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Monte." [1569.] f. 42b.

45. "Solo e pensoso"; in two parts.
Anonymous. (Different from no. 24.)
f . 43b.

46. "Ne mai piu vag' " ; in two pards.
" Teburcio Massiano." [1579.] f . 45b.

47. " Chiudea le luci." Anonymous,
f. 47b.

48. "Qual vine." By L. Marenzio.
[1583.] f. 48b.



Egerton 995, passim.

Paper ; after 1604 (see f. 6b). Quarto. See also under Anthems (vol. i, p. 7).

Madrigals, mostly by Italian composers, but with English words,
taken from the collections by T. Watson (1590), N. Yonge {Musica
Transalpina, 1588, 1597), and T. Morley (1597). Unless the contrary
is stated, they are for 5 voices. Four parts only, generally treble, alto,
" quinto," and bass.



1. " Sound out, my voice." " Gianetto
Palest[r]ina." ff. 4b, 46b, 76b, 118b.

2. " my louinge." " Luca Marenzio."
ff. 5b, 47b, 77b, 119b.

3. " Strainge weare the liefe." "Tho.
Bateson." [1604.] ff . 6b, 48b, 78b,
120b.

4. "Susanna fayre." "Orlando di
Lasso." ff. 8b, 50b, 80b, 122b.

5. "The faire yonge virgin"; in two
parts. "William Byrde." ff . 9b,
51b, 81b, 123b.

6. " Such pleasant bougbes." "Alfonso
Ferabosco." ff. 12b, 54b, 84b, 126b.

7. "Sweetly pleasing singest thou."
"Battista Mosto." ff. 13b, 55b, 85b,
127b.

8. "I thinck that if the hills." "Al-
fonso Ferabosco." ff. 14b, 56b, 86b,
128b.

9. "What doth my prety dearlinge."
"Luca Marenzio." ff. 16b, 58b, 88b,
130b.

10. " Sleepe, . . . myne onely Jewell" ;



in two parts. " Stephano Felis."
ff. 17b, 59b, 89b, 131b.

11. " Liquid and watry pearles."
" Luca Marenzio." ff. 19b, 61b, 91b,
133b.

12. " Somtyme my hoape." "Alfonso
Ferabosco." ff . 22b, 64b, 94b, 136b.

13. "0 sweete kiss." By the same,
ff. 23b, 65b, 95b, 137b.

14. " Sweete hart, aryse." "Luca Ma-
renzio." ff. 24b, 66b, 96b, 138b.

15. "AUyee. . . that ioy in waylinge."
" Giou. Maria Nanino." ff. 25b, 67b,
97b, 139b.

16. "I must depart." "Luca Maren-
zio." ff. 27b, 69b, 99b, 141b.

17. "I sawe my lady weeping"; in
two parts. "Alfonso Ferabosco."
ff . 28b, 70b, 100b, 142b.

18. " Lady, if you so spight race." By
the same, ff . 31b, 73b, 103b, 145b.

19. " Fly, if thou wilt." " Giulio
Eremita." ff. 32b, 74b, 104b, 146b.



The following 17 are for 4 voices : —



20. " Eury singing bird." "Luca
Marenzio." ff. 34b, 106b, 148b.

21. " Alas, what a wretched liefe." [By



the same.] ff . 35b, 107b, 149b.
22. " griefe, if yett my griefe." "Bal-
desar Donato." ff. 36b, 108b, 150b.



142



VOCAL MUSIC— SECULAR.



23. "Since that the tyme." " Giou-
anni Croce." ff. 38, 110, 152.

24. "White lillies." By the same,
ff. 38b, 110b, 152b.

25. "Flora, fayre love." "Felice Ane-
rio." ff. 39, 111, 153.

26. "Long hath my love." By the
same, ff . 39b, 111b, 153b.

27. "Cease, shepards, cease." By the
same. ff. 40, 112, 154.

28. "When loe by breake of morning."
By the same. ff. 40b, 112b, 154b.

29. " Daphne the brighte." "Giouanni
Croce. ff. 41, 113, 155.



30. " Ladie, lett mee behould." By the
same. ff. 42, 114, 156.

31. "Lo, lady, for your love." By the
same, ff . 42b, 114b, 156b.

32. " Come, shepards god." " Horatio
Vecchi." ff. 43, 115, 157.

33. "Weary and wyndles." By the
same. ff. 43b, 115b, 157b.

34. " Miraculous loues wounding."
"Felice Anerio." ff. 44, 116, 158.

35. ' ' Pearle, Christall, gould and Ruby."
By the same. ff. 44b, 116b, 158b.

36. " Faine would I dye." "Lodouico
Viadana." ff. 45, 117, 159.



Additional 30823-30825.

Paper ; ff. 47, 47, 47. After 1604 (see below). Oblong octavo.

Madrigals for 3 voices, in parts, without words. The dates given
below are those of the earliest editions in which they are known to
have appeared ; but the present parts were probably copied from later
editions. No composers are named in the MS. ; but the names of
those which it has been possible to supply with any degree of certainty
have been appended below. Nos. 2, 4, 8 and 13-18 are probably
from the 1597 reprint of Madrigali a Tre, originally published in
1551 ; nos. 30-33 from Canzonetti a tre, 1587 ; and nos. 40-46 from
the 1604 reprint of the Fiori Musicali, of which book i was originally
published in 1590, and book ii in 1598. Two or three of the com-
positions are possibly of a sacred character. The foliation is identical
in all the parts.

f.l7b.

18. "0 felice [colui]." By J. Gero.
f. 18b.

19. "Sa quest'." f . 19b.

20. "Or sus, amour." f . 20b.

21. "Jour desire" (sic), f. 21b.

22. "Plust a Dieu." By N. Gombert.
f . 22b.

23. " Pere de nous." f. 23b.

24. "Jamais n'auoir." f. 24b.

25. " Qual viue"; apparently adapted
from Marenzio. f . 24b.

26. " S' altra fiamma." By F. Bellasio,
1590. f . 25b.

27. "Dormiua dolcemente." By F.
Stivorio, 1590. f. 26b.

28. "Queste note vi dono." By G.
Guami, 1598. f. 27b.

29. "Morir non." f. 28b.

30. " Sta notte [mi sognava]." By G.
Boni. f. 29b.

31. "Non vedi, amore." By Giulio
Renaldi. f. 30b.



1. " A ce bon an."

2. " Se per colpa."
f.2b.

3. " Si me tenez."



f. lb.

By Jan Gero, 1551.

f.3b.

4. "Alassalir." By Lupacchino, 1551.
f . 4b.

5. "Helas, amy." f . 5b.

6. " En languissant." f . 6b.

7. "Come donna." f. 7b.

8. " Alia dol[c]e [ombra]." By J. Gero,
1551. f. 8b.

9. " Dormend' vn [giorno " ?]. f. 9b.

10. " Tant bien." f. 10b.

11. " Vostre rigueur." f. lib.

12. " lo credea." By V. Ferro, 1562.
f. 12b.

13. "Raregratie." By J. Gero. f.l3b.

14. " Valli vicine." By P. Animuccia.
f.l4b.

15. "Le treccie." By J. Gero. f. 15b.

16. " Perch' al [viso]." By Lupacchino.
f. 16b.

17. "Vel puo giurar." By V. Ferro.



MADRIGALS.



143



32. " Vn giorno [passeggiando]." By
A. Barbato. f. 31b.

33. "Godi[a]m' adesso." By L. dalla
Balla. f. 32b.

34. "Dolci colli." f. 33b.

35. "Ben sperai." f . 34b.

36. "La mia spietata sorte." f . 35b.

37. "Cruda e bella"; in two parts,
f. 36b.

38. "Signo[r?] mio." f. 38b.

39. "Vnbel vis . . . " f. 39b.

40. "Lascian le [fresche]." By G. M.
Nanino, 1590. f . 40b.



41. " Lunge da gl' occbi [vostri]." By
F. di Gregorii, 1590. f . 41b.

42. "Ma che squallido." By I.
Baccusi, 1598. f. 42b.

43. "Voi bramate." By G. Grace,
1598. f. 43b.

44. " Gia fu mia." By G. Florio, 1590.
f . 44b.

45. " Basciami, vita [mia]." By G.
Grace, 1590. f. 45b.

46. " Vezzosi augelli." By G. M. Asola,
1598. f. 46b.



Additional 34050, passim.

Paper; after 1604 (date of latest known publication — see below). Oblong
octavo. See also under Motets (vol. i, p. 278).

Madrigals, apparently all written for 5 voices, in England.
Tenor part. The words are omitted in most cases. Nos. 2-10 are
by B. Pallavicino, nos. 2-4 being published in 1588, and nos. 5-7
in 1593.

By L. Maren-



1. "Bascia e ribascia
zio(?), 1593. f.l,

2. " Mentre che [qui d' intorno]." f. lb

3. "Non mirav." f. 2b.

4. "Non mi ferir." f. 3b.

5. "Donna, se voy [m'odiate]." f . 4b.

6. " Filli, tu pur [sei quella]." f. 5b.

7. "Tupur ti parti." f. 6b.

8. " Si, mi dicesti." [1588.] f. 7b.

9. " Ben r alme." [1593.] f . 8b.

10. " Artemisiano." [1588.] f. 9b.



11. " Quelle rose." By F. Anerio (?),
1596. f. 10b.

12. "Amorosette [ninfe]."
Pallavicino, 1593. f. lib.

13. "Lena con la sua mano." By
the same, 1593. f. 12b.

14. "Rimaser [le parole]." By G.
Groce, 1593. f. 13b.

15. "Ghi [? per voi non] sospira."
Anonymous, f. 15b.

10. "Hor veggio." By B. Pallavicino,

1604. f. 16b.
17. " Dolce mia." Anonymous, f. 18b.



B. Pallavicino, 1588. f . 20b.

20. "Hor lieto." By the same, 1588.
f.21b.

21. "La tua cara." By the same,
1588. f. 22b.

22. "Amorosa . . . . " Anonymous,
f . 23b.

23. "Dolce mia cara." By B. Palla-
vicino, 1604. f. 24b.

24. " Se Gioue." By 0. Ballis (?), 1598.
f . 25b.

25. "Le belle." By A. Ferrabosco.
f . 26b.

By B. ' 26. " II sangue a pena." By L. Via-
I dana(?), 1597. f . 27b.

27. "O tu che ale" [? = " tu che
fra le selve"]. By L. Marenzio,
1590. f . 28b.

28. "lo seguo ardente." Anonymous,
f. 29b.

29. " Zefiro torna." By A. Ferrabosco,
1587. f . 30b.

30. "Non mi fuggir." By the same,
- 1587. f. 31b.



18. "Chime..." Anonymous, f . 19b. ' 31. "No trust ther is." Anonymous.

19. "Se vois[i]ete [il mio core]." By ' f. 33.

The following numbers (except nos. 33 and 39) are accompanied
by words ; nos. 34-39 are anonymous.



32. "Gompell the hauke." By W.
Byrd, from Soiigs of sundrie natures,
1589. f . 33b.



33. "Delight is dead." By the same,
f . 34b.

34. " Among the Roses " ; with second



144



VOCAL MUSIC— SECULAR.



part, " Wherat the Nymphe." f. 35.

35. " Love is a pleasure." f. 36b.

36. " Farwell al fancyes." f. 37b.

37. "What joy, delight and pleasure."



f. 38b.

38. "How high was Csesar placed."
f . 39b.

39. " How finely fortune." f. 40b.



Additional 36484, passim.

Paper; after 1604 (see below, after no. 107). Small oblong folio. From the
similarity of some of the contents, it seems likely that the MS. was known to the
John Forbes, of Aberdeen, whose Songs and Fancies were published in 1662, and
to the compiler of the later portions of Add. 33933. See also the Catalogue of
Additions for 1900-1903, p. 120. It also contains Anthems, Hymns, sacred and
secular Motets, etc.

Vocal compositions, apparently in the hand of David Melvill alias
Mel vine, whose name is written in a contemporary hand at the bottom
of every page. Unless the contrary is stated, they are for 4 voices.
Bass part. The composers' names are not given.



1. "When sail my sorovfull siching
slaik." [Tallis.] f.l.

2. "Suport 5our servand, pierles para-
mure." f. lb.

3. "Only to 50W, my ladey bricht."
f.2.

4. " Richt soir oprest am I." f. 3b.

5. "In throw the vondouis (sc. win-
dows) of my eies." f. 4b.

6. "I joy not in no earthlie bliss."
[W. Byrd, 1588.] f. 6.

7. "Wher fancie fond"; for 5 voices.
By the same, 1588. f. 6b.

8. "Susanna [fair sometime of love
assaulted was] " ; for 5 voices. [0.
di Lasso, from Musica Transal-
pina, 1588.] f. 7.

9. 10. "Musick fyne," and "Lytill
blak." f . 8.

11, 12. "O mortall man," and "My
delyt." f . 8b.

13. "Vn jour vis." (For the contra-
tenor part, see Add. 33933, f . 78b,
above, p. 130). f. 11.

14, 15. "My luiff," and " Adew."
f. 21b.

16. "Clarinda fals, Adew." This and
no. 17 are from Thomas Morley's
Madrigals, 1594. f. 24.

17. "Why sit I heir, Alace." f. 24b.

18. " O loue, thou art enraiged." f. 25.

19. "Cum, my deir." f. 25b.

20. "In dew of roises [sic)." [T. Morley,
1594.] f. 26.

21. "O cum away, my deirest deir."
f.27.



22. " Delay of tym hes wrocht my wo."
f . 27b.

23. "I will no moir my siching slaik."
[T. Morley, 1594.] f. 28.

24. " Tu as tut seul"; for 5 voices.
[C. Verdonck.] f. 28b.

25. " Constant Penelope " ; for 5 voices.
[W. Byrd, from Psalms, Sonets and
Songs of Sadnes and Piety, 1588.]
f. 29.

26. "In fieldis abrod " ; for 5 voices.
[By the same, from the same work.]
f . 29b.

27. " The quhyt sueit singing death " ;
for 5 voices, f. 30.

28. " Zephirus bringis the tyme"; for

5 voices. [A. Ferrabosco, from Musica
Transalpina, 1597.] f. 30b.

29. " Hard by a cristall fontane" ; for

6 voices. [G. Croce, from the same
work.] f.31.

30. "Apryl is in my maistres face."
[T. Morley, Madrigals, 1594.] f. 31b.

31. "Pausing in spreit." f. 31b.

32. " Cinthia, thy song and chanting."
[G. Croce.] This and nos. 33-38 are
from Musica Transaljiina, 1597, and
are written for 5 or (in the case of
no. 38) 6 voices, f. 32.

33. "Flie, giue thow wilt." [G. Ere-
mita.] f. 32b.

34. "In flour of Apryll." [A. Ferra-
bosco.] f. 33.

35. "Hillis and woods." [L. Quin-
zani.] f. 33b.

36. " Sueit sparkle ofi luifis fyre." [G.



MADRIGALS.



145



M. Nanimo.] f . 34.

37. "Sueit eyis admyring." [S. Ven-
turi.] f. 34b.

38. " Beautie (prvperly Dainty) quhyt
pearle." [A. Bicci.] f. 35.

39. "Besydis a fountain." [T. Morley,
Madrigals, 1594.] f. 35b.

40. "Sidessus." f . 36.

41. "When I wald the[e] Imbraice."
[G. B. Pinello, from Mtisica Trans-
alpina, 1588.] f . 36b.

42. "Yow prettie flouris." This and
the next are by John Farmer, 1599.
f.37.

43. " Now each creatur." f.37b.

44. " Ladie, let me behold." [G. Croce,
from Morley's Italian Canzonets,
1597.] f. 38.

45. " Evin sighes I send." f. 38b.

46. " Ye pearce my hairt." f. 39.

47. "Tresbeuxgeux(sc. yeux)." f. 39b.

48. ' ' Sie {sc. see), sie, myne owne sueit."
This and nos. 49-57 are from Canzo-
nets . ... to 8 voyces, by Thomas
Morley, 1593. f. 40.

49. "Joy, joy doth so aryse." f. 40b.

50. " Ladie, those eyes of yours." f. 41.

51. " Crewell, yow pull away to[o] soine
your sueit lipis." f. 41b.

52. " Whether away so fast." f. 42b.

53. " Blow, shepherds, blow." f. 43b.

54. " God morrow, fair ladies." f. 44.

55. "0 flye not, tak some pittie."
f . 44b.

56. "Thirsis, let pittie moue the."
f. 45.



57. "Aryse, get wp, my deir." f. 45b.

58. "Why do I thus complaine"; for
3 voices, f. 46b.

59. "Lo, lady, for your loue." [G.
Croce, from Morley's Italian Can-
zonets.'] f . 48.

60. "The flaming fyre." f. 48b.

61. " Hark, Joly Shipherds." [T. Mor-
ley, Madrigals, 1594.] f. 49.

62. "Present now must I bee." f. 49b.

63. "As every flour doth spring in
may." f. 50.

64. "I die, alaice, throuch your disdain-
ing." f. 50b.

65. "Vor[r]ia...." f . 50b.

66. " cairfull catiue." f. 51b.

67. " Whairfoir is this, my lady sueit."
f.52.

68. 69. " What plesure haue gryt
princes," and "My mynd to me
a kingdome is." These and nos. 70,
71 are by W. Byrd, from his PsalmeSy
Sonets, and Songs. ..of 6 parts, 1588.
f. 52b.

70, 71. "Fairweill, fals loue"; and
" The match that is maid." f. 53.

72, 73. " Ane Italian song," and " Adiw,
sueit hairt." f. 55b.

74. "My plesour." f . 56.

75. "Ardoch" [sc. Ardo che ?) ; for 3
voices, f . 56b.

76,17. "Puis que ne ueux escouter,"
and " Si ie trepasse." f. 57.

78, 79. "Je vaw (sc. vols?)," and
"Ausew" {sc. "Aux yeux " ) . f . 57b.



Nos. 80-87 are by Bernardino Mosto, from his collection of 5-part
Madrigals, 1588.



80, 81. "L' Aurora [e '1 giorn']," and
" Cantano j piu [graditi]." f. 58.

82,83. "Felice [e lo mio core]," and
" Crudell [perche mi fuggi]." f. 58b.

84,85. "Zeffiro [torna]," and " Notte



felice [aventurosa]." f . 59.
86, 87. "Ploue {sc. piove) da glie
occhi," and " Da bei voster {sic).
[occhi]." f. 59b.



Nos. 88-107 are by Ruggiero Giovanelli, from Books i-iii of his
5-part Madrigals, published in 1586, 1593 and 1599.



88, 89. " Dunque, Aminta," and "Dalle

[labbia rosate] spira." f . 60.
90, 91. " Cara dolce [favella]," and

" Dono licori [a Tirsi]." f. 60b.
92, 93. " Chime [perche mi fuggi],"

and "I piu candide {sic) [gigli]."

f.61.

II



94. "Ardo, si, ma non [f amo]," with
second part, " Ardi e gella" {sic).
f . 61b.

95. " Nell foco [d' un bel lauro]." f. 62.
96,97. "Mi sfidate," and " lo sequo

{sic) [!' orm' invauo]." f. 62b.
98, 99. " C timida le prata {sc. le-



146



VOCAL MUSIC— SECULAR.



pretta)," and " Sei tu, mio [cor]."
f.63.

100. " Donna, la bella [mano]." f. 63b.

101, 102. " Come potro giamai," and
- "Tirsi, io mi parta" (sic), f . 64.
103. " Lalina {sc. L' alma) guerriar "



(sic), f. 64b.
104, 105. " Viddi filli," and " Dolcis-
simo [legame]." f. 65.

106. " Tu nascesti [di furto]." f. 65b.

107. " Wth (sc. Ut) re mi fa sol la."
f . 66.



Nos. 108-117 are from the set of Madrigals published by Michael
Este in 1604. The first six are for 3 voices.



108. "In the merry month of may";
with second part, " Coridonvvold kise
her then." f. 66b.

109. " come again, my Loue." f. 67.

110. " Yomig cupid hath proclaimd a
bloody wair." f. 67b.

111. " To bed, to bed sche cals." f. 68.

112. " Oh doe not run away from me."
f . 68b.

113. "In ane euening late as I was



walking." f. 69.

114. " Pitie, dear Loue." f. 69b.

115. " When on my dear I do demaund
the due." f. 70.

116. " All yee that Joy in wailling " ;
for 5 voices, f. 70b.

117. " The spring is past " ; for 5 voices.
Part ii of " My prime of youth."
f.71.



Harley 6855, Art. 13, f. 37b.
Paper ; a.d. 1610. Small folio.

" Awake softly with singing Oriana sleeping " ; for 4 voices, in
parts, by H[enry] Pecham. Headed "King lames his quier." It is
added (in the same hand) at the end of what appears to be the original
draft of Pecham's " BacrtXiKov A.o}pov Ets Ta EfxjSXrjixaTa BacriXiKa totum
versum," which is dedicated to James I. At the beginning of
this MS. it is described as " Ad Regem . . . cantio votiva, seu con-
gratulatoria, ab alumnis Quatuor Regnorum, Anglo sc, Scoto, Gallo,
et Hibernico concinenda." The presentation copy (Royal 12. A. Ixvi),
which is dedicated to Prince Henry (see also f. 36b of the present MS.),
does not contain the Madrigal.



Egerton 2009-2012, passim.

Paper; after 1611 (see below, no. 39). Oblong duodecimo. Vols, i, iii, and
iv belonged in 1669 to Stephen Aldhouse of Matlask, co. Norfolk. The MS. also
contains Anthems (vol. i, p. 8), Carols (ib. p. 143), and a Motet (ib. p. 279).

Madrigals, etc., by anonymous English composers. In four volumes
(treble, alto, " medius," and bass parts). The number of voices for
which they are written is not given, but nos. 1 and 2 are known to be
for 4 voices, and the other Madrigals whose composers are identified
below are for 5 voices. The tenor is wanting ; the alto part (vol. ii),
though partly in the same hand and very similar in contents, originally
formed part of another collection.



1. "Whyle y' y» sunne." [W. Byrd,
1589.] i, iii, iv, f . lb.

2. " From Citheron " ; with second
part, "There carelesse thoughts";
and third part, " If loue be Just." [By



the same, 1589.] i, iii, iv, f . 2.

3. " When Flora fayre " ; with second
part, "All creatures then." i, iii, iv,
f . 4b ; ii, f . 9b.

4. "From my delight"; with second



MADRIGALS.



147



part, " sighes, o sobbes." i, iii, iv,
f.6b; ii, f. 1. I

5. " In trust is hidden treason," i, iii,
iv, f.7b; ii, f. 35b.

6. "He that inioyed"; with second
part, " For when y' he had tasted."
i, iii, iv, f. 9; ii, f. 6b.

7. "Howhappie is y' sheperd." i, iii,
iv, f. 10b ; ii, f. 38b.

8. " She that was named Queene "
(Lady Jane Grey), i, iii, iv, f. lib ;
ii, f.37b.

9. " Wher Troy stood." i, iii, iv, f. 12b;
ii, f.25b.

10. "0 loue, thy fyre excedeth." i, iii,
iv, f. 13b; ii, f. lib.

11. " My hart is fire." i, iii, iv, f. 14 ;
ii, f. 12b.

12. " In fountaine clere " ; with second
part, "Actgeon." i, iii, iv, f. 15; ii,
ff. 26b, 39.

13. " How shall he sing." i, iii, iv,
f . 15b ; ii, f . 32b.

14. " Uppon a stage of sylver " ; with
second part, " Her hands full sore she
wringed"; third part, "0 Rychard
cruell Tyrant " (Richard III) ; and
fourth part, "How didst thou slay
my children." i, iii, iv, f. 16b; ii,
f . 13b.

15. " Lyst not to syrens." [A. Ferra-
bosco.] i, iii, iv, f. 18b ; ii, f. 8b.

16. " Cambises somne" (sc. son), i, iii,
iv, f. 19b ; ii, f. 7b.

17. " Ye shepeards of feilds and moun-
taynes " ; with second part, " By fair
Aurora's springing." i, iii, iv, f. 20b;
ii, f. 86b.

18. " spightfull loue." i, iii, iv, f . 21b ;
ii, f. 19b.

19; " You that doe stand." (Soliloquy
of Henry VI.) i, iii, iv, f . 22b ; ii,
f. 20b.

20. " sighes by loue inflamed." i, iii,
iv, f. 23b ; ii, f. 29b.

21. "Elysa faire " ; with second part,
" If great Renowne." i, iii, iv, f. 24b ;
ii, f. 17b.

22. "What Rose is like the virgen " ;
with second part, "0 beawtie most
admired." i, iii, iv, f. 26b ; ii, f. 27b.

23. "I saw not loue." i, iii, iv, f. 28b ;
ii, f . 40b.

24. "The nightingall [so pleasant]."
[A. Ferrabosco, 1588.] f . 29b.



25. "The Nimphes y' in y° groves."
i, iii, iv, f.30b; ii, f.3b.

26. " Phyllys a heardmayd " ; with
second part, " Thyrsis this said." [A.
Ferrabosco.] i, iii, iv, f. 31b; ii,
f.l5b.

27. "In loue wher is denieng." i, iii,
iv, f . 33 ; ii, f . 2b.

28. " What thing more rare." (Relates
to Jane Shore.) i, iii, iv, f. 33b ; ii,
f.5.

29. A piece without words, i, iii, iv,
f.35.

30. " From stately Tow'r " ; withsecond
part, "With her sweete lookes." i,
iii, iv, f.35b; ii, f. 41b.

31. " The Phrigiau Knight." i, iii, iv,
f.37; ii, f . 39b.

32. " Crowned with flowers and lyllies " ;
with second part, " O worthy queen "
(Mary I), i, iii, iv, f. 37b; ii, f.30b.

33. "Penelope euer was praysed."
[W. Byrd, 1589.] i, iii, iv, f. 39b ; ii,
f . 33b.

34. " Who trusts to fortune's smyling" ;
with second part, "Of Cupid."
f. 40b.

35. "Though tyme hath torne." (Re-
lating to Thomas Cromwell's death.)
i, iii, iv, f.41b; ii, f. 21b.

36. " Crowned with flowers ... I saw
faire Amarillis." i, iii, iv, f. 42b ; ii,
f. 24b.

37. Another setting of the same words.
[W. Byrd, 1611.] f. 43b.

38. "Crowned with flowers and
lyllies " ; in two parts, i, iii, iv,
f.44b; ii, f. 22b.

39. "Wedded to will." [W. Byrd,
1611.] i, iii, iv, f. 46b.

40. " sweete deceyte"; with second
part, " Like Harpias {sic) vile." [W.
Byrd.] i, iii, iv, f . 47b.

41. " The fayre young virgen " [sc. " La
Virginella"). [W. Byrd, 1588.] i, iii,
iv, f. 50b.

42. "Come to me, greefe." (Funeral-
song of Sir Philip Sidney.) [By the
same, 1588.] i, iii, iv, f. 51b.

43. "Oh . . that we woofull wretches."
[By the same.] i, iii, iv, f. 51b.

44. " Why doe I vse my paper." This
and nos. 45-48 are from Psalmes,
Sonets and Songs, by W. Byrd, 1588.
i, iii, iv, f. 53b.

L 2



148



VOCAL MUSIC— SECULAR.



45. "My mind to me a kingdome is " ;
with alterations, i, iii, iv, f. 55b.

46. "In fields Abrode." i, iii, iv,
f . 56b.

47. "What pleasure haue great
princes." i, f. 57 ; iii, iv, f. 56b.

48. "All as a sea." i, iii, iv, f. 57b.



49. "When I was otherwise." [W.
Byrd, 1589.] i, iii, iv, f. 58.

50. "Ambitious love." [By the same,
1588.] i, iii, iv, f . 58b.

51. "What vaileth it to rule." i, iii,
iv, f . 60b ; ii, f . 43b.



Vol. II. also contains the altus part of the following : — ■

52. "FairePhillida." ii, f. 4b. I quillon.] ii, f . 46b.

53. "0 Bright and shinning" (sic), i 55. " Cy je ne plais." ii, f. 47b.

ii, f.44b. I 56. " Ce vostre beaute." [P. Phillips.]

54. "Pis ne me peut." [T. Cre- I ii, f.48.



Additional 29246, fF. 27b-31 ; 29247, passim.

Paper ; after 1611. Oblong quarto.

Madrigals by W. Byrd, F. di Monte, and other composers,
chiefly of the second half of the 16th century. See under Lute Music,
in vol. iii.

Additional 18936-18939, passim.

Paper ; after 1612. Oblong octavo. See also under Masses (vol. i, p. 215).

Vocal compositions, in parts, Nos. 1-13 are for 3 voices,
nos. 14-20 apparently for 4 voices, and the rest for 5 voices.



1. "Say, Galatea, since our comminge
hither." " [T.] Wilkinson " (Madri-
gals, Book ii). i, ii, iv, f. 3.

2. "A sea Nymph sate vpon y' shore."
Anonymous, i, ii, iv, f. 3b.

3. "Your shininge eyes." " Tho.
Bateson" (Madrigals, 1604). i, ii,
iv, f . 4.

4. "Stryke vp the Tabor." This and
nos. 5-13 are by " [Thomas] Weilkes "
(from Ayeres, 1608, except nos. 6, 13).
i, ii, iv, f . 4b.

5. "Four armes, two necks." i, ii, iv,
f.4b.

6. "Thus sings my dearest Jewell."
i, ii, iv, f. 5.

7. "Late in my rash accounting."
i, ii, iv, f. 5.

8. " Come, sirha Jackho." i, ii, iv, f. 5b.

9. "Tantara ran tan tan, cryes Mars."
i, ii, iv, f. 6.

10. " O when I thinke." i, ii, iv, f. 6b.

11. " Some men desire." i, ii, iv, f. 7.

12. " Aye me ! alas I hey ho ! . . .thus
doth Messalyna goe." i, ii, iv, f. 7b.

13. " Cease sorrowes." [Madrigals,
1597.] i,ii, iv, f. 8.



14. "Quando. . . ." "Philippi de
Monte." i, ii, iv, f. 20b; iii, f. 3b.

15. "Vaults, graues and tombes."
Anonymous, i, ii, iv, f. 21 ; iii, f. 4.

16. "Alas, I faynte." Anonymous,
i, ii, iv, f. 21b; iii, f. 4b.

17. " my hart." Anonymous. Three
parts only, i, ii, iv, f. 22.

18. " Mi parto." Anonymous, i, ii, iv,
f. 22b ; iii, f. 5b.

19. " Chi mi consola." Three parts
only. Anonymous, i, ii, iv, f. 23.

20. "Amor [se i bei rubini ?] " ; with
second part, "Perchi [non posso?]."
Three parts only. " Pietro Philippi,
Anglise " (? from Madrigals a 4,
1591). i, ii, iv, f. 23b.

21. " tell me, sweet heart." Anony-
mous, i, ii, iv, f. 37 ; iii, f. 19.

22. "What, shall I part." [G. Kirbye,
1597.] i, ii, iv, f. 37b ; iii, f. 19b.

23. "Phillis, a heardmayd dayntye."
"Alfonso [Ferrabosco]." i, ii, iv,
f. 38 ; iii, f. 20.

24. "Di questi hondi " (sic). By the
same, i, ii, iv, f. 38b ; iii, f. 20b.

25. " Le belle." By the same, i, ii,



MADRIGALS.



149



iv, f. 39 ; iii, f. 21.

26. "La bella." " [B.] Paleuicino."
i, ii, iv, f . 39b ; iii, f . 21b.

27. "0 comma ..." "Orlando [di
Lasso]." i, ii, iv, f. 45b ; iii, f. 27b.

28. " Delight ys dead." "Byrd." i, ii,



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