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Mary Roberts Rinehart.

Love Stories

. (page 8 of 11)
And just then Rosie came. She carried the baby, still faintly
odorous of violets, held tight in unaccustomed arms. She looked
awkward and conscious, but her amused smile at herself was half
tender.

"Hello, Claribel," she said. "How are you? Just look here, Al! What
do you think of this?"

Al got up sheepishly and looked at the child.

"Boy or girl?" he asked politely.

"Girl; but it's the living image of you," said Rose - for Rose and
the Nurse were alike in the wiles of the serpent.

"Looks like me!" Al observed caustically. "Looks like an over-ripe
tomato!"

But he drew himself up a trifle. Somewhere in his young and
hardened soul the germs of parental pride, astutely sowed, had taken
quick root.

"Feel how heavy she is," Rose commanded. And Al held out two arms
unaccustomed to such tender offices.

"Heavy! She's about as big as a peanut."

"Mind her back," said Rose, remembering instructions.

After her first glance Claribel had not looked at the child. But
now, in its father's arms, it began to whimper. The mother stirred
uneasily, and frowned.

"Take it away!" she ordered. "I told them not to bring it here."

The child cried louder. Its tiny red face, under the powder, turned
purple. It beat the air with its fists. Al, still holding it in his
outstretched arms, began vague motions to comfort it, swinging it up
and down and across. But it cried on, drawing up its tiny knees in
spasms of distress. Claribel put her fingers in her ears.

"You'll have to feed it!" Rose shouted over the din.

The girl comprehended without hearing, and shook her head in sullen
obstinacy.

"What do you think of that for noise?" said Al, not without pride.
"She's like me, all right. When I'm hungry, there's hell to pay if
I'm not fed quick. Here," - he bent down over Claribel, - "you might
as well have dinner now, and stop the row."

Not ungently, he placed the squirming mass in the baptismal dress
beside the girl on the bed. With the instinct of ages, the baby
stopped wailing and opened her mouth.

"The little cuss!" cried Al, delighted. "Ain't that me all over?
Little angel-face the minute I get to the table!"

Unresisting now, Claribel let Rose uncover her firm white breast.
The mother's arm, passively extended by Rose to receive the small
body, contracted around it unconsciously.

She turned and looked long at the nuzzling, eager mouth, at the red
hand lying trustfully open on her breast, at the wrinkled face, the
indeterminate nose, the throbbing fontanelle where the little life
was already beating so hard.

"A girl, Rose!" she said. "My God, what am I going to do with her?"

Rose was not listening. The Junior Medical's turn had come at last.
Downstairs in the chapel, he was standing by the organ, his head
thrown back, his heavy brown hair (which would never stay parted
without the persuasion of brilliantine) bristling with earnestness.

"_O'er all the way, green palms and blossoms gay_,"

he sang, and his clear tenor came welling up the staircase to Liz,
and past her to the ward, and to the group behind the screen.

"_Are strewn this day in festal preparation,
Where Jesus comes to wipe our tears away -
E'en now the throng to welcome Him prepare._"

On the throne-chair by the record-table, the Nurse sat and listened.
And because it was Easter and she was very happy and because of the
thrill in the tenor voice that came up the stairs to her, and
because of the page in the order-book about bran baths and the rest
of it, she cried a little, surreptitiously, and let the tears drop
down on a yellow hospital record.

The song was almost done. Liz, on the stairs, had fed her baby
twenty minutes too soon, and now it lay, sleeping and sated, in her
lap. Liz sat there, brooding over it, and the last line of the song
came up the staircase.

"_Blessed is He who comes bringing sal-va-a-a-ation!_"

the Junior Medical sang.

The services were over. Downstairs the small crowd dispersed slowly.
The minister shook hands with the nurses at the door, and the Junior
Medical rolled up his song and wondered how soon he could make
rounds upstairs again.

Liz got up, with her baby in her arms, and padded in to the
throne-chair by the record-table.

"He can sing some, can't he!" she said.

"He has a beautiful voice." The Nurse's eyes were shining.

Liz moved off. Then she turned and came back.

"I - I know you'll tell me I'm a fool," she said; "but I've decided
to keep the kid, this time. I guess I'll make out, somehow."

Behind the screen, Rosie had lighted a cigarette and was smoking,
sublimely unconscious of the blue smoke swirl that rose in telltale
clouds high above her head. The baby had dropped asleep, and
Claribel lay still. But her eyes were not on the ceiling; they were
on the child.

Al leaned forward and put his lips to the arm that circled the baby.

"I'm sorry, kid," he said. "I guess it was the limit, all right. Do
you hate me?"

She looked at him, and the hardness and defiance died out of her
eyes. She shook her head.

"No."

"Do you - still - like me a little?"

"Yes," in a whisper.

"Then what's the matter with you and me and the little mutt getting
married and starting all over - eh?"

He leaned over and buried his face with a caressing movement in the
hollow of her neck.

Rose extinguished her cigarette on the foot of the bed, and, careful
of appearances, put the butt in her chatelaine.

"I guess you two don't need me any more," she said yawning. "I'm
going back home to bed."


"ARE WE DOWNHEARTED? NO!"


I

There are certain people who will never understand this story,
people who live their lives by rule of thumb. Little lives they are,
too, measured by the letter and not the spirit. Quite simple too.
Right is right and wrong is wrong.

That shadowy No Man's Land between the trenches of virtue and sin,
where most of us fight our battles and are wounded, and even die,
does not exist for them.

The boy in this story belonged to that class. Even if he reads it he
may not recognise it. But he will not read it or have it read to
him. He will even be somewhat fretful if it comes his way.

"If that's one of those problem things," he will say, "I don't want
to hear it. I don't see why nobody writes adventure any more."

Right is right and wrong is wrong. Seven words for a creed, and all
of life to live!

This is not a war story. But it deals, as must anything that
represents life in this year of our Lord of Peace, with war. With
war in its human relations. Not with guns and trenches, but with
men and women, with a boy and a girl.

For only in the mass is war vast. To the man in the trench it
reduces itself to the man on his right, the man on his left, the man
across, beyond the barbed wire, and a woman.

The boy was a Canadian. He was twenty-two and not very tall. His
name in this story is Cecil Hamilton. He had won two medals for
life-saving, each in a leather case. He had saved people from
drowning. When he went abroad to fight he took the medals along. Not
to show. But he felt that the time might come when he would not be
sure of himself. A good many men on the way to war have felt that
way. The body has a way of turning craven, in spite of high
resolves. It would be rather comforting, he felt, to have those
medals somewhere about him at that time. He never looked at them
without a proud little intake of breath and a certain swelling of
the heart.

On the steamer he found that a medal for running had slipped into
one of the cases. He rather chuckled over that. He had a sense of
humour, in spite of his seven-word creed. And a bit of superstition,
for that night, at dusk, he went out on to the darkened deck and
flung it overboard.

The steamer had picked him up at Halifax - a cold dawn, with a few
pinched faces looking over the rail. Forgive him if he swaggered up
the gangway. He was twenty-two, he was a lieutenant, and he was a
fighting man.

The girl in the story saw him then. She was up and about, in a short
sport suit, with a white tam-o'-shanter on her head and a white
woolen scarf tucked round her neck. Under her belted coat she wore a
middy blouse, and when she saw Lieutenant Cecil Hamilton, with
his eager eyes - not unlike her own, his eyes were young and
inquiring - she reached into a pocket of the blouse and dabbed her
lips with a small stick of cold cream.

Cold air has a way of drying lips.

He caught her at it, and she smiled. It was all over for him then,
poor lad!

Afterward, when he was in the trenches, he wondered about that. He
called it "Kismet" to himself. It was really a compound, that first
day or two, of homesickness and a little furtive stirring of anxiety
and the thrill of new adventure that was in his blood.

On the second afternoon out they had tea together, she in her
steamer chair and he calmly settled next to her, in a chair
belonging to an irritated English lawyer. Afterward he went down to
his cabin, hung round with his new equipment, and put away the
photograph of a very nice Toronto girl, which had been propped up
back of his hairbrushes.

They got rather well acquainted that first day.

"You know," he said, with his cup in one hand and a rather stale
cake in the other, "it's awfully bully of you to be so nice to me."

She let that go. She was looking, as a matter of fact, after a tall
man with heavily fringed eyes and English clothes, who had just gone
by.

"You know," he confided - he frequently prefaced his speeches with
that - "I was horribly lonely when I came up the gangway. Then I saw
you, and you were smiling. It did me a lot of good."

"I suppose I really should not have smiled." She came back to him
with rather an effort. "But you caught me, you know. It wasn't
rouge. It was cold cream. I'll show you."

She unbuttoned her jacket, against his protest, and held out the
little stick. He took it and looked at it.

"You don't need even this," he said rather severely. He disapproved
of cosmetics. "You have a lovely mouth."

"It's rather large. Don't you think so?"

"It's exactly right."

He was young, and as yet more interested in himself than in anything
in the world. So he sat there and told her who he was, and what he
hoped to do and, rather to his own astonishment, about the medals.

"How very brave you are!" she said.

That made him anxious. He hoped she did not think he was swanking.
It was only that he did not make friends easily, and when he did
meet somebody he liked he was apt to forget and talk too much about
himself. He was so afraid that he gulped down his tepid tea in a
hurry and muttered something about letters to write, and got himself
away. The girl stared after him with a pucker between her eyebrows.
And the tall man came and took the place he vacated.

Things were worrying the girl - whose name, by the way, was Edith. On
programs it was spelled "Edythe," but that was not her fault. Yes,
on programs - Edythe O'Hara. The business manager had suggested
deHara, but she had refused. Not that it mattered much. She had been
in the chorus. She had a little bit of a voice, rather sweet, and
she was divinely young and graceful.

In the chorus she would have remained, too, but for one of those
queer shifts that alter lives. A girl who did a song and an
eccentric dance had wrenched her knee, and Edith had gone on in her
place. Something of her tomboy youth remained in her, and for a few
minutes, as she frolicked over the stage, she was a youngster,
dancing to her shadow.

She had not brought down the house, but a man with heavily fringed
eyes, who watched her from the wings, made a note of her name. He
was in America for music-hall material for England, and he was
shrewd after the manner of his kind. Here was a girl who frolicked
on the stage. The English, accustomed to either sensuous or sedate
dancing, would fall hard for her, he decided. Either that, or she
would go "bla." She was a hit or nothing.

And that, in so many words, he told her that afternoon.

"Feeling all right?" he asked her.

"Better than this morning. The wind's gone down, hasn't it?"

He did not answer her. He sat on the side of the chair and looked
her over.

"You want to keep well," he warned her. "The whole key to your doing
anything is vitality. That's the word - Life."

She smiled. It seemed so easy. Life? She was full-fed with the joy
of it. Even as she sat, her active feet in their high-heeled shoes
were aching to be astir.

"Working in the gymnasium?" he demanded.

"Two hours a day, morning and evening. Feel."

She held out her arm to him, and he felt its small, rounded muscle,
with a smile. But his heavily fringed eyes were on her face, and he
kept his hold until she shook it off.

"Who's the soldier boy?" he asked suddenly.

"Lieutenant Hamilton. He's rather nice. Don't you think so?"

"He'll do to play with on the trip. You'll soon lose him in London."

The winter darkness closed down round them. Stewards were busy
closing ports and windows with fitted cardboards. Through the night
the ship would travel over the dangerous lanes of the sea with only
her small port and starboard lights. A sense of exhilaration
possessed Edith. This hurling forward over black water, this sense
of danger, visualised by precautions, this going to something new
and strange, set every nerve to jumping. She threw back her rug, and
getting up went to the rail. Lethway, the manager, followed her.

"Nervous, aren't you?"

"Not frightened, anyhow."

It was then that he told her how he had sized the situation up. She
was a hit or nothing.

"If you go all right," he said, "you can have the town. London's for
you or against you, especially if you're an American. If you go
flat - - "

"Then what?"

She had not thought of that. What would she do then? Her salary was
not to begin until the performances started. Her fare and expenses
across were paid, but how about getting back? Even at the best her
salary was small. That had been one of her attractions to Lethway.

"I'll have to go home, of course," she said. "If they don't like me,
and decide in a hurry, I - I may have to borrow money from you to get
back."

"Don't worry about that." He put a hand over hers as it lay on the
rail, and when she made no effort to release it he bent down and
kissed her warm fingers. "Don't you worry about that," he repeated.

She did worry, however. Down in her cabin, not so tidy as the
boy's - littered with her curiously anomalous belongings, a great
bunch of violets in the wash bowl, a cheap toilet set, elaborate
high-heeled shoes, and a plain muslin nightgown hanging to the
door - down there she opened her trunk and got out her contract.
There was nothing in it about getting back home.

For a few minutes she was panicky. Her hands shook as she put the
document away. She knew life with all the lack of illusion of two
years in the chorus. Even Lethway - not that she minded his casual
caress on the deck. She had seen a lot of that. It meant nothing.
Stage directors either bawled you out or petted you. That was part
of the business.

But to-night, all day indeed, there had been something in Lethway's
face that worried her. And there were other things.

The women on the boat replied coldly to her friendly advances. She
had spoken to a nice girl, her own age or thereabouts, and the
girl's mother or aunt or chaperon, whoever it was, had taken her
away. It had puzzled her at the time. Now she knew. The crowd that
had seen her off, from the Pretty Coquette Company - that had queered
her, she decided. That and Lethway.

None of the girls had thought it odd that she should cross the ocean
with Lethway. They had been envious, as a matter of fact. They had
brought her gifts, the queer little sachets and fruit and boxes of
candy that littered the room. In that half hour before sailing they
had chattered about her, chorus unmistakably, from their smart,
cheap little hats to their short skirts and fancy shoes. Her
roommate, Mabel, had been the only one she had hated to leave. And
Mabel had queered her, too, with her short-bobbed yellow hair.

She did a reckless thing that night, out of pure defiance. It was a
winter voyage in wartime. The night before the women had gone down,
sedately dressed, to dinner. The girl she had tried to speak to had
worn a sweater. So Edith dressed for dinner.

She whitened her neck and arms with liquid powder, and slicked up
her brown hair daringly smooth and flat. Then she put on her one
evening dress, a black net, and pinned on her violets. She rouged
her lips a bit too.

The boy, meeting her on the companionway, gasped.

That night he asked permission to move over to her table, and after
that the three of them ate together, Lethway watching and saying
little, the other two chattering. They were very gay. They gambled
to the extent of a quarter each, on the number of fronds, or
whatever they are, in the top of a pineapple that Cecil ordered in,
and she won. It was delightful to gamble, she declared, and put the
fifty cents into a smoking-room pool.

The boy was clearly infatuated. She looked like a debutante, and,
knowing it, acted the part. It was not acting really. Life had only
touched her so far, and had left no mark. When Lethway lounged away
to an evening's bridge Cecil fetched his military cape and they went
on deck.

"I'm afraid it's rather lonely for you," he said. "It's always like
this the first day or two. Then the women warm up and get friendly."

"I don't want to know them. They are a stupid-looking lot. Did you
ever see such clothes?"

"You are the only person who looks like a lady to-night," he
observed. "You look lovely. I hope you don't mind my saying it?"

She was a downright young person, after all. And there was something
about the boy that compelled candour. So, although she gathered
after a time that he did not approve of chorus girls, was even
rather skeptical about them and believed that the stage should be an
uplifting influence, she told him about herself that night.

It was a blow. He rallied gallantly, but she could see him
straggling to gain this new point of view.

"Anyhow," he said at last, "you're not like the others." Then
hastily: "I don't mean to offend you when I say that, you know. Only
one can tell, to look at you, that you are different." He thought
that sounded rather boyish, and remembered that he was going to the
war, and was, or would soon be, a fighting man. "I've known a lot of
girls," he added rather loftily. "All sorts of girls."

It was the next night that Lethway kissed her. He had left her alone
most of the day, and by sheer gravitation of loneliness she and the
boy drifted together. All day long they ranged the ship, watched a
boxing match in the steerage, fed bread to the hovering gulls from
the stern. They told each other many things. There had been a man in
the company who had wanted to marry her, but she intended to have a
career. Anyhow, she would not marry unless she loved a person very
much.

He eyed her wistfully when she said that.

At dusk he told her about the girl in Toronto.

"It wasn't an engagement, you understand. But we've been awfully
good friends. She came to see me off. It was rather awful. She
cried. She had some sort of silly idea that I'll get hurt."

It was her turn to look wistful. Oh, they were getting on! When he
went to ask the steward to bring tea to the corner they had found,
she looked after him. She had been so busy with her own worries that
she had not thought much of the significance of his neatly belted
khaki. Suddenly it hurt her. He was going to war.

She knew little about the war, except from the pictures in
illustrated magazines. Once or twice she had tried to talk about it
with Mabel, but Mabel had only said, "It's fierce!" and changed the
subject.

The uniforms scattered over the ship and the precautions taken at
night, however, were bringing this thing called war very close to
her. It was just beyond that horizon toward which they were heading.
And even then it was brought nearer to her.

Under cover of the dusk the girl she had tried to approach came up
and stood beside her. Edith was very distant with her.

"The nights make me nervous," the girl said. "In the daylight it is
not so bad. But these darkened windows bring it all home to me - the
war, you know."

"I guess it's pretty bad."

"It's bad enough. My brother has been wounded. I am going to him."

Even above the sound of the water Edith caught the thrill in her
voice. It was a new tone to her, the exaltation of sacrifice.

"I'm sorry," she said. And some subconscious memory of Mabel made
her say: "It's fierce!"

The girl looked at her.

"That young officer you're with, he's going, of course. He seems
very young. My brother was older. Thirty."

"He's twenty-two."

"He has such nice eyes," said the girl. "I wish - - "

But he was coming back, and she slipped away.

During tea Cecil caught her eyes on him more than once. He had taken
off his stiff-crowned cap, and the wind blew his dark hair round.

"I wish you were not going to the war," she said unexpectedly. It
had come home to her, all at once, the potentialities of that trim
uniform. It made her a little sick.

"It's nice of you to say that."

There was a new mood on her, of confession, almost of consecration.
He asked her if he might smoke. No one in her brief life had ever
before asked her permission to smoke.

"I'll have to smoke all I can," he said. "The fellows say cigarettes
are scarce in the trenches. I'm taking a lot over."

He knew a girl who smoked cigarettes, he said. She was a nice girl
too. He couldn't understand it. The way he felt about it, maybe
a cigarette for a girl wasn't a crime. But it led to other
things - drinking, you know, and all that.

"The fellows don't respect a girl that smokes," he said. "That's the
plain truth. I've talked to her a lot about it."

"It wasn't your friend in Toronto, was it?"

"Good heavens, no!" He repudiated the idea with horror.

It was the girl who had to readjust her ideas of life that day. She
had been born and raised in that neutral ground between the lines of
right and wrong, and now suddenly her position was attacked and she
must choose sides. She chose.

"I've smoked a cigarette now and then. If you think it is wrong I'll
not do it any more."

He was almost overcome, both at the confession and at her
renunciation. To tell the truth, among the older Canadian officers
he had felt rather a boy. Her promise reinstated him in his own
esteem. He was a man, and a girl was offering to give something up
if he wished it. It helped a lot.

That evening he laid out his entire equipment in his small cabin,
and invited her to see it. He put his mother's picture behind his
brushes, where the other one had been, and when all was ready he
rang for a stewardess.

"I am going to show a young lady some of my stuff," he explained.
"And as she is alone I wish you'd stay round, will you? I want her
to feel perfectly comfortable."

The stewardess agreed, and as she was an elderly woman, with a son
at the front, a boy like Cecil, she went back to her close little
room over the engines and cried a little, very quietly.

It was unfortunate that he did not explain the presence of the
stewardess to the girl. For when it was all over, and she had stood
rather awed before his mother's picture, and rather to his surprise
had smoothed her hair with one of his brushes, she turned to him
outside the door.

"That stewardess has a lot of nerve," she said. "The idea of
standing in the doorway, rubbering!"

"I asked her," he explained. "I thought you'd prefer having some one
there."

She stared at him.


II

Lethway had won the ship's pool that day. In the evening he played
bridge, and won again. He had been drinking a little. Not much, but
enough to make him reckless.

For the last rubber or two the thought of Edith had obsessed him,
her hand on the rail as he had kissed it, her cool eyes that were at
once so wise and so ignorant, her lithe body in the short skirt and
middy blouse. He found her more alluring, so attired, than she had
been in the scant costume of what to him was always "the show."

He pondered on that during all of a dummy hand, sitting low in his
chair with his feet thrust far under the table. The show business
was going to the bad. Why? Because nobody connected with it knew
anything about human nature. He formulated a plan, compounded of
liquor and real business acumen, of dressing a chorus, of suggesting
the feminine form instead of showing it, of veiling it in chiffons
of soft colours and sending a draft of air from electric fans in the
wings to set the chiffons in motion.

"Like the Aurora," he said to himself. "Only not so beefy. Ought to
be a hit. Pretty? It will be the real thing!"

The thought of Edith in such a costume, playing like a dryad over
the stage, stayed with him when the dummy hand had been played and
he had been recalled to the game by a thump on the shoulder. Edith
in soft, pastel-coloured chiffons, dancing in bare feet to light
string music. A forest setting, of course. Pan. A goat or two. All
that sort of thing.

On his way down to his cabin he passed her door. He went on,
hesitated, came back and knocked.

Now Edith had not been able to sleep. Her thrifty soul, trained
against waste, had urged her not to fling her cigarettes overboard,
but to smoke them.

"And then never again," she said solemnly.

The result was that she could not get to sleep. Blanketed to the
chin she lay in her bunk, reading. The book had been Mabel's
farewell offering, a thing of perverted ideals, or none, of cheap
sentiment, of erotic thought overlaid with words. The immediate
result of it, when she yawned at last and turned out the light over
her bed, was a new light on the boy.

"Little prig!" she said to herself, and stretched her round arms
luxuriously above her head.

Then Lethway rapped. She sat up and listened. Then, grumbling, she
got out and opened the door an inch or two. The lights were low
outside and her own cabin dark. But she knew him.

"Are we chased?" she demanded. In the back of her mind, fear of
pursuit by a German submarine was dogging her across the Atlantic.

"Sure we are!" he said. "What are you so stingy about the door for?"

She recognised his condition out of a not inconsiderable experience
and did her best to force the door shut, but he put his foot over
the sill and smiled.

"Please go away, Mr. Lethway."

"I'll go if you'll kiss me good night."

She calculated the situation, and surrendered. There was nothing
else to do. But when she upturned her face he slipped past her and
into the room. Just inside the door, swinging open and shut with
every roll of the ship, he took her in his arms and kissed her, not
once but many times.

She did not lose her head. She had an arm free and she rang the
bell. Then she jerked herself loose.

"I have rung for the stewardess," she said furiously. "If you are
here when she comes I'll ask for help."

"You young devil!" was all he said, and went, slamming the door
behind him. His rage grew as he reached his own cabin. Damn the
girl, anyhow! He had not meant anything. Here he was, spending money
he might never get back to give her a chance, and she called the
stewardess because he kissed her!

As for the girl, she went back to bed. For a few moments sheer rage
kept her awake. Then youth and fatigue triumphed and she fell
asleep. Her last thought was of the boy, after all. "He wouldn't do
a thing like that," she reflected. "He's a gentleman. He's the real
thing. He's - - "

Her eyes closed.

Lethway apologised the next day, apologised with an excess of manner
that somehow made the apology as much of an insult as the act. But
she matched him at that game - took her cue from him, even went him
one better as to manner. When he left her he had begun to feel that
she was no unworthy antagonist. The game would be interesting. And
she had the advantage, if she only knew it. Back of his desire to
get back at her, back of his mocking smile and half-closed eyes, he
was just a trifle mad about her since the night before.

That is the way things stood when they reached the Mersey. Cecil was
in love with the girl. Very earnestly in love. He did not sleep at
night for thinking about her. He remembered certain semi-harmless
escapades of his college days, and called himself unworthy and
various other things. He scourged himself by leaving her alone in
her steamer chair and walking by at stated intervals. Once, in a
white sweater over a running shirt, he went to the gymnasium and
found her there. She had on a "gym" suit of baggy bloomers and the
usual blouse. He backed away from the door hastily.

At first he was jealous of Lethway. Then that passed. She confided
to him that she did not like the manager. After that he was sorry
for him. He was sorry for any one she did not like. He bothered
Lethway by walking the deck with him and looking at him with what
Lethway refused to think was compassion.

But because, contrary to the boy's belief, none of us is quite good
or quite evil, he was kind to the boy. The khaki stood for something
which no Englishman could ignore.

"Poor little devil!" he said on the last day in the smoking room,
"he's going to a bad time, all right. I was in Africa for eight
years. Boer war and the rest of it. Got run through the thigh in a
native uprising, and they won't have me now. But Africa was cheery
to this war."

He asked the boy into the smoking room, which he had hitherto
avoided. He had some queer idea that he did not care to take his
uniform in there. Absurd, of course. It made him rather lonely in
the hours Edith spent in her cabin, preparing variations of costume
for the evening out of her small trunk. But he was all man, and he
liked the society of men; so he went at last, with Lethway, and
ordered vichy!

He had not allowed himself to think much beyond the end of the
voyage. As the ship advanced, war seemed to slip beyond the edge of
his horizon. Even at night, as he lay and tossed, his thoughts were
either of the next day, when he would see Edith again, or of that
indefinite future when he would return, covered with honors, and go
to her, wherever she was.

He never doubted the honors now. He had something to fight for. The
medals in their cases looked paltry to him, compared with what was
coming. In his sleep he dreamed of the V.C., dreams he was too
modest to put into thoughts in waking hours.

Then they reached the Mersey. On the last evening of the voyage he
and Edith stood on the upper deck. It was a zone of danger. From
each side of the narrowing river flashlights skimmed the surface of
the water, playing round but never on the darkened ship. Red and
green lights blinked signals. Their progress was a devious one
through the mine-strewn channel. There was a heavy sea even there,
and the small lights on the mast on the pilot boat, as it came to a
stop, described great arcs that seemed, first to starboard, then to
port, to touch the very tips of the waves.

"I'm not crazy about this," the girl said, as the wind tugged at her
skirts. "It frightens me. Brings the war pretty close, doesn't it?"

Emotion swelled his heart and made him husky - love and patriotism,
pride and hope, and a hot burst of courage.

"What if we strike a mine?" she asked.

"I wouldn't care so much. It would give me a chance to save you."

Overhead they were signalling the shore with a white light. Along
with the new emotions that were choking him came an unaccustomed
impulse of boastfulness.

"I can read that," he said when she ignored his offer to save her.
"Of course it's code, but I can spell it out."

He made a move to step forward and watch the signaler, but she put
her hand on his arm.

"Don't go. I'm nervous, Cecil," she said.

She had called him by his first name. It shook him profoundly, that
and the touch of her hand on his arm.

"Oh, I love you, love you!" he said hoarsely. But he did not try to
take her in his arms, or attempt to caress the hand that still clung
to him. He stood very erect, looking at the shadowy outline of her.
Then, her long scarf blowing toward him, he took the end of it and
kissed that very gravely.

"I would die for you," he said.

Then Lethway joined them.


III

London was not kind to him. He had felt, like many Canadians, that
in going to England he was going home. But England was cold.

Not the people on the streets. They liked the Canadians and they
cheered them when their own regiments went by unhailed. It appealed
to their rampant patriotism that these men had come from across the
sea to join hands with them against common foe. But in the clubs,
where his letters admitted the boy, there was a different
atmosphere. Young British officers were either cool or, much worse,
patronising. They were inclined to suspect that his quiet confidence
was swanking. One day at luncheon he drank a glass of wine, not
because he wanted it but because he did not like to refuse. The
result was unfortunate. It loosened his tongue a bit, and he
mentioned the medals.

Not noisily, of course. In an offhand manner, to his next neighbor.
It went round the table, and a sort of icy silence, after that,
greeted his small sallies. He never knew what the trouble was, but
his heart was heavy in him.

And it rained.

It was always raining. He had very little money beyond his pay, and
the constant hiring of taxicabs worried him. Now and then he saw
some one he knew, down from Salisbury for a holiday, but they had
been over long enough to know their way about. They had engagements,
things to buy. He fairly ate his heart out in sheer loneliness.

There were two hours in the day that redeemed the others. One was
the hour late in the afternoon when, rehearsal over, he took Edith
O'Hara to tea. The other was just before he went to bed, when he
wrote her the small note that reached her every morning with her
breakfast.

In the seven days before he joined his regiment at Salisbury he
wrote her seven notes. They were candid, boyish scrawls, not love
letters at all. This was one of them:

_Dear Edith_: I have put in a rotten evening and am just
going to bed. I am rather worried because you looked so
tired to-day. Please don't work too hard.

I am only writing to say how I look forward each night to
seeing you the next day. I am sending with this a small
bunch of lilies of the valley. They remind me of you.
CECIL.

The girl saved those letters. She was not in love with him, but he
gave her something no one else had ever offered: a chivalrous
respect that pleased as well as puzzled her.

Once in a tea shop he voiced his creed, as it pertained to her, over
a plate of muffins.

"When we are both back home, Edith," he said, "I am going to ask you
something."

"Why not now?"

"Because it wouldn't be quite fair to you. I - I may be killed, or
something. That's one thing. Then, it's because of your people."

That rather stunned her. She had no people. She was going to tell
him that, but she decided not to. She felt quite sure that he
considered "people" essential, and though she felt that, for any
long period of time, these queer ideas and scruples of his would be
difficult to live up to, she intended to do it for that one week.

"Oh, all right," she said, meekly enough.

She felt very tender toward him after that, and her new gentleness
made it all hard for him. She caught him looking at her wistfully at
times, and it seemed to her that he was not looking well. His eyes
were hollow, his face thin. She put her hand over his as it lay on
the table.

"Look here," she said, "you look half sick, or worried, or
something. Stop telling me to take care of myself, and look after
yourself a little better."

"I'm all right," he replied. Then soon after: "Everything's strange.
That's the trouble," he confessed. "It's only in little things that
don't matter, but a fellow feels such a duffer."

On the last night he took her to dinner - a small French restaurant
in a back street in Soho. He had heard about it somewhere. Edith
classed it as soon as she entered. It was too retiring, too demure.
Its very location was clandestine.

But he never knew. He was divided that night between joy at getting
to his regiment and grief at leaving her. Rather self-engrossed, she
thought.

They had a table by an open grate fire, with a screen "to shut off
the draft," the waiter said. It gave the modest meal a delightfully
homey air, their isolation and the bright coal fire. For the first
time they learned the joys of mussels boiled in milk, of French
_soufflé_ and other things.

At the end of the evening he took her back to her cheap hotel in a
taxicab. She expected him to kiss her. Her experience of taxicabs
had been like that. But he did not. He said very little on the way
home, but sat well back and eyed her wistful eyes. She chattered to
cover his silence - of rehearsals, of - with reservations - of Lethway,
of the anticipated London opening. She felt very sad herself. He had
been a tie to America, and he had been much more than that. Though
she did not realise it, he had had a profound effect on her. In
trying to seem what he thought her she was becoming what he thought
her. Her old reckless attitude toward life was gone, or was going.

The day before she had refused an invitation to a night club, and
called herself a fool for doing it. But she had refused.

Not that he had performed miracles with her. She was still frankly a
dweller on the neutral ground. But to that instinct that had kept
her up to that time what she would have called "straight" had been
added a new refinement. She was no longer the reckless and romping
girl whose abandon had caught Lethway's eye.

She had gained a soul, perhaps, and lost a livelihood.

When they reached the hotel he got out and went in with her. The
hall porter was watching and she held out her hand. But he shook his
head.

"If I touched your hand," he said, "I would have to take you in my
arms. Good-bye, dear."

"Good-bye," she said. There were tears in her eyes. It was through a
mist that she saw him, as the elevator went up, standing at salute,
his eyes following her until she disappeared from sight.


IV

Things were going wrong with Lethway. The management was ragging
him, for one thing.

"Give the girl time," he said almost viciously, at the end of a
particularly bad rehearsal. "She's had a long voyage and she's
tired. Besides," he added, "these acts never do go at rehearsal.
Give me a good house at the opening and she'll show you what she can
do."

But in his soul he was worried. There was a change in Edith O'Hara.
Even her voice had altered. It was not only her manner to him. That
was marked enough, but he only shrugged his shoulders over it. Time
enough for that when the production was on.

He had engaged a hoyden, and she was by way of becoming a lady.
During the first week or so he had hoped that it was only the
strangeness of her surroundings. He had been shrewd enough to lay
some of it, however, to Cecil's influence.


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