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Lilian F. Field.

An introduction to the study of the renaissance

. (page 22 of 22)

The together. With an energy that shows her

Catholic immense latent strength and elasticity she had

already re-established her hold upon the Southern
nations. Not too arrogant or short-sighted to learn a
salutary lesson from her fall, she determined that an end
should be put to the crying evils that had made her a
Counter byword in Europe. The reforming Council of
Reforma- Trent sat in 1545, and thenceforward no Borgia

sat on the Papal throne ; Christ's Vicar on earth
was at least a man of decent, sober life, and clerical morality
ceased to be the butt of every satirist. The Spaniards
were now masters in Italy, and with all the force of their
fiery fanatical temper they helped Rome to reassert her
power, not only as a temporal power among the now
enfeebled Italian States, but as the seat of infallible

authority. To Spain she owed the Jesuits,^ the

most magnificently disciplined, devoted, resist-
less army monarch ever owned ; and also the terrible

Inquisition,^ the mere shadow of which drove
quisi ion ^^^ Tasso mad, and which crushed out of Italy
all sound learning and original thought. Thus was
heresy stamped out of Southern Europe. It is often said
that persecution, by producing reaction, fails in its object.
But, as Machiavelli knew, persecution only fails when it
is not thorough. The Inquisition made no mistakes. If

* The order was sanctioned by the Pope 1540-3.

^ The Inquisition was re-established in Bome in 1542.



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296 THE RENAISSANCE

it did not kill its victims it left them too crushed and weak
to have any sting. It paralysed the people with terror,
so stealthy, so powerful, so relentless was its working.
Men dared not whisper of heresy in their most secret
chambers. Bat there was little of the heretical spirit in
Italy. Her people were glad enough to be undisturbed
in the possession of the form of religion that was most
congenial to their nature ; her men of science and learn-
ing were already accomplished in the art of holding two
sets of opinion — the religious and the philosophic — with-
out being disturbed by their contradictions. And so we
leave this gifted nation, whose brilliant career we have
traced through three centuries of creative energy, in which
she initiated modem culture, and was the school for all
Europe. Now, when the Northern nations were just
entering upon the fiill glory of the Renaissance, she was
sinking — with a languid, somewhat cynical acquiescence —
into the hands of Spain and Rome.



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INDEX



BELABD, 15

* Advancement of Learning * —

Bacon, 124
Agricola, 55
Alberti, Leo Battista, 37, 51, 72,

182
Albertas Magnus, 15
Albigenses, Persecution of the, 5,

19
AlcaU, University of, 67
Alcazar of Toledo, the, 191
Aldegraver, 262
Aldine Press, 52
Aleman, 138

Alexander VI., 274, 281, 286
Alexandrine verse, 97
Alfonso, King of Naples, 48
Amadeo, Antonio, 201
Amadis of Gaul, 75, 127

* Aminta *— Tasso, 149

* Amoretti * — Spenser, 120

* Amours * — Ronsard, 96
Amyot, 97

Anabaptists, the, 293
Anet, Chdteau of, 190
Angelico, Fra, 221, 222
Anselm, 4

Antwerp, 32

'Apologie for Poetrie '—Sidney,

111, 113
Aquinas, Thomas, 15
Arabs in Spain, the, 15, 17, 18,

127, 271



* Arcadia *— Sannazaro, 81

Sidney, 111, 112
Aretino, 78, 79, 104, 148, 149
Argyropulus, 65
Ariosto, 76, 77, 104, 148
Aristotie, 14, 15, 39, 47, 62
Arthur, Legends of, 10, 75
Ascham, Roger, 65, 103, 111, 115
Assisi, Church of St. Francis at,
217

* Astrophel and Stella ' — Sidney,

104, 113, 114
Aubign6, d', 97, 98
Augsburg, 33, 212, 263
Autos sacramentalest 173, 176
Avignon, Papal Court at, 7, 272



Bacon, Francis, 25, 27, 99, 111,
123-125
Boger, 25
Badius, 56
Baif, 97

* Ballad of Fair Women *— Villon

87

* Ballad of the Hanged '—Villon,

87
Bandello, 80

Baptistery gates, the, 197, 198
Barbosa, Arias, 67
Bartas, du, 97

Bartolonmieo, Fra, 224, 226, 286
Basle, 263



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298



THE RENAISSANCE



Basle, Ck>ancil of, 279
Basochiens, the, 92, 144
Beaufort, Henry, Bishop of Wm-

ohester, 57
Beaumont, 165, 166
Becket, Thomas, 4, 274
Bellay, Joachim da, 85, 94, 96
Belleau, 94

Bellini, Gian, 234, 235
Bembo, 53, 60, 79, 104
Bermudez, 148
Berni, 79

Black Death, the, 20
Blackfriars (Company, 153

Theatre, 152
Boccaccio, 41, 71, 72, 79
Boethius, 14, 39
Boiardo, 76, 79
Bologna, Gian, 203

Spanish college at, 67
Boscan, 129, 130
Botticelli, 185, 222, 223, 286
* Bradamante * — Gamier, 148
Brahe, Tycho, 26
Bramante, 185
Brancacci Chapel, 222
Brandt, Sebastian, 140
Brant6me, 98
Breton, 123
Bruges, 32
Brunelleschi, 181, 185, 197, 198,

219
Bruno, 26, 27, 84
Budaeus, 56, 57, 66
Buonarotti, Michael Angelo, 51,

185, 204-209, 226, 230-232, 286
Burbadge, 152
Burckmair, Hans, 262
Byzantium, 28, 251



Cabot, 25

Calderon, 176, 176
Calvin, 66, 291
Cambrai, Treaty of, 84, 235
Cambridge, 69, 62, 65
Campo Santo at Pisa, 20, 218
* Canace ' — Speron Sperone, 147
Cano, Alonso, 213



* CapUolh' 79

Captives of M. Angelo, 190, 207

Caravaggio, 241

Castile, Literature of, 19, 128,

129
Catholic Beaction, 54, 138-140,

295
Caxton, 58

* Celestina, La,* 167, 168
Cellini, 185, 203, 204

* Cent Nouvelles Nouvelles,* 91
Cervantes, 94, 127, 132-134, 137,

169, 174
Chalcondylas, 59
Chansons de geste, 18

Roland, 76
Chapman, 54, 121, 166
Charlemagne, 78

Legends of, 10, 76
Charles VUI., his expedition into

Italy, 74, 75, 88, 247
Chastellain, 89
Cheke, 65
Children of St. Paul's, 154

of the Chapel Boyal, 152,
153
Chivalry, 10, 76
Chrysoloras, Manuel, 41
Cicero, 40-42, 47, 62
Cimabue, 217

* Cleopatre ' — Jodelle, 148
Clere — Surrey's epitaph on, 106
Clouet, Francois, 249

Jean, 248
Colet, 59-61
Coll^rye, Roger de, 91
Cologne, Early Masters of, 259
Colonna, Vittoria, 78, 208
Columbe, Michel, 209
Columbus, Christopher, 25, 126
Comedia, Spanish, 172, 173
Comedy, Classical, 148, 150
Commines, Philippe de, 86

* Company of Courtly Makers,' 107

* Conceptistas,' the, 137
Confrairie de la Passion, 143
Constantinople, 40

Fall of, 44
Constance, Council of, 279



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INDEX



299



Gopemicas, 26

Cordova, 18

Correggio, 226, 230

Cortes, 126

Countess of Pembroke, 111

* Courtly Wits,* the, 107

Courts of Love, 11

Cretin, 89

Croke, 65

Crusades, the, 11-13, 270

*Cultos,'the, 137

' Curtain ' Theatre, the, 162



Dance of Death of Holbein, 26

Dante, 20, 22, 36, 37, 69, 70, 77,
286

Daurat, 94

David of Donatello, 199

' Decameron ' — Boccaccio, 71, 79

' Deffense et Illustration ' — Du
Bellay, 94, 97

Dekker, 122, 123, 166

Deventer, School at, 55

Diana and her Dogs of Goujon,
211

' Diana Enamorada * — Monte-
mayor, 81, 137

*Didon'— Jodelle, 148

* Divine Comedy ' — Dante, 69
Donatello, 197, 198, 219
Donatus, 39

• Don Quixote,* 132, 134

' Dragontea ' — de Vega, 135

Drayton, Michael, 120

Drummond, 120

Duns Scotus, 15

Diirer, Albrecht, 212, 260-263,

265, 293
Dyer, Edward, 115



' Eclogues * of Juan de la Enzina,

168
^cole des Clovsts^ 248
Ecouen, 190, 210
* Edward n.*— Marlowe, 155, 158
EUzabeth, 25, 30, 65, 101, 107
Elizabethan architecture, 192



* Encomium Moriae * — Erasmus, 62
Enfans sans Soucit 92, 144

* England»s Helicon,' 108
Entombment of Christ of Van der

Weyden, 253
Enzina, Juan de la, 168
Epistolce Obscurorvm Virorum^

272

* Epithalamion * — Spenser, 119
Erasmus, 48, 55-57, 59-62, 261,

263, 264, 272, 287, 288
Erigena, 14, 39
Escurial, the, 191, 243, 244

* Essays * of Bacon, 124

* Montaigne, 99
Estiennes, the, 56
Etaples, d', 56

* Eugene '— Jodelle, 150

* Eulenspiegel ' — Murner, 140

* Euphues *— Lyly, 104, 115
Euphuism, 85, 114, 115

' Everlasting Gospel,' the, 21

* Every Man in his Humour ' — Jon-

son, 31, 163
Eyok, Jan van, 239, 254
Hubert van, 253

FlBLIAOXy 18

' Faerie Queene '—Spenser, 116, 119
Farce, the, 144, 145, 151
Fastnachts-spiel, the, 145
Faust, 30

* Faustus * — Marlowe, 155
Ferdinand and Isabella, 125, 239
Feudal System, 8, 9, 10, 13, 31, 32
Ficino, 47

Fiesole, .50
Filelfo, 42
Flagellants, the, 20
Flamboyant architecture, 179
Fletcher, John, 165, 166
Florence, 24, 35, 36, 41
Florentine architecture, 180, 181

art, 232, 233
Florentines, the, 36, 82, 284
Fontaine de Beaume of Columbe,

209
des Innocents of Goujon,
210



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THE RENAISSANCE



Fontainebleaa, 189, 204

Ford, 166

Foaquet, Jean, 246

* Franoiade '^Bonsard, 96

Francis I., 30, 66, 88, 189, 204

Fratioelli, the, 20

Froben, 263

Faggers of Augsburg, the, 13, 263



Galen-— translated byLinacre, 59
Galileo, 26, 27, 84
Gama, Vasco da, 25

* Gammer Gurton*s Needle,' 151
Garoillasso, 130

* Gargantaa and Pantagruel '—

Rabelais, 92
Garnier, 148

Gascoigne, George, 107, 110, 150
Gentile, 185

* Geraldine,' Sonnets to, by Surrey,

106
Ghent, 251

Ghiberti, 185, 197, 198
Ghirlandajo, 185, 223, 224
Giorgione, 235, 236
Oiotteschi, the, 218
Giotto, 23, 180, 217, 218
'Globe 'theatre, 153
Gnostics, the, 29

* Golden Age *— Balbuena, 138
G6ngora, 85, 115, 136, 137

* Gorboduc *— Sackville and Norton,

147, 151
*Gorgious Gallery of Gallant

Inventions,' 108
Goujon, 210, 211
Gourmont, 56
Granada, 18

Conquest of, 32, 125
Grand Canal of Venice, 180, 184
Greene, 104, 122, 123, 154, 156-

158
Gregory the Great, 39
Greville, Fulke, 115, 116
Grey, Lady Jane, 66
Gringore, 144

* Groatsworth of Wit ' —Greene,

158



Grooyn, 53, 59

Guarini, 84, 149

Guelfs and Ghibellines, feud

between, 8, 35
Guevara, 115
Guicciardini, 82, 83

* Guzman de Altarache ' — Aleman,

138

Haddon Hall, 188

* Hamlet '—Shakespeare, 160

* HandefuUe of Pleasant Delites,'

108
Harvey, Gabriel, 97, 112, 123

William, 26
Hegius, 54

Henry Vm., 60, 62, 65, 294
Henry of Navarre, 97
* Heptameron * — M argaret of

Angouldme, 91
Hermonymus of Sparta, 56

* Hero and Leander ' — Marlowe,

120
Chapman, 121
Heywood, Henry, 144
Hildebrand, 6
Historians, English, 122

Italian, 81-84
Holbein, 263-265
Holinshed, 122
Holy Roman Empire, 7, 35
Homer — translated by Boccaccio,
41
Chapman, 121
Hooker, 111

Humphrey, Duke of Gloucester, 58
Huss, John, 23, 278, 279
Hutton, Uhich von, 272



Illuminatobs of Paris, 245

Touraine, 245, 246
Flanders, 251
* Index Expurgatorius,' 169
Indulgences, 275, 276
Innocent in., 5

vm., 281
Inquisition, 5, 135, 138, 139, 177,
240, 268, 295, 296



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INDEX



301



Investitures, War of, 8

Isabella and Ferdinand, 125, 239

' Istoria d'ltalia ' — Guicciardini, 83



Jacopo, Fra, 285

Jerome of Prague, 278, 279

* Jerusalen Gonquistada ' — De Vega,

135
Joachim of Flora, 21
Jodelle, Etienne, 94, 148
John of Bavenna, 41
Jones, Inigo, 187, 193, 194
JongleurSi the, 19



Eepleb, 26



Landobaye of Hesse, 293

Langius, 55

Langton, 4

Languedoc, 11

Lariyey, 150

Lasoaris, 56

Last Judgment of Michael Angelo,

208
Latimer, 59

Laura, Petrarch's sonnets to, 70
* Lazarillo de T6rmes*— Mendoza,

132
Lebrisca, 67
Leicester, Earl of, 152
Leo X., 45, 48, 53, 281
Leon, Louis de, 67, 139
Lescot, 186, 190
Linacre, 53, 59
Lippo Lippi, 221
Lisbon, 244

'Little Masters,' the, 262
Lodge, 122, 123, 164
Loire, Chdteaux of the, 188
Louis XL, 31, 86, 88
Louvres, 189
Love, Courts of, 11, 19
Liibeck, 212
Lucan, 39

Luther, 275, 276, 289-293
Lutherans, the, 65



Lydgate, 109
Lyly, John, 115, 122, 154
Lyric poetry of England, 121
Spain, 137



' Macbeth ' — Shakespeare, 161

Machiavelli, 36, 46, 82-84, 148

Madonna of Cimabue, 217

Magellan, 25

Maire, Jean le, 89

Mantegna, 224

Margaret of Angoultoe, 90, 91

Valois, 98
Mariana, 67, 139
Marini, 84

Marlowe, 77, 120, 164-160, 202
Marot, Clement, 89, 90

Jean, 89
Marriage m Cana of Veronese, 237
Marston, 166

Martin Marprelate controversy, 123
Masaccio, 222
Masque, the, 164, 165
Massinger, 166
Matsys, Quentin, 251

Jan, 255
Mausoleum of Julius n., 206
Medea Colleoni, Tomb of, 201
Medici, Catherine de', 97

Cosmo de', 45, 46

family, the, 13, 45, 46

their expulsion from
Florence, 53, 82

Giulio de', 207

Lorenzo de', 45, 51, 73-76,
205, 283
his circle, 50, 60, 77

Piero de', 75
Meistersingers, 19
Melanchthon, 60, 66, 293
Mena, Juan de, 129
Mendicant orders, 277, 278
Mendoza, Diego de, 131
Mercury of Gian Bologna, 202
* M^re Sotte,' 144
Michael Angelo. See Buonarotti
Middleton, 161, 166
Minnesingers, 19



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302



THE RENAISSANCE



llino da Fiesole, 200, 201
Miracle plays, 143, 144
Bfirandola, Pico della, 47, 51, 286

* Biirror for Magistrates '— Sack-

ville, 109
Miscellanies, 108
Molinet, 89
Monua lAsa^ 228
Montaigne, 31, 87, 98, 99
Montanes, 213

Montemayor, George de, 81, 137
Montlno, 98

Moors in Spain, the, 17, 18, 31
Morales, 241
Moralities, 143, 144
More, Sir Thomas, 59-64, 264

* Morgante Maggiore * — Pulci, 76
Moses of Michael Angelo, 207
Morillo, 244

Momer, 140

* Mysteries,' 143, 144



Nahabro, Torres, 168

' Names of Christ ' — Luis de Leon,

139
Naples, Spanish at, 129
* Narrenschiflf * — Brandt, 140
Nash, 156

Natwralisti, 241, 242
Niccoli, Niccolo de', 42, 45
Nicholas V., 48, 49
Northern migrations, 2
Norton, 147
NovelUerif 80
Nuremberg, 33, 212, 259



Occam, 14

* Odes '— Eonsard, 95, 96
Orcagna, 185, 197, 218

* Orfeo '— Politian, 149

« Orlando Furioso ' — Ariosto, 77
« Orlando Innamorato ' — Boiardo,

76,79
Orme, De P, 186, 190
Orsammichele, Tabernacle of, 197
Oxford, 16, 67-69



Palladio, 186

Palmerins, Stories of the, 127

Pamphleteers, the, 123

* Panurge,' 93

* Paradise of Daynty Devises,' 108
Paradise of Tintoretto, 237
Paris, Dramatic companies of, 143,

144
Boyal College at, 66
University of, 15, 55
Parker, Archbishop, 122
Pastoral drama, 149

romance. See Bomance
' Pastor Fido '— Guarini, 149
Paul n., 280

* Paul of Segovia ' — Quevado, 136
Peele, 156, 157

Periers, des, 91

Perpendicular architecture, 179
Perr^al, Jean, 246, 247
Perugino, 185, 224-226
Perseus of Cellini, 204
Petrarch, 40, 41, 70, 71
Petrarchists, 79, 104
Petrarquistas, 131
Philip IV. of Spain, 243
Picaresque novel, the, 132, 138
Pierre Pathelin, 143

* Piers Plowman,' 20

Pietd of Michael Angelo, 206
Pilon, 211
Pirkheimer, 261
Pisano, Andrea, 197

Giovanni, 196, 197
Niccola, 24, 179, 195, 196,
216
Pizarro, 126
Plato, 39, 40, 47, 63
Plautus, 141, 148
Plays, Eeligious, 142-145

Secular off shoots from,
143-145

* Pleasure reconciled to Virtue ' —

Ben Jonson, 165
PUiade, 94-96, 148
Pluralities, 274
Poggio Bracciolini, 42, 43, 57'
Poitiers, Diane de, 190
PoUtian, 51, 52, 69, 60, 73, 74'



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INDEX



303



PolitiqueSj the, 98

Porphyry, 14

Portogallo, Cardinal di, Tomb of,

201
' Praise of Folly »— Erasmus, 263
* Premiere Semaine '— Du Bartas,

97
'Prince, The '— MachiavelU, 46,

83
Proven9al poetry, 18, 19, 128
Pulci, 76



QuERCiA, della, 197, 201
Quevado, 69, 126
Quintilian, 43, 44



Babelais, 92, 93

Raleigh, Sir Walter, 37, 107, 117,
122

♦Ralph Royster Doister '— Udall,
151

'Rape of Lucrece '—Shakespeare,
120

Raphael, 185, 226, 228, 229

Ravenna, John of, 41

Regnier, 99

♦ Regrets '— Du Bellay, 96

Reliquary of St. Ursula of Mem-
ling, 254

Rembrandt, 267, 258

Resurrection of Signorelli, 225

ReuchUn, 53, 55, 56, 60, 272

Rh4toriqzieurSy the, 89

Rincon, 240

Bobbia, Luca della, 200

Girolamo della, 189

Boman de la Rose, 89

Bomance, Chivalric, 132, 137
Pastoral, 80, 81, 137

Bomano, Giulio, 232, 235

Borne, 24, 63, 180

Sack of, 54, 69, 189

Bonsard, 94-96, 249

Boses, Wars of, 10, 101

'Bosmunda*— Rucellai, 147

Bossellino, 201

Bosso, 189, 247



Rubens, 244, 255-267

Rucellai, 147

Rueda, Lope de, 169, 170



Sachs, Hans, 140, 146
Sackville, 109, 147
Sa;cra Rappresentazione., the, 145
Sacristy of S. Lorenzo, 206-208
Sadoleto, 53

♦ Sad Shepherd * — Jonson, 164
Salamanca, University of, 67
San Bernardino, 285
Sanchez, 67

♦ Sancho Panza,' 134
Sannazaro, 81

Santillana, Marquis of, 67, 129, 239
Sanzovino, 186, 203
Sarto, Andrea del, 226, 247

♦ Satyr e Menip6e,* 98
Savonarola, 283-286,
Scholasticism, 14-17, 37, 38, 64, 67
Schongauer, 259

♦ Schoolmaster *— Ascham, 103
Schoolmen, the, 16, 27, 40, 47

♦ Seconde Semaine'— Du Bartas, 97
Seneca, 39, 67, 141, 146
Servetus, 291

Sicily, Court of Frederick II. in, 15
Shakespeare, 117, 120, 158-162

♦ Shepherd's Calendar,' 81, 116
Sidney, Sir Philip, 76, 81, 107,

110-116, 118, 153
Signorelli, 224, 225
Simony, 274

Sistine Chapel, 206, 230, 231
Sixtus IV., Tomb of, 201
Skelton, 105
Smith, Thomas, 65

♦ Sofonisba '— Trissino, 147
Sonnet introduced in England, 106

Spain, 129
Sonneteers, Elizabethan, 120
Spagnoletto, Lo, 242
Spenser, 77, 104, 107, 116-120
Speron Sperone, 147
Sta. Maria del Fiore, 181, 197, 200,

218
St. Bartholomew's Day, 211



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THE RENAISSANCE



St. Dominic, 277, 278

St. Francis of Assisi, 217, 277, 278

St. Gelais, 89

St Qeorge of Donatello, 199

St. John, Order of, 12

St. Mark's at Venice, 234

St. Peters, 186

* Steele Glasse * — Gascoigne, 109
Stephan, Meister, 259

StiU, John, 161
Stilo culto, 136, 137
Stowe, John, 122
Stnbbes, 122
SuUy, 98

* Supposes ' — Gascoigne, 160
Surrey, Henry Earl of, 102, 106-

107

* Tamburlaine * — Marlowe, 166
Tasso, 86, 296

Templars, Order of, 12

* Testaments '—Villon, 87
Tetzel, 276

* Theatre,' the, 162
Thorpe, John, 191, 192
Three Graces of Pilon, 211
Timoneda, Juan de, 138
Tintoretto, 236, 237
Titian, 238, 239
Torrigiano, 213
'TottePs Miscellany,' 107
Tourneur, 166

Tours, 188, 209

Tragedy, Classical, 146-148

* Tragiques ' — D'Aubignd, 97
Transitional architecture, 188, 189,

191

* Trattatodella Famiglia '— Alberti,

73
Trent, Council of, 296
Trissino, 147
Troubadours, 18, 19, 69
Trouv^res, 18, 19, 69
Tyard, Pontus de, 94



Udall, 161

* University Wits,' the, 164-158

* Utopia '—More, 63, 64, 263



Valla, Lorenzo, 49, 271
Vega, Lope de, 134-136, 171-175
Velasquez, 242, 243, 267, 258
Venice, 62, 233, 234, 260

Architecture in, 180

Art in, 23a-238

* Venus and Adonis '—Shakespeare,

120
Verocchio, Andrea, 200
Veronese, Paolo, 237
Vicente, Gil, 168
Vignola, 186, 189
Villani, 82
Villon, 86, 87
Vinci, Lionardo da, 25, 37, 51,

226-228, 247
Viole, Sonnets to — Du Bellay, 96
VirgU, 39, 62, 67
Vischer, Peter, 212

* Vita Nuova '—Dante, 69
Vitelli, 69



Wakefieli), 66

Waldenses, the, 278

Warham, Archbishop, 69, 264

Watson, 120

Webster, 166, 167

Weyden, Bogier van der, 253, 259

Wiclif, 23, 68, 278

Wilhehn, Meister, 259

Wolgemut, 212, 260

Wren, Christopher, 187, 194-

Wyatt, Sir Thomas, 102, 105-107

Wykeham,274



Zubbaban, 241
ZwingU, 287, 289, 291



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