FOLJO
KPFK 90.7 fm Pacifica RadioLos Angeles
&le>JN (JresxmAf / itBi
KPFK: 25
And Still Growing
PAGE TWO
LAEMMLE THEATRES
"AiV
UNQUALIFIED
DELIGHT."
—Vincent Canby. NY. Times
**A CELEBRATION
OF FREEDOM...
SPARKED WITHHUMORr
—Bill Zakariasen. N.Y. Daily News
**A CLASSICAL joy:*
—Archer Winsten. N.Y. Post
"A TENDER AND GLOWING
STORY OF ARTISTS WHO
SURVIVE TO SHARE THEIR
MUSIC. IT-AiVDTflEr-
ARE BEAUTIFUL."
—Judith Crist.
WOR-TV/ Saturday Review
, riLMS INCORPORATED
a new
nimby
JIM BROWN
director of
•THE
WEAVERS:
WASNTTHAT
ATIMer
The
Struggles
nruf
THump/u
Soviet Emigre
Orchestra.
^Musical
Passage
VINCENT CANBY RAVES!
THB NBW YOKH TIMKS. WBllNBSUAY. MARCH II. IM<
Screen:'Musical Passage '
By VINCENT CANBY
MIS
dl
B
tif^t^ ^PJSICAL PASSAGE,
directed and photo-
graphed by Jim
Brown ("The Weav
en: Wasn't That a Time)"), is a (ea
tiire-length dociunentary (hat beauti
hdly, and witiiout seeming effort
translates the film maker's admira
Uon and affection for his subject into
"Musical Passage." is an unaffect
ed. unqualified delight
The film's subject is the Soviet
Bmlgr6 Orchestra and its founder
Lazar Gasman, who. with his wife,
emigrated to this country in 1977 from
Russia where he had been music di
rector of the Leningrad Chamber Or
cbwtra. Mr. Gosman, currently pro-
fessor of violin and chamber music at
the Sute University of New York at
Stony Brook, formed the Soviet
Emigre Orchestra In 1979, using some
American musicians as well
Amlgrte.
"Musical Passage" is very much
like Mr. Gosman — small, expres-
sive. Intense, articulate and, some-
times, very funny, even about serious
matters. The movie alternates be-
tween interviews with Mr. Gasman,
his wife and the other musicians, and
sequences ui which we see the Soviet
Emigre Orchestra in rehearsal and tn
performance, in Virginia, Florida
and, finally, at New York's Carnegie
Hall.
There is a lot of music and alt of it
first-rate, but the heart of the film Is
In the interviews in which Mr Gos-
man and the othen Ulk about music.
America and the high cost of emigra
tion In terms ofcareers interrupted
and the breakup of families and
friendships. "When I came to this
country." says Mr. Gosman, "I had
nothing. No money, no music, only
my violin." Within a tew years, he
had his orchestra, his position at
Cost of Loovlag
MUSICAL PASSAOC, dir«c««d Iw Jim arown; «.
radar of ctokwaDKv. Mr Braan; adllad bv
Paul ftarrm; producad by Mr. arowm. OavM
KarpofT and Clnoar Turak; a Flhra Inoorpo-
ratad RalaaM Al ttw Faatlval. fTlh SIraat and
Flffti Avanua. Kunnino Hma: n minuet- TTita
rilm haft no rating
Stony Brook and a fine modera houaei
that he calls Mortgage Manor.
At one point Mrs. Gasman remem-
bers how they su cce eded in getting
her husbaixl's beloved violin out of
the Soviet Union. Because she had her
own passport under her maiden
name, she declared the violin as her
own, but she still had to bargain with
Soviet emigration authorities on bow
much she was willing to pay to take
the instrument outside the country
She shrugged her shoulders. It had
sentimental value, she told them, but
she wasn't willing to pay much for the
privilege of keeping it. The emigra
tion people shrugged their shoulders
and told her take it.
Some of the other musicians were-
n't so lucky.
After he requested permission to
leave Russia, Grigory Zaritaky. the
*mlgr6 orchestra's principal second
violin, spent two years without work
and had to sell his violin to feed his
family. Elmlra Belkin. another vio-
linist, di%rorced her husband to be able
come to New York with their
daughter.
The film's highlight is a perform-
ance of the last movement of Haydn's
Symphony No. 45 in F Minor, the
'Farewell Symphony," In which the
musicians, using candles for Illumi-
nation, extinguish the candles and
leave the stage as each part Is com-
pleted. To Mr. Gosman, this is a dra-
matic representation of Russia's loss
through emigration. As each man,
woman and child leaves the country,
the light becomes just a little more
dim
c 1984 NEW YORK TIMES CO.
NOW SHOWING
EXCLUSIVE ENeASEHENT
E
LAEMMIES I
LOS F EI.IZ I
r-lAEMMLES 1
MONICA
LAEMMLE'S
pTOWN &-|
|country|
17200 VVntura Bt.il.
(818) 98I-98II
Folio
JULY 1984
VOLUME 32
GENERAL MANAGER: )im Bt-iiand (outgoing), Mollic LowL-ry (incoming)
DEVELOPMENT DIRECTOR: Miya Iwataki
PREMIUMS: P.ini Burlon
MUSIC: Kwavlsu Lynn (Co-Director); Andrea 'Enthal (Co-Director)
NEWS: Corey Dubin- (Director); Don Rush, Roberto Naduris, Chris Gillette
PUBLIC AFFAIRS: Mike Model
EXECUTIVE PRODUCER/TRAFFIC: Roy Tuckman
PRODUCTION: Le/lie Lee(DirecIor); Margaret Kowler
CHIEF ENGINEER: Bob Reitc
CIRCULATION: Anita Sty les (Director); Nancy |cau\
COMMUNITY EVENTS: Mario Casetta
FRIENDS AND VOLUNTEER COORDINATOR: Ahna Armour(Direclor)
BOOKKEEPER: jcnnv HubbarJ
SWITCHBOARD: Steve C\^\nne
PRODUCTION/ADMINISTRATIVE ASSISTANTS; Steye Gwynne; jell Bickel,
Ahna Aimour.
FOLIO EDITOR: Cynthia E. Grilfin
KPFK STATION BOARD:Ruth Abraham, George Anton, Rodollo Barragan, jim
Burloril, Duight Chuman, George Cole, Carol Corrigan, Maggie Creel, Molly Dipp,
Frank Drucker, Rabbi Paul Dubin, Elizabeth Fragoa-Lloyd, Sergio Fuen/alida,
Ruth Galanter, Mana^ar Gamboa, Gerry Hallinan, Asian Heidorn, Inola Henry,
Amelia Ibarra, Larry Kubota, Lyie Kurisaki, )uanita Henderson-Kurisaki, Judith
Leder, Charles McClung, Nirmal MIshra, lames Padbury, Beyerly Polokolf, Mel
Reich, Gary Richwald, Luis Rodriquez, Larry Steinberg, Alma Stent, Peter Sut-
heim, Denlse Thornberg, Delfino Varela, Bob Vogel, Maury Weincr, Frank Wilkin-
son.
PACIFICA FOUNDATION: 5316 Venice Blvd. Los Angeles, Ca. 90019 (213)
931-1625.
KPFK SWITCHBOARD: (213)877-2711 or (818) 984-2711. Busines hours: 9 am
to 6 pm, Monday - Friday.
PACIFICA FOUNDATION NATIONAL BOARD OF DIRECTORS: Ruth Abraham,
lorge Belgraye, Bob Bloom, Carole Campbell-Burnett, Marilyn Clement, Peter
Franck, )oan Giant/, Steve Glaser, Ying Lee Kelley, Marie Nahikian, jack O'Dell,
Dan Scharlin, Dellino, Varela.
OFFICERS: Chair: jack ODcll. First Vice-Chair: Carol Campbell-Burnett. Trea-
surer: Dan Scharlin. Secretary: )oan Glantz. Vice-Chairs: |im Berland, |ean Palm-
quist, Marita Rivcro, David Salniker, Phil Ttymon.
Pacifica Executive Director: Sharon Maeda.
PACIFICA NETWORK SISTER STATIONS
KPFA: 2207 Shattuck Ave., Berkeley, Ca. 94704 (415) 848-6767 94.1FM.
KPFT: 419 Lovett Blvd., Houston, Tx. 77006. (713) 526-4000. 90.1FM
WBAI: 505 8th Ave. 19th Fl., New York, Ny. 10018. (212) 279-0707. 99.5FM.
WPFW: 700 H St., N.W., Washington, D.C. 20001. (202)783-3100. 89.3FM
The Folio (ISSN-0274-4856) is the monthly publication of KPFK, 90.7FM, with
offices and studios at 3729 Cahuenga Blvd. West, North Hollywood, Ca. 91604. Se-
cond Class Postage paid at Studio City , Ca. and additional mailing offices.
POSTMASTER: Send address changes to; P.O. Box 8639, Universal City, Ca.
91608. SUBSCRIPTIONS to KPFK are $40 per year and are transferable toother
Pacifica Stations. Two dollars ($2) of the donation or subscription to KPFK are
for publication of our monthly maga/ine-The Folio. Our transmitter is on Mt.
Wilson. We broadcast in stereo multiplex with 25 microsecond pre-emphasis. KPFK
is owned and operated by Pacifica Foundation, a non-profit institution. KPFK is a
member of the Association of California Public Radio Stations and the National
Federation of Community Broadcasters.
At the Mike
Mollie Lowery has been selected as
KPFK's new General Manager from a
field of 20 applicants. The decision was
made by the Executive Committee of
the Pacifica National Board, following
the recommendation of Mollie by the
KPFK Station Board, the paid staff and
program volunteers, as well as repre-
sentatives of the steering committee of
the Friends of KPFK. Our collective
enthusiasm for her selection was based
upon the combination of skills and
experience which she brings to the job
and her history of dedicated involve-
ment in community work.
After almost eight years with the
Ocean Park Community Center, during
which time she became its Executive
Director, Mollie decided to expand the
reach of her work, and KPFK seemed
like an ideal connection to her interests.
As a long time listener and subscriber,
Mollie is familiar with the station's
broadcasting format. As the Executive
Director of Ocean Park Community
Center, she participated in the program
development of three of the Center's
community service projects. She
founded Stepping Stone, a temporary
shelter for "runaway" and "throw
away" kids and was instrumental in the
CONTINUED ONPAGEFOUP
PAGE THREE
HIGHLIGHTS
PAGE FOUR
KPFK FEATURES CONVENTION,
and OLYMPIC COVERAGE,
ARCHIVE SPECIALS
KPFKs PUBLIC AFFAIRS pro
gramming in July will feature live co-
verage of the Democratic Convention
in San Francisco, July 16 19 begin
ning at 5 pm each day and running
Cont. next column . . .
AT THE MIKE. . . com. from page one
creation of Sojourn, a shelter for
battered women and their children and
Turning Point, a shelter for homeless
men and women.
Mollie has been praised for her work
by all of those who worked with her.
Santa Monica Mayor Ken Edwards
called her, "One of the most creative
social servi e agency directors(he) had
ever worked with." James Conn, Santa
Monica City Council member and pastor
of The Church in Ocean Park said, "Her
day-to-day management of the center
and projects she has developed, indicate
the kind of extraordinary vision and
capabilities that she has as a social
service provider and as a human being."
While Mollie has not managed a com-
munity radio station, and her experi-
ence in radio is as an interviewee and
listener, her management, fundraising
and community experience, should pro-
vide an excellent background for the
challenges KPFK has to offer.
In recent years, Mollie has become
active in Central American support
work. She was a participant in the
International Womens' Coalition A-
gainst U.S. Intervention in Central
America and the Caribbean. She partici-
pated in recent attempts by that group
to visit Honduras. The visit was prohibi-
ted under an edict from the Honduran
government, prohibiting the "transport
of nuns of the Jesuit religion or Mary-
knoll to the Republic of Honduras."
Not only were there no Maryknoll
members on the delegation, but Jesuit
nuns? Well Honduran confusion did not
prevent Mollie from finding a way to
contribute to the struggles in Central
America. She just completed nearly
three months in Guatamala and I am
sure, we will be hearing much about the
trip on KPFK.
Mollie will begin her work at KPFK
on June 25 and we will work together
to assure a smooth transition.
Haydce Santamaria and Mclba Hcrnanclcv
spent six months in iail lur their pari in the
Moncada attack in Cuba. (See July 15 show.)
until midnight. Repeat highlights
may be heard on the Morning Maga-
zine, from 7:30-8:30 am the next
day.
A ten-part series of programs
marking the 25 anniversary of the
Cuban Revolution, produced by
KPFK's Latino Collective will also be
heard, beginning July 16-20, at noon
and the following week from 4-6 pm.
Documentary programs, interviews,
music, speeches and cultural high-
lights will be aired.
KPFK's own 25 anniversary will
be featured in three days of non-stop
programming. From the early days
at KPFA, through the 60s and 70s
and into the 80s; a range of topics in-
cluding the CIA, Watergate, police-
minority relations, civil rights, civil
liberties and other subjects will be
aired throughout our three-day cele-
bration. It begins at 7 am Wednes-
day July 25 and runs through Friday
July 27.
And the Los Angeles Olympics
coverage will get under way on Fri-
day July 27, with a five-hour com
pilation of material selected from
Chris Gillette's series of special re-
ports on various aspects of the
Olympics. Tune in for this KPFK
Olymipc coverage marathon begin
ning at 7:30 am.
There might be one or two other
special Public Affairs Programs dur-
ing the month as well, so stay tuned.
Mike Hodel, Acting Public
Affairs Director.
KPFK'S ANNIVERSARY
PROGRAMMING ISA
MIXTURE OF OLD AND NEW
A 25 birthday calls for a cultural
celebration of past and present.
From the past, the BEAT POETS:
Allen Ginsberg, Lawrence Ferlin-
ghetti, Lenny Bruce and others, are
captured on tape with works and
outlooks that opened new doors
(Wed. 7/25 8 and 9 am); KPFK's
Firesign Theater Ensemble, which
became a nationally-know comedy
group, are revisited (Tues. 7/24 at 2
pm); The Ascent of F-6, W.H. Auden
and Christopher Isherwood's break-
through surreal drama wonderfully
performed by the Pacifica Players of
the 1970s (Thurs. 7/26 at 2 pm.)
Battles, Feasts and Solitude, a com-
passionate look at the life and de-
velopment of French writer Colette,
dramatized and produced by Mau-
reen Mcllroy (Fri. 7/27 at 2 pm);
and The Sky With Its Mouth Wide
Open— readings of works by poli-
tical prisoners from around the world
ranging from Kim Chi Ha to Amiri
Baraka; produced by Paul Van-
gelisti and Jim Berland (Fri. 7/27
noon). Don't miss some of the best
drama and culture produced by
KPFK over the last 25 years .... a
definite must!!
Two new, very highly produced
satirical dramas featured this month
are The Campaign Game and Situ-
ation Room which offer a humor-
ous look at our political processes
through advanced videogame tech-
nology. The programs are produced
by E-Radiotheater and will air Fri-
day, July 13 at 2 pm. Land of Pacha
Mama is a cultural and musical look
at northern Argentina, another first.
It will be broadcast on Wed. July
1 1 at 2 pm. And don't miss Nathan-
iel Hawthorne's Cool Million, a
fourth of July-eve special, produced
by Stefan Tatar (Tues. July 3 at
8 pm— see special highlight copy.)
Celebrate KPFK's 25 birthday with
our cultural fest.
Miya Iwataki,
Interim Cultural Affairs Director
HIGHLIGHTS
JAZZ AND DRAMA DAY
KPFK will devote an entire day's
programming to a pair of unique art
forms: Jazz and Drama— exploring
them from an American Afrikan per-
spective. The day will begin with a
concert by the Modern Jazz Quar-
tet, which has been hailed as the long-
est reigning and one of the greatest
jazz quartets ever. The concert was
recorded at the Lincoln Center for the
Performing Arts, Washington, D.C.,
November 25, 1974. It was their last
recorded performance. Following the
MJQ, will be a live recorded perfor-
mance by Ella Fitzgerald, consistently
heralded as the greatest female singer
in jazz. The magic of this set is, that
she was backed by the greatest big
bands in jazz; alternately, Duke Elling-
fOA7(recorded in Paris, France 1966)
and Count Sas/e (recorded in Santa
Monica, California, 1972.) After Ella,
Duke and the Count, will be our first
play of the day-/4 Love Supreme-
written by Faola Ifagboyede, A Los
Angeles playwright.
The production is an intens-
ly gripping tale of how a Watts,
California family uses the strength
of family unity to deal with the
variety of societal pressures and
problems that confront its members.
Following the play, will be
a specially produced two hour
program, Women In Jazz, by KPFK
jazz programmer Pearl Shelby. She
will take a look at some of the lesser
know but great women in jazz.
What July 4 Means to the
Negro, a speech delivered by the
legendary abolitionist, Frederick
Douglas, in Corinthian Hall, Roches-
ter, New York- July 5, 1852, will
follow. This historic presentation will
be performed by the great artist,
William Marshall. It will be interest-
ing to compare the meaning of this
date then and now.
Next is a two hour program on
Sun Ra, an artist who defies defini-
tion or categorization. Sun Ra is a
pioneer and innovator with no equal.
Hear this special program produced
by KPFK jazz programmer Jay
Green and travel to the the outer
limits.
After Sun Ra, we'll pause
for the news, take a breath and
then jump feet first into the final
half of this special day.
A rare interview with Charles
Cordoneiax his Berkeley, Ca. home,)
the first American Afrikan play-
wright to win the Pulitzer prize,
launches the second half of the
evening's programming. Hear the
inside story of a great contemporary
artist and then enjoy the first radio
production of his prize-winning play.
No Place To Be Somebody, perfor-
med live in Studio Z at KPFK. There
will be a live audience viewing
the performance. KPFK listeners are
invited to attend by calling in a
reservation at the station number,
877-271 1 . Seats are offered on a first
call, first serve basis. Attend or
listen to this historic event. The
play, as well as the entire Jazz and
Drama Day, were produced by
Kwaku Lynn.
Hear you there!.
PAGE FIVE
POLITICAL SATIRES WARM UP
LISTENERS FOR DEMOCRACTIC
NATIONAL CONVENTION
The Campaign Game and The Sit-
uation Room are two well-produced
satires set in a special videoarcade
where advanced players interact with
lifelike computer projections. \n Situ-
ation Room, Roy impusively acti-
vates the Situation Room Game and
finds himself cast in the role of Presi-
dent, as an international crisis unfolds.
As military advisors report superpower
war preparations, Roy is confronted
with an angry press, a divided Congress
and family problems, as he tries to
negotiate the situation. The Campaign
Game finds Roy back at the arcade,
this time with his father (Eli Wallach)
who acts as campaign manager for an
unknown presidential hopeful. The
game brings them behind the scenes to
the backrooms of campaign politics.
Produced by Gregory Miller and
Tucker Parsons of E-Radiotheatre,
Situation Room and Campaign Game
will air Friday July 13 from 2 - 3 pm
as a humorous predecessor to the
Democratic National Convention.
THFIEOGAMES OF TOMORROW
ARE ON TAPE TODAY
STEREO HYSTERIA
STARRING ELI WALLACH
SIDE B: "Cult Classic" SITUATION ROOM
FOR A CASSETTE COPY SENO $8 TO:
E-PRODUCTIONS
P.O. BOX 20150 • GREELEY SO. STATION • NY., NY. 10001
I'VVROKJGI
KPFK HOSTS SEVENTH AN-
NUAL LESBIAN/GAY DAY
CELEBRATION
On Sunday, July 8 Overnight
Productions(the people who bring
IIVIRU on Sunday nights) proudly
presents The Seventh Annual
Lesbian/Gay Day, from 9 am to
midnight.
Beginning with Time Line,
Greg Gordon's classic capsule his-
tory of the gay rights movement
and ending with The Best of the
Lesbian/Gay Concerts— featuring
Robin Tyler, Blackberri, Sally
Piano, The Age of Consent and
many more). The 15 hour day will
cover the rainbow spectrum of
lesbian and gay culture.
Special features include the
first electronic broadcast on les-
bian battering, live call-in shows
on AIDS and the gay rights
movement, as well as a fresh look
at the black gay community, mu-
sic, interviews, comedy and more.
Throughout the day during
our fundraising times, we'll be
presenting highlights from our les-
bian and gay news reports of the
past year. We'll also have lots of
Community Quickies—short inter-
views with representatives of les-
bian and gay organizations
throughout southern California.
From Great Outdoors whose
motto is "Out of the Bars and
Under the Stars" to Southern
California Women For Understand
-ing, there's sure to be an orga-
nization you will want to know
more about or join. So tune in to
our fund drive, and for these
special highlights.
THE HISTORY OF THE CUBAN
REVOLUTION July 26, 1953-1984
In celebration of the 25 year of
the Cuban Revolution, KPFK will
feature special programming through-
out the second half of July focusing
on the history and the present status
of the Cuban Revolution. The pro-
grams will include readings from His-
tory Will Absolve Me, Fidel Castro's
famous oratory to the Batista dicta-
torship; panel discussions on the
current status of travel to Cuba, the
Cuban exiles in the United States,
the history of U.S. aggression against
Cuba and the region; music and
poetry.
Since 1959, when the Cuban Re-
volution triumphed, Cuba has been
a significant example to all progres-
sive people of the world, as well as
an inspiration to every Latin Ameri-
can country struggling to overcome
legacies of colonialism and the reali-
ties of suffocating neo-colonialism.
Especially now, after the U.S. in-
vasion of Grenada, the ever-approa-
ching invasion of Nicaragua and the
use of U.S. troops in El Salvador, the
progressive peoples of the Carribean,
Central America and South America
look to Cuba as a guiding light to
their liberated future.
PAGE SIX
Programming on July 19 will
commemorate the Sandinista vic-
tory in Nicaragua with discussion,
music and poetry.
It will also commemorate the
anniversary of the Moncada garrison
attack in Cuba and will feature a
presentation on Cuba Today presen-
ted by brigadistas from the Vencere-
mos Brigade who have recently re-
turned from the island. The program
will run from July 16-20 beginning
at noon and from 4-6 pm the follow-
ing week.
NICARAGAUA: Politics and Culture
On Friday July 20 at 2 pm, KPFK will
present a two hour special. . . Politics
and Culture in Revolutionary Nicara-
gua. The program will feature a
speech by Rosarillo Murillo, interna-
tionally renowned Nicaraguan poet
and the country's first lady. The
program will also include a poetry
reading by Padre Ernesto Cardenal,
Nicaragua's Minister of Culture and
one of Latin America's most impor-
tant poets.
A
ROSARIO MURILLO
LADY DAY
Billie Holliday, born Eleanor Fagan
in Baltimore, Maryland, on April
7, 1915-died July 17, 1959. After
her death, the mystique of the
Lady with the Gardenia was probed
by Dizzy Gillespie and Lena Home
in San Francisco; Studs Terkel in
Chicago and Frank Schiffman of
Harlem's Apollo Theatre. Unexpur-
gated passages from her autobiogra-
phy: LADY SINGS THE BLUES
are voiced by Lillian McKinney
and punctuated by Billie Holliday
herself; as the life, the Lady and the
death of a legend is explored. Pro-
duced by Fabs and Gene De'Olessi,
KPFA, this special part of KPFK's
25 anniversary will be presented as
a thank you for subscribing. Tune in
on Wednesday July 25 from 10 am
to noon.
JULY FILM CLUB
ANOTHER COUNTRY
ANOTHER COUNTRY explores the
political, sexual, and hierarchical struc-
ture of the upper middle class society in
England in the 1930s, and how this
experience turned some towards the
Soviet Union.
The film, inspired by the Guy
Burgess/Donald Maclean spy scandal,
examines the ultimate bastion of pri-
vilege, the public (boarding) school.
The rigid caste system of the school
is one in which new boys are servants
to senior students and upper classmen
are 'Prefect' elites.
The film opens in Moscow, 1984.
An aging Guy Bennett is interviewed
by an American reporter about his
life, and his defection to the Soviet
Union.
We flashback more than fifty years to
the summer of 1932 as we see young
Guy (sensitively played by Rupert
Everett) nearing the end of his time at
one of Britain's leading schools. He
is a clever, hedonistic young man and
his future looks bright. Come next
term, he will be a 'Prefect' and, better
Guy Bennett, left, (Rupert Everett) and
Tommy Judd (Colin Firth) star in the
Orion Classics release, ANOTHER
COUNTRY.
still, a 'God,' a member of the school's
ruling elite. As he contemplates his
future, he sees himself rising to the
heights of his chosen career in the dip-
lomatic service by being appointed
Ambassador to France.
His best friend. Tommy Judd (played
by newcomer Colin Firth), is a revo-
PAGE SEVEN
PROGRAM NOTE
Just as we went to press, KPFK
learned that Jack Gariss must take
a leave of absence from his program—
Bio-Cosmology . He hopes to return
as soon as possible, but is unable to
say when this will be. In the mean
while we will present programs which
deal with the same themes which
Jack has developed over the past
few years. For those interested in
communicating with Jack and Jea-
nette, you may write to them;
Biomeditation Society
Box 1239
Reseda, Ca. 91335
We all wish Jack well and hope for
a speedy return to KPFK.
lutionary committed to Lenin's brave
new world, and despises such bourg-
eois aspirations. Bennett becomes
attracted to a handsome boy from
another house. In a school permea-
ted at all levels by homosexuality,
affairs are tolerated only if partici-
pants believe that their activity is