Library of Congress. Copyright Office.

Motion pictures, 1912-1939 online

. (page 285 of 385)
Online LibraryLibrary of Congress. Copyright OfficeMotion pictures, 1912-1939 → online text (page 285 of 385)
Font size
QR-code for this ebook


Universal Pictures Corp.; Iljun24;
LP20293.

WHY BE SERIOUS. SEE Will Mahoney in
Why Be Serious.

WHY BILLINGS WAS LATE. 1915. 1 reel.
Credits: Director, Norval MacGregor.
Selig Polyscope Co. (Cyrus Townsend
Brady, author); 6Marl5; LP4648.

WHY BLAME ME? 1918. 7 reels.

Samuel H. London; 2Janl8; LP11954.
(See also Her Moment; 2Janl8; LP12204)



WHY BLONDES LEAVE HOME. Imperial.
Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall;
director, Gus Meins; story, Henry Johnson;
titles, Alfred M. Loewenthal.

Fox Film Corp.; 17Jul27; LP24195.

WHY BRING THAT UP? 1929. Si. & 7 882 ft
sd.

Credits: Direction and screenplay, George
Abbott; story, Octavus Roy Cohen; adapta-
tion. Hector Turnbill; titles, George Marion,
Jr.

Paramount Famous Lasky Corp.;
14Sep29; LP766.

WHY CHANGE YOUR WIFE? Paramount -
Artcraft. 1920. 7 reels.

Credits: Director, Cecil B. De Mille; story,
William De Mille; scenario, Olga Printzlau,
Sada Cowan.

Famous Players-Lasky Corp.; 7Feb20;
LP14751.

WHY CONTINUE THE STRUGGLE. 1930.

1 reel, sd.

Credits: Director, Mort Blumenstock;
dialogue staged by Max E. Hayes.

Paramount Publix Corp.; 14Nov30;
LP1740.

WHY DO I DREAM THOSE DREAMS. (Mer-
rie Melodies) 1934. 1 reel.

Credits: Animation, Rollin Hamilton, Bob
McKimson.

Warner Bros. Pictures, Inc.; 26Nov34;
MP5123.

WHY DO THEY DO IT? 1921. 1 reel.

Norman E. Wilding; 27Sep21; LP17294.

WHY DOGS LEAVE HOME. Century. 1923.

2 reels.

Universal Pictures Corp.; 16Mar23;
LP18786.

WHY DOWN YEAST. 1921.

Credits: H. K. Ward.

Super Art Productions (Kenneth Ward,
author); title, descr. & 82 prints, 16May21;
LU16556.

WHY ELEPHANTS LEAVE HOME. 1924.

Pathe Exchange, Inc. (Fred A. Ellis,
author); title, descr. & 36 prints, 9Jan24;
MU2401.

WHY GEORGE: (Stern Brothers Comedy)
(Let George Do It Series) 1926. 2 reels.

Credits: Director, Charles Lamont.

Universal Pictures Corp.; 8May26;
LP22693.

WHY GERMANY MUST PAY. Presented by
Screen Classics, Inc. 1918. 5 reels.

Credits: Director general and director,
Charles Miller; original story. Maxwell
Karger; scenario, June Mathis, A. S.
Le Vino.

Metro Pictures Corp.; 31Decl8;
LP13265.

WHY GET MARRIED? 1924.

Associated Exhibitors, Inc. (William M.
Conselman, author); title, descr. & 140
prints, 20Feb24; LU19935.

WHY GIRLS GO BACK HOME. 1926. 6 reels.

Credits: Director, James Flood; story,
Catherine Brody; scenario, Sonya Hovey;
adaptation, Walter Morosco.

Warner Bros. Pictures, Inc.; 3Apr26;
LP22564.

WHY GIRLS LEAVE HOME. 1913. 2 reels.
A new version of the Edison comedy.
Thomas A. Edison, Inc.; 15Sepl3;
LP1253.

WHY GIRLS LEAVE HOME. 1921. 8 reels.
Adapted from the play by William H. Nigh.
Credits: Director, William H. Nigh.
Warner Bros.; 20Sep21; LP16977.



949



Cumulciffae Copyright Catalog



WHY GIRLS LOVE SAILORS. 1927.
Pathe Exchange, Inc. (Hal Roach,
author); title, descr. & 39 prints, 18May27;
LU23977.

WHY GIRLS SAY NO. 1927.

Pathe Exchange, Inc. (Hal E. Roach,
author); title, descr. & 37 prints, 14Jan27;
LU23537.

WHY GO HOME? 1920.

Pathe Exchange, Inc. (Hal E. Roach,
author); title, descr. & 20 prints, 31Jan20;
LU14717.

WHY GORILLAS LEAVE HOME. 1929.
2 reels.

Credits: Director, Arvid Gillstrom; story,
Frank Conklin.

Paramount Famous Lasky Corp.;
HJan29; LP14.

WHY HENRY LEFT HOME. 1918. 1 reel.

Credits: Written and produced by Mr. and
Mrs. Sidney Drew.
Metro Pictures Corp.; 9Janl8; LP11915.

WHY HESITATE. (Educational-Christie
Comedies) 1925. 2 reels.

Credits: Frank Roland Conklin; director,
Archie Mayo.

Christie Film Co., Inc.; 21Apr25;
LP21374.

WHY HURRY. (Educational-Christie Com-
edies) 1924. 2 reels.
Credits: Director, Harold Beaudine.
Christie Film Co., Inc.; 27Oct24;
LP20694.

WHY HUSBANDS GO MAD. 1924.

Pathe Exchange, Inc. (Hal E. Roach,
author); title, descr. & 18 prints, 5Jun24-
LU20281.

WHY I AM HERE. 1913. 1 reel.
Credits: Director, Ralph Ince.
The Vitagraph Co. of America (James
Oliver Curwood, author); 17Jull3; LP1462.

WHY I WOULD NOT MARRY. 1918. 6 reels.

Credits: Director, Richard Stanton; sce-
nario, Adrian Johnson.

William Fox (Fox Film Corp.. author);
24Novl8; LP13069.

WHY IS A PLUMBER. (Roach Star Comedies)
1929. 2 reels, sd., b&w.

Credits: Director, Hal Roach; story, Leo
McCarey; editor. Richard Currier.

Metro- Goldwyn- Mayer Distributing
Corp.; HMar29; LP198.

WHY JONESVILLE WENT DRY. SEE When
Women Go on the Warpath.

WHY KIDS LEAVE HOME. (A Grantland Rice
Sportlight) 1925.

Credits: Producer, John L. Hawkinson.

Pathe Exchange, Inc. (John L. Hawkin-
son, author); title, descr. & 20 prints,
6Jul25; MU3092.

WHY LEAVE HOME. 1929. 6,388ft.

Credits: Director, Raymond Cannon; play,
Russell Medcraft, Norma Mitchell; adapta-
tion. Robert S. Carr; dialogue, Walter
Catlett; editor. Jack Murray.
Fox Film Corp.; 22Aug29; LP626.

WHY LEE! (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie
Lyons and Lee Moran.

Universal Film Mfg. Co., Inc.; 23Apr20-
LP15045.

WHY LIFE INSURANCE. 1931. Filmstrip.
The Northwestern Mutual Life Insur-
ance Co. (Nelson D. Phelps and Russell
Thierbach, authors); 10Sep31; MP3077.

WHY LOVE IS BLIND. 1916. 3 reels.
Credits: Director, George Nicholls.
Selig Polyscope Co. (William A. McGuire
author); Uanl6; LP7390.



WHY MEN FORGET. 1922. 5 reels. From
the novel "Demos" by George Gissing.
Credits: Scenario, Denison Clift.
R-C Pictures Corp.; 14Jan22; LP17457.

WHY MEN LEAVE HOME. 1913.

Universal Film Mfg. Co. (Albert Glass-
mire, author); title, descr. & 114 prints,
5Mayl3; LU674.

WHY MEN LEAVE HOME. First National.
1924. 8 reels. Adapted from the play by
Avery Hopwood.

Credits: Producer and director, John M.
Stahl; adaptation, A. P. Younger.

Louis B. Mayer; 12Mar24; LP19986.

WHY MEN LEAVE HOME. First National.
Presented by Louis B. Mayer. 1924.
8 reels. From the play by Avery Hopwood.

Credits: Director, John M. Stahl; adapta-
tion, A. P. Younger.

Louis B. Mayer Productions, Inc.;
12Mar24; LP20057.

WHY MEN WORK. (Hal Roach Comedy)
1924.

Pathe Exchange, Inc. (Hal E. Roach,
author); title, descr. & 20 prints, 2Oct24-
LU20631.

WHY MICE LEAVE HOME. 1924.

Pathe Exchange, Inc. (Paul Terry,
author); title, descr. & 20 prints, 20Feb24;
MU2444.

WHY MRS. JONES CHOOSES ICE. 1932.
1 reel.
Guy L. Andre, 19Feb32; MP3252.

WHY MRS. KENTWORTH LIED. Imp. 1916.
3 reels. Adapted from the story by Hugh
Weir.

Credits: Producer, Matt Moore; adapta-
tion, Norbert Lusk.

Universal Film Mfg. Co., Inc.; 21Aprl6;
LP8132.

WHY MULES LEAVE HOME. Bluebird. 1927.
1 reel.

Credits: Director, Richard Smith.

Universal Pictures Corp.; 21Feb27;
LP23698.

WHY MULES LEAVE HOME. (Paul Terry-
Toons) Educational. Presented by E. W.
Hammons. 1934. 516 ft., sd.

Credits: Frank Moser, Paul Terry; scored
and conducted by Philip A. Scheib.

Moser & Terry, Inc.; 4Sep34; MP4960.

WHY NOT. SEE The Dream Lady.

WHY NOT NOW? (Eddie Lyons Comedy)
1922. 2 reels.

Credits: Director, Eddie Lyons, Eugene
DeRue; scenario. Bob McGowan.
Arrow Film Corp.; 4Apr22; LP17724.

WHY PAY RENT? 1923. 2 reels.
Credits: Director, Jack Blystone.
William Fox (Fox Film Corp., author);
26Aug23; LP19439.

WHY PAY RENT? 1935. 2 reels, sd.

Credits: Director, Lloyd French; story,
Dolph Singer, Jack Henley.
The Vitaphone Corp.; Uul35; LP5638.

WHY PAY YOUR RENT? 1924. 1 reel.
Credits: Director, William H. Watson.
Universal Pictures Corp.; 3May24;
LP20147.

WHY PEOPLE BUY LIFE INSURANCE.
(Series for the Instruction of Life Insur-
ance Salesmen, v. 3) 1930. 1 reel.

Credits: W. H. Hoedt.

The Life Insurance Sales Research Bu-
reau (W. H. Hoedt Studios, author); 4Jan30;
MP1240.

WHY PICK ON ME? 1918.

Pathe Exchange, Inc. (Rolin Film Co.,
author); title, descr. & 36 prints, 10Augl8;
LU12737.



WHY SAILORS GO WRONG. 1928. 6 reels,
b&w, light amber sequences.

Credits: Director, Henry Lehrman; story,
William Conselman, Frank O'Connor; sce-
nario, Randall H. Faye.

Fox Film Corp.; 16Mar28; LP25087.

WHY SMITH LEFT HOME. Paramount-
Artcraft. Presented by Jesse L. Lasky
1919. 5 reels.

Credits: Director, Donald Crisp; story,
George Broadhurst; scenario, Elmer Harris.

Famous Players- Lasky Corp.; 29Sepl9-
LP14227.

WHY THE KNIGHT ENGINE IMPROVES WITH
USE. 1927. 1 reel.

Willys-Overland, Inc. (Raymond J.
Faller, author); 24Sep27; MP4416.

WHY THE SHERIFF IS A BACHELOR. 1914.
1,000 ft.

Credits: Written and produced by Tom
Mix.

Selig Polyscope Co. (Tom Mix, author);
10Octl4; LP3505.

WHY THE SUPERIOR WHIPPET SIX IS A
HIGH CLASS LOW PRICE CAR. 1929.
1 reel.

Willys-Overland, Inc. (Raymond J.
Faller, author); 18Feb29; MP5906.

WHY THE WHIPPET IS YOUR 1930 OPPOR-
TUNITY. 1930. 1 reel.

Willys -Overland, Inc. (Raymond J.
Faller, author); 14Jul30; MP1751.

WHY THE WHIPPET SIX IS A DISTINCTIVE
SIX. 1928. 1 reel.

Willys-Overland, Inc. (Raymond J.
Faller, author); 31Aug28; MP5368.

WHY THE WILLYS SIX WAS UNIVERSALLY
ACCEPTED. 1930. 1 reel.

Willys-Overland, Inc. (Raymond J.
Faller, author); 28Feb30; MP1286.

WHY THERE IS NO SUBSTITUTE FOR
WILLYS KNIGHT PERFORMANCE. 1929.

Willys-Overland, Inc. (Raymond J.
Faller, author); 24Apr29; MP214.

WHY THEY LEFT HOME. Joker. 1917.
1 reel.

Credits: Director, W. W. Beaudine; sce-
nario, C. B. Hoadley.

Universal Film Mfg. Co., Inc.; 20Augl7;
LP11274.

WHY TRUST YOUR HUSBAND. 1921.
5 reels.

Credits: Director, George E. Marshall;
story, George E. Marshall, Paul Cazeneuve;
scenario, William M. Conselman.

William Fox (Fox Film Corp., author);
16Jan21; LP16064.

WHY, UNCLE? Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet;
story, Bess Meredyth; scenario, Charles J.
Wilson, Jr.

Universal Film Mfg. Co., Inc.; Iljanl7;
LP9972.

WHY WAIT? 1924. 1 reel.

Credits: Director, Slim Summerville.
Universal Pictures Corp.; 4Jan24;
LP19798.

WHY WATER TREATMENT IS NECESSARY
IN THE MANUFACTURE OF ICE. 1926.

Middle West Utilities Co. (A. J.
Authenrieth, author); title & 2 prints,
28Oct26; MU3661.

WHY WOMEN DIVORCE. 1929.

American General Film Co. (James
Vincent, author); title, descr. & 150 prints,
3Sep29; LU654.

WHY WOMEN LOVE. Presented by Edwin
Carewe. 1925. 7 reels. Adapted from the
play "The Sea Woman" by Willard Robert-
son.



950



Motion Pictures, 1912-1939



WHY WOMEN LOVE. Cont'd.

Credits: Director, Edwin Carewe; sce-
nario, Lois Leeson.

First National Pictures, Inc.; 15Oct25;
LP21909.

WHY WOMEN PAY. (A Life Cartoon Comedy)
1926. 1 reel.

Sherwood- Wadsworth Pictures, Inc.;
16Dec26; LP23443.

WHY WOMEN RE- MARRY. 1923. 5 reels.
Credits: Director, John Gorman; story.
Van A. James.

Associated Photoplays, Inc.; 27Mar23;
LP18822.

WHY WORRY? (Star Comedy) 1918. 1 reel.

Credits: Story, Lyons-Moran; scenario,
Frank Howard Clark.

Universal Film Mfg. Co., Inc.; 9Novl8;
LP13030.

WHY WORRY. 1921. 2 reels.

Credits: Director, Mark Goldaine; story,
Kingsley Benedict.

Goldwyn Pictures Corp. (National Film
Corporation of America, author); 7Jun21;
LP16656.

WHY WORRY? 1923.

Pathe Exchange, Inc. (Sam Taylor,
author); title, descr. & 118 prints, HAug23;
LU19294.

WHY YOU ARE AND WHAT YOU ARE;
nos. 1 & 2. 1925.

Marinello Co. (Edna Purdy Walsh,
author); title, descr. & 2 prints each,
5Feb25; MU2900; MU2901.

WHYS AND OTHER WHYS. SEE Felix the
Cat in Whys and Other Whys.

WICKED. 1931. 5,200 ft., sd.

Credits: Associate producer, John W.
Considine, Jr.; director, Allan Dwan;
editor. Jack Dennis.

Fox Film Corp.; ISepSl; LP2475.

THE WICKED CAT. 1922.

Path6 Exchange, Inc. (Paul Terry,
author); {itle, descr. & 14 prints, 4Mar22;
MU2121.

THE WICKED CITY. 1926.

Pathe Exchange, Inc. (Paul Terry,
author); title, descr. & 18 prints, 23Jan26;
MU3303.

THE WICKED DARLING. 1919. 6 reels.

Credits: Director, Tod Browning; story,
Evelyn Campbell; scenario, Harvey Gates.
Universal Film Mfg. Co., Inc.; 3Febl9;
LP13356.

THE WICKED KASIMIR. (U. F. A. Oddity)
U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by Edward
Bowes.

Metro- Goldwyn- Mayer Distributing
Corp.; 7Apr28; MP5031.

WICKED WEST. (Oswald Cartoon) Snappy.
Winkler. 1929. 1 reel.

Credits: Isadore Freleng.

Universal Pictures Corp.; 27Apr29;
LP340.

A WICKED WOMAN. 1934. 8 reels, sd..
b&w. From the novel by Anne Austin.

Credits: Director, Charles Brabin; screen-
play, Florence Ryerson, Zelda Sears; film
editor, Ben Lewis; music score, William
Axt.

Metro Goldwyn Mayer Corp.; !Dec34;
LP5160.

WICKEDNESS PREFERRED. 1928. 6 reels,
sd.. b&w.

Credits: Producer and director, Hobart
Henley; screenplay, Florence Ryerson,
Colin Clements; titles, Robert Hopkins;
film editor, William Hamilton.



Metro- Goldwyn- Mayer Distributing
Corp.; 28Jan28; LP25216.

WICKLOW GOLD. 1927.

George Crommey (John McDonagh,
author); title, descr. & 76 prints, 9Jul27'
LU24317.

WIDE AWAKE. (Mermaid Comedies) Edu-
cational. 1925. 2 reels.

Credits: Written and directed by Norman
Taurog.

White Productions, Inc.r22Apr25;
LP21395.

WIDE OPEN. Trailer. 1929. 1 reel, sd.
The Vitaphone Corp.; 25Nov29; MP897.

WIDE OPEN. Vitaphone. 1930. 7 reels.
From the novel "The Narrow Street" by
Edwin Bateman Morris.

Credits: Director, Archie Mayo; screen-
play, James A. Starr, Arthur Caesar.

Warner Bros. Pictures, Inc.; 13Jan30-
LP992.

WIDE OPEN FACES. 1926.

Pathe Exchange, Inc. (Mack Sennett,
author); title, descr. & 40 prints, 23Jan26;
LU22307.

WIDE OPEN FACES. Bluebird. 1926.

1 reel.

Credits: Director, Richard Smith.
Universal Pictures Corp.; 17Aug26;
LP23040.

WIDE OPEN FACES. 1938. 7 reels, sd.

Credits: Associate producer, Edward
Gross; director, Kurt Neumann; original
story, Richard Flournoy; screenplay, Earle
Snell, Clarence Marks, Joe Bigelow;
additional dialogue, Pat C. Flick; film
editor, Jack Ogilvie.

David L. Loew Productions, Inc.;
24Feb38; LP7852.

THE WIDE OPEN SPACES. 1924.

Pathe Exchange, Inc. (Hal E. Roach,
author); title, descr. & 34 prints, 30Jun24;
LU20348.

THE WIDE OPEN SPACES. Presented by
the Masqueraders Club of Hollywood. 1 932.

2 reels, sd., b&w.

Credits: Director, Arthur Rosson; story,
Walter Weems, Edward Earle; film editor,
Russell Schoengarth.

RKO Pathe Pictures, Inc.; 25Jan32;
LP3419.

A WIDE OPEN TOWN. 1922. 5 reels.

Credits: Producer, Ralph Ince; story,
Earle Mitchell; scenario, Edward J.
Montagne.

Selznick Pictures Corp.; 10Feb22;
LP17564.

THE WIDE WRONG WAY. (Is Marriage
Scared?) 1917. 28 nun.

Credits: Charles Mortimer Peck; director,
E. H. Calvert.

Essanay Film Mfg. Co.; 10Janl7;
LP9962.

THE WIDOW. 1914.

American Film Mfg. Cq. (Theodosia
Harris, author); title & descr., 14Augl4;
45 prints, 15Augl4; LU3193.

WIDOW BY PROXY. 1919. 5 reels. From
the play by Catherine Chisholm Gushing.

Credits: Director, Walter Edwards; sce-
nario, Julia Crawford Ivers.

Famous Players-Lasky Corp.; 9Augl9;
LP14074.

THE WIDOW DANGEROUS. 1918. 2 reels.

Credits: Director, Allen Watt; story,
Alfred Henry Lewis; adaptation, George H.
Plympton.

Broadway Star Features Co., Inc.;
19Augl8; LP12762.

THE WIDOW FROM CHICAGO. First Na-
tional and Vitaphone. 1930. 64 min., sd.



Credits: Director, Edward Cline; screen
version and dialogue. Earl Baldwin.

First National Pictures, Inc.; 29Nov30;
LP1778.

THE WIDOW FROM CHICAGO. Trailer.
1930. 1 reel.
The Vitaphone Corp.; 6Oct30; MP1956.

THE WIDOW FROM MONTE CARLO. Pre-
sented by Warner Bros. Pictures, Inc. and
The Vitaphone Corp. 1936. 7 reels, sd.
Based on the play by Ian Hay [pseud, of
John Hay Beith] and A. E. W. Mason.

Credits: Director, Arthur Greville Collins;
screenplay, F. Hugh Herbert, Charles Bel-
den, George Bricker.

Warner Bros. Pictures, Inc.; 20Jan36;
LP6064.

WIDOW MUGGIN'S WEDDING. 1914.

Biograph Co.; title, descr. & 63 prints,
23 Mayl4; LU2750.

THE WIDOW OF RED ROCK. 1914. 1 reel.
Credits: Director, Wallie Van [pseud, of
Wally Van Nostrand).

Vitagraph Co. of America (Elizabeth R.
Carpenter, author); 20Mayl4; LP2747.

THE WIDOW'S BREEZY SUIT. 1915. 1,000 ft.

Credits: Sally Spotswood; director. Will
Louis.

Thomas A. Edison, Inc.; lOctlS;
LP6547.

A WIDOW'S CAMOUFLAGE. 1918.

Credits: Director, Allen Curtis.

National Film Corp. (Tom Gibson,
author); title & descr., 25 Apr 18; 11 prints,
12Aprl8; LU12331.

THE WIDOW'S INVESTMENT. 1914.

American Film Mfg. Co. (Jessie F.
Calif, author); title, descr. & 62 prints,
23Aprl4; LU2555.

THE WIDOW'S KIDS. 1913.

Biograph Co. (Anita Loos, author); title,
descr. & 26 prints, 31Jull3; LU1046.

THE WIDOW'S MIGHT. 1917. 5 reels.

Credits: Director, William C. DeMille;
story, Marion Fairfax.

Jesse L. Lasky Feature Play Co.;
26Decl7; LP11880.

WIDOW'S MIGHT. SEE Careless Lady.

THE WIDOW'S SECOND MARRIAGE. 1912.
650 ft.

Thomas A. Edison, Inc.; 26Sepl2;
LP9.

THE WIDOW'S SECRET. Victor. 1915.
2 reels.

Credits: Producer, J. Warren Kerrigan;
scenario, Neil Shipman.

Universal Film Mfg. Co., Inc.; SDeclS;
LP7173.

THE WIDOW'S SUITORS. 1913. 1 reel.
Credits: Charles H. France.
Thomas A. Edison, Inc.; 27Sepl3;
LP1314.

THE WIFE. 1914.

American Film Mfg. Co. (Harry Pollard,
author); title, descr. & 63 prints, 24Febl4;
LU2201.

WIFE. 1914.

Eclair Film Co., Inc.; title. & 29 prints,
4Junl4; descr., 23Mayl4; LU2810.

WIFE. 1914.

Societe Frangaise des Films et Cin6-
matographes Eclair; title, descr. & 26
prints, 24Aprl4; LU2566.

THE WIFE. 1914.

Klaw & Erlanger (Protective Amusement
Co., author); 28Mayl4; LP3032.

WIFE AGAINST WIFE. Presented by Whit-
man Bennett. 1921. 6 reels. From the



954790 0-51-61



951



Cumulative Copyright Catalog



WIFE AGAINST WIFE. Cont'd.
play "The Price" by George Broadhurst.

Credits: Director, Whitman Bennett;
screenplay, Dorothy Farnum.
Whitman Bennett; 29Aug21; LP16919.

WIFE AGAINST WIFE. Presented by Whit-
man Bennett. 1921. 6 reels. From the
play "The Price" by George Broadhurst.

Credits: Director, Whitman Bennett;
adaptation, Dorothy Farnum.

** Whitman Bennett; 28Sep21; LP17015.

WIFE AND AUTO TROUBLE. 1916.

Triangle Film Corp. {Mack Sennett,
author); title, descr. & 356 prints, 28Marl6;
LU7935.

WIFE AND AUTO TROUBLE. 1916. 2 reels.
Credits: Supervision, Mack Sennett; direc-
tor, Del Henderson.

Triangle Film Corp. (Mack Sennett,
author); 28Febl6; LP8837.

A WIFE AT BAY. Rex. 1916. 2 reels.

Credits: J. Grubb Alexander; producer,
Ben Wilson.

Universal Film Mfg. Co., Inc.; 10Mayl6;
LP8260.

THE WIFE BREAKERS. (Lyons-Moran
Star Comedy) 1919. 1 reel.

Credits: Story and direction, Eddie Lyons,
Lee Moran.

Universal Film Mfg. Co., Inc.; 19Marl9;
LP1351U

A WIFE BY PROXY. 1917. 5 reels.

Credits: John B. Clymer, Charles A.
Logue; director, John F. Collins; scenario,
June Mathis.

Columbia Pictures Corp.; 9Janl7;
LP9935.

A WIFE BY PURCHASE. SEE God's Law and
Man's.

WIFE, DOCTOR, AND NURSE. 1937. 7,700 ft.,
sd.

Credits: Director, Walter Lang; screen-
play, Kathryn Scola, Darrell Ware, Lamar
Trotti; music, Arthur Lange.

Twentieth Century-Fox Film Corp.;
17Sep37; LP7780.

A WIFE FOR A RANSOM. Joker. 1916.
1 reel.

Credits: Written and produced by Allen
Curtis.

Universal Film Mfg. Co., Inc.; 5Mayl6;
LP8232.

THE WIFE HE BOUGHT. 1918. 5 reels.

Credits: Director, Harry L. Solter; sce-
nario, Harvey Gates.

Bluebird Photoplays, Inc.; 15Janl8;
LP11952.

WIFE, HUSBAND, AND FRIEND. 1939.
7,280 ft., sd. Based on a novel by James M.
Cain.

Credits: Director, Gregory Ratoff; screen-
play, Nunnally Johnson; music director,
David Buttolph.

Twentieth Century Fox Film Corp.;
3Mar39; LP8967.

WIFE IN DEATH ONLY. 1915.

Lucien Muratore; title, descr. & 37
prints, 17Decl5; LU7232.

WIFE IN NAME ONLY. 1923. 5 reels.
Adapted from the novel by Bertha M. Clay
[pseud, of Charlotte Mary Brame].
Credits: Director, George W. Terwilliger.
Pyramid Pictures, Inc.; 23Aug23;
LP19343.

WIFE IN SUNSHINE. (Is Marriage Sacred?)
1916. 31 min.

Credits: Charles Mortimer Peck; director,
E. H. Calvert.

Essanay Film Mfg. Co.; 27Decl6;
LP9841.



WIFE INSURANCE. (Superba, no. 4) 1937.
2 reels, sd.

Credits: Producer, Bert Gilroy; director,
Jean W. Yarbrough; story, Jean W. Yar-
brough. Jack Townley; film editor, John
Lockert.

RKO Radio Pictures, Inc.; 9Jul37;
LP7296.

WIFE NUMBER TWO. 1917. For Fox Film
Corp. 5 reels.

Credits: Adapted and directed by William
Nigh.

William Fox (William Nigh, author);
29Jull7; LP11149.

THE WIFE O 1 RILEY. 1931. 2 reels.

Credits: Producer, Lou Brock; director,
Mark Sandrich; story and dialogue, Eddie
Moran, Charles Lamont, Mark Sandrich;
film editor, Ted Cheesman.

RKO Radio Pictures, Inc.; 2Mar31;
LP2057.

THE WIFE OF GENERAL LING. 1938.
8 reels, sd.

Credits: Producer, John Stafford; direc-
tor, Ladislaus Vajda; original story,
Dorothy Hope, Peter Cheyney; screen story,
Akos Tolnay; scenario and dialogue,
Reginald Long; editor, R. Thomas; music
director. Jack Beaver.

Gaumont British Picture Corp. of
America (Premier Stafford Productions,
Ltd., England, author); 10Jan38; LP8220.

THE WIFE OF STEPHAN TROMBOLT. SEE
Wonder of Women.

WIFE OF THE CENTAUR. Presented by
Louis B. Mayer. 1924. 7 reels. Based on
the novel by Cyril Hume.

Credits: Director, King Vidor; scenario,
Douglas Doty; film editor, Hugh Wynn.

Metro- Goldwyn Pictures Corp.;
12Dec24; LP20909.

THE WIFE OF THE PARTY. 1936. 2 reels,
sd.

Credits: Director, Lloyd French; story.
Bur net Hershey, Jack Henley.
The Vitaphone Corp.; 18Sep36; LP6602.

THE WIFE OF THE PARTY. SEE Gold Dust
Gertie.

A WIFE ON TRIAL. Butterfly. 1917. 5 reels.
From the novel "The Rose-Garden Husband"
by Margaret Widdemer.

Credits: Director, Ruth Ann Baldwin;
scenario, Leo O. Pierson.

Universal Film Mfg. Co., Inc.; 2}Jull7;
LP11123.

WIFE SAVERS. Presented by Adolph Zukor
and Jesse L. Lasky. 1928. 5,434 ft Based
on the production by Florenz Ziegfeld of
the play "Louie the Fourteenth" by Arthur
Wimperis; from the German of Paul Frank
and Julius Wilhelm.

Credits: Producer, James Cruze; asso-
ciate producer, B. P. Schulberg; director,
Ralph Ceder; screenplay, Tom J. Geraghty,
Grover Jones.

Paramount Famous Lasky Corp.;
7Jan28; LP24839.

WIFE SHY. (Bobby Vernon Comedies)
Educational Film Exchanges, Inc. 1926.
2 reels.

Credits: Director, William Watson; story,
Frank Roland Conklin.

Christie Film Co., Inc.; 5Oct26; LP23190

WIFE TAMERS. 1926.

Pathe Exchange, Inc. (Hal E. Roach,
author); title, descr. & 38 prints, 15Mar26;
LU22489.

THE WIFE TRAP. Paramount. UFA. Pre-
sented by Hamilton Theatrical Corp. 1922.
6 reels. From the play "The Confession"
by Ernst Vajda.

Credits: Director, Robert Wullner;
adaptation, Joe May, William Auspitzer.



Famous Players-Lasky Corp.; 7May22;
LP17910.

WIFE TROUBLE. (Cameo Comedy) 1928.
1 reel.

Credits: Director, Wallace McDonald.

Educational Film Exchanges, Inc.;
26Sep28; LP25756.

WIFE VS. SECRETARY. 1936. 85 min., sd.,
b&w. From the story by Faith Baldwin.

Credits: Producer, Hunt Stromberg; direc-
tor, Clarence Brown; screenplay, Norman
Krasna, John Lee Mahin, Alice Duer Miller;
film editor, Frank E. Hull; music score,
Herbert Stothart, Edward Ward.

Metro Goldwyn Mayer Corp.; 26Feb36;
LP6177.

WIFE WANTED. 1914. 2 reels.
Credits: Director, Ralph Ince.
Vitagraph Co. of America (Joseph Allen

6 Marguerite Bertsch, authors); 12Junl4;
LP2862.

THE WIFE WHO WASN'T WANTED. 1925.

7 reels. From the novel by Gertie de S.
Wentworth- James.

Credits: Director, James Flood; adapta-
tion, Bess Meredyth.

Warner Bros. Pictures, Inc.; 14Jul25;
LP21650.

THE WIFELESS HUSBAND. (Is Marriage
Sacred?) 1917. 30 min.

Credits: Charles Mortimer Peck; director,
E. H. Calvert.

Essanay Film Mfg. Co.; 17Marl7;
LP10405.

A WIFE'S AWAKENING. 1921. 6 reels.
Credits: Jack Cunningham; director,
Gasnier; scenario, Joseph Dubray.
Robertson-Cole; 16Sep21; LP16963.

THE WIFE'S BIRTHDAY. 1929. 2 reels, sd.
Credits: Director, Monte Briee.
Paramount Famous Lasky Corp.;
25Oct29; LP791.

A WIFE'S FOLLY. Big U. 1917. 2 reels.

Credits: James R. Garey; director, Ben
Wilson.

Universal Film Mfg. Co., Inc.; 8Janl7;
LP9942.

A WIFE'S INNOCENCE. Special Laemmle.
1916. 1 reel.

Universal Film Mfg. Co., Inc.; 13Sepl6;
LP9104.

THE WIFE'S RELATIONS. 1928. 6 reels.

Credits: Producer, Harry Cohn; director,
Maurice Marshall; story, Adolph Unger;
story and adaptation, Stephen Cooper; film
editor, Arthur Roberts.

Columbia Pictures Corp.; 14Feb28;
LP24991.

A WIFE'S ROMANCE. 1923. 6 reels.



Online LibraryLibrary of Congress. Copyright OfficeMotion pictures, 1912-1939 → online text (page 285 of 385)