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2. " Adieu, ye soft scenes " (a 3). 5. " Whilst Prussia's warlike monarch
"1781." f.29b. blusters " (a 4). "1782." f.41.

3. "When Orpheus went down" (a 3).



Additional 27642, passim.

Paper ; a.d. 1783-1801. Oblong quarto. See also under sacred Canons
(vol. i, p. 120).

Glees, cheerful and serious, for 4 voices (unless the contrai-y is
stated), in score, by Dr. John Wall Callcott. Autograph. Nos. 7-13
are dated 1790; nos. 17-38 and 40-47, 1784; nos. 49, 50, 52-70 and
72, 1786 ; and nos. 73-76 and 78-89, 1785; the dates of the others,
where indicated, are given below.



1. " Hear, how the nightingales " (a 5).
f.7.

2, 3. "Yes, my country, boldly tread"
and " To mortal man " (a 3). "1799."
The words from Potter's Euripides.
if. 9, 10.

4. "If happily ye wish to live" (a 3).
" 1801." Words by " Peter Pindar."
f.ll.

5. " Eternal Hope." "1801." f. 13.

6. "Ye barren rOcks " (a 3). "1799."
f. 15.

7. "Lo, where this silent marble
weeps" (a 3). f. 17.

8. "Dauntless on his native sands."
f.l9.

9. "Your Paeans change" (a 3): dirge
in William Hayley's Eudora. f. 21.

10. "Oh, why so mute, my gentle
Lyre." f. 27.

11. "Sweetly breathing vernal air"
(a 5). f. 32.

12. "Where thro' the curtains of the
night." f. 36.



13. " Come, balmy Hope " (a 3). f. 38.

14. " Lo, where incumbent o'er the
shade" (a 3). f . 39.

15. "0 Thou, the Nymph with placid
Eye" (a 3). "1791." f.41.

16. "Hail, Queen of Thought." "1782"
(probably intended for "1784").
f.43.

17. "High on a Mountain's Lofty
Brow" (a 3). f. 45b.

18. " Silent Nymph, here sunk to
rest." f. 47.

19. " The Partial Muse." f.48b.

20. "The Star that bids the Shepherd
fold." f. 51.

21. "In these delightful solitudes"
(Eloisa to Abelard). f. 53.

22. "Oh, Eloisa, art thou still the
same " (Abelard to Eloisa). f. 55.

23. " Sad is my Day " (a 5). f. 57.

24. " A wizard dame." f. 59.

25. "0 Thou, who badst thy Turtles"
(a 3). f. 61.

26. " Lo, on yon Pyramid." f. 63.



106



VOCAL MUSIC— SECULAR.



27. "Shepherd, wouldst thou here
obtain" (a 3). f.65.

28. " Search where Ambition rag'd "
(a 3). f.67.

29. " I scorn the chilling wind." f. 69.

30. "When the Nightingale doth
sing" (a 5). f.71.

31. " Venus, Regina Cnidi." f. 73.

32. " Say, lovely Youth." f. 75.

33. " Hail, Golden Star " (a 3). f. 77b.

34. " Shed Roses." f. 79.

35. " Star of descending night." f. 81.

36. " Sweet Nymph, around thy
hallowd Shrine " (a 3) : elegy on
Miss Maria Linley. f. 85.

37. " Bear me, ye winds " (a 3). f. 87.

38. "What tho no weeping Loves":
elegy, f . 88b.

39. " Lay me near some Limpid
Stream" (a 5). "1783." f . 90.

40. "Oh think not the Maid" (k 3).
f. 91.

41. "Glide swiftly on, thou purling
Stream." f . 91b.

42. "In yon deep Bed": ode on the
death of [James ?] Thomson, f . 94.

43. " Ah, hills belov'd " (a 5). f. 96.

44. " Resound, ye hills." f. 100.

45. " Let Sol his annual Journies run "
(a 3). f. 102b.

46. " Pompey was a madman." f. 104.

47. "When Arthur first in court
began " (a 3). f. 106.

48. Hence, away, despondent Care"
(a 5). Imperfect at the end. f. 112b.

49. " The minutes, the hours " (a 3).
f. 115.

50. " Forlorn from shade to shade I
rove." f.ll6.

51. " Dear Youth, tho' hence I wander
far." f. 116b.

52. " Ye distant spires." f. 118.

53. " Fill your glasses ; banish Grief "
(a 3). f. 120.

54. " Ah, tell me why should silly
man " (a 3). f. 122.

55. " Oh thou, who sittst a smiling
bride." f. 123.

56. " See in the morning." f. 125b.

57. "The sun sets in night" (a 3).
f. 127.

58. "Let Vanity adorn the marble
Tomb." f. 127b.

59. " Shall I wasting in despair" (a 3).
f . 129b.



60. " Queen of the Lyre." f. 131.

61. "0 Qui me gelidis in vallibus"
(a 3). f.l32.

62. "Take, oh take those lips away"'
(a 5). f.l33.

63. "On Pleasure's smooth wings"'
(a 3). f.l35.

64. "The Queen of Love" (a 3).
f. 136.

65. "Hide me, oh Hide me in this
cooling cave." f. 138.

66. "Sweet Offspring of enraptured
May" (a 3). f. 139.

67. "Here end my chains" (a 3).
f . 139b.

68. "My sheep I neglected" (a 3).
f . 140.

69. ' ' When Paridel trys in the Dance '*
(a 3). f.l41b.

70. "Zephyr, with thy downy wing.""
f . 143.

71. "How sweet amidst the calm
serene." f. 144.

72. "Those gay . . . ." Unfinished^
f . 152.

73. "Oh Love, how swift" (a 5).
f . 169.

74. "Ye fields with blighted herbage
brown." f. 171.

75. "0 dear remembered scenes."
f.l72.

76. " 0[e]r Paraclete's sequestred cell"'
(a 3). f. 175.

77. "0 thou, the friend of man."
f. 176.

78. " Man's feeble Race." f. 177.

79. "Where is the Breast can rage."
f. 179.

80. "How lov'd, how valued" (a 5).
f. 180.

81. " Led by the Muse " (a 3). f. 181.

82. " Descend, ye storms." f. 182.

83. "How dreadful is their doom."'
f . 183.

84. "Hark, from the sacred oak."'
f.l85.

85. "Where by remorse impell'd."
f. 186.

86. "Say, Father Thames" (a 5).
f. 188.

87. " Come, Gentle Spring." f. 190.

88. " Fear no more the heat of the
sun." f. 195.

89. "Farewell to Lochaber" (a 3).
f. 198b.



GLEES.



107



Additional 27645, passim.

Paper ; a.d. 1783-1806. Oblong quarto. See also under sacred Canons
(vol. i, p. 122).

Glees (for 4 voices, unless the contrary is stated), in score, by
J. W. Callcott. Autograph.



1. " Go, plaintive Breeze " (a 5). f. 2.

2. "Adonis is no more." f. 7.

3. " She, midst the Lightning's Blaze."
f.9.

4. " Venit summa dies." f. 11.

5. "Hear how the Nightingales " (a 5).
"1798." f. 12.

6. "Ah, hills belovd" (a 5). "1788."
f.l4.

7. " 'Tis the soft descending rain."
"1793." f.23.

8. " Sisters in sorrow." "1793." f.25.

9. "Mona, Pure as this glittring race
of light." "1786." f.27b.

10. "Sweet Bard": elegy (a 6).
" 1786." f. 29.

11. "My Phillida, a dieu": elegy.
"1787." f.39.

12. "Fragrant Flora" (a 8— double
quartet). "1786." f. 41.

13. "No more, fond youth." "1785."
f.46.

14. "Sigh not, ye winds." "1791."
f.56.

15. " Return, Alpheus " (a 3). " 1791."



f.58.

16. "Ye beauteous nymphs" (a 5).
"1791." f. 60.

17. "Oh thou, err what remaynes of
thee." "1789." f.63.

18. "Triumphant Love." "Prize
medal, 1791." f. 72.

19. " thou, whereer (thie bones att
reste)." "1789." f. 74.

20. " Oh mother, mother, now advise "
(a 3). "1799." f.77.

21. "Fill the horn of glossy hue.""
" 1799." f. 80.

22. " Why does beauteous Lina weep "
(a 5). "1799." f. 82.

23. " Dull, repining Sons of Care."
" 1784." (Prize medal, 1785.) f. 86.

24. "As I was going to Derby" (a 3).
"1790." f.88.

25. " Green thorn of the hill of
ghosts." " 1801." f. 90.

26. " Now the spirits plastic might."
"1806." f.94.

27. "My flocks feed not" (a 3).
"1799." f.98.



Additional 31808, passim.

Paper ; about 1784 (f. 123)-1826 (f. 49), etc. Quarto. The MS. also contains
a secular Canon (above, p. 7), Catches (p. 40), and Madrigals, etc. (late 18th cent.),
described below.

Glees, for 3 voices and anonymous (unless the contrary is stated),.
in score.



1. "To the pale tyrant" (a 4). " S.
Webbe." f. 2b.

2. "Just like love." " Har[monize]d
by V. Novello." f . 5.

3. "If the Glasses, boy, are empty."
Two copies, the second with figured
bass. fi. 8, 161b.

4. " Let not rage " (a 4). " Set by D'
Arne ... for the Earl of Eglinton."
f. 11.

5. "'Tis Eve" (a 4). " ReV" C. J.
Smyth." f. 14.



6. "I gave my harp" (a 4, beginning
with bass solo). "I. W. Holder, m.b."
(in 1792). f. 16.

7. "Faire Daffodilles." " W" S.
Stevens, 1821." Autograph. Pre-
sented to Mr. Hawes. f. 22.

8. "Sweetly dawns the early Day."
"Clement Smith, m.d." (in 1800).
f.25.

9. Love, inform thy faithfull Creature "'
(a 4). " [P.] Hellendaal." f.28.

10. "A Gen'rous Friendship" (a 5)..



108



YOCAL MUSIC— SECULAR.



" [S.] Webbe [sen.]." fi. 32b, 156b.

11. "The Greenland Hunter," beg.
" Cold are the breezes." " D' Chard."
f.34.

12. "Come to the Greenwood." "I.
Worgan, b.m." (Mus. Doc. in 1775).
f. 40.

13. "Adieu! sweet Shades." "Atter-
bury." f. 42.

14. "Come, dear Pastora." By the
same, f . 43.

15. "Oh gentle Love, assist" (a 4).
"Danby." f. 45b.

•16. "The Bonnie wee Wife," beg.
"She's a winsome wee thing" (a 4).
" Harmonized. . .by J. A. Tattet. . .
1826." The words by Burns, f. 49.

17. "Gazing on th' enliv'ning Bowl"
(a 4). "Alcock." f.52.

18. "Go, tuneful Bird" (a 4). " Call-
cott." f. 55.

19. "Ah, hills belov'd" (a 5). By the
same. f. 57b.

20. "What time the jocund" (a 4).
By the same. f. 61b.

21. " May Harmony and mutual love "
(a 4). "D' Alcock." f. 65.

22. "Hither, hither, all ye loves."
"Webbe." f. 66.

23. "Here, ye Pow'rs, let me rove"
(a 4). "Alcock." f . 68.

24. " Drinking is an English diversion "
(a 4). By the same. f. 69.

25. " Fill, fill, my Friend, the foaming
Bowl." f.71.

26. Prize ode, beg. " Tis Beauty calls"
(a 4 — solo and chorus). "[S.] Webbe
[sen.], 1776." f. 77.

27. "If 'tis Joy." " Benj° Cooke." f. 83.

28. "Blest pair of Syrens" (a 4).
"Alcock." f.85.

29. " Breathe soft, ye winds." f. 92.

30. "Her Eye proclaims her sprung
from Jove." f. 94.

31. "Weep, all ye Muses" (a 4); with
an {autograph ?) emendation, fi. 100,
101.



32. "While George in sorrow bows":
epitaph on General Wolfe, f. 103.

33. "Alas, what boast": described as
"Elegiac on seeing the Celebrated
K[itty] F[ishe]r in her Coffin."
" Dr. Harington." f. 105b.

34. "Ye woods and ye valleys, la-
ment " : elegy, f. 107.

35. " A Lover once I did espy." f. 109.

36. "What chilling Thought" (a 4).
f. 111.

37. "Peace to thy feeling Heart" (a 4).
f. 115.

38. "As the fond Mother" (a 4). On
the death of Dr. Johnson, f. 117.

39. "While the "Vine's balmy Juice."
f . 119.

40. " With two black eyes." f. 121b.

41. "Let the Waiter bring clean
Glasses." "John Soaper, 1784."
f.l23.

42. "When charming Chloe" (a 6).
"S. Webbe." f.l25.

43. " Me non sdegni." "1789." f. 130.

44. "Welcome, welcome, ev'ry guest."
f. 133.

45. " It is not that winds loudly roar "
(a 4). f. 137b.

46. "Peace. . . to the souls of the
Heroes." "I. W. Callcott, m.b." (in
1785). f. 141b.

47. "Come, live with me" (a 4).
" Samuel Webbe." f . 144b.

48. " Great God of sleep." "Worgan."
f. 148b.

49. " Hush ! Hush ! the God of Love."
" [S. (?)] Long." f. 150b.

50. "In vain you tell" (a 4, with a
bass for harpsichord), f. 154b.

51. " Voglio andare." f . 155b.

52. "Adieu to the Village." By J.
Baildon. f. 161b.

53. "Collabottigliainmano." "Cocchi."
f. 164b.

54. " Hence, all ye vain delights " (a 6).
" S' Webbe." f. 167b.



Additional 34608, f. 33b (reversed).

Paper; about 1785-1789. Oblong octavo. See also under Anthems (vol. i,
p. 74).

" When Troy town had for ten years past " ; for 4 voices, in
score, in the hand, and probably the composition, of J. Stafford Smith.



GLEES.



10&



Additional 31811, passim.

Paper; a.d. 1785 (f. 29b)-1818 (f. 73), Oblong folio. See also under Catches
(above, p. 40).

Glees, for 4 voices and in score (unless the contrary is stated).



1. " Turn, Amarillis." " Thos. Brewer."
f. 6.

2. " Adieu to the Village " (a 3). " Jos.
Baildon." f. 11.

3. ** Ah ! fading joy " ; the bass part to
be doubled by a violoncello or piano-
forte. " I. Tyndall, 1785." f. 29,

4. " To fair Fidele's grassy tomb " (a 3),
The melody by [Rev, — ] Carter.
"Harmonized by R. J. S. Stevens."
The words by William Collins, of
Chichester, f. 60.

5. "Hush! ev'ry rude and vulgar
noise." By Samuel Pegge. Water-
mark 1794. f . 63.

6. " A gen'rous friendship" (a 5). In
compressed score. " [S.] Webbe
[sen]." f.67.

7. "Sweet stream." "Sam. Webbe,
Jun'." Autograph. Unsuccessfully
performed at his father's benefit
(see note by R. J. S. Stevens at end),
f. 69.

8. " You pretty birds." " W" Horsley."
Watermark 1818. The words are by
Dryden. f . 73.

9. "An awful gloom." " F. H. Bar-
thelemon, 1797." ff. 85, 85b.

10. " Sweet muse, who lovst the Virgin
Spring" (a 5 — solo and chorus). In
parts. In the hand, and probably



the composition, of R. J. S. Stevens.
f.87.

11. "Anti Syrens," beg. "Think not
true pleasure " (a 3). " Stafiord
Smith." f. 95.

12. "Hark, the hollow woods"; with
an additional first soprano part and
horn parts. By the same. fE. 97-
101.

13. " Gentle swains, unseal your eyes "
(a 5). Anonymous, f. 109.

14. " Push the rosy goblet round " (a 3).
Anonymous, f. 111.

15. " When shall we three meet again "
(a 3— bass part). By S. Webbe. Im-
perfect, f. 116.

16. " Search where ambition rag'd "
(a 3). By J. W. CaUcott, " 1785."
f. 117.

17. "Say, lovely Youth." By the
same, "1785." f.ll9.

18. " Make there my tomb." Anony-
mous, f. 125.

19. "Music, the fiercest grief" (a 3).
Anonymous, f. 127.

20. " Wheree'er my Delia comes."
Anonymous, f. 150.

21. "Breathe soft, ye winds" (a 3).
Anonymous. The words from Au-
brose Philips' Pastorals. 1. 164 b.



Additional 19647, S. 43, 108.

Paper ; a.d. 1786, etc. Oblong folio and folio. See also below, under Songs
(1786-1789).

Vocal compositions for 3 voices, in score, by J[ames] Hook.



1. "TheReveillee," beg." Rise, Cynthia,
rise": "Glee," with symphony and
accompaniments for flutes, horns,
and strings, in score, " 1786." Azito-
graph. The words are by the Earl



of Orford. Sung by [Charles] Incle-
don, and others, ff . 43-46b.
2. " Golden Sun " : described as " can-
zonett," without accompaniment.
f. 108.



110



YOCAL MUSIC— SECULAR.



Additional 34126, fF. 20b-57 passim.
Paper ; about 1789. Oblong octavo. See also below, under Songs.
Glees, for 3 voices, in score.



1. "Gripe'm greedy." " W. Tansur,
Senr." f. 20b.

2. "Ye tbat in Concert sing." By tbe
same. f. 21b.

3. "Fair Venus." Anonymous, f. 22b.

4. " Ob ye wbo bathe in Courtly bliss."



Anonymous. The words are by
Dodsley. f . 35b.

5. "Beneath the silent rural Cell."
"Harington." f. 38.

6. " Gentle Sighs my Soul discover."
By the same. f. 57.



Additional 27644, passim.

Paper; a.d. 1789-1799. Oblong quarto. The MS. belonged to William
Hutcbins Callcott. See also under Anthems (vol. i, p. 95).

Glees, for 3 voices (unless the contrary is stated), in score. They
are, with the exception of no. 21, by Dr. J. W. Callcott. Autograph.

12. "Are the white hours for ever fled "
(a 4). "1789." f.22.

13. "You gentlemen of England."
"1792." f. 24.

14. "From the chambers of the east."
"1799." f.25.

15. "See, with ivy chaplet bound."
" 1791." (Prize medal, 1792.) f. 27.

16. "Go, Idle Boy" (a 4). "Prize
Medal, 1789." f. 29.

17. " Lovely seems the moon's fair
lustre " (a 4). " 1790." f. 81.

18. " snatch me swift from these
tempestuous scenes " (a 5). " 1790."
f.88.

19. "Triumphant Love "(a 4). "1790."
(Prize Medal, 1791.) f. 88.

20. " Father of Heroes " (a 5). "1791."
(Prize Medal, 1792.) f. 40.

21. " The leaf that falls in autumn's
hour " (a 5). " Sir A. W. Callcott."
Atitograph. f. 45.



1. "Forgive, blest shade." "1795."
f.4.

2. "It was a fryer of order gray."
"1795." f. 4b.

3. "Quando ben finises." "1799."
f.6.

4. " Aldiberontiphoscophoruio." Im-
perfect. [1799.] f. 6b.

5. " Desolate is the dwelling of Morna."
"1799." f. 7.

6. "The Red Cross Knight," beg.
" Blow, warder, blow." "1797." f . 9.

7. "Who comes so dark." "1791."
f.l3.

8. "Peace ... to the souls of the
heroes." This and nos. 9-11 appear
to have been written originally for 1
voice, f. 15.

9. " In the lonely vale of streams " (a 4).
"1798." f. 17.

10. "Mark the merry elves." f. 19.

11. " Ah, why this boding start " (a 4).
"1796." f. 20.



Additional 31723, f. 7.

Paper ; about 1790 (supposed date of publication). Folio. See also under
Oratorios (vol. i, p. 377).

" Daughter sweet of voice and "air " ; for 5 voices, in score, by
Samuel Webbe [jun. 1]. Apparently autograph.

Additional 35003, ff. 69, 97.

Paper; a.d. 1791. Oblong folio. See also under Motets (vol. i, p. 849).

" Say, can pow'r and lawless wealth " ; for 3 voices, by Samuel
Wesley, 1791. Autograph. In parts (fF. 69-74), and in score (f. 97).



GLEES.



Ill



Additional 31671, fF. 38-7 lb passim.

Paper; about 1794-1811 (see below). Oblong quarto. No. 8 belonged to
Thomas Greatorex ; no. 9 was presented by its composer to the Ooncentores
:[Sodales]. See also under Catches (above, p. 31).

Glees, for 3 voices (unless the contrary is stated), in score.

1. " Why should the lover." By John
Davy. Aiitograph. f . 38.

2. " Ah, better far beneath the spread-
ing shade." By the same. Auto-
graph, i. 40.

3. "Slow, fresh fount" (a 4). "Wm.
Horsley." Autograph, f . 48b.

4. "Go, tuneful Bird" (a 4). Water-
mark 1794. This and nos. 5-7 are
by " Dr. Crotch." f. 53.



5. " To love thee, my Emma." f. 56.

6. " Hence, Bacchus." f. 59.

7. " Nymph, with thee at early dawn."
f.61b.

8. "Low in a vale." " W. Hawes."
f.64.

9. "Take, Take, those lips away"
(a 4). "Jas. Elliott." Watermark
1811. f.69.



Additional 31715, passim.

Paper ; a.d. 1797-1811. Oblong folio. See also below, under Madrigals
(1802, 1805).

Glees, for 3 voices (unless the contrary is stated), in score, by
WilHam Linley. Autograph.



1. " Sweet warbler." "1797." f.2.

2. " Sweet Echo sleeps " (a 4). f. 5.

3. " DovTn in the gleamy vale" (a 4).
"1799." f. 11.

4. " In secret pining." " 1800." f. 15.

5. "Rosy God of wine." "1800."
f . 19b.

6. " Come, Chloe, fill the genial Bowl."
" 1800." f. 24.



Sway." " 1805." f. 50.

11. " Have you not seen." " 1805."
f.60.

12. " How sweetly could I lay my
head." "1805." f.64.

13. "Lone Bird of Eve "(a 4). "1805."
f.67.

14. "Chloris, I swear": epigram.
"1806." f.72b.



7. "0 fairest of the virgin Band." | 15. "Your mother says." "1809."
"1800." f.28. ! f.74.

8. "Thou to whom the World un- i 16. " Virgin pale." "1810." f . 76.
known" (a4). "1800." FromCollins' | 17. " Hail, great Apollo " (a 4). "1810."
"Ode to Fear." f.32. f.82.



9. "Poor Adelaide" (a 4). "1800."
f.42.

10. " How sweet is Love's first gentle



18. " How can I sing." "1811." f . 89.

19. "Fill high the Cup." "1811."
f.92.



Additional 14343, f. 53.

Paper ; a.d. 1798. Oblong folio. See also below, p. 119.

" Roses, their sharp Spines being gone " ; for 3 voices, in score,
by Samuel Wesley. Autograph. "Received Aug. 29, [17]98." The
words are from Beaumont and Fletcher's "Two Noble Kinsmen."



112 VOCAL MUSIC— SECULAR.

Additional 5337, fF. 83, 85.
Paper; 18th cent. Quarto. See also under Oratorios (vol. i, p. 367).
Two Compositions for 3 voices, in score.



1. Glee in praise of Sack, beg. "Sack
is the prince of wines." "D' Jn°
Wilson." f. 83.



2. "Elegy," beg. "View here the
Youth." "W-^Boyce." f . 85.



Additional 29291,151.

Paper; 18th cent. Small folio. See also under sacred Canons (vol. i, p. 123).
Glees for 3 voices, by James Corfe.



1. ["Fill the bowl."] The last fourteen
bars only. Published posthumously
by the composer's nephew, Joseph



Corfe, in 1800.
2. " Come, Damon, leave thy sadness.''



Additional 30842.

Paper ; ff. 5. Second half of the 18th cent. Quarto. Presented by Major-
G. A. Crawford.

"Queen of fancy"; for 3 voices, in score, by Thomas Carter,
AutograpJi.

Additional 25074, f. 5b ; 25075, f. 23b.

Paper; late 18th cent. Oblong folio. See also below, under Operas (1799).

" Adieu to the Village " ; in compressed score. [By Joseph
Baildon.] Two copies.

Additional 34609, ff. 53b, 79b, 80.

Paper ; late 18th cent. Folio. See also under Anthems (vol. i, p. 92).
Original sketches of Glees, in short score, by J. Stafford Smith.



1. "The roving bee at early dawn."
f. 53b.

2. " Hark, y hollow woods resounding."
Different from the glee to those



words in Add. 31811, f . 97 (above^
p. 109). f. 80 (reversed).
3. "Happy are we met." f. 79b (re-
versed).



Additional 30950, f. 136.

Paper ; 18th-19th cent. Quarto. See also below, under Operas.
Sketch of a Glee, without words, by Charles Dibdin. Autograph.

Additional 30957, passim.

Paper ; 18th-19th cent. Oblong folio. The MS. also contains Catches (above,
p. 42), a Chorus (p. 49), and other compositions, described below.

Glees composed or collected by Charles Dibdin, apparently intended
for insertion, with instrumental accompaniments, in his dramatic works,



GLEES.



113



Nos. 1, 4 and 5 are autograph. Unless the contrary is stated, they
are for 3 voices, and in score.



1. "Break off, break off." A single
part. f. 3.

2. "Would ye know where freedom's
found." f. 5b.

3. "Give me the man who freely
quaffs." Two 3rd voice parts and
one 4th voice part. ff. 12b-17.

4. "Do re mi fa sol la." f. 32.



5. "Hither come and follow me."
f. 32b.

6. "Kind relief." Tenor and bass
parts, ff. 35, 37.

7. "Love delights the Giddy Lad"
(a 2). f.39b.

8. "Sister of Phoebus." 2nd tenor
and bass parts, ff. 60b, 52b.



Additional 31809, passim.

Paper ; 18th-19th cent. Oblong folio. The MS. also contains Catches (above,
p. 43), Madrigals, Songs (1761), both described below, and Pianoforte Solos
(in vol. iii).

Glees, for 4 voices (unless the contrary is stated), in score. The
gi-eater part of the MS. is in the hand of — Foulis, probably the
amanuensis of that name employed by R. J. S. Stevens (see
Add. 31811, f. 28b).



1. "As now the shades of Eve." "Dr.
Cooke." f. 1.

2. "When winds breathe soft" (a 5).
"Sam'Webbe." f . 9b.

3. "When to the Muses' haunted Hill" :
described as "Occasional Ode," for
solo voices and 5-part chorus. " J.
S. Smith." f. 16b.

4. "Slender's Ghost," beg. "Beneath
a churchyard yew." "Mich' Rock."



f.22.

5. "Hail, hallow'd Fane." "Earl of
Mornington." f. 25.

6. "Sweet Thrush." " Jno. Danby."
f. 28b.

7. "Come, fairest Nymph" (a 3).
" Earl of Mornington." f. 32b.

8. " Sweet Muse, inspire thy suppliant
Bard." " Dr. Arne." f. 36.



Additional 36662, ff. 18-19b.

Paper ; beginning of 19th cent. Oblong folio. See also under Oratorios
(vol. i, p. 378),

" Ye darksome Woods " ; for 3 voices, with a few occasional
notes of symphony, apparently for organ or pianoforte, in score.
Anonymous. The words are by Robert Bloomtield.



Additional 30521, f. 19.

Paper; early 19th cent. Quarto. See also below, under Songs (1824).

" Love in a shower " ; for 3 voices, in score, by R. A. Firth.
Autograph (?).

Additional 34073, f. 97b.

Paper ; early 19th cent. Oblong folio. See also under Anthems (vol. i, p. 97).

Sketch, unfinished, of a " Serious Glee on the Death of [James]
Thomson, Author of the Seasons, by Mr. Collins." In the hand of
n I



114 VOCAL MUSIC— SECULAR.

Vincent Novello, who is probably its composer. For 4 voices, in score.
Begins " In yonder gi'ave a Druid lies."



Additional 34725, £.121.

Paper ; early 19th cent. Oblong folio. See also below, under Operas.

" Awake, my Harp, some joyful measure " : Glee for 2 sopranos
and bass, with pianoforte accompaniment, in score, by Henry Rowley
Bishop. Autograph. In the latter part, the bass has not been
filled in.

Additional 31812, ff. 86-118 passim.

Paper ; a.d. 1800 (f. 100)-1837 (^Yatermark, f.97). Quarto. Most of the pieces
in the MS. appear to have been belonged to R. J. S. Stevens. It also contains
Madrigals (1813), Odes (1828), Songs (1798), and other compositions, described
below, and in vol. iii.

Glees, for 4 voices and in score, unless the contrary is stated.

1. "Fill all the glasses." " C. Evans." [ In parts. " R. J. S. Stevens, 1800."
[1812]. Autograph C?) . f. 86. Originally sung by [Reginald] Spof-



2. "When should lovers breathe their
vows" (a 5). "T. F. Walmisley."
f.90.

3. " Hail, lovely Shade " (a 3). "Rev"
Mr. Jenner." f. 98.

4. " Raise the song of mourning " (a 5) :



forth, [Samuel] Webbe [jun.] and
[James] Bartleman. The words from
Ossian. f. 100.

5. " Whence comes my love ? " By the
same. f. 113.

6. " To the pale Tyrant." Unfinished.



described as "Glee and Cho[ru]s." By Samuel Webbe. f. 118.

Additional 31815, passim.

Paper ; a.d. 1800, etc. Oblong folio. See also under Oratorios (vol. i, p. 373).

Compositions for solo voices and chorus, without accompaniments,
in parts, by R. J. S. Stevens. Autograph. Nos. 1 and 2 are described
as " Odes."

1. "Raise the song of mourning"; ter-tenor, 1st and 2nd tenor, and
three more copies of no. 4 of the pre- bass), f. 109.

ceding MS. g.85, 94, 102. | 3. "Come, oh come, etherial Guest"

2. "Hail, meek ey'd mercy" (? for 6 (for 5 voices — counter-tenor, 3 tenors,
voices — 1st and 2nd soprano, coun- i and bass), f. 120.

Additional 34007, f. 51.

Paper; a.d. 1802. Oblong folio. See also below, under Songs (1804).

"Oberon": Glee for 5 voices, beg. "Hither, hither, spoi'tive
maids"; written by James Hook for Vauxhall in 1802. Autograph.



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