swan's head, is a lion passant regardant to r. He is represented on a larger
scale than the other figures. Confronting him is Hermes, bearded, with hair in
a club ; he wears a petasos, short embroidered chiton, purple chlamys, and
eiidromides ; in his 1. hand is a caducens, his r. is raised as if speaking. Behind
him stand two male figures to 1. holding spears ; the first one is bearded, with
long hair, long purple chiton and embroidered himation ; the other, beardless,
with long hair and a short purple chiton. Behind Zeus are two male figures to
r., both beardless, with long hair, holding spears ; the first one wears a short
embroidered chiton, the second a striped embroidered himation.
[The composition is similar to that of the ' birth of Athene ' vases, see type B. ;
cf. also B 149.]
{b) Contest of Heracles and Geryon (type E. 4) : Heracles stands to r.,
in the lion's skin, which is stippled to show the hair, and short embroidered
chiton, with quiver at back and sheath at 1. side ; in his r. hand is a sword with
which he attacks Geryon. The latter is represented, as in B 156, as three
warriors united at the hips, all bearded and fully armed ; the shield of the
middle one has a star of sixteen points as device, that of the right-hand one is
painted purple. The left-hand one falls back wounded ; he has a chiton with
scale-pattern and shield painted purple inside. Behind him is a hawk flying to 1.
Between the combatants lies Eurytion prostrate to r. ; he is bearded, and
wears a short purple chiton and greaves, his 1. hand is extended ; his legs are
drawn up in agony, and the eye is rendered without the pupil, as in B 156.
On the 1. is Athene to r., without helmet, in long chiton with diplo'idion,
embroidered with diaper-pattern, in her 1. hand a spear.
B 15 8. AMPHORA, with cover. Old No. 586. Ht. 19 in. Canino Coll. De Witte, Descr. No. 90 ;
P. Gardner, Journ. Philol. vii. p 222 ; Corey, Amas. Ant. Fig. p. 76 ; Max. Mayer, Gig. u.
Titan, p. 315. Designs in black on red panels with borders of double palmettes along the top ;
accessories of white with a little purple.
{a) Combat of Heracles and Kyknos (type E 5) : In the centre Heracles
to r., with lion's skin and short chiton, belt, quiver with wing attached to the
mouth, and sword, attacks with his club the half-prostrate Kyknos, on whose
hip he plants his 1. foot ; Kyknos falls on one knee to r., looking to 1., and
defends himself with spear and shield. On the r. is the god Ares coming to his
defence, thrusting at Heracles with spear ; both Kyknos and Ares are fully
armed, the shield of the former having the device of an ivy-wreath, the latter a
triqiietm. On the 1, is Athene to r., with long tresses, long chiton, the folds
indicated by wavy lines, aegis, of which only the fringe of snakes is visible,
AMniORAE WITH DESTC.NS IN PANELS. â– I I :;
spear in 1. hand, and shield by her side on which are two pellets. In the field
imitation inscriptions.
[This interpretation is confirmed by an inscribed vase in the British Museum, E 79,
see Prof. P. Gardner, /. c. Cf. Heydemann in Ann. delV Inst. 1880, p. 79 fif., and Max.
Mayer, /. r.J
(b) Two Amazons on horseback, riding to r., with long tresses, cuirasses,
short chitons, and high-crested helmets with fillets, that of the first one being
much higher than- the other ; each carries two spears, a sword, and a shield with
a Satyric mask in high relief. By the side of the second one is a dog walking
to r., and under the first is another to 1. regardant. Between the two Amazons is
a youthful female head incised in profile to 1., with hair in a knot at the back,
evidently forming part of an original design abandoned. In the field, imitation
inscriptions.
On the bottom of the foot, incised characters ; see old Cat. pi. B. 586.
B 159. AMPHORA. Ht. i8i in. 1F67. Blacas Coll. Miisee Blacas^^Xs. 2T, 2Z. Designs on
red panels, having along the tops a border of lotos-buds («), and lotos and honeysuckle (J)).
ia) Heracles and the Nemean lion (type E. i): In the centre is
Heracles kneeling to r. over the lion, which is turned to 1. ; he has grasped it
round the neck with 1. arm, and his hands are elapsed so as to strangle it. He
has elaborate curls, beard and moustache, and wears a sword. The lion has
mouth open and 1. hind-paw raised against Heracles' head. Behind the lion is
Athene to r., looking back to 1., with long sleeved chiton, himation, high-crested
helmet, shield with ivy-wreath as device, and spear. On the 1. is lolaos, with
curly hair and beard, himation round hips and over 1. arm, sword at side,
holding Heracles' club in r. hand, 1. hand raised. In the field are Heracles'
bow and quiver and a garment suspended.
[For the subject, cf. Roscher, p. 2195 ; Baumeister, p. 654; Ann. dcW Inst. 1859,
p. 60; Athen. Mitthetl. xii. (1887), p. 121 (Reisch). Reisch publishes a relief of about 580 B.C.,
which may be considered a prototype of this composition. The ' wrestling ' type is Ionic, the
* erect ' type, in which Heracles usually has a sword, is Peloponnesian. Cf. also the com-
position of Heracles and Antaios, B 222, B 322.]
{b) Two beardless youths in petasi and striped himatia, walking to r. at the
further sides of their horses, and holding the bridles. The front one has a fillet,
the other, curls in front of his ears ; each carries two spears.
B 160. AMPHORA. Ht. i6h in. 1856. Partly restored. Designs on red panels with double
honeysuckle borders along the top ; accessories of white and purple.
{a) Heracles and the Nemean lion (type E. i) : Heracles in centre
standing to r., nude, with a sword-belt, plunges his sword into the neck of the
lion, while his 1. hand tears its mouth open. The lion to r. is raised on its r.
hind-leg, the 1. placed against Heracles' leg, the r. fore-leg extended, the 1. paw
seizing his 1. arm. On the r. is lolaos to 1., nude and bearded, r. arm laid on
i
B 161.
114 CATALOGUE OF VASES.
Heracles' 1. to keep off the lion's claw. On the 1. is Athene standing to r.,
without helmet, long hair, fillet, long chiton with girdle, spear in 1. hand.
[For the subject, cf. B 159, Berlin Cat. 17 13, Gerhard, A. V. 93.]
{b) Marriage procession (type C.) : In a quadriga advancing to r. (the third
horse white) stand the bridal pair, a bearded male figure in an embroidered
himation holding the goad and reins, and a veiled female figure in a himation ;
the horses have top-knots. On the further side of the quadriga walk two female
figures in long chitons with diplo'idia, that of the front one purple, each bearing
a sieve, which a bride was accustomed to bring with her to her new home as
a arj^elov auTovpyla<; (cf. Gerhard, A. V. 310, Pollux, iii. 37, and Hermann,
Lchrb. iv. p. 275).
AMPHORA. Old No. 587. Ht. 20% in. From Vulci. Durand Coll. 276. Designs
black on red panels, with borders of double honeysuckle along the top.
-,. . 04 {a) Heracles and the Erymanthian boar (type E. 2) : In the centre is
p_ Y^ ' Heracles to r., with lion's skin, the tail caught up under a girdle, and short
embroidered chiton, bow and open quiver on shoulder, holding the boar upside
down in the act of hurling it down upon Eurystheus, who had concealed himself
in a ]a.rge pil/ws sunk in the earth, and now holds up his hands beseechingly;
only his hands and part of his head are visible. On r. is Athene advancing to 1.,
with tresses over her shoulders, long chiton with purple and white spots, and
stippled aegis with border of snakes, high-crested helmet with cheek pieces,
and spear. On 1. stands lolaos, bearded, in short chiton and cuirass, with sword
at side ; in r. hand he holds Heracles' club, his 1. is extended to a deer by his
side.
[For the subject, cf. Roscher, p. 2199, Klein, Euphronios"^ , p. 87 ff., Gerhard, A. V. ii. p. 46,
n. 34 ; also Berlin Cat. 1849, 1855.]
{b) Departure of a warrior : In the centre a warrior standing to 1. and
looking back to a female figure whose head and body are enveloped in a thick
embroidered himation ; the warrior has a visored helmet, greaves, shield with
device of a cuttle-fish, and a spear. At his further side, looking to 1., is an
archer, bearded in short chiton and peaked cap, holding a bow in r. hand, in 1. a
quiver. On the 1. is an old man to r., with white hair and beard, in a striped
himation, with r. hand raised, in 1. a sceptre. On the extreme r. is a warrior
departing to r., looking back ; he is fully armed with short chiton, Boeotian
shield, cuirass, helmet, greaves, sword and spear.
At the top of this panel is incised : NN-
B 162. AMPHORA. Old No. 575. Ht. â– 15^ in. From Vulci. Canino Coll. Designs
in black on red panels, with borders of lotos-buds along the top ; accessories of purple and
white.
{d) Heracles and the Erymanthian boar (type E. 2) : In the centre
is Heracles to r., nude and bearded, holding the boar upside down in his arms,
in the act of hurling it on Eurystheus, who had concealed himself in a large
B 163.
AMPHORAE WITH DESIGNS IN PANELS. ' II5
pithos sunk in the earth, and now holds up his hands in supplication ; Heracles
has his 1. foot on the lip of \.hQ pit/ios, which has an incised pattern round the
shoulder of squares in which are dots. On the r. stands Athene to 1., with long
chiton and embroidered himation, high-crested helmet, shield with a rosette of
thirteen points as device. On the 1. is an old man to 1. with white hair and beard,
long chiton and embroidered himation, r. hand raised, conversing with a nude
beardless youth.
{b) Heracles (?) and the Chimaera : On the r. is Heracles to 1., bearded,
in a short chiton, aiming a blow at the lion's head of the Chimaera with club
held in both hands. Behind him is a beardless male figure, perhaps the Lycian
King Amisodaros (//. xvi. 328), in a long chiton and embroidered himation. In
the centre is the Chimaera to r., with one fore-leg raised against Heracles. The
goat's head is turned to 1., attacking lolaos (?), who is bearded and wears a short
striped chiton and shoulder-belt ; he attacks the goat with his sword. In the
field, a garment suspended.
[There is no trace of any myth connecting Heracles with the Chimaera ; but the
characteristics of the two figures are those of Heracles and lolaos ; and Bellerophon is always
represented youthful and with a spear. The vase-painter may have confused two myths, or
possibly the scene may have no mythological signification.]
AMPHORA. Old No. 580. Ht. 16 in. From Vulci. Canino Coll. Gerhard, ^. F. 324 ;
Ann. deir Inst. 1831, p. 134, no. 191 ; Gas. Arch. ii. (1876), pi. 3, for obverse. Designs
black on red panels with lotos and honeysuckle borders along the top ; accessories of white
and purple.
{a) Heracles slaying the Stymphalian birds (swans) with sling : On
the 1. Heracles stands to r., in a short purple chiton with lion's skin over head
and body, quiver slung at back ; the swans are ."^ixteen in number, of which one
flies away behind him, five forming a lowermost row have not risen, the
remaining ten fly about in confusion.
{b) In the centre, two Maenads confronted, with fillets and long purple
chitons with diplo'idia ; both are enveloped in one large chlaijia embroidered
with rosettes, which passes round their backs like a curtain. Between them is
a small bird to r. on the ground. On the 1. is a Satyr to r., dancing, with an
askos on 1. shoulder ; on the r. are two Satyrs dancing back to back ; all three
have long hair.
[This representation may be the explanation of /;itas utto x^nivijs in Soph. Tr. 540. Cf.
B 53 and B 409, also Furtwaengler, Co//. Sabouroff, pi. 51, and_/. H. S. vii. p. 205.]
B 164. AMPHORA. Old No. 580*. Ht. I7f in. Bomarzo near Viterbo, 1848. Basseggio Coll.
Bu//. de/P Inst. 1839, P- 21 ; Arch. Zeit. 1847, p. 17, n. 3 ; Rev.Archco/. iii., p. 310 ; Engelmann,
de lone., Berlin, 1868, p. 23 ; Overbeck, Kitnstinyth. {Zeus), p. 476 ; Corey, Ainaz. ant. fig.
p. 26; C. I. Gr. 7413. Much injured. D. signs black on red panels, each with lotos and
honeysuckle border along the top.
{a) Hermes slaying Argos : Hermes, near the centre, with petasos,
chlamys, and short chiton with a skin over it, plants r. foot on Argos' thigh, and
I 2
1 1 6 CATALOGUE OF VASES.
attacks him with sword. Argos has a double head, like Janus (cf. the descrip-
tion given by the author of the Alyl/jLLo<;, quoted by Schol. Eur. Phoen. 1116 and
Tzetz. ad 11. p. I53> 21 : rerpaatv 6(f)6a\/xoiatv opcofievov evda koX ev6a) ; he is
bearded, and wears a short chiton and over it a skin tied in front. Both
these figures are partly restored. Behind Hermes is Hera to 1. with arms
extended ; she has long hair and a long chiton. At her near side stands the
heifer lo to r. The figures are inscribed: iOCA'lA], ^3MS3H, and HEPA$,
["Ap7]o9, 'Ep/if;?, ''Hpa? (sc. eiKcov, cf B 254).
{/?) Combat of Heracles and Amazons (type E. 6) : On the 1. an Amazon,
probably Alkaia, with short chiton, cuirass, chlamys, anaxyrides, lofty helmet,
Boeotian shield, and spear, is attacking Heracles from behind. He wears
the lion's skin over his head and over a short purple chiton, and is about
to plunge his sword into the neck of an Amazon (perhaps Andromache, cf.
Mon. dell' Inst. xii. 9), whom he has beaten down on one knee. She is armed
as the last one, with device of a tripod on her shield, and endeavours to defend
herself with spear and shield, the latter of which Heracles has seized. On r. is
a warrior, perhaps Telamon {Mon. deW Inst., I.e.), bearded, with short chiton,
cuirass, greaves, lofty visored helmet, and shield with device of two pellets,
about to transfix with spear an Amazon beaten down on one knee to 1. ; she
has long hair, a short chiton and striped chlamys, high-crested helmet, shield
and spear. The flesh of the Amazons is painted white, except the legs of the
one on the extreme 1.
[Cf. Roscher, p. 2202, and Corey, de Ainazonum aritiqids figuris (Berlin, 1890).]
..p.- AMPHORA. Ht. 17 in. Cameiros, 1862. Designs in black on red panels, with
borders of lotos-buds along the top ; accessories of white and purple.
{a) Heracles carrying off lole (?) : In the centre is Heracles to r., nude
and bearded, with club in r. hand, sword at back, and lion's skin hanging from
1. arm, pursuing lole, who has long hair, fillet, long chiton and striped himation
embroidered with white rosettes ; she flees to r., looking back at him, with 1. arm
raised and r. pointing downwards. On the r. is a beardless male figure, probably
an attendant, departing and looking back ; he wears a striped chlamys, and his 1.
hand is raised. On the 1., behind Heracles, is a bearded male figure to r., in a long
white chiton and striped himation (doubtless Eurytos, the father of lole) ; behind
him an attendant to r., nude and beardless, with long hair.
{b) Warrior arming : In the centre is a warrior to r., nude and bearded,
stooping to put greave on 1. leg, the other greave already on. Facing him is a
bearded figure in an embroidered himation, supporting his shield, which is
painted white, and holding his spear in r. hand. Behind the latter are two
warriors to 1. ; the further one has a high-crested helmet, greaves, spear, and
shield painted white ; the other has helmet, greaves, and shield with device of
a swan to 1. Behind the central warrior is an old man to r., with white hair
and beard, fillet, embroidered himation, r. hand raised ; behind him again
a warrior fully armed, but without a cuirass.
AMPHORAE WITH DESIGNS IN PANELS. I I 7
B 166. AMPHORA. Old No. 581. Ht. 15 in. Canino Coll. De Witte, Descr. % ; Gerhard,
^4. V. ii. 128, p. 152 ff. ; Baumeister, p. 1652 (Zeus on obv.) ; Overbeck, Kunstmyth. {Zeus),
p. 27, {Post'ido/i), p. 213. Designs black on red panels, with borders of lotos and honey-
suckle along the top ; accessories of white and purple.
{a) Apotheosis of Heracles (type E. 11) : On the 1. is Zeus, seated to r.,
bearded, with long hair, fiilet, long chiton and himation, both embroidered
with rosettes ; in his r. hand is a sceptre ending in an anthemion {?), somewhat
resembling a trident. The back of his throne is formed by the bust of a
Sphinx to 1. with long hair and fillet. Facing him is Athene, with long hair,
fillet, long purple chiton and embroidered himation ; she is armed with a lofty
helmet and a shield with device of a star of eight points, between which are
dots, in r. hand a spear. Behind her is Heracles retreating to r., looking
back, in a short purple chiton and the lion's skin, with sword-belt, club in r.
hand, the 1. raised. On the r. is Poseidon (?), or perhaps Palaemon, to 1., with
long hair, beardless, wrapped in a himation with broad stripes, in r. hand a
trident (see Overbeck, l.c).
Fig. 32, {b) The same subject, differently treated (type E. 11): On the 1. Zeus,
p. 24. seated to r., bearded, with long hair and fillet, wrapped in an embroidered
himation, and holding in 1. hand a sceptre terminating in a bud-like ornament
with a volute on either side. His feet rest on a footstool with lion's claws, and
the back of the chair is recurved in the form of a swan's head, the legs
inlaid with palmettes. Facing him is Athene^ with long hair, long purple
chiton and embroidered himation, high-crested helmet, spear, and shield with
device of a small bird flying to 1., r. hand held up with an owl perched upon it.
Behind her is Heracles to 1., with short purple chiton, lion's skin, and greaves,
in 1. hand a twig ; behind him again, Hermes to 1., bearded, wit.h long hair,
petasos, short chiton, embroidered chlamys, and endromides, in r. hand a spear.
[For the subject, of. Paus. iii. 18. 11, and Roscher, p. 2217 ; for a difterent version, see
type E. 1 1 (i), and Jahn, Arch. Aufs. p. 96 ff.]
On the bottom is incised : F.
B 167. AMPHORA with cover and stand. Old No. 588. Ht. of vase 19/0 in. Ht. of stand
6| in., diam. 7| in. Mon. delP Inst. iv. 11, and Ann. 184+, pp. 213-225. Much injured.
Shape as the Panathenaic amphorae. Designs black on red panels, with borders of lotos
along the foot ; accessories of purple. On the neck, double honeysuckle. At the bottom of the
handles are palmettes.
{(.i) Procession of deities : In front, Hermes advancing to r., bearded, with
. long hair Icoped up behind under a wreath, petasos, short chiton, embroidered
chlamys, and endromides, playing with a plectrum on the lyre ; his head is
thrown back and his lips parted, as if singing ; by his further side is a goat to r.
Behind him is Heracles in a short chiton with the lion's skin over head and girt
round the waist, at his back is his quiver with open lid in the form of a wing, at
his 1. side a sword ; he is playing on the double flute, and by his further side is
a bull. Behind him is lolaos, bearded, with ivy-wreath and embroidered
chlamys. In the field are branches.
Il8 CATALOGUE OF VASES.
(b) The same design ; lolaos holds out a kylix for Heracles to drink
from.
On the stand is a frieze of five Seileni : two stand one on each side of a
crater, the one on the 1. with white hair and beard playing on the double flute,
the other with arms extended. Next on the r. is a Seilenos dancing and
playing on the lyre with a plectrum ; the sides of the lyre terminate in swans'
heads. The next one is running to 1. and looking back ; he has an embroidered
chlamys over 1. arm, and a crooked stick in r. hand. The next is dancing to 1.,
with 1. leg raised behind. All wear wreaths and are bearded.
B 168. AMPHORA. Old No. 578. Ht. i6| in. FromVulci. Durand Coll. iii. Gerhard, y?. F.
i. 55, and p. 182. A small piece chipped out of the rim. Designs black on red panels, having
accessories of purple and white, and bands of lotos and honeysuckle patterns interlacing along
the top.
{d) Leto with the infants Apollo and Artemis in her arms : On the 1.,
Hermes to r., bearded, with petasos, short chiton, and embroidered chlamys,
cadnceus in r. hand, 1. raised. Next, Dionysos to r., bearded, with long hair,
ivy-wreath, long chiton with purple spots, and purple and black himation with
rosettes, in r. hand a vine-branch with three clusters of grapes, in 1. a keras ;
next to him is Leto to r., looking back at him, with long tresses, fillet, and long
embroidered chiton, with diplo'idion ; in her arms are the infant Apollo (in the
left) and Artemis (in the right), the latter in a short chiton, flesh painted black.
On r. is a youthful Satyr (?) to 1., with ivy-wreath, and an ivy-branch in r. hand.
{b) Four Satyrs : In the centre, one with long hair rides on a goat, 1. hand
holding its horns, in r. hand an ivy-branch. Behind is a Satyr with fillet,
belabouring the goat with open r. hand ; behind him another, to r., dancing,
with 1. hand raised. In front of the goat is a fourth Satyr to 1., carrying an
askos on his shoulder.
B 169. AMPHORA. Old No. 594. Ht. 15I in. FromVulci. Durand Coll. 668. Gerhard,
A. V. 100. Designs black on red panels, having border of lotos-buds along the top ;
accessories in white and purple.
(rt) Apollo seizing a stag : In the centre, a stag to r., behind it Apollo to r.,
beardless, with long hair, short chiton with purple spots, and quiver slung at
back, holding it by the horns ; behind him is a bearded figure in a striped
himation. In front of the stag, two male figures, the first one beardless, with
long white chiton and striped himation, the second bearded, with short chiton
and chlamys, both moving to r. and looking back at the stag.
{b) Combat of six warriors : On the 1. is a warrior in lofty visored helmet
with fillet, short purple chiton, cuirass with a skin over it, and purple greave on 1.
leg, retreating to 1., pursued by another with plain greaves, visored helmet with
fillet, and shield with device of an eight-point star. In the centre a warrior with
short chiton, cuirass with skin over it, purple greave on 1. leg, lofty visored helmet
with fillet, spear, and shield with a pellet, has brought down on one knee another
similarly armed, in an embroidered chiton, but without shield. On the r. two
AMPHORAE WITH DESIGNS IN PANELS. IIQ
warriors advance to defend the last with spears, the former having short purple
chiton, cuirass, visored helmet with fillet, purple greaves, and shield with a
tripod ; the hinder warrior has chlamys, greaves, visored helmet, and Boeotian
shield with two concentric circles.
B 170. AMPHORA, with cover. Old No. 584*. Ht. 2oi in. 1848. Basseggio Coll. Gerhard,
Arch. Zeit. 1847, p. 24*, 1849, P- 55* ; Panotka, Eigenn. init KaXo?, p. 64 ; Robert, Arch.
Anzeig. 1889, p. 143 ; Jahrbuch fiir Class. Phil. Suppl. xi. p. 544 (Luckenbach) ; Klein,
Meistersig. p. 42 ; id. Lieblingsinschr. p. 18 ; Wernicke, Liebliugsn. p. 26 ; C. I. Gr. 7707 b.
Repaired and restored. Designs black on red panels, with borders of double palmettes along
the top ; slight accessories of white and purple.
{a) In the centre, the Dioscuri on horseback, riding side by side to r.,
beardless, with long hair and curls in front of their ears ; they wear short chitons,
that of Polydeukes embroidered, and striped chlamydes, fastened by fibulae at
the shoulder; Castor also has a petasos ; each has two spears, and Polydeukes
also a sword at his side. Below the horses is inscribed : POVVAEV*^^,
no\u8eu[/<:r/]9; in front of their heads: KA5T0P, Kao-rcop. In front of them is
Tyndareus seated to 1. on an okladias, with white hair and beard, long chiton
and himation, both embroidered, in r. hand a sceptre. Behind him is inscribed :
TVNAApEOJ, "Yvvhapkw'^. On the r. is a nude beardless male figure to 1., caressing
the horses, with fillet and hair falling in curls in front of his ears. Behind the
horses is Philonoe (Apollod. iii. 10, 6) to r., with long tresses, fillet, long
embroidered chiton and himation ; in front of her is inscribed : OE,
\^i\ov\or]. Behind her is a nude beardless male figure to r., his hair looped up
behind with a fillet, falling in curls in front of his ears. Above : O . . ETOP
KAVO$, '0[i^]?;t&>p koXo^.
[Klein attributes this vase to Exekias, both from the style, and from the occurrence
of the name Onetor.]
(d) In the centre, a warrior on horseback, riding to r., bearded, with sword,
petasos, and striped chlamys, holding in r. hand two spears. In front of him is a
male figure seated to 1. on a four-legged stool, looking back ; he wears a
fillet and long chiton. On the r. is a warrior to 1., fully armed, with spear, and
shield with device of a tripod. Behind him is an attendant, nude and beardless,
his hair looped up under a fillet, with curls in front of the ears. On the 1. is
a male figure to r., with long hair, fillet, and striped chlamys, holding a spear.
This side is much injured.
B 171. AMPHORA. Old No. 582. Ht. 17I in. From Vulci. Durand Coll. 375. Overbeck,