Allen A. Brown Collection (Boston Public Library).

Catalogue of the Allen A. Brown collection of music in the Public library of the city of Boston (Volume 1) online

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Boston. [1891.] No. 4inM.2i7.3

[Programmes, Sept. 29, 1897-June 19, 1899. Boston.

1897-99] M.373.49

New Philharmonic Concerts, London. loth season. Con-
certs 1-3. Programmes. [London. 1861.] No. 6 in M.375.1

Niederrheinisches Musik-Fest, Diisseldorf. [Programm]
Mai, 1856, 1890. Diisseldorf. 1856, 90. No. 2 in M.373.60

CEuvre national, L', des orphelins de la guerre. Grand
tournee de concerts en France. Introduction . . . pro-
gramme general et biographie des artistes. Paris. 1871.

No. 4 in M. 112. 16

Orchestral concerts, Edinburgh. [Programmes with ana-
lytical remarks. 2d, 3d season. Edinburgh. 1888-90.] 2 v.

M.106.6

Orchestral Union, Boston. [Programmes of afternoon
concerts, ist-isth season. Nov. 22, 1854-Oct. 30, 1872.
Boston. 1854-1872.] M.184.12

Pauer, E. Ernst Pauer's three historical performances of
pianoforte music, in chronological order. London. [187-?]

No. 2 in M.12S.9

Perabo, E. Souvenir program. Recital given by Ernst
Perabo assisted by Franz Kneisel at "Thornhedge," Bar
Harbor, Sept. 4, 1900. [Boston.] 1900. M.373.42

Philharmonic Society, Boston. Programmes and com-
ments, 1879-83. Compiled [with an index] by Allen A.
Brown. M.371.11

Philiiarmonische Concerte, Berlin. Dirigent, Arthur Ni-
kisch, Saison XI-XVIII, 1897/98-1904/05. Programm
Buch. Berlin. 1897-1905. 8 v. M.374.1

Philharmonische Concerte, 1-Vien. Saison 1894/93. Pro-
gramme-Buch. [VIIL Abonnement-Concert, 17 Marz,
1895.] Wien. [1895.] No. 6 in M.373.60



Concerts. Programmes. (Continued.)

Philharmonische Gesellschaft, Laibach. Jahres-Bericht,
1-5, 29. 1862-67, 91/92. Laibach. 1863-93.

No. 5 in M.373.60; etc.

Pittsburgh Orchestra, The. Programs of the afternoon
and evening concerts. ist-iith season. [Pittsburgh.
1896-1906.] II V. in 9. M.374.4

Pleyel, Wolff et compagnie. La musique de chambre.
Annee 1893, 94. Seances musicales donnees dans les sa-
lons de la maison Pleyel, Wolff et cie. Reproduction des
programmes . . . Paris. [1894,95.] 2 v. M.197.4

Programmes, musical and dramatic, 1882-89. M.141.20

[Programmes, musical and dramatic, prospectuses, adver-
tisements, catalogues, etc. 1883-89.] M. 121. 17

[Programmes of various concerts, 1860-68.] M.143.26

[Programmes of various concerts, principally those of the
Vocal Society of New York, 1870-75.] M.143.28

[Programmes of various concerts, etc., 1873-74.] M.143.27

[Programmes of various musical performances, 1858-73.]

M.105.2S

Retter, C. Carl Retter's four performances of pianoforte
music. 2d series. Programme of the series. Pittsburgh.
1876. No. 5 in M. 125.9

Carl Retter's six performances of pianoforte music>

in chronological order. [Analytical programmes.] Pitts-
burgh. 1876. No. 4 in M.125.9

Rhode Island Choral Association. Annual musical fes-
tival, ist, 1889. [Programmes, etc.] Providence. 1889.

No. 14 in M.373.30
St. James's Hall, London. Book of words of Madnie Viard
Louis' last concert, 26. June, 1878. London. [1878.]

No. 10 in M.116.10

Madame Trebelli's grand concert, June 27, 1878.

[Programme.] London. [1878.] No. 11 in M.116.10

St. Paul Symphony Orchestra. Descriptive programmes.
1906-07. Programme notes arranged by A. P. Lothrop.
[St. Paul. 1907.] M.371.45

ScHWEiZER Sanger Gesellschaft. Book of words and pro-
gramme. London. 1861. No. 8 in M.37S.1

Theatre and concert programmes, 1875-88. M.121.2

Thomas Orchestra. [Programmes of concerts in Boston,
Oct. 29, 1869-March 26, 1898. Boston. 1869-98.] M.184.13

Tretbar, C. F. Analytical reviews. New York. [1878.]

No. 3 in M. 125.9

Vocal Association, London. Programme of the first sub-
scription concert of the [fifth] season, March 12th, 1861.
[London. 1861.] No. 9 in M.37s.i

Wilson, G. H. The musical year-book of the United States.
Vol. 1-8. 1883-91. Boston. 1884-91. 8 v. in 2. M.119.7

World's Columbian Exposition. Bureau of Music. [Offi-
cial programmes. Chicago. 1893.] M.113.15
Concerts royaux. Pianoforte trios. Couperin. M.410.105
Conciergicide, Un. Opera. For the Music see Chassaigne.

For the Libretto see Hermil.
Concone, Giuseppe.

Ave Maria, [m.-s ou bar.] Transcrit par G. Lamothe.
[Accomp. d'orgue.] Paris. Grus. [186-?]

No. II in M.260.10.2

Beatrix. Scene et air [s. ou t. Accomp. de piano]. May-
ence. Schott. [185-?] No. 4 in M.244.2

Les brises du printemps. Nocturne a 2 voix [s. s. Accomp.
de piano]. Mayence. Schott. [185-?] No. 12 in M.244.2

Comtesse et bachelette. Duettino [pour 2 voix de mezzo-
soprano. Accomp. de piano]. Mayence. Schott. [185-?]

No. 9 in M.244.2

Un concert sous le ciel. Duo [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 13 in M.244.2

Les Croises devant Jerusalem. Oratorio pour 3 voix
d'hommes avec choeurs et accomp. de piano. Paroles de
Mr. E. Plouvier, musique de J. Concone. Paris. Richault.
[184-?] Plate. No. I in M.270.25

Les demoiselles d'honneur. Nocturne [s. a. Accomp. de
piano]. Mayence. Schott. [184-?] No. 22 in M.244.2

Derniers vceux de Rachel. Melodic biblique pour mezzo-
soprano. [Accomp. de piano.] Mas'ence. Schott. [185-?]

No. s in M.244.2



292



Concone



THE ALLEN A. BROWN COLLECTION OF MUSIC



Congratulamini



Concone, Giuseppe. (Continued.)

La femme de I'exile. Scene et air pour soprano. [Accomp.
de piano.] Mayence. Schott. [185-?] No. 2 in M.244.2

La fiancee du marin. Scene et air pour soprano. [Accomp.
de piano.] Mayence. Schott. [185-?] No. 6 in M.244.2

Les filles du braconnier. Duo [s. a. Accomp. de piano].
Mayence. Schott. [185-?] No. 15 in M.244.2

Les filles du proscrit. Duo [s. A. Accomp. de piano]. Paris.
Richault. [184-?] No. 14 in M.244.2

Les fleurs qui chantent. Tyrolienne pour soprano. [Ac-
comp. de piano.] Paris. Richault. [184-?]

No. 8 in M.244.2

Les Grenadines. Bolero [s. s. Accomp. de piano]. May-
ence. Schott. [18s-?] No. 20 in M.244.2

Jeanne Hachette. Scene et air [s. ou t. Accomp. de piano].
Mayence. Schott. [185-?] No. 3 in M.244.2

La jeune fille et le page. Duettino a 2 voix egales. [Ac-
comp. de piano.] Mayence. Schott. [185-?]

No. 10 in M.244.2

Judith. Scene and air [s. Accomp. for piano]. Boston.
Ditson. [185-?] No. I in M.244.2

Les larmes du Christ sur la croix. Mystere en 3 parties, a
4 voix, avec choeur et ace', de piano. Paroles de Mr. le
yte Vilain XIIIL Musique de J. Concone. Paris. Ri-
chault. [184-?] No. 3 in M.270.2S

Les luttes de la voix. Duettino-etude [s. s. Accomp. de
piano]. Mayence. Schott. [185-?] No. 25 in M.244.2

Melanie. Scene dramatique [s. Accomp. de piano]. May-
ence. Schott. [185-?] No. 7 in M.244.2

Les meres d'adoption. Nocturne [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 21 in M.244.2

Messe solennelle pour t. t. b., ou s. a. b., avec accomp.
d'orgue. Paris. Richault. [184-?] No. i in M.191.4

Les neophytes. Duo pour 2 soprani. [Accomp. de piano.]
Mayence. Schott. [185-?] No. 11 in M.244.2

La nuit des voeux. Duo pour 2 soprani. [Accomp. de
piano.] Mayence. Schott. [185-?] No. 18 in M.244.2

O Salutaris. [m.-s. ou bar.] Transcrit par G. Lamothe.
[Accomp. d'orgue.] Paris. Grus. [186-?]

No. 12 in M.260.10.2

Les pelerines. Duo [s. s. Accomp. de piano]. Mayence.
Schott. [i8s-?] No. 19 in M.244.2

Premiere petite messe solennelle et complete pour 2 voix,
ou choeur a 2 parties et solos, avec accomp'. d'orgue ou
d'harmonium. Paris. Richault. [184-?] No. i in M.156.1

S'. Domingue en 1804. Duo [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 17 in M.244.2

Les saintes femmes au tombeau du Christ. Oratorio pour
4 voix de femmes, avec accomp. de piano. Paroles de Mr.
le V'e Hipp. Vilain XIIIL Musique de J. Concone. Paris.
Richault. [184-?] Plate. No. 2 in M.270.25

Les soeurs de lait. Duettino [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 16 in M.244.2

Sous les palmiers. Nocturne [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 24 in M.244.2

Les vierges de Verdun. [Trio, s. s. a. Accomp. de piano.]
Boston. Ditson. [1855] No. 17 in M.244.10.6

Les voix qui consolent. Nocturne [s. s. Accomp. de piano].
Mayence. Schott. [185-?] No. 23 in M.244.2

Walter Scott lyrique. [Serie 1-6. Collection de 72 mor-
ceaux de chants, airs, duos, trios, etc. Accomp. de piano.]
Paris. Richault. [184-?] 6 v. in 3. Plates. M. 244.3

Contents. — I. Kenilworth. — Ivanho^. 2. La jolie fille de Perth. —

Les Puritains d'£cosse. 3. Le pirate. — Le connetable de Chester.

Concord is conquered. Part-song. Cooke, R. No. 52 in M. 220.9.4

Concordia. A journal of music and the sister arts. Vol. i,

no. 1-26. May i-Oct. 23, 1875. [ Weekly. London. No-

vello. Ewer & Co.] 1875. M.180.3

Concordia zu jeder Zeit. Part-song. Schein. Werke. Band 2.

M.414.1.2
Concours international de musique religieuse.
Kretschmer. Laudate Dominum in hymnis.

No. 2 in M.igi.13
LoEBMANN. Omnia ad majorem Dei gloriam.

No. 3 in M.igi.13
Nicou-Choron. Simplicitas justorum diriget eos.

No. 2 in H.igi.3



Concussum est mare. Motet. Labat. 26 grands motets.

M.213.23
Condell, Henry.

Who wins? or the widow's choice. A musical farce [by
John T. Allingham]. The music by H. Condell. [Accomp.
for piano. London.] Clementi & Co. [1808.]

No. I in M.3gi.i4
Conditor alme siderum. Hymn. Palestrina. Werke. Band 8.

M.8o4oa.66.8
Conducting. In music.

Berlioz, L. H. Le chef d'orchestre; theorie de son art, ex-
trait du Grand traite d'instrumentation et d'orchestration
modernes. Paris. 1856. Diagrams. No. i in M.372.44

Blitz, E. E. Quelques considerations sur I'art du chef d'or-
chestre. Leipzig. 1887. No. 7 in M. 372.23
Deldevez, E. M. E. L'art du chef d'orchestre. Paris. 1878.

M.132.16

• De I'execution d'ensemble. Paris. i888. M.ig6.2

Seidl, a. About conducting. Illus. Portraits. Plate. (In
The music of the modern world . . . Vol. i, pp. 201-214.
New York. [1895.]) M.14.1.1

- — — On conducting. Illus. Portraits. (In The music of
the modern world . . . Vol. i, pp. 100-106. New York.
[1895.]) M.14.1.1

Conestabile, Giancarlo, Conte.
Vita di Niccolo Paganini. Perugia. Barlelli. 1851. Por-
trait. No. I in M.135.11
Confession de jeune fille. For pianoforte. Strakosch, M.

No. 25 in M.3gi.28.2
Confessions d'une cantatrice. Autobiography. Reney-le bas.

M.I2g.22

For violin and piano. Mendelssohn-Bartholdy,

No. 13 in M.3S7.I2

Part-song. Belcke. No. 49 in M.246.36

R. A. No. 18 in M.igs.i.is

For the Music see Isouard. For



Confidence.

J. L. F.
Confidence.

Schumann,
Confidences, Les. Opera.

the Libretto see Jars.
Confidences musicales d'un touriste



Anthem.



Offertory.



For pianoforte. Louis, N.
No. 15 in M.3go.25
Cherubini. No. 6 in M.222.24
No. 28 in M.158.33.3
No. I in M.233.26.3; etc.



Confirma hoc, Deus.

Handl.

Jommelli.
Confirma hoc Deus.

Neukomm, S. No. i in M.260.10.3

Palestrina. Werke. Band 9. M.8o4oa.66.9

Confisus Domino. Motet. Lassus. Sammtliche Werke. Band 7.

M.8o4oa.67.7
Confiteantur Tibi. Motet. Righini. No.
Confitebor Tibi. Motet. Casali.

Lassus. Sammtliche Werke. Band 3.

Palestrina. Werke. Band 2.

Perosi.

Roeder, G. V. Psaumes des vepres.

Selle, L. Vespers.
Confitebor Tibi Domine. Offertory.



18 in M.260.10.5; etc.

No. 5 in M.158.33.4

M.8o4oa.67.3

M.8o40a.66.2

No. 6 in M. 202.37

No. 3 in M.202.7

No. 5 in M.201.36

Palestrina. Werke.



M.8o4oa.66.g

Werke. Band 22.
M.8o4oa.66.22
Confitemini Domino. Motet. Lassus. Sammtliche Werke.



Band 9.
Confitebor Tibi Domine. Mass. Palestrina.



No.

Lassus.



M.8o4oa.67.7
2 in M.380.10

Sammtliche
M.8o40a.67.3
For the Li-



Band 7.
Confluentia. For pianoforte. Kelley.
Confortamini et jam nolite. Motet.

Werke. Band 3.
Confucius. Cantata. For the Music see Homer.

BRETTO see Horspool.
Confundantur superbi. Motet. Lassus. Sammtliche Werke.
Band 9. M.8o4oa.67.g

Confusa si miri I'infida consorte. Aria. Handel. 12 Alt-
Arien. No. 2 in M.270.48

Confusa smarrita. Aria. Jommelli. No. 7 in M. 120.23

Congratulamini mihi. Motet.
Lassus. Sammtliche Werke. Band 13. M.8o4oa.67.i3

Palestrina. Werke. Band 5, 7. M.8o4oa.66.5, 7

ViTTORiA. Opera. Tomus i. M.3I3.2.I

Congratulamini nunc omnes. Madrigal. Zanchius.

No. 6 in M.204.40



293



Congrega



THE PUBLIC LIBRARY OF THE CITY OF BOSTON



Consiglio



Congrega, Domine. Motet. Palestrina. Werke. Band 3.

M.8o4oa.66.3

Congregamini et properate. Motet. Lassus. Sammtliche

Werke. Band 5. M.8o4oa.67.5

Congregati sunt. Motet. Lassus. Sammtliche Werke. Band 9.

M.8o4oa.67.9
Congregational singing.

CuRWEN, J. S. Studies in worship music, chiefly as regards

congregational singing. London. [1880.] M.i44.g

Congreve, Benjamin.

Away to the woods! Glee. (In The Choralist. Vol. 2. ser.

5, pp. 24-27.) No. 55 in M.157.S.2

Never give up! Part-song, (/n The Choralist. Vol. 2, ser.

5, pp. 20-23.) No. 54 in M.IS7.S.2

Te Deum laudamus, in Eb. [Accomp. for organ.] London.

Novello & Co. [1862?] No. 17 in M.190.2

Congreve, William.

Semele, an oratorio. [Music by Handel.] M.1S3.31

Conjuration, La, des fleurs. Cantata. For the Music see Bour-

gault-Ducoudray.
Conolan.

Bunting, E., compiler. A general collection of the ancient

Irish music, containing a variety of admired airs . . . also

the compositions of Conolan and Carolan . . . and adapted

for the piano-forte. Dublin. [1796.] No. 5 in M.380.42

Conosco che mi piaci. Cantata. For the Music see Handel.

Werke. Lieferung S2B.
Conrad, Harriet Adams.

The honored brave. [Quartette for Decoration Day. Ac-
comp. for pianoforte.] Boston. White-Smith Music Pub-
lishing Co. [1894.] No. 28 in M.203.26
Conrad, Michael Georg.

Die Musik im heutigen Italien. Breslau. Schottlaender.

1879. No. 3 in M.145.20

Conrad, Michael Georg, editor and translator.

Rossini und Wagner. Aus dem Italienischen iibersetzt, ein-

geleitet und glossirt. Wien. Rosner. 1879. No. 2 in M. 198.9

Conradi, August.

An der Mosel. Patriotisches Gemalde mit Gesang in einem
Aufzug, von Siegmund Haber. Musik von A. Conradi.
VoUstandiger Klavier-Auszug. Leipzig. Reclam. [1889.]

No. 10 in M.203.IO

Riibezahl. Komische Operette in I Akt, nach einem schle-

sischen Volksmarchen frei bearbeitet von O. Jansen.

Musik von A. Conradi. VoUstandiger Klavier-Auszug.

Berlin. Bote & Bock. [186-?] No. 2 in M.285.27

Das schonste Madchen im Stadtchen. Komische Oper in 2

Acten, von A. von Winterfeld. Musik von A. Conradi.

VoUstandiger Klavierauszug. Berlin. Bote & Bock.

[186-?] No. I in M.285.27

Conran, Michael.

The national music of Ireland, containing the history of the
Irish bards, the national melodies. ... 2d edition. Lon-
don. Johnson. 1850. Plate. M.104.9
Conran, ^lichael, editor.

Haydn. F. J. Te Deum laudamus, for four voices.

No. 38 in M.190.3

Conscience, Hendrik.

De dichter en zijn droombeeld. Groot zangspel. Muziek
van Karel Miry. Met de fransche vertaling onder den
vlaamschen tekst. M.267.2

Conserva me. Motet. Neukomm, S. Recueil de 40 motets.

No. I in M. 158.37
Conservate, raddopiate. Duet. Handel. Werke. Lieferung
32. M.313.1.32

Conservati fedele. Aria. Mozart. Werke. Serie 6, Band i.

No. 2 in M.315.1.5.1
Conservatoire imperial de musique de Paris. See Conserva-
toire national de musique et de declamation, Paris.
Conservatoire national de musique et de declamation, Paris.
Bibliotheque du Conservatoire. Catalogue bibliographique.
Par J. B. Weckerlin. Paris. Firmin-Didot & cie. 1885.
Plates. M.124.6

Extraits des arretes des 11 septembre. 1878, et 6 aoiit, 1894
et de la decision ministerielle du 25 Janvier 1890, portant



Conservatoire national de musique . . . (Continued.)

reglement du Conservatoire national de musique et de
declamation. Paris. [1895.] No. 2 in M.102.21

Le Conservatoire national de musique et de declamation
Documents historiques et administratifs, recueillis ou re-
constitues par C. Pierre. Paris. 1900. M. 142.3

Le Musee du Conservatoire national de musique. ler sup-
plement au catalogue de 1884, par Leon Pillaut. Paris.
1894. No. I in M.102.21

Sujets de fugue et themes d'improvisation donnes aux con-
cours d'essai pour le grand prix de Rome, aux concours
de fugue, aux concours et examens d'orgue (annees 1804 a
1900). Recueillis par C. Pierre. Paris. 1900.

No. 3 in M.372.60
Conservatoire national de musique et de declamation, Paris.
Works about.

Baillot, p. M. F. de Sales. Observations relatives aux con-
cours de violon du Conservatoire de musique. OEuvre
posthume. Paris. 1872. Table. No. 2 in M.205.11

Bertrand, J. £. G. De la reforme des etudes du chant au
Conservatoire. Paris. 1871. No. 2 in M.206.4

Lassabathie, . Histoire du Conservatoire imperial de

musique et de declamation. Paris, i860. M. 128.35

Martinet, A. Histoire anecdotique du Conservatoire de
musique et de declamation. Paris. [1893.] M.129.29

Monteil, E. Lettre sur le Conservatoire, Section de decla-
mation. Paris. 1868. No. i in M.373.23

Pierre, C. V. D. B. Sarrette et les origines du Conserva-
toire national de musique et de declamation. Paris. [1895.]
Portraits. M.215.15

Rahn, B. L'enseignement musical en France et le Conser-
vatoire imperial de musique de Paris. Paris. 1864.

No. 3 in M.102.21

Urso, C. Violin-playing and the Paris Conservatoire. Illus.
Portraits. Autograph fac-simile. (/n The music of the
modern world . . . Vol. i, pp. 154-156. New York. [1895.])

M.14.1.1
Conservatoire national de musique et de declamation, Paris.
Societe des concerts.

Dandelot, a. La Societe des concerts du Conservatoire de
1828 a 1897. Les grands concerts symphoniques de Paris.
Paris. 1898. Portraits. Plates. Fac-similes. M.370.68

Deldevez, £. M. E. La Societe des concerts, i860 a 1885
(Conservatoire national de musique). Paris. 1887.

A continuation of Elwart's Histoire [m. 129. 30]. M.I32.7

Elwart, a. a. £. Histoire de la Societe des concerts du

Conservatoire imperial de musique . . . 2e edition, aug-

mentee des programmes, 1860-63. Paris. 1864. Portrait.

Plans. M.129.30

Conservatoire royal de musique de Bruxelles.

Annuaire. Annee 1-19. Gand. Hoste [etc. 1877^1895.
18 v. in 6. Illus. Portraits. Facsimiles. M.186.S

There are two copies of Annee 3.

Catalogue de la bibliotheque. Par M. Van Lampuen.
Bruxelles. Poot & cie. 1870. M.123.5

Conservatoire royal de musique de Bruxelles. Works about.

Mailly, N. £. Les origines du Conservatoire royal de mu-
sique de Bruxelles. [Bruxelles. 1878.] No. 5 in M.116.8
Conservatories of music.

See also Academie de musique, Quebec; Boston Conserva-
tory of Music; Boston Music School; Conservatoire na-
tional de musique et de declamation, Paris; Conservatoire
royale de musique de Bruxelles; Hampstead Conservatoire
of Music, London; New England Conservatory of Music;
Oberlin College, Conservatory of Music; Petersilea, Car-
lyle; Tremont School of Music, Boston.

RouxEL, . Histoire des ecoles de musique. Reponse au

■ discours prononce par M. Gevaert, a 1' Academie des
beaux-arts a Bruxelles, septembre 1876. Par un Trouvere.
2e edition. Paris. 1877. No. 2 in M.370.64

Weldon, G. On the advantages to be derived from a self-
supporting academy of music. London. 1872.

No. 3 in M. 128.33
Consiglio, II. Song. Florimo. Ore musicali. No. 2 in M.244.I9



294



Consign'd



THE ALLEN A. BROWN COLLECTION OF MUSIC



Convito



Consign'd to dust. Glee. Battishill. No. 193 in M.110.1.3; etc.
Consolation. Part-song. Dow, H. M. No. ^7 in M.igo.2

Smart, H. No. 7 in M. 195.1.1

Consolation. Song. Schubert, F. P. Melodies. Vol. 8.

M.327.4.8
Consolation. Symplwnic poem. Floersheim. No. 2 in M.410.26
Consolator optime. Anthem. Himmel. No. 27 in M.260.3; etc.
Console, Federigo.

Aux bords du Nil. Mohadet (Racconto) pour petit orchestre.

En partition. Florence. Guidi. 1882. No. i in M.355.4

Fantasia orientale a grande orchestra. [Partitura.l Firenze.

Guidi. 1882. [Biblioteca del sinfonista.] No. 2 in M.355.4

Consols! consols! Catch. Stevens, R. J. S. No. 32 in M.220.94

Consonanzen und Dissonanzen. Criticism. Lobe. M. 136.3

Constance. Opera. For the Music see Clay. For the Libretto

see Robertson, T. W.
Constance. Song. Linley, G. Songs. Vol. i.

No. 29 in M.235.ig.i
Constancy. Part-song. Ritter, G. P. No. 42 in M.392.21

Constancy. Song. Beethoven. Werke. Serie 24. M.413.1.24
Constantia. Cantata. For the Music see Sloman. For the Li-
bretto see Righton.
Constantin, Carl, pseud. See Muench-Bellinghausen, Carl Con-

stantin.
Constantin, Charles. See Constantin, Titus Charles.
Constantin, Marc.

Les bijoux de Jeannette. Opera comique. Musique de

Amedee Godard. No. i in M.266.1

Le buisson d'ecrevisses. Saynete-monologue. Paroles de

Marc Constantin & Henri Vachot. Musique de Felix

Pardon. No. i in M.301.17

Le docteur Frontin. Opera comique. Musique de J. Nar-

geot. No. I in M.267.21

Histoire des cafes-concerts et des cafes de Paris. Nouvelle

edition, augmentee. Paris. Renauld. 1872. Illus.

No. 3 in M.128.18
Jeanne, Jeannette & Jeanneton. Operette. Paroles de Marc
Constantin & fimile Abraham. Musique de J. Nargeot.

No. I in M.393.47
Pattes blanches. Operette. Paroles de Marc Constantin et
Coron. Musique de Laurent de Rille. No. 4 in M.307.20

Constantin, Titus Charles.

Dans la foret. Opera comique en i acte. Paroles de Jules

Ruelle. Musique de Charles Constantin. Partition pour

piano et chant. Paris. Girod. [1872.] No. i in 11.285.28

Constantin. Oratorio. For the Music see Vierling. For the

Libretto see Bulthaupt.
Constitutional, Le. Newspaper.

Annuaire des lettres, des arts et des theatres, du journal Le

Constitutionnel. 1845-46. Paris. Lacrampe & Co. 1846,

47. Plates. M.373.32

Constitutionslied. Part-song. Becker, V. E. No. 28 in M.204.3g

Schubert, F. P. Chor-Gesangwerke. Band i.

No. 13 in M.280.48.1
Vogl, F. a. No. 29 in M.204.39

Contadina, La, in corte. Opera. For the Libretto see Sacchini.
Contant D'Orville, Andre Guillaume.

Histoire de I'opera bouffon. Pour servir a I'histoire des

theatres de Paris. [Anon.] Amsterdam. 1768. 2 parts

in I T. M.i2ga.i4

Conte, II, dAlmaviva. [Opera.] Atto secondo. [Partitura.]

N. p. Manuscript. [180-?] M.31.21

Conte d'autrefois. Symphonic poem. Hartog. Ein Marchen.

No. 4 in M.348.13
Conte d'avril. Incidental music. Widor. M.410.81

Conte, II, di Lavagna. Opera. For the Music see Mabellini.

For the Libretto see Guidi.
Conte, II, di Marsico. Opera. For the Music see Balducci.
Conte, II, di S. Romano. Opera. For the Music see Giosa.

For the Libretto see Golisciani.
Conte, II, di Saldagna. Opera. For the Music see Zingarelli.
Conte Ugolino, II. Cantata. For the Music see Rossini.
Contemplation. For violin and pianoforte. Mendelssohn-Bar-
tholdy, J. L. F. No. 14 in M.357.12

Contemporaines, Les. Quadrilles. Louis, N.

No. 15-18 in Ii.3g0.17



Content. Duett [s. s.]. {In Bland. The Ladies' collection.

Vol. 4, p. 391.) No. 71 in M.235.17.4

Content and rosy dimpled mirth. Glee. Atterbury. A collec-
tion of catches. No. 3 in M.220.7
Contented hunter. The. Part-song. Moscheles, I. Tyrolese

melodies. Vol. 2. No. 19 in M.244.24.a

Contented labourer, The. Part-song. Simpson, H. P.

No. 6 in M.235.14
Contention of Ajax and Ulysses. Cantata. For the Music see

Parry, C. H. H. For the Libretto see Shirley.
Contes, Les, d'Hoffmann. Opera. For the Music see Offen-
bach. For the Libretto see Barbier, P. J.
Contes de Noel. Cantata. For the Music see Burgmein. For

the Libretto see Silvestre.
Contes, Les, de Perrault. Songs. Lacome d'Estalenx.

No. 2 in M.202.28
Contessa, La, dAmalfi. Opera. For the Music see Petrella.

For the Libretto see Peruzzini.
Contessa, La, di Mons. Opera. For the Music see Rossi, L.

For the Libretto see Arienzo.
Contessina, La. Opera. For the Music see Poniatowski. For

the Libretto see Saint Georges.
Contest, The, between love and glory. Song. Arne, T. A.

Lyric harmony. Vol. i. M.380.1

Contestabile, II, di Chester, ovvero I fidanzati. Opera. For

the Music see Pacini, G. For the Libretto see Gilardoni.
Conti, Giuseppe.
Amen. Coro in canone. A 5 voci [s. s. a. t. b. Accomp. for

organ], (/n Novello. The Fitzwilliam music. Vol. 4,

pp. 42-45.) No. 8 in M.233.26.4

Continentals, The, or the militiaman's bride. Opera. For the

Music see Hayes, G. H. For the Libretto see Schwab, E.
Contrabandista, The. Opera. For the Music see Sullivan, A.

S. For the Libretto see Bumand.
Contrabandiste, Der. Duet. Schumann, R. A. Werke. Serie

10, Band 2. M.316.1.10.2

Contrabandiste, Der. Song. Schumann, R. A. Spanisches

Liederspiel. Anhang. No. 20 in M.244.15.2

Contraddizione, La. Song. Piozzi. No. 24 in M.235.18.4

Contrary, The, to strait. Catch [for 4 voices]. (In Warren.

Collection of catches. Vol. I, p. 230.) No. 161 in M.220.9.1
Contrastes, Les. f or /-iaiio/or^e. Louis, N. No. 15-17 in M.3go.8



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