Problems of development: migration, land tenure, population, education,
religion, colonization, labor organization, peasant movements, and social
mobility. Formerly Sociol. 671.
640. Familial Role Structure. (3:3:0) Prerequisite Sociol. 340. Bradford, Kunz
Characteristics and problems of roles in the family in various societies,
with emphasis on the United States. Formerly Sociol. 660.
670. Contemporary Urban Social Structure. (3:3:0) Prerequisite: Sociol. 370.
Research-oriented examination of social forces in contemporary urban life
which influence patterns of human interaction. Formerly Sociol. 626.
675. Seminar in Problems of Rural Society. (3:2:1) Prerequisite: consent of in-
Field-type training, with on-the-job contacts with county agents, etc.
Formerly Sociol. 692.
697R. Directed Research. (1-3:0:2-6 ea.)
Formerly Sociol. 694.
699. Thesis for Master's Degree. (6-9:Arr.:Arr.)
706. Advanced Statistical Methods. (2:2:0) Prerequisite: Sociol. 606. England
Factor analysis, multivariate analysis, and covariate analysis. Formerly
elseif (getClientWidth() > 430)
720. Seminar: Social Organization. (2:2:0) Prerequisites: Sociol. Ill and 320.
Formerly Social. 791.
740. The Family. (2:2:0) Prerequisite: Sociol. 540. Bradford
Formerly Sociol. 760.
750. Seminar: Social Psychology. (2:2:0) Prerequisites: Sociol. 350 and consent
of instructor. Blake, Larsen
Formerly Sociol. 792.
799. Dissertation for Ph.D. (Arr.)
SPEECH AND DRAMATIC ARTS 491
Professors: Bateman, dinger, Gledhill, Hansen, Low, Metten, Mitchell, Morley,
Newman (Chairman, D-581 HFAC). Woodbury.
Associate Professors: Henson, Pope, Stephan, Struthers, Weaver, Whitman.
Assistant Professors: Crosland, Frost, Gibb, Golightly, Jenkins, Jex, Jones,
Moore, Oaks, Richardson, Stewart.
Instructors: Bentley, Warner.
Special Instructors: Arrington, Boorman, Faux, MacDougal, Walker.
Speech is man's fundamental mode of communication. It is the principal means
through which men exchange ideas and feelings. It provides a method of inquiry
and reporting and is used to inform, to persuade, to provide inspiration, and to
Human communication may be studied as a fine art, investigated scientifical-
ly, or analyzed as a rhetorical art. Students majoring in the Department of
Speech and Dramatic Arts may eventually become teachers, directors, actors,
clinicians, or members of any one of several related professions.
The Department of Speech and Dramatic Arts offers majors in three different
areas: communicative habilitation, dramatic arts, and speech. Each of these areas
is discussed in detail below. Students planning to teach in high school should
see the speech and dramatic arts education major below and/or secondary edu-
cation certification in the Education section of this catalog.
Graduate Study. Each major area in the department offers a challenging pro-
gram for graduate study leading to the master's degree. A doctoral degree may
be earned in dramatic arts. Students planning graduate work must apply for ad-
mission to the Graduate School at the conclusion of their senior year. Applica-
tion forms may be obtained at the office of the Graduate School, D-208 ASB.
The requirements for admission are in the Graduate School Catalog.
The area of communicative habilitation developed out of concern for people with
communication impairments. The profession offers many opportunities for service
to people who are handicapped in their ability to talk, hear, or use the symbols
of language. Specifically, the department offers preparation in the fields of speech
pathology, audiology, education of the partially hearing, and communication
science. Students who complete these programs are prepared for employment as
specialists in communicative habilitation in schools, hospitals, rehabilitation cen-
ters and other community agencies, and private practice. Professional certifica-
tion in Utah and many other states, as well as in the American Speech and
Hearing Association, requires the completion of a master's degree. Upon com-
pletion of the baccalaureate degree, there are frequent opportunities for students
to obtain financial assistance to support them while they complete their re-
quired graduate study.
492 SPEECH AND DRAMATIC ARTS
Required Courses. The courses required for the bachelor's degree with a major
in communicative habilitation are as follows (30 hours):
Sp. and Dram. Arts 231, 232, 340, 351, 352, 381R, 382R, 440, 450, and 485.
(Majors take Sp. and Dram. Arts 101 and 121 for humanities general education
Professional Graduate Training. Full professional training requires the attain-
ment of the master's degree. The bachelor's degree does not qualify a student
for full-time professional employment. Additional course work beyond the mas-
ter's degree is necessary to complete professional training and be eligible for
certification in communicative habilitation. These additional courses are dis-
cussed following the descriptions of professional certifications given below.
1. The American Speech and Hearing Association Certificate of Clinical Compe-
tence in Speech Pathology may be obtained through the graduate professional
2. The American Speech and Hearing Association Certificate of Clinical Compe-
tence in Audiology may be obtained through the graduate professional train-
3. Utah State Department of Public Instruction Professional Certificate for Pub-
lic School Speech and Hearing Correctionist is obtained by earning the mas-
ter's degree, with the prescribed undergraduate minor in education.
4. Utah State Department of Public Instruction Professional Certificate for
Teachers of Special Education Classes for Partially Hearing Pupils is obtained
by earning the master's degree, along with appropriate professional educa-
Minor Fields of Study. On the undergraduate level, the minor required for com-
municative habilitation majors is education. For this minor the following courses
are required: Ed. 260, 301, 402, 421, and 449; Math. 305.
Application to Major in Communicative Habilitation. Students beginning their
professional courses in communicative habilitation in their sophomore year may
expect to enroll for fieldwork in the public schools during the Fall Semester of
their senior year. Those who begin later may have to defer this school practicum
until the fifth year. Those entering the communicative habilitation field Jifter the
freshman year should consult the coordinator of the communicative habilitation
area for approved variations of the normal sequence.
Students who intend to major in communicative habilitation must make appli-
cation to enter the program. Application must be made no later than eight weeks
before the semester in which the student wishes to enroll for the professional
courses, which begin with Sp. and Dram. Arts 340 or 351. Application is made to
the program office in F-411 HFAC. When a student is accepted by the program
as a major, his major course sequence is outlined for him for his entire program.
Without clearance, a student cannot register for Sp. and Dram. Arts 340, 351,
440, or 485.
Graduate Professional Training (Fifth Year)
In order to complete their professional training, it is necessary that students
complete most 500- and 600-level courses in the area of their specialty; namely,
(1) speech pathology, (2) audiology, or (3) teaching of partially hearing pupils.
Another integral part of the graduate student's program is the internship ex-
perience in one or more field agencies.
Students must consult the Graduate School Catalog to determine require-
ments for admission to and graduation from the Graduate School of Brigham
Young University. After completing requirements for the bachelor's degree, the
student may no longer enroll in the College of Fine Arts and Communications,
but must apply for admission to the Graduate School. The necessary application
materials are obtainable from the office of the Graduate School, D-208 ASB.
After each student has completed nine semester hours of professional course
work, a staff review is conducted to assess the student's ability to pursue profes-
SPEECH AND DRAMATIC ARTS 493
sional training in the area of communicative habilitation. If the faculty recom-
mends that a student not continue professional training, it may be possible for
him to obtain a bachelor's degree providing he meets the University require-
ments for graduation. However, the student will not be permitted to complete
the clinical practicum courses that would qualify him for professional employ-
ment in the field.
A student who is approved to pursue professional preparation may elect one
of the following courses of action:
1. He may remain in school until he has earned the master's degree and is eligi-
ble for full professional employment. He will thus have completed all academ-
ic, practicum, and internship requirements that qualify him for a full-time
2. He may, at the conclusion of his baccalaureate work, pursue on-the-job train-
ing in one of the cooperating agencies. He would retain student status, con-
tinuing in school part time and working part time under professional sui>er-
vision imtil he is fully qualified. This program takes longer but integrates
valuable professional experience with academic study and often enriches the
The dramatic arts undergraduate curriculum is designed to lead to professional
competency in teaching on the secondary level, in acting, directing, or play-
writing, or in technical theatre. And because these programs provide both theory
and skill development, they also prepare the student for graduate course work
and higher education careers.
Students in the dramatic arts curriculum are expected to participate in the
University Theatre program. All productions are cast from open tryouts so that
all students may participate. The University Theatre produces an average of 16
faculty-directed and 67 student-directed productions each year.
The baccalaureate degree is available, with majors in speech and dramatic arts
education, acting, directing, dramatic arts, playwriting, or technical theatre. All
majors in the dramatic arts area, except those in speech and dramatic arts edu-
cation, will complete the following core of courses (ISM hours total):
183 ( i ) Specialty Dance — Theatre
Speech and Dramatic Arts
101 (3) Speech Communication
121 (3) Voice, Diction, and Interpretation
123R (3 ea.) Fundamentals of Acting
460 (2) Theory of Directing
461R (1 ea.) Directing the One- Act Play
564 (3) Theatre History I
565 (3) Theatre History II
Speech and Dramatic Arts Laboratory. Speech and Dramatic Arts Laboratory
is sponsored by the department to provide practical experience and participation
in the speech arts. Registration and attendance are required for many of the
Admission to Major Specialty
Each student selects the professional program (acting, directing, playwriting, sec-
ondary education, or technical theater) of interest to him. An interview is then
held with a faculty member having responsibility for the particular professional
area in which the student is interested. This interview —
1. acquaints the student with the requirements of the program;
2. determines any preferences the student may have regarding assignment to
494 SPEECH AND DRAMATIC ARTS
3. outlines an appropriate program of study.
From time to time each faculty adviser evaluates the progress of students
assigned to him and attempts to assist them if they appear to need help. By the
time each student has completed thirty-five hours of the major requirements, he
arranges with the faculty committee of his professional area to receive a pro-
fessional evaluation review. This review is conducted to assess the student's
(1) level of skill, (2) mastery of academic material, and (3) artistic judgment.
The results of the review will be made known to the student to aid him in de-
termining the remainder of his program and to give him insight into his
mastery of the skills and knowledge relevant to his professional choice.
Course Requirements for a Dramatic Arts Program
A student may elect to earn a baccalaureate degree in dramatic arts without
emphasis in a professional specialty. The purpose and intent of this program is
to provide a liberal arts approach leading to a degree in demand by a variety of
employers, graduate schools, and related areas. The student will complete the
18/2-hour dramatic arts core plus the following courses (53% hours total):
Sp. and Dram. Arts 115 (2), 126 (1), 319 (2), 333 (3), 412 (2), and 560
Electives: Seven hours selected from the dramatic arts area of the department.
Special humanities requirement (taken in addition to the University's general
education requirements: Art, 3 hours; Humanities, 3 hours; English, 6 hours;
History, 3 hours; Music, 2 hours .
Course Requirements for the Professional Acting Program
Those planning to act professionally in regional, community, professional, and
television acting positions, or who wish a career in teaching acting on the uni-
versity level, will complete the 18% -hour dramatic arts core as well as the fol-
Sp. and Dram. Arts 57.5 total hours
117R (4 hours), 126, 127R, 317R (4 hours), 320, 324, 325, 327R, 423R, 572;
P.E. 110, 187.
Twelve hours from the following courses upon recommendation of the adviser:
Sp. and Dram. Arts 333, 360, 362, 423R, 527, 528, 529, 560.
Course Requirements for the Professional Directing Program
Those planning to direct professionally in regional, community, and professional
and television positions, or who wish a career in teaching and directing on the
university level, will complete the 18% -hour dramatic arts core as well as the
Sp. and Dram. Arts 57.5 total hours
117R (4 hours), 126, 127R, 317R (4 hours), 320, 324, 325, 327, 333, 360,
362, 461R, 572; P.E. 110, 187.
Three hours selected from the following courses upon recommendation of the
adviser: Sp. and Dram. Arts 528, 529, 560.
Electives: Select four hours from the following: Art 110, 120; Music 170; Engl.
282 or 382, 341, 343; Hum. 202.
Course Requirements for the Professional Playwriting Program
Those planning a career as a professional playwright or as a university professor
of playwriting will complete this sequence of courses. Acceptance into this pro-
gram assumes a strong desire to write and to submit manuscripts at the sug-
gestion of the adviser to appropriate production companies and contests.
Before being admitted into this program, the student must demonstrate pro-
ficiency in vocabulary and semantics by completing the appropriate departmental
examination or by passing Engl. 225 and 326 with a grade of C+ or higher.
SPEECH AND DRAMATIC ARTS 495
The student will complete the 18% -hour dramatic arts core as well as the fol-
Sp. and Dram. Arts 48.5 total hours
117R (3 hours), 127R (1 hour), 317R (3 hours), 319, 325, 327R (1 hour),
333, 360, 378R (6 hours), 578R (6 hours).
Engl. 343, 382.
Phil. 110, 214.
Course Requirements for the Professional Technical Theatre Program
Those planning to become professional theatre designers, designer-technicians,
or designer-costumers, and who, by the end of their second year, demonstrate
ability in design, will complete the 18% -hour dramatic arts core as well as the
Sp. and Dram. Arts 117R (4), 126 (1), 317R (4), 320 (5), 362 (2); Art 120 (3),
121 (3), 233 (2).
Electives: Select two of the following: Ind. Ed. 100, 101; Art 122; Clo. and Text.
430. Select three of the following: Drafting 111; Ind. Ed. 129, 139; Art 342;
Clo. and Text. 260, 330.
The area of speech offers a public address major and selected courses for person-
al development in argumentation and debate, communication theory, discussion,
public speaking, rhetoric, and speech criticism.
Course offerings in this area serve not only the specialized needs of depart-
mental majors, but also offer a wide selection of courses to assist students in all
academic areas of the University. Experiences in understanding and applying
principles of effective oral communication are particularly helpful to students in
prelaw, business, communications, youth leadership, and all areas of education.
The greater portion of speech majors include the teaching certification require-
ments in their program.
The BYU Forensic Association, under the direction of the department, offers
an opportunity for all students to participate in competitive speech activities on
both the on-campus and intercollegiate levels. These activities are open to the
general student body, regardless of major, and a list of specific contests can be
found in the description of departments of the College of Fine Arts and Com-
munications. Interested students in all fields of study participate in about thirty
debate trips during the academic year.
Majors in speech will usually plan to teach on the secondary or college
level, or use their professional training in public relations, business, and indus-
trial communications. In addition to the University graduation requirements
and the course requirements listed below, majors in speech will participate in a
junior evaluation of their work. This evaluation must be completed immediately
before registration for the first junior semester (or 65 or more semester hours).
Transfer students above the sophomore rank must complete this evaluation
before registering for a second semester at BYU.
All majors in speech are required to participate in forensic competitive activi-
ties during at least one full semester. This includes debate and at least one indi-
vidual event such as oratory, extemporaneous speaking, or interpretation. Credit
in the 112 or 312 series will meet this requirement.
Course Requirements for a General Major
Basic Courses: Sp. and Dram. Arts 101, 111, 121, 305, 309, 371, Hours
401, 402, 403, 491, 521, 523 26
Electives selected from speech and dramatic arts 8
Total hours 34
496 SPEECH AND DRAMATIC ARTS
Total hours 34
A Suggested Sequence of Courses
Speech and Dramatic Arts Education (Secondary Certification) — Requirements
for Certification in Major
Those planning to major in speech and dramatic arts and teach on the high
school or secondary education level will complete the following courses:
Sp. and Dram. Arts 34.5 hours
101, 111, 115, 121, 123, 305, 309, 319, 325, 371, 401, 460, 461, 521; P.E. 183.
Electives: Select three hours from the following courses: Sp. and Dram. Arts 126,
311, 402, 403, 491, 523, 525, 564, 565.
Requirements for Certification in Minor
A. Those planning to minor in speech and dramatic arts and teach both sub-
jects on the high school or secondary education level will complete the fol-
Sp. and Dram. Arts 21 hours
101, 111 or 305, 115, 121, 319, 325, 371, 460, 461.
B. Those planning to minor in dramatic arts and teach only dramatic arts on
the high school or secondary education level will complete the following
Sp. and Dram. Arts 19.5 hours
101, 115, 121, 123, 126, 319, 460, 461; P.E. 183.
Electives: Select 2-3 hours from the following courses:
333, 360, 362, 572, 578.
C. Those planning to minor in speech (public address and forensics) and teach
only speech on the high school or secondary education level will complete the
Sp. and Dram. Arts 20 hours
101, 111, 121, 305, 309, 371, 401, 491, 521.
60. Remedial Speech. (0:0:4)
Tutorial and small group work to assist college students who have dis-
orders of communication such as articulation difficulties or stuttering. A
noncredit, nonfee service course.
101. Speech Communication. (3:3:1) Home Study also. (G-HA)
The theory, philosophy, and application of the contemporary communica-
tions process, with emphasis on interpersonal communications. Recom-
mended for prospective teachers and those who desire to improve their
speaking effectiveness. Required for majors.
102. Introduction to Public Speaking. (2:2:1) (G-HA m)
Practical service course designed to improve speech efficiency, self-
confidence, and skill in organization and delivery of all types of speeches
encountered in business, professional, social, and religious activities.
SPEECH AND DRAMATIC ARTS 497
111. Introduction to Argument and Debate. (2:2:0) (m) Richardson, Woodard
Principles of argumentation and practice in debate.
112, 113. Debate Technique. (1:1:1 ea.) Richardson, Woodard
Open to members of the forensic squad who obtain approval of the
Speech and Dramatic Arts Department and debate council. To obtain credit
in debating, students must register for this course with at least two hours
of instruction per week.
115. Introduction to the Theatre. (2:2:1) (G-HA) Home Study also. Metten
Introduces the student to the fundamental theories of the theatre arts,
develops a discriminating appreciation of theatre production, and provides
a basic background for the area of theatre. Attendance at speech and dra-
matic arts laboratory required.
117R. Theatre Practicum. (1-2:0:3-12 ea.)
Participation in the creative process of theatre production.
121. Voice, Diction, and Interpretation. (3:3:1) Home Study also. (G-HA m)
Designed to give the student an introduction to the basic theories of
diction and interpretation and to develop skill in vocal communication and
interpretation. Attendance at speech and dramatic arts laboratory required.
123. Fundamentals of Acting. (3:3:1)
An introduction to the Stanislavski theory of acting which makes
practical application of theory in solo and ensemble scenes in the major
areas of dramatic literature. Attendance at speech and dramatic arts
126. Makeup. (1:1:3) (m) Warner
An introduction to the theories of makeup through changing the ap-
pearance of the actor to correspond with an interpretation of characters.
Attendance at speech and dramatic arts laboratory required.
127R. Collegium Dramaticum. (1:1:2 ea.)
Reading of dramatic literature and study of performance practices.
130. Introduction to Human Communication Processes. (2:2:0)
A survey of intra- and interpersonal human communication, including
its dynamics and the physiological and behavioral processes of reception,
integration, and expression that form the foundation of human experience.
231. Normal Development of Human Communication. (2:2:1) Newman
Influence of physiological maturation and learning on normal develop-
ment of human communication.
232. Phonetics. (2:2:0)
The course introduces the student to phonetic modes of thought and to
phonetic symbols. It uses phonetic nomenclature in describing the principal
varieties of the English language in America.
242. Remediation of Communicative Disorders. (2:2:0) Jex, Moore
Demonstrates how parents, teachers, and others can help children with
speech, hearing, or language disorders in the home or within the context
of the regular curriculum.
301. Business and Professional Speaking. (2:2:0) (G-HA) Prerequisite: Sp.
and Dram. Arts 101, 102, or equivalent. Frost, Jenkins
Emphasizes understanding of the nature of oral discourse; provides prac-
tice in selection of materials, sound reasoning, audience analysis, oral style,
and delivery. Primarily for nonmajors.
304p. Public Speaking. (1:1:0)
Individual instruction. Special fee.
498 SPEECH AND DRAMATIC ARTS
305. Discussion and Conference Leadership. (2:2:1) Jenkins, Stephan
Concerned with basic democratic procedure for cooperative thinking.
Offers experience in business and industrial conference leadership. For
those who serve on committees or boards, conduct classroom sessions,
work in schools or offices, and for all who are preparing to participate in
or lead informal discussion in small groups.
307. Introduction to Reasoned Discourse. (3:2:2) Richardson
Background in classical and contemporary logic, argumentation and
persuasion in oral and written discourse.