl. 2. Hans im Gliick. 3. Rothkappchen,
4. Schneewittchen.
Trio in G moll, fiir Pianoforte, Violine und Violoncell. Op.
posth. No. 2. [Partitur.] Berlin. Challier & Co. [1876?]

No. 2 in M.211.3.1
Same. [Stimmen, Violine und Violoncell.] 2 v.

No. 2 in M.211.4.1, 2
Bendemeer's stre3m. Song. Fane, J. No. 2 in M. 236.2

Hawes, W. No. I in M.236.2

Bendix, Victor Emanuel.

Sommerklange aus Siid-Russland. 2. Sinfonie. Op. 20.

Partitur. Kopenhagen. Hansen. [1888?] M.331.2

Symphonic No. 3 (A-moll) fiir Orchester. Op. 25. Partitur.

Kopenhagen. Hansen. [189-?] M.357.14

Bendl, Karel.

Lejla. Velika opera v pateru jednani. Die novelly Bulwe-
rovy sepsala Eliska Krasnohorska, hudbu slozil Karel
Bendl. Klavirni vytah se zpevy upravil skladatel. V Praze.

Gregr & Dattel. [187-?] M.261.23

The words are in Bohemian and German.



I. 14



105



Bendl



THE PUBLIC LIBRARY OF THE CITY OF BOSTON



Benedict



Bendl, Karel. (Continued.)

Quartett, F dur, fiir 2 Violinen, Bratsche und Violoncell.
Partitur. [Op. 119.] Berlin. Sirarock. 1895.

No. I in M.338.10
Sudslavische Rhapsodie fur grosses Orchester. Op. 60. Par-
titur. Berlin. Simrock. 1896. No. i in M.40S.3
Beneath a churchyard yew. Part-song. Rock, M.

No. 16 in M.234.2.6; etc.
Beneath a weight. Part-song. Cooke, B. No. 147 in M.220.10
Beneath in the dust. Part-song. Cooke, B.

No. IS7 in 11.235.17.5; etc.
Beneath the ocean's swelling wave. Song. Pacini, G.

No. 3 in M.235.18.1
Beneath the silent rural cell. Glee [s. a. b.]. (/h Bland. The
Ladies' collection. Vol. 3, p. 252.) No. 10 in M.235.I7.3

Beneath the silent rural cell. Part-song. Harington.

No. 170 in M.110.1.2; etc.
Beneath this rural cell. Glee. Wellesley, G. C. Glees and
madrigals. No. 2 in M.236.23

Beneath this silent stone. Part-song. Danby.

No. 40 in M.235.17.3
Beneath this stone. Part-song. Berg, G. No. 55 in M.220.9.2
Holder. A collection of catches. No. 4 in M.120.31

Beneath this stone the earl. Part-song. Giardini.

No. 77 in M.220.9.1
Benedeit die sel'ge Mutter. Song. Wolf, H. Italienisches
Liederbuch. Band 2. M.380.29.2

Benedetto quel claretto. Part-song. Burney, C.

No. 4 in M. 220.5

Benedic anima mea. Anthem. Gerrish. No. 27 in M.158.16; etc.

Lassus. Sammtliche Werke. Band i, 15. M.8o4oa.67.i,i5

Marsch. No. 31 in M.190.S

Millard, H. No. 6 in M.280.26 ; etc.

Spring. No. 2 in M.190.8

Whitney. No. 59 m M.158.18

Benedic, Domine. Anthem. Warren, J. No. 12 in M.260.10.1

Benedicam Dominum. Motet. Lassus. Sammtliche Werke.

Band 3, 9. M.8o4oa.67.3, 9

Benedicam Dominum omni tempore. Gradual. Eybler. Gra-

duale, No. 1-6. No. 5 in M.191.6; etc.

Benedicam Dominum qui tribuit mihi intellectum. Offertory.

Palestrina. Werke. Band 9. M.8o4oa.66.9

Benedicam Jovam [sic]. Canon. Hayes, W. Catches, glees

and canons. Vol. 2. No. 2 in M.220.5

Benedicamus Domino. Anthem. Wesley, S. No. 9 in M.270.3.1

Benedicimus. Anthem. Webbe, S. No. 26 in M.156.50

Benedicite. Chant. Warren, J. C. No. 23 in M.158.20

Benedicite Domino. Part-song. Lassus. Sammtliche Werke.

Band 15. M.8o4oa.67.i5

Benedicite Dominum. Canon. Hayes, W. Catches, glees and

canons. Vol. i. No. 1 in M.220.5

Benedicite frigus. Motet. Lassus. Sammtliche Werke. Band 9.

M.8o4oa.67.g

Benedicite gentes. Motet. Lassus. Sammtliche Werke. Band i.

M.8o4oa.67.i

Benedicite gentes Dominum nostrum. Offertory. Palestrina.

Werke. Band 9. M.8o4oa.66.9

Benedicite montes. Motet. Lassus. Sammtliche Werke. Band

g_ M.8o4oa.67.9

Benedicite omnia opera. Motet. Foote. No. i in M.158.16

Lassus. Sammtliche Werke. Band 9. 1^.80403.67.9

Benedicite sacerdotes. Motet. Lassus. Sammtliche Werke.

Band 9. M.8o4oa.67.9

Benedict, Sir Julius.

Bless'd be the home. Serenade [a. t. t. b. b.], in the opera

The gipsy's warning. London. Cramer, Addison & Beale.

[184-?] No. 24 in 11.235.7.1; No. 73 in M.237.15

Bonum est. [Solo and quartet. Accomp for organ.] (/»

Lutz. Motets for the year. No. 13. Pp. 53-57-)

No. 13 in M.156.50

Die Braute von Venedig. Grosse Oper in 4 Acten. Nach

dem Englischen [Alfred Bunn's] frei bearbeitet von Karl

Klingemann. Musik von Julius Benedict. Vollstandiger

Clavierauszug. Stuttgart. Hallberger. [185-?] M.261.26



Benedict, Sir Julius. (Continued.)

The bride of song. Operetta in i act, written by Henry
Farnie. Composed by Jules Benedict. [Accomp. for
pianoforte.] London. Cramer, Wood & Co. [1864.]

No. 2 in M.26I.25
Der Zigeunerin Warnung. Grosse Oper in 2 Aufziigen, nach
dem Englischen des Linley bearbeitet von Theodor Hell
[Pseud.]. Musik von Julius Benedict. Clavier Auszug.
Mainz. Schott. [185-?] M.261.27

Dirge for the faithful lover. A four-part song. (/» Novello's
Part-song book. 2d series. Vol. I, pp. 18-21.)

No. 4 in M.19S.1.1
A drinking song. A four-part song [t. t. b. b.]. (/» Novello's
Part-song book. 2d series. Vol. I, pp. 22-28.)

No. 5 in M. 195. 1. 1



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