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M^oxi s-lS. B
New and Ponular PiMications.
BAfLEY'S SCHOOL SONGS
MUSIC READER*
AND
By E. H. Bailey. A new 8inging-book for
■choolB, containiDK a complete course of elemeu-
Ury iBBtruction, and a large collection of exercises,
songs, duetts, trios, and quartettes, adapted to the
ase of Primary, Intermediate, Grammar, and High
Schools, singing classes, and the home c'rcle.
INDEX.
Adienl Two part Song Bailey 51
America. Chorus 105
Busy day is done. Two part Song. . .Gleanon 42
Besure you*re right. *»-"- « "" *
Better there than her
Come to the Green wi
Castles in the Air. 8
Columbia, the land of
Come where the wild
Danube River, ^ng <
Drift on, my boat. 1
Day \n at last departii
Down in the dewy del
Echoes from the sky.
Farmer and the dove
Fling ont the joyful ba
Friendless and sad. Sc
Gently sighs the bree:
Good Night. Serenad
God ever is good. Q
Go softly, go safely. ^
Humming of the bees
Huntsman's Chonis.
I love my love. Song
Jaek is every inch a S8
Harvard College
Library
Gratis
Kind CapUin. Duett
keep me. Father. Sole
Like the Lark. Duet
Lisuni 'tis the woodbi
Land of swallows. Se^ ^, ^—.^j ^^
Merry month of May. Song Berthold 15
My brooklet. Duett .Bailey. 56
My litUe German home. Song aud Chorus
Schneider 59
O Swallow, ^happy swallow. Duett. ..Kucken 155
Praibethe Lord. Song Berthold 12
Presage of spring. Quartette HolU'^nder 144
Shades of evening! Duett Baf ley 15
Sleep with smiles. Song and Chorus ... Bai ley 21 1
SoHtnde. Song Bailey 43
Sninmer days are o'er. Quartet^ — . . Bailey 102
Bong of the Whippoorwiil. Duett White 103
204
212
106
■oQgoftlM night. Qomrtette Bailey 138 Yearnings. Trio LesUe' 200
Sweet bird of night. Quartette Bailey
Twilight hours. Song Berthold
The ripe and golden barl«*y. Song Bailey
The Bells. Song Berthold
The bubbling brook. Song Bailey
The Evening Breeze. Song \ Bailey
The Autumn. Two part Song Bailey
The VoyLger. Song Gleason
The Exile. Song Keller
The Old Oaken Bucket. Duett. .. Wood worth
The Milk-Maid's Song. Song Osgood
^ * ' ' *" ? Marzials,
mer. Seng . . Moore
g'. Soderberg
ind Chorus. Christie
3ong (Two
Siedler
Two Voice*). Siedier
part Song. Schubert
Song Leslie
Trio Cheney
he Ice. Song. Dow
: Bailey
Famie
ight. Trio....Abt
t and chorus . . Ware'
• Song, Duett and
Key
t Song.... Schubert
part Song... Bailey
Msee. S««ng and
Bray
igpie. Song and
Phillips
Sanders
•om "CPescator"
and Cho.... White
it Ah
BaUey
...^..^ .»^«..««.».Mo. Quartette. . Arr. by
Bailey
'Tis Merry Christmas. Song and cho. ..Bailey
We eome with songs. Song and duett. .Bailey
When starry eyes. Song Tucker
When the spring is peeping. Duett. . .Gleason
When little Birdie. Song Dow
Weel may the Keel Row. Chorus Scotch
Wanderer's Xight Song. Duett Rubinstein
When Grandmother sang. Song and Chorus
Rutledge
Wandering back. Song and Cho Gleason
Yankee Doodle. Chorus
m
14
16
21
41
46
46
SO
53
57
63
,66
60
75
76
80
82
05
100
111
118
U9
126
130
142
148
150
151
159
162
164
167
186
195
201
208
210
18
71
00
114
166
183
PBlCa 50 CXNT8.
V
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'^H-'/x
/ay
New and Ptjptdar PuUbrffefW.
The latest 0|wns, Operettes, and dntitas.— The Fanees Stsie EitiiHt
▲ NIGHT IN VENICE. — Stbjlubs. Com-
ic opera in Three. Acta. Vocal score. 1 00
Piaao More 25
Ckmf S6
A. TBIP TO AFRICA. * FBAirs voh
Suprs. Comic opera in Three AcU.
PabUebed with both Qermaa aad BngHth
Teit, EngUihtnuielatlon by Emil Schwab.
Vocal ioore.; 1 00
Gems •*... 25
Pianoecore 60
Oriental Polka Masnrka 40
OavoUedoPeeha 40
Trip ii> Africa Polka 40
FAtJCA.~F. CaABSAiora. Comic opera
in Three Acts. GItcd by the McCanll
Opera Comiqae Company. Vocal score. . . 1 00
Piano score 60
Gems S5
Overture 79
Potpourri. Blake 75
Waltzes. CariBiche 76
Galop. GectgeThome 86
F6lka. Harry Mather... 85
Schottische. George Thome 86
Libretto (words to music) 10
THE MERRY W AR. — SmiLiraa. Given
all through the United States and Sorope
with great success. Vocal score 100
Grand Potpourri. Blake 100
Overture lor Piano,.; 66
Pianosoore , • 60
Gtoms 86
THE BEGGAR STUDENT. —Mildobck-
■B. Opera Comiqne in Three Acts, as per-
fohced at the Casino, New York, by the
MeCaull Comic Opera ComfMny* Words
and music 1 00
Piano score 60
Gems ^.. 86
PRINCE METHU8ALEM. — Stbauss.
Opera Condque ih Three Acts. One of
Stmass*s latest successes, and song at the
Casino, New York, by the McCaull Comic
Opera Company. Words and music 1 00
Piaaoscore 60
GeoBS 86
olivette: — AuDBAV. A standard, and
always a taking opera. Can be used by
clubs, unions, etc Voealsoore 60
Grand Potpourri for Piano. Blake 1 00
Gems 86
Librstto (dialogue), stage business, cos-
tnmes, etc 90
THE BLACK MANTLES. — Buoalosbl
A great success in the West. Vocal score. 1 00
Grand Potpobrri. Blake 1 00
Overture for Piano 7i
THE QUEEN'S LACE HANDKEBOHIir.
"-^SiBAues. Hadaraaof ahnndred and
ninety-flve nights in Vienna, and all iOB-
merat the Caaino, NcfW York. Sung bf
the McCanll Comic Opera Conpanj*
Vocal score ••••«•• 1 i
Gland PotponrrL Blake ••••••• I <
Overture for Piano ••••'••••
Pianoscore ••• i
G«ms ;
LA MA8C0TTE.— AuMAV. The moil
popular French opera ever translated. V*>
cal score • i
Giimd Felpottni for Piano. BhODe 1<
Gems
Libretto (dialogue), stage businsiSy eea*
tnmes, etc
THE PRETTY CANTINEER. -* Pulw*
QrsTTK. A late opera by the author of
** Chimes of Normandy." Vocal kcore ... t <
Grand Potpourri for Piano. Bhike
Libretto (dialogue), stage buaineM, coa-
tumes, etc
GYP, JUNIOR. — D. F. Hodgbs. LIbratto
by Eari Marble. An OperetU for private
theatricals, Sunday Sdmola, fesUvala, eta.
Mating with great Boooesi
THE BERRY PICKERS.— S. H. BAiunr.
Libretto by W. H. Putnam. Operetta for
youiig people. Suitable for chtreh fMI-
vals, concerts, and so forth. Baa been
perfonned from manuscript, and meeting
Vi^h succMs. Just out. Words, mHile
an4 dialogue complete
GOLDEN HAIR AND THE THREE
BEARS.— J. AmoB Bboao. Operetta.
Suitable for children or young people's ma-
tUM entertainmenta. One of Mr. Broad's
Ust works.
GRANDPA'S BIRTHDAY. — a A. WRIT&
Op!sretta foi schools, ftetivais, Sunday
Schools, etc, for children, and ctn le i
with one adult -^ grandpa or
Oneof^lhe most auccessfol operates ever
pbf^lislied or performed «
RUTH >HE MOABITBBS.— J. Anos
BboadI SacredcantAta. This has had an
unprecedented sale, and is new and frseh
to those who have rot examined this maa*
terpleceot cantata work
JOSEPH,'— J. AsTOB Bboah. Cantata.
His Ulest published work, and one that
recommends itself on examination. Like
IBjuth;^' (t has had alarge sale, and is a
standard aihong cantatas
R. eJ porter..— Lbo R. LKWn. Libret-
•o by A. CK Lewis. An operette specially
designed;tQr Sunday Sdiools, yoimg p#Qr
tWsunJons. dramatic clubs, ftp.. ,..,,•••
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New €md ^I^opulaT, Fublioatums. . ,
fuad. Popular Son^ by C. A. White*
ZARA,
8UN0
THE GYPSY.
BT
WITH GREAT SUCCESa
ANNIE PIXLET.
h - .
A gypsy has nocare, —
Beware t
.,. I *m a gypsy maid
Fh>m the mountain glade,
With a heart as free.as a babbling riU;
'Neath the lorest shades, .
' When the sunlight fades,*
There I hear the night-bird's tiilL
CHOBU8.
Come, love, sweet love,
This is the song be '• singing.
Come backt come back!
Sorrow my heart is wringing!
Joy shall be thine
If tbop^be mine, «<- .
Come, for I 'm lonely waiting.
No love for me t
I am a maiden free!
- - A gypsy has no care, —
• Beware! . . .
I 've a happy home
' In the mountain glade.
Where the hawthorn blooms and the wild rose fades,
Where the eagle rests
With his leathered throng,
Where the lone bird sings his song.
Soprano in E flat, 40 cts. Contralto in 0, 40 cts.
WalU, arranged by C. D. Blake, 86 cts^
OLD OCEAN, POUND.
A GRAND SONG FO:A BASS, BARITONE,
OR CONTRALTO.
Old ocean^ pound on the rock-bound shore^
The sands'^ they are fine, yet you pound them more;
Not even in sleep does thytpounding cease,
Nor Fathisr^v care can the dioid release.
Pound! pound! pound! pound!
Waves of ocean pound.
Oh ! I have hoped in vain
Th4t he would coi^e agittn!
But, alas! that caz^ot be!—
'Forever. gone from^e, '
't'tf, forever lost to me, -"
For he sleeps beneath the sea.
The ship was struck by a tidal wave.
That sent all on board to a watery grave;
Not one of them left thei4ale to tell. '
O Qod, sUll thou doest'all things welL
Pound ! pound I pound ! pound !
Mighty ocean, pound! '
Long years of hope and fear,
No words my heart to cheer; '
Though I seek on ep^ in vain,-^'
^e shall meet in heavevagaiSk <
PUCK 40 CEsn.
BIEDS IN DREAMLAND SLEEP.
Sure to outsell any of his ether waits songs.
PBICB 75 CKMT8.
THE BAND.
A new quartette, with imitation of biafs band.
PBICB 76 CBBTS.
THE OIJ> TURNKEY.
' Far baas or baritone. Fh>m «he opera of
••NonL'»
PRICE 50 CENTS.
COME BUT MY FLOWERS.
Sung with great success by Annie Pixley.
PBICB 75 CBzrrs.
WHEN THE SNOW BEGINS TO
FALL.
The latest of this popular series.
PRICE 75 CENTS.
MY LOVE >S A ROVER
A brilliant waltz song, one of the most popular*
PBICB 75 CENTS.
THE HUNTSMAN'S HORN,
A stirring and brilliant waltz song.
PRICE 65 CENTS.
THE MOON IS BRIGHTLY BEAMING.
A quartette. Mixed voices Ab. Hale voices Bft.
PBICB 40 CENTS.
MEDLEY QUARTETTE NO. S.
For mixed and male voices.
PBICB 75 CBNTB.
THE OLD FERRYMAN.
Song for alto or bass. A grand melody.
PBICB 40 CENTA.
WHEN THE LEAVES BEGIN TO
FALL.
One of the most l>eautiful songs of the dmy.
Immensely popular.
. PBICB 75 CENTS.
A BIRD FROM O'ER THE SEA.
Full of beautiful pathos. Sung everywhere.
FBICB 75 GBNTS.
THE RECONCILIATION.
A duett for tenor and bass, or soprano and alto.
PBICB 50 CENTS.
WHEN THE BLUE BIRDS BUILD
AGAIN,
Soprtmo and alto.
PBICB 75 r»*rfTt.
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Dm ON
WHITESMITH
^jk^
'^^.)(0^^
^JKHITE,jgMITH iiXyO,
BOSTON CHICAGO
J7^ Washington St ^dS Jf^Ttitt^ian .ft.
JSu29 9s^ R-ana'sca J'artland i3r.
WMFonerdCo M.Sray: Wiley B.AIJen.
Copyrigiit, 1884,by Wliite, Smith it Co.
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' '.X^ 'O I & . 6
I ^ . '^-
t^
CONTEHTS.
A,B,C ZdLLNER 168
Amerioa ". • • • • 180
Committed to die Deep C. ji. fFHITS 14
Comrades in Arms jiDOLPHE AD^iM 25
Every dayl be sunday bye and bye SMi.LUCLiS .' 18
Gaily oer the Sea WILBSLM 12
€h>od bye loved ones C.A. fFEITS.^ 8
God in Mercy,hear oar Prayr C. A. WHrTE 9
God is a Spirt fTPSTERNBALB BENNET, 164
God Pity the men on the sea to Night C. A. fFBITE-. 176
Hope Beyond C. A. /FHITE 124
Land of Swallows.....'. E.H. BAILEY. 148
Muvuerite C. A. WHITE 1 121
Medley Quartette C.A. fFBITE 77
My gondola awrits thee.... C. A. WHITE 45
My LovelB a Rover C. A. WHITE 68
Not a Sparrow falleth J. L.GILBERT 66
Not dead, but Sleepefli C.A. WHITE * 116
Old Robin Ruff ; C. A. WHITE 22
Old Furmer John...... C A. WHITE 108
Onfy a Dream of Home C. A. WHITE 51
0,Rest less Sea v — C. A. WHITE 104
Rest, Soldier, rest ...• C A. WHITE 72
Rest Spirit,Rest.... - ROOKE. 159
Riding on a Load of Hay HARRT BIRCH. ; 69
Saili^ MARKE 41
Sfanon the CeUerar J. L.HATTON. 161
Some Day WELLIimS. 88
Song of the Cobbler ; C.A. WHITE 55
Softly <he night breese is sighing „ C.A. WHITE 187
Spriiw GreeOig. W G. 92
That T abme ean know CARL RIEOG 20
The Lovers THOS. KOSCHT.. 49
The Jolly Sleigh Ride J.A.RAHD...... 74
The Old Perryman C.A. WHITE. 88
The moon is bri^itly beandng. C. A. WHITE 95
The ThrVi fareweU.... STEPHEN ADAMS. 99
The Stiff eoU water man S.P. CHEENET. 120
The Fhg without a Stun C.A.WHITE. 181
The Hoarse Throats RICHARD GENEE. 159
The Menu -.. ., CARL ZOLLNER. 157
The Old Sexton H RUSSELL 178
The young Reoruit K&CKEN. 180
Time will roll the clouds away HARRY BIRCH 134
Trusting C. A. WHITE. 169
Unfold, Unfold GOUNOD 84
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GOOD BTE LOVED ONES.
8
N?l.
Andante con espress.
c. j4. ffff/TS.
Piano,
5S07.16«
Copyright 1884 by ft%ite,Smitik A CP Boston.
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uy long years they have pHssfl, passed
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Ma.ny a lovH one we cher * ished Now in the church yard
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9
God in Mercy, hear our Prayer.
N?2.
VOICE.
Jfritteu and compourd by
C. A. li'HITE.
Piano.
TENOR SOLO.
^^^^^P
Oh! wash our hearts fromsinand
I* ^ i -^^rrr - li p r »r i r ' ^ ^' mi..:^^^^^
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5907.156
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pray r Oh: wash our heart
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>h:wash our hearts fromsin and care Oh:Guide onrfoot steps
sin and care /*
r \ t ^1 '*! If" hH^I "J 'I'll 1^1 1
hear our prayV
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hear our pray V mfi fCre^a
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12
N';3.
TENOR.
18*4211^
BASS.
r\J
Gaily oer the Sea.
(Boat Glee)
Allegretto.
jriLHSLM.
arrenged rxpreKK/i/ /or this brtoA.
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Gai . ly o*er the Wa . ters, see on
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Copyright 1884 by WThite, Smith dt C9 Boston.
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5*407.166
FLVE,
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Committed to the Deep.
N?4. m>nh by GEO.RUSSEL JACKSON.
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IS* TENOR.
Mr J -I *-t> l r -1
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l.Our mess mate in
2.0 sink me deep
g'.^ TENOR.
his hammock lay, The death dew on his
be . neath the surge, of an . gry heav . ing
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S.Deep si . lence reigns up . on the ship, The flag at half mast
4.0ne last look at our mess mate have. Then o'er the ves . sels
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brow. And heard the dash . ing of the spray, A. gainst the ves. sels
waves. And mer.maids fair shall chant my. dirge, In o . ceans co". ral
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flies. We mus-ter at the gang. way slip, Where dead our mess mate
side. We low'rdliim to his lone.Iy grave. Re. neath the . surg. ing
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5Si07-166
Copyright 1884 by Ff'hitr, Smith & C^Boaton.
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IS
p'h r^pnJ i r-p p p p piJ i < J I f' p r
prow My life is eb . bing fast h« saitf,
caves. No vil . lage bell shall toll for me,
Kind mess mates do not
No gen . tie mai.den
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lies. We stand with heads un. covered there,
tide. Deep in his si . lent o.cean bed,
Whilechill winds round us
Our mess mate brave shall
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l.My life is eb .
2. No vil . lage bell
3. We stand with heads
4.Deep in his si
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bing fast he said,
shvU toll for me,
un - cov- ered there,
lent . ce^jn bed,
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im laid in o . cean's bed
weep, When I am laid in o . cean's bed-
weep, Deep in the sea my grave shall be
com ..mi t -ted to the
com.mit-ted to the
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