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nascone." f . 19b.



Additional 14117.

Paper; ff. 81. About 1760. Large oblong folio.

" II Trionfo di Camilla " ; with symphonies and accompaniments
for horns, trumpets, oboes, and strings, and a figured bass for harpsi-
chord, in score, by Nicolo Porpora [1760]. Acts i and iii only. In
the march in Act iii the orchestra is divided into two " cori." Auto-
graph. Characters : Camilla, Prenesto, Mezio, Turno, Lavinia, and
Latino.



Additional 31678, ft". 84, 123b, 124b.

Paper ; a.d. 1760, etc. Small quarto. See also below, under Songs.

Airs from French Operas ; the first with accompaniment (appa-
I'ently for guitar), the others unaccompanied.



1. "Tout me dit que I'indor [sc. Lindor)
est charmant " ; from "Le maitre



en droit " [1760]. By P. A. Monsigny.
f.84.



OPERAS. 295

2. "Sans le Dieu de la tendresse " ; [ 3. " Dieu des ames " ; from " Ismene "

from the ballet, " Les Caracteres de I [1747]. By F. Rebel and F. Fran-

L'amour" [1736]. By Colin de Bla- | coeur. f. 124b.

mout (?). f. 12.3b. i

Additional 32028, 32029.

Paper ; fi. 192, 133. About 1760. Oblong folio.

" Alcide al Bivio " : Opera, with symphonies and accompaniments
for flutes, oboes, horns, corni inglesi, trumpets, strings, and drums, in
score, by Ha.sse, 1760. Characters: Alcide, Fronimo, Edonide, Aretea,
and Tride, with a 4-part Chorus.

Additional 14229, ff. 1-68, 148-161b.
Paper; about 1761, e^c. Oblong folio. See also below, under Songs (1723-1782).

Arias, etc., with symphonies and accompaniments for strings and
occasionally (as indicated below) other instruments, in score. Nos. 1—4
are by Nicolo Sala, nos. 5, 6 by Michelangelo Valentini [fl. 1748];
the others are anonymous.



1. " Se piu felice Oggetto " [from
"Attilio Regolo"]. f. 1.

2. "Salvo tu vuoi lo sposo ? " [from
"Zenobia," 1761]. f. 12.

3. "Cadal" indegno"; with trumpets,
oboes, etc. From the same. f. 20.

4. "Si sof!re una Tiranna"; with
horns, oboes, bassoon obbligato, etc.
From the same. f. 36.

5. " Quest' alma uedrete morire." f. 55.

6. "DelmioPaternoaffetto." ff. 63-68.



7. " Grudeli, affrettate": scena with
aria, from an Opera in which some
of the principal characters are Epi-
tide and his mother, and Trasimede.
f . 148.

8. "Con Megera, Tesifone e[d] Aletto."
In the same hand, f . 154.

9. " Posso morir." f. 156.

10. " Su r orme del desio." ff. 160-
161b.



Additional 16141.

Paper; ff. 97. a.d. 1761. Folio. The name of Gen. Fitzwilliam is stamped
on the cover.

" II Filosofo di Campagna" [1754] : comic Opera in 3 Acts, with
symphonies and accompaniments for flutes, oboe.s, horns, and strings,
and a figured bass for harpsichord, in score, by Baldassare Galuppi.
Transcribed in 1761. Characters : Eugenia, Lesbina, Don Tritemio,
Rinaldo, Nardo, La Lena, and Cap ... (a notary).



Additional 31633.

Paper ; ff. 129. After 1761 (?). Oblong folio.

A COLLECTION, probably made in London, of Operatic pieces, with
instrumental accompaniments, in score, by composers of the middle of



296



VOCAL MUSIC— SECULAR.



the 18th century. Unless the contrary is stated, they are arias with
strings, and anonymous.



1. "Di spavento"; witli oboes, etc.
" Galuppi." Imperfect at the end.
f.2.

2. " Rispondi ; favella." By the same.
Imperfect at the end. f. 9.

3. " Se tutti i mali miei " ; with horns,
flutes, etc. [From " Alessandro nelle
Indie," by G. Cocchi, 1761.] The
words are from Metastasio's " Demo-
foonte." f. 13.

4. " Vanne a quel nobil core." [From
"Penelope," by B. Galuppi, 1741;
revived in London in 1754.] f. 22.

5. "Perchesifardisinceri." " Hasse."
f.27.

6. Recitative (Armidoro). f. 31.

7. " Ch' io mai vi possa Lasciar d'
amare " ; with bassoons, etc. By
Pasquale Potenza. [From the pas-
ticcio "Creso," 1758.] The words
from Metastasio's " Siroe." f. 33.

8. "Sivanta." By G. Cocchi. [From
the same work.] f. 35.

9. " Se tu sapessi appieno." f. 40.
10-12. Recitative (Euriso), Recitative

(Ariene) with aria "ASanni crudeli,"
and scena (Giro, Sihari and Creso), end-
ing with the accompanied recitative
"Amici, addio " ; the latter with
oboes, horns, bassoons, etc. [From
"Creso," probably the above-named
pasticcio.] f£. 42b, 43, 47-50b.
13. "Chi un dolce amor condanna";
with flutes, etc. [From " Catone in



Utica."] f. 51.

14. " Speranza del mio cor"; with
flutes, horns, bassoons, etc. f . 54.

15. " Quel labro adorato " ; with flutes,
etc. [From " Demetrio."] f.60.

16. " Nel pensar al gran cimento." [By
D. Perez, from the pasticcio "Ar-
minio," 1759.] f. 64.

17. Recitative (Selimo) ; with horns,
oboes, bassoons, etc. [From " Soli-
manno," 1760.] "Galuppi." (For
the Aria, see Add. 31634, f . 4b, below,
p. 297). f. 71.

18. "Figliomi sen to." f . 76.

19. "Mi credi spietata " ; with horns,
etc. [From " Artaserse."] f.81.

20. Recitative (Narsea) and aria " In-
felice abbandonata." [By D. Perez,
from the pasticcio " Solimanno,"
1758.] f. 87.

21. Accompanied recitative (Argia), beg.
' ' II Figlio tuo." ' ' [? Johann Christian]
Bach." Sung by Signora Carmignani,
who was in London in 1762, f. 99.

22. "A questa bianca mano " ; with
oboes, etc. [From "Penelope."]
"Galuppi." f. 103.

23. " Tergi quel caro ciglio " : duet.
By D. Perez, f . 108.

24. 25. "Che non mi disse un di," and
" Tu di saper procura." [From
" L'Olimpiade," 1743.] "Nicola
Jommelli." ff . 114, 122.



Additional 29386, fF. bh-lQh passim, 22b, 70b-95 passim.

Paper ; about 1762. Quarto. See also under Catches (above, p. 28).

Arias, etc., with bas.ses occasionally figured, in score, apparently all
of them from Operas, chiefly of the first half of the 18th century.
Where the contrary is not stated, they are anonymous.



1. " Destin se uuoi goder." f. 5b.

2. " Lillies, Roses, Pearly dew." f. 6b.
3-6. "Cruel Cupid"; "No, no, you'd

deceive me"; "For thee the rilling
waters weep"; and "No more let
Sorrow." From "Calypso" [1712].
"Galliard." ff.7, 8, 9, 10.

7. "To little or no purpos." f. 10b.

8. " Jack, thou'rt a toper " : catch (a 3).
[From " Bonduca," 1695.] " H. Pur-



cell." f . 22b.
9. "Non ha fortuna."



This and nos.



10-13 have an obbligato for oboe or
another instrument. f. 95. From
this point the leaves are reversed.

10. " A me tu nieghi amor." f. 93.

11. " Di lusinghare fingere." f. 92.

12. " Fier destin." f. 90.

13. " Armateui di vezzi." f . 89.

14. " II tricerbero humiliato " [from



OPERAS.



297



" Rinaldo," 1711, by Haudel]. f. 88.
15-17. " Vieni, torua, Idolo mio " ;
" Si, si ; t' amo, caro " ; and " Piunou
cerca liberta." [From " Teseo," 1712,
by Handel.] S. 87, 86, 84b.

18. " Teneri guardi " [from " Hamlet,"
1705, by F. Gasparini]. f. 83.

19. " E bello il pensiero " ; with obbli-
gato (flute?), f. 81b.

20. " Lusinghe vezzose." f. 80.

21. " Cangia la sorte." f. 79.

22. " Be kind and Love." f. 78.

23. " Se risolvi abbandonarmi " ; from
"Floridante" [1721]. By Handel.



f. 76b.

24. "Sol per te " ; from "Erminia"
[1723]. By G. B. Buononcini. f. 75.

25. " Pensa ad amare " ; from " Otho "
[1722]. This and nos. 26-29 are by
Handel, f . 74.

26. Minuet in " Alexander Severus "
[1738]. f.72b.

27. Gavotte in "Ariodante" [1734].
f.72.

28. Minuet in "Tamerlane" [1724].
f.71.

29. Minuet in "Rodelinda" [1725].
f. 70b.



Additional 31308.

Paper ; ff. 160. After 1762. Folio.

"Achilles in Scyi-o": Opera in 3 Acts, by [Johann Gottlieb]
Naumann [1762] ; translated from the Italian into German by
— Bock. The symphonies and accompaniments are for flutes, horns,
oboes, bassoons, mandoline, and strings, in score. Characters :
Achille, UHsse, Deidamia, Arcade, Licomede, Teagene, and Nearco,
with a 4-part Chorus.

Additional 31758, ff. 28-31b.

Paper; about 1763. Oblong folio. See also under Duets (above, p. 71), and
Songs (below).

" QuANDO ui sara gente " : aria with symphony and accompaniments
for strings, in score, by Mattia Vento. Sung at the San Moise theatre
in 1763. Possibly from "II Bacio."



Additional 31634.

Paper ; fi. 148. After 1763 (?). Oblong folio.

Collection, probably made in London, of Operatic numbers, with
instrumental symphonies and accompaniments, in score, by composers
of the middle of the 18th century. Unless the contrary is stated,
they are arias with strings, and anonymous.



1. Accompanied recitative (see also
Add. 31633, f. 71, above, p. 295) and
aria, " Dov 'e 1' ingrata " ; with horns,
oboes, etc. [From " Solimanno," 1760.]
"Galuppi." f.2.

2. Aria without words. "[Francesco]
Uttini." f. 12.

3. " Ah, se in Ciel." "Perez." [From
"Solimanno," a pasticcio, 1758.]
f.l6.



4. "L' amor mio, Ninetta": canzo-
netta, by G. Cocchi. [From the
pasticcio, "II tutore e la pupilla,"
1762.] f. 21.

5. "Fidi amanti"; with flutes, etc.
f.23.

6. "Va, va; chi Son io rammenta."
"Galuppi." f.29.

7. "Quel volto mi place " ; with oboes,
flutes, horns, bassoons, etc. " Gio-



298



VOCAL MUSIC— SECULAR.



vacchino Cocchi." Apparently from
"Learco," a pasticcio, f. 33.

8. "Come potes[ti, o] Dio." " Ga-
luppi." From "La Didone Abban-
donata " [a pasticcio by that com-
poser and D. Perez, 1761]. It was
originally written for his Opera, "La
Clemenza di Tito" [about 1760].
f. 38.

9. "Vado, ma tu uedrai." "Nicola
Sabbatini." f. 44.

10. "Credi, superba." Sung by [Angiola]
Calori, who was in London from
1758 to 1761. f. 50.

11. "Neir (sic) Grave mio tormento."
Sung by Colomba Mattel, who was
in London from 1755 to 1763. f. 56.

12. "Vo' sperar"; from "Learco."
" Felice Giardini." f.62.

13. " Tu di saper procura " ; with flutes,
etc. [From " L' Olimpiade."] "Fran-
cesco Uttini." f. 68.

14. "Lasciate ch' io speri." "Nicolo
Jommelli." f. 76.

15. "Si, ti credo": duet. f. 82.

16. "Ah, che da lei lontano vivere non



poss' io." "Hasse." f.87.

17. "Fra dubbi affetti"; with oboes,
etc. " [B. Galuppi detto il] Buran-
ello." [From "Siroe," a pasticcio,
1763.] f.93,

18. " L' onda che mormora"; with
oboes, horns, etc. By the same.
[From the same work.] f . 97.

19. " Mano che per valor " [from
" Penelope," 1741]. By B. Galuppi.
f. 111.

20. " Se non ti moro allato " [from
"Artaserse," 1730]. "Hasse." f. 115.

21. "Non so frenare il pianto" : duet
from " Farnace." "Giuseppe Car-
cani." f. 121.

22. "Tu vuoich' io viva" [from "Arta-
serse"]. " Addolfo Hasse." f. 127.

23. March in D. f. 131.

24. " S' io penai " : quintet, with sepa-
rate oboe and horn parts. From
"Giro" [1759]. "Cocchi." f. 133.

25. Concerted piece (Lena, Costanzo,
Cecca, Lavinia, Berto, Pippo, and H
Conte), beg. "Viva, amore"; with
horns, etc. i. 145.



Additional 31651 (passim), 31652, 31653.

Paper; after 1763. Oblong folio. For 31651, see also below, under Songs
18th cent.).

Arias, etc., from Operas, with symphonies and accompaniments for
strings (and other instruments mentioned below), in score. In most
instances the dates of performance are given. Three volumes.

31651. Vol. I (ff. 1-107, 126-135).



1. "Pensa a serbarmi, o cara" [from
"Ezio," 1754]. " Tommaso Traietta."
f.2.

2. "Piunon si trouano." [From " L'
Olimpiade," 1761.] "Niccola Jom-
mella." f. 10.

3. " Son sventurato " ; with flutes,
horns, etc. [From " Adriano," 1752.]
" David Perez." f . 16.

4. "Non v' e piu barbaro " [from
"Demetrio"]. " Gio. Francesco de
Majo." f. 28.

5. " S' e ver' che t' accendi " [from
"Alessandro nelle Indie," Genoa,
1751]. "David Perez." Performed
at Lisbon [1755 ?]. f. 36.

6. "Ah, tergi il bel ciglio." Ascribed



to the same in the index at the
beginning, f. 44.

7. "0 qual fiamma di gloria"; with
oboes, horns, etc. " Nicolo Jommelli."
f. 54.

8. "L' ombra dlletta" : scena and aria,
with oboes, horns, etc. Apparently
from an Opera called "Astianatte"
(see index). "Antonio Sacchini."
Performed at Naples in 1761. f. 64.

9. "Tergi quel caro ciglio " : scena and
duet, with horns, eic. " David Perez."
ff. 86-107.

10. "Leon piagato a morte" [from
"Adriano," 1757]. " Nicol6 Conforti."
f. 126.



OPERAS.



299



31652. Vol. II (ff. 137). All the pieces in this volume were per-
formed at Rome, most of them at the Argentina theatre ; nos. 1-8 and
11 in 1763, nos. 9, 10 in 1762.



1. " Sono in mar " ; with oboes, horns,
etc. " [Giovanni] Francesco di Majo."
f.2.

2-5. " Se tutti i mali miei," "La dolce
compagna," "Per Lei Fra L'- armi,"
and ' ' Misero Pargoletto " ; with flutes,
oboes, horns, etc. [From " Denio-
foonte."] By the same. ff. 16, 26,
40, 54.

6. " Odo le meste voci." "Francesco
(sc. Pietro ?) Gughelmi." f. 66.

7. " Dir non posso, o sposo amato " ;
with horns, oboes, etc, "Pietro Gugli-

31653. Vol. Ill (ff. 119).

1. "Fedele e costante." "Francesco '
Maio." Performed in Naples, 1761.
f.2.

2-6. "Empiamano," " Se mai Torrente
altero," " Datti pace ad altro ogetto,"
"lo ti lascio, 6 figUa amata," and
"Come potesti, oh Dio, mancare a
me"; with trumpets, horns, oboes,
etc. Apparently from an Opera per-
formed at the AUe Dame theatre,
Rome, in 1759. " Gio. Francesco
De Majo." F6tis (Supplement, 1880)
gives 1760 as the date of his first
known opera, fi. 14, 24, 39, 45, 59.



elmi." Probably from the same

Opera as no. 6. f. 74,
8. " Tutto per voi faro " : duet, from an

Opera in which two of the characters

are Lindora and [il] Conte, performed

at the Delia Valle theatre in 1763.

"Niccolo Piccinni." f.86.
9,10. "Conseruati fedele," and "Mi

credi spietata." [From " Artaserse."]

By the same. ff. 106, 114.
11. "Oh Dio— Mio ben": duet, with

oboes, horns, etc. " Pietro Guglielmi."

f. 122.



7. "Ma, ma dovro vedere." "Nicola
Jommelli." Performed in Rome, 1751.
f.65.

8. " Fremea del Mare in Seno"; with
horns, oboes, etc. By the same. f. 73.

9. "Per lei fra 1' armi" ; with horns,
flutes, oboes, etc. [From "Demo-
foonte," by the same.] Performed
in Milan, 1753. f. 91.

10. "Voisiete bella." "Gio. Battista
Lampugnani." f. 107.

11. " Se non ti moro al Lato " [from
" Adriano "]. " Rinaldo Da Capua."
f. 114.



Additional 29966.

Paper; ff.97. About 1768-1770. Oblong foho. Belonged to Thomas Jones
before 1826.

Arias, ete., with symphonies and accompaniments for horns (except
no. 2), strings, and other instruments indicated below, in score. The
dates given in the MS. are those of performance, nos 1-4 (1770) and
no. 5 (1769) at Rome.



1. "Ah, non sai per questo core";
with oboes, etc. "Niccolo Piccinni."
f.2.

2. " Ah, non sperar." " Carlo Franchi."
f. 18.

3. 4. "Pensa a serbarmi," and "Caro
mio ben, Addio " ; with oboes, etc.
[From " Ezio," about 1760.] " Leo-



poldo Gasman." ff. 28, 46.

5. " Se placate alfin vi miro " : scena
and aria, with flutes, oboes, etc.
[? From " Chimena," 1762.] " Antonio
Sacchini." f. 62.

6. " Se non ti moro a (sic) Lato " [from
" Adriano "]. " Giuseppe Colla."
Milan, 1763. f. 86.



300 VOCAL MUSIC— SECULAR.

Additional 16015.

Paper ; ff. 166. About 1764. Oblong folio.

" Ezio " : Opera in 3 Acts, with symphonies and accompaniments
for flutes, oboes, horns, and strings, in score, by Gluck [1763].
Characters : Valentin! ano, Massimo, Varo, Ezio, Fulvia, Onoria,
Berelino (?), etc.

Additional 31718, 31719.

Paper ; ff. 142, 123. About 1764. Oblong folio.

" Lucio Vero " : Opera in 3 Acts, with overture, symphonies, and
accompaniments, for horns, oboes, trumpets, and bassoons, and a
figured bass for harpsichord, in score, by Antonio Sacchini, Naples,
1764. Acts i and ii only. Characters : Lucio Vero, Berenice, Volo-
geso, Aniceto, Lucilla, and Flavio.

Additional 32030.

Paper ; ff . 320. About 1765. Oblong folio.

" RoMOLO ed Ersilia " : Opera in 3 Acts, with symphonies and
accompaniments for trumpets, oboes, horns, drums, and strings, in
score. [By J. A. Hasse, 1765.] Characters: Romolo, Ersilia, Valeria,
Ostilio, Acronte, and Curzio, with a 4-part Chorus.

Additional 32061-32063.

Paper ; ff. 163, 138, 92. About 1766. Oblong folio.

" Demetrio " : Opera in 3 Acts, with symphonies and accompani-
ments for flutes, oboes, horns (trombe da caccia), trumpets (trombe
lunghe), and strings, and a figured bass for harpsichord, in score, by
Davidde Perez or Peres. Performed at Salvatierra, near Lisbon, in
1766 [originally produced at Turin in 1752]. Characters : Cleonice,
Olinto, Barsene, Mitrane, Fenicio and Alceste.

Additional 31667, passim.

Paper; after 1766. Oblong folio. See also below, under Songs (18th cent.).

Arias (unless the contrary is stated) from ItaHan Operas, with
symphonies and accompaniments for strings and other instruments
mentioned below, in score.



1. "Sentirsiil petto accendere" [from
"Sigismondo"]. "Pergolesi." f. 1.

2. "Ah, se di te mi privi " : duet from
"L' Ipermestra" [1754]. "David
Perez." f. 7.

3. "Non ui turbate"; with corni
inglesi, bassoons, etc. [From " Al-



ceste," 1766.] " Cavalier Cristoforo
Gluck." f. 15.

4. " Misero, e che faro"; with oboes,
bassoons, etc. By the same. f. 24.

5. " Berenice, oue sei " (recitative), and
"Ombra che pallida" (aria); with
oboes, horns, bassoons, etc. [Prom



OPERAS.



301



"Vologeso," 1766.] "Nicolo Jo-
melli." Belonged to Dr. William
Crotch in 1813. f. 28.

. "Salda rupe"; with horns, flutes,
etc. From "Pelope" [1755]. By
the same. Transcribed by — Maier,
minor, ff. 48-61b.

. "Che mai risponderti " [from
" Demofoonte "]. " [Pietro] Gug[l]i-
elmi." Treviso, 1766. f. 78.

, "Fosco il Ciel " ; with separate
string parts. By the same. f. 82.

, "Nelcaro tuosembiante." "Tomaso



Traietta, 1759." f. 95.

10. " Guardami in volto " ; with horns,
oboes, etc. [From "Lo stravagante
Inglese."] " [Antonio] Sacchini."
f.97.

11. "Delia Guerriera Tromba"; with
horns, oboes, etc. By the same.
f. 111.

12. "Leon piagato a morte " ; with
horns, oboes, etc. [From " Adriano."]
By the same. f. 127.

13. " Scendi propizia"; with horns,
oboes, etc. Anonymous, f. 148.



Additional 14135, fF. 84, 126-1 70b.

Paper; a.d. 1768. Oblong folio. See also under Duets (above, p. 71), and
below, under Songs (1731).

Arias, etc., with accompaniments for strings (and in nos. 2, 3, for
horns, oboes and flutes also), in score.



1. "Perche uon m' uccidi." " [G. B.]



Pergolesi." f. 84.



2, 3. "Se mai turbo," and "Chi vive
amante"; from "Alessandro nelle
Indie," as performed at the San
Carlo theatre in 1768. "Antonio



Sacchini." Belonged to Vincenzo
Torretti. fi. 126, 149.
4. " Se cerca, se dice " [from "L' Olim-
piade," 1735]. " Gio. Battista Pergo-
lesi." hnperfect at the end. f. 167.



Additional 32145.

Paper ; ff . 97. About 1769. Folio.

" PiRAMO e Tisbe : Tragedia per Musica a Tre Voci, in due Atti,
1769, del Sig'" Hasse " ; with symphonies and accompaniments for
horns, flutes, bassoons, and strings, in score. A note in German on
f. 2b states that the words are by Marco Coltellini (of whom a very
brief account is given) and that " Die Demoiselle Schmeeling," sc.
Gertrude Elizabeth Schmahling (afterwards M™"^ Mara), made her
debut in this work in 1771.



Additional 12050, fit. 1-1 8b.

Paper ; about 1770. Small quarto.

"The Revenge": burletta in 2 Acts, written by Thomas
Chatterton and in his hand. Published in 1795. Words only. At
the end is Chatterton's receipt, 6 July, 1770, for five guineas for the
copyright from Lufiman Atterbury, who evidently set the work to
music, the names of the singers being given at the beginning. The
part of Jupiter was taken by [Charles Frederic] Reinbold, that of
Bacchus by [Charles] Bannister, and that of Cupid by Master
Cheney ; the singer of Juno's part is not named.



302 VOCAL MUSIC— SECULAR.

Additional 31657.

Paper ; ff. 216. After 1770 (?). Oblong folio.

" L' Olimpiade " : a pasticcio in 3 Acts, with symphonies and
accompaniments for flutes, oboes, horns, strings, and cymbals, in
score (with the exception of the overture, of which only the bass part
is . given). The names of the composers, with the dates (in square
brackets) in which they produced an Opera of the above title, are
Tommaso Traetta [St. Petersburg, 1770], ff. 26, 149 ; [G. B.]
Lampugnani [1765?], f. 48 ; [G. Calisto] Zannotti, f. 66 ; [J.
Christoph] Wagenseil [1749], f. 87; " Floriano Leopoldo Ghusman,"
sc. Gassmann [1764], f. 117 ; and [Baldassare] Galuppi [1749], f. 132.
From the above dates, it seems hardly likely that the pasticcio was the
one (dated 1755) referred to in Burney's History of Music (vol. iv,
p. 466), as " chiefly by Galuppi " ; more probably it is that mentioned
by Riemann in his Opern-Handhuch as arranged by Francesco Puttini
at Cremona in 1768. Characters: Licida, Aminta, Megacle, Aristea,
Argene, Clistene, Alcandro.

Additional 16025.

Paper ; ff. 200. About 1771. Oblong folio.



u



II Ruggiero " : Opera in 3 Acts, with symphonies and
accompaniments for oboes, horns, flutes, trumpets, bassoons, drums,
and strings, in score, by Hasse [1771]. The recitativi secchi are
omitted. The only characters named are Ruggiero and Leone.



Additional 16116.

Paper; fi. 96. About 1771. Oblong quarto.

"'La Donna Yendicativa' o sia ' L' Erudito spi'opositato ' [about
1740?]: Farsetta per Musica a Quatti'o Voci Rappresentata Nel
Teatro della Pace Nel Carnevale 1771 Del Sig"^ Rinaldo di Capua " ; with
symphonies and accompaniments for oboes, horns, and strings, and a
figured bass for harpsichord, in score. A mandola (cithern) and
calascione (Italian lute) are introduced at f. 80. Characters : Aurilla,
Rosina, Fabio and Rusticone.

Additional 31688.

Paper ; ff. 80. About 1773 (date of production). Oblong folio.

Opera [" Ifigenia in Aulide "], for solo voices, with symphonies and
accompaniments for oboes, horns, trumpets, flutes, and strings^ in
score, by Jommelli. Act ii only. Characters : Iphigenia, Eriphyle,
Agamemnon, Ajax, Achilles, and Eurybates.



OPERAS. 303

Additional 32031.

Paper ; ff. 24. About 1773. Folio.

Arias for soprano, with a bass for hai'psichord, in score, from
" L' eroe cinese : Dram[m]a posta {sic) in musi[c]a dal Signor Hasse,
rappresentata nel regio teatro di Potsdam, 1773" (originally produced
at Dresden in 1753). The arias originally numbered 5, 7, 11, 12, and
14 are omitted.

Additional 32402.

Paper ; ff. 110. About 1773. Oblong folio.

" Soliman[n]o " : Opera in 3 Acts, performed at the San Benedetto
theatre, Venice, during the Carnival, 1773, by Johann Gottlieb
Naumann. The symphonies and accompaniments are for flutes, horns,
oboes, trumpets, drums, and strings, in score. Characters : Solimanno,
Bai'sina, Selimo, Osmino, Persane, and Zanghire.

Printed Book 11738. cc. 40. (4.), p. 45.

Paper ; about 1774. Octavo.

" Pour un Peuple aimable et sensible " : described as " Ronde."
The melody only. Inserted in MS. in a printed copy of [Barnabe
Farmain] de Rosoi's Henri IV, 1774. [The music is by Johann
Paul ^gidius Schwartzendorf, detto Martini.]

Additional 15985, 15986.

Paper ; H. 164, 128. About 1774. Oblong quarto.

"La Finta Giardiniera," by Pasquale Anfossi, 1774, with sym-
phonies and accompaniments for trumpets, hoi'ns, oboes, flutes,
bassoons, and strings, in score. Acts i and ii only. Characters :
Sandrina, Ramiro, Serpetta, II Podesta, Nai'do, II Contino, and
Arminda.

Additional 16018.

Paper; ff. 810. About 1774. Oblong quarto.

"La Virtuosa in Mergellina": Opera in 3 (?) Acts, with sym-
phonies and accompaniments for oboes, clarinets, flutes, horns, bassoons,
guitar, and strings, and a figured bass for harpsichord, in score, by
Pietro Guglielmi [1774]. Acting copy. In the middle (ff. 188-215)
a recitative and quintet (Giocondina, Fioretta, Pierino, Battisolfa,
Cartone), beg. " Fra li scogli," are introduced, from an Opera " Le
Virtuose ridicole" [?by Baldassare Galuppi, 1752]. Characters:
Doralba, Livietta, Lelio, Pancrazio, Don Ercolino, Adalinda, Don
Mercuric and Rosmira.



304 VOCAL MUSIC— SECULAR.

Additional 34998, ff. 31, 58.
Paper ; about 1774-1775. Oblong folio. See also under Anthems (vol. i, p. 70).
Fragments of Operas in the hand of Samuel Wesley.

1. "Britons, strike home" [from , an Opera entitled "Berenice," but
" Bonduca," 1695, by Henry Purcell]. ' differing from any airs in Handel's
f. 31. opera of that name. f. 58,

2. Air without words ; apparently from

Additional 29297.

Paper ; fi. 95. About 1775-1778. Folio. Belonged to William Linley, the
composer's youngest brother.

Incidental Music in "The Cadi of Bagdad," in 3 Acts, with
overture, symphonies, and accompaniments for horns, flutes, oboes,
bassoons, and strings, in score, by Thomas Linley, jun. [1756-1778].
Autograph. Characters : Abdullah, Cadi, Selima, a Dyer, Zemzonde (?),
and Omar.

Additional 24301-24302.

Paper; ff. 168, 180. After 1776. Oblong quarto. Belonged to Charles



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