There's several other photographers that are being approached, and
we're trying to encourage them, because there's going to be a
handsome space available, and they intend some day to build a
special center, a building, just for the Center.
Teiser: Did I get the implication that no exhibit prints would ever come
from it, only reproduction prints?
Adams: Yes, there would be no exhibit prints. There would be prints for
reproduction, for educational purposes. And then there is another
possibility that certain negatives will be so designated as to
carry out my idea, often expressed, that the negative is equivalent
to the composer's score, and the print is the performance. So
advanced students approved by the committee may be able to take my
negatives and interpret them but not for sale; it will be as a
matter of education.
Teiser: Oh, that's an interesting idea.
[End Tape 31, Side 2]
[Begin Tape 32, Side 1]
Teiser: Well, one thing more that I guess you might, if you wish to, put on
the tape something about your photographic session with Imogen
Cunningham and her commission for People magazine.*
Adams: It was quite marvelous. They commissioned Imogen to make pictures
of me. The western representative, the writer, was bringing her
down. And she did quite a series of pictures and some of them were
very good. I did quite a series of pictures of her. We had quite
a happy day of it; it was very satisfactory. She's really marvelous
*The result appeared in the issue of March 17, 1975.
746
Adams: at ninety-two, and she really controls herself very well; she took
a two-hour snooze after lunch and really worked very hard. And I
posed and posed and posed, and she got some good things.
But we were going to develop these negatives here; she wasn't
going to send those rolls on to New York. She was going to develop
and pick the pictures she liked. So we developed the rolls, dried
them as fast as we could, Alan Ross made strip proofs, and we dried
them in the microwave oven. [Laughter] Takes about sixty seconds
to dry an 8-10 print, and it dries beautifully. Anyway, that was
fun.
Then the last thing that happened was a New York radio
station television show the Reasoner show, came out here, a whole
crew, and did a news story about me news on personalities. So
they came and they photographed me working and they talked to the
students from Eugene, Oregon, who happened to be here. Then they
came and photographed my birthday party. Then we went to Point
Lobos and did more pictures in the darkroom. It was quite a take
out. I had a fine time. They spent an awful lot of time with it.
They say it will take only between three and four hours of your
time; they'll set up and they'll just move in. Well, it takes
three or four days you can't really concentrate on anything else
because the house is just full of lights gosh, it's terrible.
Teiser: You also were on the "Today Show" you said earlier.
Adams: Well, that trip was on the book Images , in Washington, at the
opening of my show at the Corcoran Gallery. Then I flew up to New
York that night to be on the "Today Show" the following morning,
and then I had to fly right back. That worked out very well, but
because of the Rockefeller hearings the "Today Show" was canceled
in the West. So it was only seen in the East and Midwest.
I'm always happy to get good comments on things, but negative
comments do me more good. You know, in the end you learn more from
negative comments. I wish that people would be more critical of
what they see, but people write cards and say, "I saw you on the
'Today Show' and it was great," and so on. But what really
happened the nitty-gritty is important, and that's what I didn't
feel.
Only one thing on the "Today Show" the microphone was under
my shirt, and I had my glasses off, and I'd talk and I'd move my
glasses against my chest, creating a loud crash. And that happened
on another show.
So I went to Dallas for the book [Images] , to Houston, to
Cleveland, to Minneapolis, to Chicago, to Washington, to New York,
to Boston, to Detroit, to San Francisco. Then I was due in Los
747
Adams: Angeles, Santa Barbara, Portland, and Seattle, but by that time I
was absolutely exhausted and had high blood pressure, and the
doctor ordered me to terminate the tour.
But the book signing sessions are not so bad; it's just that
they keep you going. You sign for a couple of hours and talk to
people, and then you have to go to a radio session and be
interviewed or televised. Then you take a plane to another
location, and that's the way it goes.
Teiser: Well, I'm glad you recovered from it.
Adams: I seem to have recovered from it. [Laughter]
Teiser: That brings us up to this moment, does it?
Adams: I guess it does. I can't think of anything.
Teiser: The recent occasion was your seventy-third birthday.
Adams: It's dismal to think about it I look in the mirror and think of
it as thirty-seven, but things don't look quite right.
Anyway, things are going well, and we're planning on the
Southwest book, and Portfolio Seven I guess Portfolio Seven comes
first. And then in a couple of years hopefully a very handsome
book on Yosemite and the Sierra Nevada. Then also the revision of
the Polaroid book and my technical books.
[End Tape 32, Side 1]
Transcriber: Patricia Raymond
Final Typist: Lee Steinback
748
INDEX Ansel Adams
This index includes the names of selected people but few places and few
subjects. For the principal subjects discussed, see the Table of Contents.
Note: Books and portfolios are listed in the Book Index,
ASMP. See American Society of Magazine Photographers
Abbott, Berenice, 156
Ackerman, Phyllis, 72
Adams, Anne. See Helms, Anne Adams (Mrs. Kenneth)
Adams, Beth (aunt), 235, 238, 245
Adams, Cassandra Hills (Mrs. William J.), 2
Adams, Charles Hitchcock (father), 1, 4, 5, 10-11, 27, 28, 33, 36, 137
residence, 5, 27, 165, 228, 254, 255, 263, 585
Adams, Edward H. ("Tink"), 373, 424
Adams, Michael ("Mike") (son), 1, 36, 281-282, 328, 534, 724
Adams, Olive Bray (mother) (Mrs. Charles H.), 3, 11, 36, 165, 228, 231,
232, 585, 615
Adams, Virginia Best (Mrs. Ansel), 159-197, 227-243 passim, 328-335, 430,
448, 529-530, 610, 720
Adams, William James (grandfather), 2, 3, 11, 618
Adams, William L., 4
Adams-Danysh Galleries. See Ansel Adams Gallery
Albright, Thomas, 536
Albright, Horace, 330, 333, 379, 391, 627-628
Albright Art Gallery, 108, 390, 393
Alderson, George, 688
Alvarez, Walter, 240, 242, 594, 639
American Academy of Arts and Sciences, 576
American Alpine Club, 601
American Institute of Architects, 576
American Place, An, 379, 392, 393
American Society of Magazine Photographers (ASMP), 344, 490, 565, 626
American Trust Company. See Pageant of History in Northern California, The
Anakeef, Sibyl, 395 [in Book Index]
Anderson, George C., 253
Ansel Adams Gallery, 319, 335-337
Anspacher, Carolyn, 68
Aperture magazine, 112, 120, 449-450, 451-452, 453-455, 477, 522, 534, 537,
566
Appalachian Mountain Club, 601
Applegate, Alta (Mrs. Frank), 162, 164
Applegate, Frank, 162, 163-164, 167, 173, 180, 191, 192, 328
Archer, Fred, 143, 372, 397
749
Arizona Highways magazine, 461, 479, 493
Armitage, Merle, 357
Art Center School, 14-15, 105, 143, 219, 352-353, 362, 367, 369, 370, 372-
373, 397, 424
Art in the Embassies program, 17, 460-461
Aspinall, Wayne N., 654
Astronomical Society of the Pacific, 11
Atkeson, Ray, 468
Austin, Mary, 72, 160, 161, 162, 164, 170-181, 184-188, 189, 196, 559
Avedon, Richard, 345
Babin, Victor, 30, 77, 299
Bacon, Ernst, 24, 30, 68, 72, 76, 77, 80
Bade, William F., 637
Baer, Morley, 742
Bailey, Vernon, 646
Bakers Beach, 9, 36, 584, 701
Bancroft Library, The, 311, 312, 399, 446, 549, 557, 744
Bank of California, 11, 182
Barnack, Oscar, 214
Barr, Alfred, 401, 402
Baruch, Ruth-Marion, 509
"Basic Photo" books, 42, 43, 129, 448-449, 488, 495, 513, 527-528. See
Book Index for specific titles
Bauer, Harold, 299
Bauer, Karl, 337
Bayer, Herbert, 17, 63, 343, 496
Beaton, Cecil, 327
Bell, F.H., 48, 324
Bender, Albert, 67-70, 72-75, 78, 102, 103, 104-105, 145, 159-162, 169,
175-177, 181, 187-188, 200, 204, 317-318, 319, 328, 384, 390, 515, 560
Bentley, Ellen (Mrs. Wilder), 275
Bentley, Wilder, 267, 268, 275
Berko, Ferenc, 469
Bernays, Phil S. , 613, 680
Bernhard, Ruth, 148, 359
Berry, Phillip ("Phil"), 686, 688
Best, Harry C. (father of Virginia Best Adams), 227, 228, 229, 253, 278, 384
Best Studio, 228-229, 252, 253, 500
Bischoff, Werner, 466, 468
Bishop National Bank. See Islands of Hawaii. The [in Book Index]
Bissantz, Edgar, 397
Blanch, Arnold, 79
Bodega Marine Laboratory, 71
Bohn, David ("Dave"), 427, 668, 681, 742
Book Club of California, 127, 176, 187, 515
book publishing, 427-431, 474-476, 667-669, 715
Born, Stephen A., 5-6
750
Boston Museum, 60, 406, 419, 538
Bothwell, Dorr, 293
Bottome, Phyllis, 67
Boudin Bakery, 578
Bourke-White, Margaret, 117, 397, 469, 564
Boyd, E., 164, 174
Boyd, Louise, 38, 39, 284
Boyd, Philip, 550
Boynton, Ray, 78
Boy Scout Camp, Cimarron, 190-191
Boysen, Julius, 252
Bradley, Harold C., 680
Brady, Matthew B., 46, 48, 294, 298, 390, 413, 415. See also "Brady and
the American Frontier" exhibit
"Brady and the American Frontier" exhibit, 306, 324-326
Bransten family, 103
Brassai, 728, 729
Bray family, 2-3
Bray, Olive. See Adams, Olive Bray
Bremer, Anne, 177
Brett, Dorothy, 175
Erigman, Ann, 9, 51, 94-95, 148, 304
Brooks, Paul, 513, 686, 688
Brower, David ("Dave"), 463, 472, 474, 475, 559, 596, 597, 613, 623-624,
662, 667-668, 670-671, 674-682, 684, 686-689, 690, 692, 693, 694, 698-699,
704, 713, 715-716, 720, 742
Brown, Edmund G., Sr., 651
Bruehl, Anton, 58, 149, 399, 563
Brugiere, Francis, 303-304
Bry, Michael, 223
Buckner, Simon B., 351
Bufano, Beniamino (Bennie) , 67, 78, 319, 401, 478
Buffalo Institute of Art, 108
Buhlig, Richard, 79
Bullock, Wynn, 149-150, 295, 301, 315, 418, 477, 742, 745
Bunnell, Peter, 302
Burchfield, Charles E., 562
Burden, Shirley, 452
Butler, Marie, 6, 27, 370
Bynner, Witter ("Hal"), 72, 159-160, 162-163, 170, 171, 172, 185, 196
Caff in, Charles H. , 51, 52
California Palace of the Legion of Honor [museum], 327, 409-410
California School of Fine Arts, 70, 108, 143, 373, 374-375, 409, 455, 508
Calkins, Deborah, 436
Camera Club, Boston, 408
camera clubs, 9, 50, 110, 303-304
Camera Craft magazine, 268, 304
751
cameras, 124, 211, 284, 337-341
Area-Swiss [view], 38, 342
Brownie (No. 1), 37, 231
Canon, 338
Corona view, 38
Deardorff view, 38
Fairchild, 39, 284
Folmer view, 38
Graf lex, 39, 340
Hasselblad, 38, 39, 124-125, 136, 284, 286, 338, 339, 340, 341, 342, 358
481, 485, 486, 544, 545, 546, 547, 556, 575
Instamatic, 136
Kodak [view] , 38
Kodak Bullseye, 37
Konica, 338
Leica, 337, 338
Leicaflex, 135
Linhof view, 38, 39
Minolta, 338
Nikon, 338
Pentax, 338
pinhole, 41
Polaroid, 21, 39-40, 43-44, 117-119, 123, 133, 136, 360, 388-389, 521 575
Rolleiflex, 39, 124, 126, 338, 339-340, 341
Sinar [view] , 38
Speed Graphic, 14, 286
Speed Kodak (1A) , 38
Vectograph, 392
Vest Pocket Kodak, 37-38
Zeiss Contarex, 337, 338
Zeiss Contax, 38, 337
Zeiss Juel, 39, 351
Zeiss Mirroflex, 38, 39, 340
Zeiss Moviecon, 224
Zeiss Super Ikonta, 350, 530
Camera Work magazine, 54, 200, 392
Cameron, Ida B., 26, 27
Cameron, Julia Margaret, 20, 48, 148, 313
Caponigro, Paul, 120
Carlsbad Caverns, 381-382
Cartier-Bresson, Henri, 14, 15, 20, 46, 89, 215, 300, 304, 339, 368, 453,
493, 498, 499, 533, 565, 728
Cassidy, Gerald, 160
Cassidy, Ina Sizer (Mrs. Gerald), 160
Center for Creative Photography, 446, 744, 745
Chapman, Oscar L., 629
Chappell, Walter, 742
Chase, Pearl, 683-684
Church, Thomas D. ("Tommy"), 71
Circle of Confusion [organization], 111
752
Civil Liberties Congress, 254
"Civil War and the American Frontier, The" exhibit, 413-414
Clark, Lewis, 612, 669, 673, 679, 682, 719
Clark, Nathan, 669, 673, 688
Clark, Walter ("Nobby"), 257
Clergue, Lucien, 728, 729
Clinch, Nicholas, 679, 687
Clyde, Norman, 268
Coburn, Alvin Langdon, 390, 394
Coke, Van Deren, 308
Colby, William E., 36, 241, 244, 588, 589, 594, 598, 599, 608, 610-611,
612, 621, 623, 632, 633, 635, 642, 643, 647, 673, 680, 705, 716, 719
Coleman, A.D., 309
Columbia Foundation, 108, 374
communism (in the United States), 49, 155-157, 417
Concerned Photographers group, 510
Concord (California) City Hall, 420-421
Connell, Will, 397
conservation, 37, 64-65, 195-196, 225, 255, 264, 471-472, 582, 721 passim
Coolbrith, Ina, 67
Corcoran Gallery, 726
Cosindas, Marie, 442, 522-524
Crane, Ralph, 157
Craven, Julius, 89
Crocker, H.S. Company, 203-204, 290, 449, 475, 476-477, 479-480, 485
Crowe, Harold E., 680
Cunningham, Imogen, 9, 50, 67, 91, 94, 96, 126, 150, 153, 315, 386-387,
745-746
Curley, Charles, 373
Curry, D.A. , 231
daguerreotypes, 59, 140, 361, 390, 482
Dali, Salvador, 562
Damon, Bertha Clark Pope, 72, 159-162
Danysh, Joseph, 336
darkrooms, 315, 569-578
Dart, Justin, 684
Dassonville, William E., 8, 9, 51, 74, 127, 128, 176, 395
Davidson, Bruce, 111, 147
Davis, Perry, 445
Dawson, Glen, 239-240
De Cock, Liliane, 203, 215, 289, 292, 294, 302, 304, 338, 431, 433, 532
Dedrick, Claire, 688
Degnan, John, 251
Delattre, Pierre, 549
Delphic Studios, 319
de Pachmann, Vladimir, 77
Deschin, Jacob, 309
Desmond Park Service Company, 252
753
de Young Museum, 70, 87, 309, 310, 311, 318-319, 405, 408, 534-537, 721-722
Diazo [process], 44
Dickey, Randall, 679-680
Dixon, Edith Hamlin ("Edie") (Mrs. Maynard) , 197
Dixon, Maynard, 78, 101, 197, 582
Dmitri, Ivan, 129
Dodge, Edwin, 173
Dominican College, San Rafael (California), 425
Dove, Arthur, 313
Downie, Harry, 167
Downtown Gallery, New York, 419-420
Dreis, Hazel, 74-75, 176, 188
Drury, Newton, 701, 704
DuPont [company], 64
Dyer, Pauline, 679
Eakins, Thomas, 148
Eastman, George, 256-258
Eastman [George] House, 305, 457-458, 459, 468, 539
Eastman [Kodak Company], 43, 63-64, 70, 82, 83, 136, 138, 141, 197, 212,
213, 215, 217, 257-258, 346, 378, 385, 387-388, 437-438, 457-458, 521,
525, 527, 577
Easton, Ansel, 10
Eaton, , 373
Echo Park dam controversy, 652-653
Edwards, John Paul, 50, 51, 96, 153
Edwards, Mary Jeannette, 96
Ehrlich, Paul, 616
Eichorn, Jules, 679
831 Gallery, 567
Eissler, Frederick, 688
Elkins, Frances, 703
Elman, Mischa, 79
"Eloquent Light" exhibit, 406
environment, protection of, 225. See also conservation
Eugene, Frank, 394
Evans, Carl, 173
Evans, Frederick, 217
Evans, Herbert, 240, 594
Evans, John, 173
Evans, Walker, 156, 298
Eveleth, William, 188
Ewing, Grace Sovulewski (Mrs. Frank B.), 252, 265
exposure meters, 91, 94, 133-136, 143-145, 356
f/64. See Group f/64
Fall, Albert, 629
"Family of Man" exhibit, 209, 322-323, 403-404, 540
754
Farm Resettlement Administration. See Farm Security Administration
Farm Security Administration, 48, 298, 340
Farquhar, Francis P., 199, 305, 324, 390, 625, 626, 631, 637, 665, 669
680, 714
Farquhar, Marjory B. (Mrs. Francis P.), 610
Farquhar, Robert, 318
Farr, Fred, 224, 576
Fellig, Arthur. See Weegee
Ferris, Melton, 451
Ficke, Arthur Davidson, 72, 160, 174
Field, Sara Bard, 68, 78, 310
films. See photographic films and plates
filters [major discussions of], 93-94, 116, 212, 256, 257, 259
5 Associates, 495, 500-501, 502
Flaherty, Robert J., 95, 334
Focus Gallery, 567
Foley, David J. , 252
Folmer & Schwing, 38
Foothill College, 70
Ford, Betty (Mrs. Gerald), 735-736
Ford, Gerald, 735-736
Ford, Henry, Museum, 306, 324
Forsyth, Alfred S., 688
Forsyth, E.G., 110
Fortnightly magazine, 357
Fortune magazine. 70, 126, 343-345, 348, 353-354, 387, 397, 420, 435-436,
484
Frankenstein, Alfred, 371
Frederick, Paul, 506
Freemesser, Bernard, 742
Fremont Indemnity Company, 316, 420
Friends of the Earth, 678, 716
Friends of Photography, 51, 66, 106, 110, 112, 217, 295, 301-305, 307-308,
365, 398, 450, 451, 464, 499, 611, 635, 663, 673-674, 741-743.
Friends of the Sea Otters, 663
Fritsch, Jules, 276-277
Fruge, August, 679, 686, 687, 688
Fujita, 67
Futtrell, William, 688
Gagliani, Oliver, 742
galleries, photography, 111-112, 319. See also under names of individual
galleries
Gardner, Alexander, 324, 390
Garland, Marie, 174
Garnett, William ("Bill"), 285-286, 373, 464, 468, 469, 470
Garrod, Richard ("Dick"), 225, 339, 452, 742
Gasser, Adolph, 42, 571
General Graphic [Services], 378. See also Wei cher, Irwin
755
Genthe, Arnold, 46, 114, 215, 298, 326-327, 328, 468
Gidlow, Elsa, 507
Gilpin, Henry, 224, 452, 742
Gilpin, Laura, 198-199
Ginzton, Edward, 516
Glaser, Donald, 556
Gleason, Rodney, 266
Golden Gate International Exposition, 113-115, 155, 387, 389-392, 394-398
399, 408
Golden Gate National Seashore, 701
Goldsworthy, Patrick, 688
Gonne, Maude, 168, 169
Grab horn, Edwin, 75, 188, 200
Grabhorn, Robert, 75, 200
Grabhorn Press, 68, 74, 175-176, 187, 200, 318, 445, 515
Grand Canyon dam controversy, 597, 624, 691-694
Grand Teton National Park, 652
Greany, J. Malcolm, 487
Greene, James, 420
green flash, 115-116
Gregory, Michael, 534
Grosvenor, Gilbert H. , 636
Crotch, Stanley, 221, 226-227
Group f/64, 9, 49-51, 87, 89-91, 93, 94-96, 99-102, 105-107, 109, 113, 114,
121, 142, 153, 156, 181, 219, 295, 301, 310, 319, 375, 397, 408
Guggenheim Foundation [fellowships], 197, 294, 419-420, 426, 431-435, 501,
558
Guggenheim Museum, 411
Hagel, Otto, 394
Hahnemann, Samuel, 26
Hall, Ansel, 227, 230
Hamlin, Edith. See Dixon, Edith Hamlin
Hansen, William W. , 516
Hardy, Rex, 292-293, 355, 395, 397
Harriott, , 32, 33, 254-255, 416
Hartley, Marsden, 330, 562
Hartzog, George B., Jr., 628-629, 648
Harwood, Aurelia, 599, 610
Harwood Lodge, 610
Hasselblad, Victor, 341
Heimbucher, Clifford V. , 680
Heinecken, Robert E., 394
Helms, Anne Adams (Mrs. Kenneth), 500
Hetch-Hetchy dam controversy, 595, 613-615, 621, 692, 697
Heyman, Theresa, 386
Hildebrand, Alexander, 675
Hildebrand, Joel H. , 541-542, 548, 675
Hill, David Octavius, 390
756
Hill, Jim, 742
Hills family, 2
Hoffman, Mike, 455
Holder, Preston, 90, 101
Holiday magazine, 343
Holliday, James S. ("Jim"), 187
Holman, Francis ("Uncle Frank"), 231-237, 245, 264, 584-587, 710-711
holography, 153
Hopper, Edward, 147, 562
Horan, James D. , 414
Howard, Robert, 78
Huber, Walter, 266, 612
Hudson, Tom, 659
Huestis, Charles, 688
Huffman, John W. , 552
Humble Oil [Company], 659
Huneker, James, 19
Huntington Library, 312
Hutchings, James M. , 230
Hyde, Philip, 464, 659, 669, 688
IBM, 72, 316, 347
Ickes, Harold, 623, 629-631
"I Hear America Singing" exhibit, 466, 496, 498, 540
Infinity magazine, 450-451
Institute of Design, 308
Jackson, Joseph Henry, 290
Jackson, William Henry, 18, 48, 298, 306, 324, 327-328, 391, 413, 415
Japanese-Americans, World War II relocation. See Manzanar
Jeffers, Robinson, 67, 73, 127, 184, 314, 423-424, 452, 558-561
Jeffers, Una (Mrs. Robinson), 184, 560
Jenkins, Louisa, 85
Joesting, Edward ("Ed"), 487-488
John Muir Institute, 677-678
Johnck & Seeger, 318, 515
Jones, Ken, 479
Jones, Pirkle, 62-63, 374, 504-506, 508-509, 511
Jukes, Thomas H. ("Tom"), 471, 472, 542-543, 647, 673, 741
Julian, Dick, 158-159, 294, 364, 573-574
Kaminski, Edward, 365, 367, 369, 373
Kanaga, Consuelo, 9, 90, 91, 101
Karsh, Yousuf, 21-22
Kasebier, Gertrude, 51, 394
Kefauver, Nancy (Mrs. Estes), 17, 460-461
Keiley, Joseph T., 394
757
Kennedy, Clarence, 150, 216, 219, 294, 382, 388, 391-392, 468, 521, 580
Kennedy, Lawton, 203, 318, 515
Kepes, Gyorgy, 17, 63
Kerr, Clark, 541, 543-544, 546, 556
Kertesz, Andre, 304
Kidder-Smith, G.E., 398
King, Alexander, 373
King, Clarence, 245-246
Kings Canyon controversy, 630-631, 696-697
Knight, Phil, 500
Kodak. See Eastman [Kodak Company]
Koshland, Cora (Mrs. Marcus), 69, 317-318
Kramer, Bill, 659
Kriley, , 73
Kuehn, Heinrich, 394
Laboratory of Anthropology, Santa Fe, 327, 413
Laguna Niguel, 70
Land, Edwin, 33, 34, 36-37, 43, 81, 93, 117-118, 130, 134, 141, 214, 225,
257, 294, 317, 321, 322, 372, 387, 388-389, 391-392, 403, 442, 452, 472,
494, 519, 520, 521, 523, 526, 663, 684, 700
Land cameras. See cameras, Polaroid
Lane, William, 317, 319
Lange, Dorothea, 9, 23, 48, 78, 101, 146, 158, 292, 293, 340, 344, 348-350,
395, 431, 451
Lartigue, Jacques Henri, 728-729
Laurel Hill Cemetery, 34-35, 483-484
Lavenson, Alma, 50, 90, 101-102, 395
Lawrence, D.H., 174, 180
Lawrence, Frieda (Mrs. D.H.), 174, 180
Leavitt, Helen, 156
LeConte, Helen Gompertz (Mrs. Joseph N.), 250, 273
LeConte, Helen M. , 66, 76, 230, 250, 591, 664
LeConte, Joseph, 249, 711-712
LeConte, Joseph N. ("Joe"), 17-18, 66, 95-96, 230, 249-251, 253, 266, 273,
391, 446, 591, 599, 612, 713
LeConte family, 17, 235, 249-251, 253, 266, 591, 594, 642, 685. See also
under names of individual members
LeConte Memorial Lodge, 227, 228, 234-235, 244, 250, 253, 254, 261, 262,
462, 465, 594, 608, 711-712
Lehmann, Charles, 54
Lehmann, Mrs. Charles, 331
lenses, general, 59-61, 92-94, 257, 273, 286, 337,3340, 519-520, 573
Cooke, 92
Dagor, 243
Dallmeyer Adon process, 272, 273
Goerz Artar Tessar, 572
Graf Variable Anastigmat, 53
Schneider Xenon, 391
Super Angulon, 92, 243-244, 340, 522
Zeiss Protar, 5, 92
Zeiss Tessar, 28b
758
Leonard, Doris (Mrs. Richard), 616
Leonard, Richard ("Dick"), 599, 612, 614, 622, 623, 624, 636, 670-671, 673,
675, 676, 677, 679, 681, 687, 688, 689, 694, 696, 699, 709, 712, 716, 719
Leopold, A. Starker, 646, 674, 688
Leopold, Aldo, 645-646, 657
Lerski, Helmar, 489
Lester, Henry, 437
Libby, Willard F. , 552
Liberty magazine, 425
Library of Congress, 415
Life magazine. 157, 291, 344-345, 348-349, 355-356, 374, 394, 397, 515,
566, 568
Light Gallery, 112
light meters. See exposure meters
Limited Image Gallery, 112, 418-419
Little, Matthew A., 27
Litton, Martin, 616, 678, 686, 688
Logan, Mrs. John S., 537
Lone Pine-Porterville road controversy, 598, 633, 709-710
Long, Haniel, 160, 175
Look magazine, 356-357, 443
Lorenz, Pare, 95
Louie, Ernest, 451
Luhan, Antonio ("Tony"), 172-173, 178-179
Luhan, Mabel Dodge, 160-161, 170-181, 183-184, 190
Lunn, Harry, 317
Lurie, Louis, 126
McAgy, Douglas, 409
McAgy, Geraldine, 409-410
McAllister, Hall, 246, 252
McAlpin, David H. ("Dave"), 285, 301, 313, 317, 334, 401-402, 452, 607, 723
McCloskey, J. Michael ("Mike"), 717
McDuffie, Duncan, 249, 612
McGraw, Max, 424, 474
McGraw, Richard ("Dick"), 67, 224, 341, 423-425, 439-440, 442, 452, 469,
474, 495, 702
McGraw Colorgraph Company, 424
McGraw Foundation, 474, 667
McHenry, Dean E., 543, 557
McMillan, Edwin M. , 519
Magnum, 565
Maloney, Tom, 24-25, 402, 415, 426, 457, 564
Manhattan Camera Club, 51, 54
Mann, Marjorie, 307-308, 309, 371, 499, 500, 509
Mann, Walter J. , 201
Mann, Walter J. Company, 199, 205, 290, 449
759
Manzanar, 23-26, 57, 105, 151, 415-416, 509. See also Born Free and Equal
[in Book Index]
Marin, John, 20, 147, 190, 313, 330, 393, 410, 562, 563
Mars, photographs from, 16-17, 141
Marshall, George, 156-157, 457, 601, 666, 677, 679, 688
Marshall, Louis, 601, 666
Marshall, Robert, 156, 601, 666
Martin, Ira, 58
Masson, Paul, winery, 490, 503-508, 537
Mather, Stephen T. , 265, 622, 624-625, 627, 628, 737
Mauk, Charlotte, 448, 495, 679, 688
Maybeck, Bernard, 31, 70, 411
Mazzeo, Katy (Mrs. Rosario) , 225
Mazzeo, Rosario, 225, 229, 297, 301, 525
Mead, Margaret, 360
Meeks, Everett V., 109, 110, 119-320, 329, 407
Mees, C.E.K., 256-258
Meith, Hansel, 394
Meriden Gravure, 200
Merritt, Ralph, 23, 24, 25, 241
Meserve, Frederick, 390, 414
Metropolitan Museum, 108, 109, 190, 317, 409, 458, 504, 537, 721, 722-724
Meyer, Eugene, 330-331
Meyer, Otto, 503-504
Meyer, Roland, 479-480
Meyer, Walter, 331
Mieklejohn, Alexander, 542
Mili, Gjon, 334, 394
Mills College, 70, 73, 145, 317-318
Minaret summit road controversy, 598, 633, 710
Mineral King controversy, 596, 624, 631-632, 664
Minick, Roger, 477
Model, Lisette, 58, 409-410
Modotti, Tina, 100, 148
Moe, Henry A., 433-434
Moholy-Nagy, LaszlS, 17, 62-63, 113, 114, 394, 398, 409
Monterey Peninsula College, 312
Mooney, Rena, 30-31
Mooney, Thomas ("Tom"), 30-31
Moore, Benjamin S. ("Ben"), 7, 12, 219
Moore, Jean Chambers, 69, 97
Moran, Thomas, 67
Morgan, Barbara, 154, 155, 292, 293, 334, 365, 367, 393, 395, 437, 451, 564
Morgan, Douglas, 289, 437