Mo.) Washington University (Saint Louis.

A catalogue of the officers and students of Washington University, for the academic year .. online

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Third Term, Day School, ends Saturday, June 4th, 1898.
Exhibition of Students' Work, June 7th-9th, 18i)8.



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ST. LOUIS SCHOOL OF FINE ARTS.



REORGANIZKD MAY 22, 1879.



The establishment of an Art School upon a broad and
permanent foundation has always been part of the plan
of Washington University. For nearly twenty- five years
Art instruction has been embodied in the course of study.
In 1875,. special students were admitted to the Drawing
Department, and class and public lectures were given on
Art History. The same year an evening school was
opened.

On May 22, 1879, the Directors of the University
adopted an ordinance establishing a Department of Art
in Washington University, from which the following ex-
tracts are taken : —

"A Department of Art is hereby established as a spe-
cial Department of Washington University, to be known
as The St. Louis School of Fine Arts.

**The objects of said Department shall be: Instruc-
tion in the Fine Arts ; the collection and exhibition of
pictures, statuary, and other works of art, and of what-
ever else may be of artistic interest and appropriate for
a Public Gallery or Art Museum; and, in general, the
promotion by all proper means of aesthetic or artistic
education."



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BOARD OF CONTROL.



ELLIS WAINWBIGHT, Prksidknt.

W INFIELD S. CHAPLIN, Cuanckllor, ex officio,

J. G. CHAPMAN.

DANIEL CATLIN.

GEO. E. LEIGHTON.

CHARLES PARSONS.

CHARLES NAGEL.

ISAAC W. MORTON.

GEORGE D. BARNARD.

DAVID C. BALL.

HALSEY C. IVES, Director, ex officio.



INSTRUCTORS.



HALSEY C. IVES, Director.
HOLMES SMITH. W. H. PALMER.

EDMUND H. WUERPEL. ROBERT BRINGHURST.

ALICE M. MORE. CHARLES P. DAVIS.

WM. PELL PULIS. C. F. VON SALTZA.

EDWARD M. CAMPBELL.

Assistant in Elementary Work.
JUSTINA V. A. PHILLIPS.

Note. — All communications in regard to the school should
be addressed: ST. LOUIS SCHOOL OF FINE ARTS.



A. M. MORE,

Secretai-y.



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GENERAL INFORMATION.

There are three terms in the year.

Students will be admitted at anytime^ but not for leas
than one term^ except by special arrangement with the
Director.

The school furnishes instruction in Drawing, Modeling,
Painting, Artistic Anatomy, Perspective, Composition,
Architectural and Mechanical Drawing.

The rooms are open for the study of dramng, painting,
and modeling, every day during each term from 9 a. m.
to 4 p. m. and for the study of drawing from the
Antique and Life, mechanical drawing and modeling
three evenings in the week, from November to May.

Students may enter any class upon submitting exam-
ples of work showing the necessary skill. Applicants for
admission to the evening Life Class must submit a draw-
ing of a full length figure from the Antique or Life.

Students who can pass the necessary examination may
study Modern Languages, History and Literature in
classes of the Undergraduate Department of the Univer-
sity.

The school is fully equipped with models, casts from
the Antique, et cetera.

The class rooms are well lighted and ventilated and
excellently adapted to the* purposes of the school.

The artists connected with the school as teachers have
received their training in the Art Schools of Europe.

AU finished work must be left in the school or if rC'



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88 WASHIMr,TON ITOVERSITY.

moved by special ptfrmissian, must be returned before the
close oj the school year for final examination by the com-
mittee appointed for that purpose.

Instructiou iu all classes of the school is individual.
Advancemeut of each student depends on the degree of
proficiency only. Students arc at liberty to work as
much or as little as they desire between the hours of 9
a. m. and 4 p. in.



TUITION FEES.

(Payable in advance to the Treasurer of WashiDgtoii
Uuiversity )

♦ Tuitiou per term, with privileges of all classes and lec-

tures $37 50

* Saturday class for adults and juveuilesi per term . . 10 00
Evening Class, Antique or Sketching from Life, three

times per week for term of twelve weeks .... 5 00
Evening Life Class, three times per week for term of

twelve weeks 7 50

Evening class, Elementary, three times per week for

. term of t^^elve weeks 5 00

Evening Class, Architectural and Mechanical Drawing,

three times per week for term of t\velve weeks . . 5 OO
Evening Class, Modeling, three times per week for term

of twelve weeks 5 00



* Id the case of Btadents enrolling in the school daring the first term
and contlnaing through the year the taitlon fee for the third term will
be remitted.



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SCHOOL OF FINE ARTS. 89



PROGRAMME.

MORKING.



Elementary Model and Object Class, daily, from 9 to 12 o'clock.
Antique Class, dally, from 9 to 12 o'clock.
Life Class (model nude) daily (except Saturdays), from 9 to 12
o'clock.

AFTERNOON.

Modeling Class, dally from 1 to 4 o'clock.

Painting Class (Still-Life, Drapery, etc.), daily, from 1 to 4

o'clock.
Head Painting Class, daily, from 1 to 4 o'clock.

SATURDAY.

Elementary Model and Object Class, from 9 to 12 o'clock.
Antique Class, from 9 to 12 o'clock.
Sketch Class (models in costumes), from 9 to 12 o'clock.
Modeling Class, from 9 to 12 o'clock.

SATURDAY JUVKNILK CLASS.

Drawing from objects, from 9 to 12 o'clock.
Modeling from 9 to 12 o'clock.

NIGUT.

Life Class (model nude), Monday, Tuesday and Thursday, from

7:80 to 9:30 o'clock.
Portrait Class, Monday, Tuesday and Thursday, from 7:30 to

9 :*S0 o'clock.
Elementary Class in Drawing, Monday, Tuesday and Thursday

from 7 : 80 to 9: 30 o'clock.
Antique Class, Monday, Tuesday and Thursday, from 7:30 to

9:30 o'clock.



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90 WASHIN(iTON UNIVEUSITV.

MccbaDical Drawing, Monday, Tuesday and Thursday, from

7:30 to 9:30 o'clock.
Architectural Drawing, Monday, Tuesday and Thursday, from

7:30 to 9:30 o'clock.
Modeling, Monday, Tuesday and Thursday, from 7:30 to 9:30

o'clock.

Advanced students are afforded opportunity for study
from life — draped and nude models — forty hours per
week.



COURSE OF INSTRUCTION.
The course of instruction is as follows : —

ELEMENTARY

From the beginning the student is taught to draw from
the object. Models are provided with simple contours
such as casts from leaves, fruit, foliage, Greek vases,
architectural forms, fragments of the human figure, etc.,
and the student is required to make outline and shaded
drawings from these until he has fully mastered the diffi-
culties due to the form and position of the object. This
method is carried through all grades of the school ; no
copying of any kind is permitted.

ANTIQUE.

In the Antique Class the methods in use are severe
and require close observation, combined with great
patience and perseverance. All stump processes are
discarded ; all results are due to careful study and pains-



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SCHOOL OF FINK ARTS. 91

taking; no chance is allowed for *' accidental effects/'
The education of the eye is considered of greater impor-
tance than the training of the hand, not only in simple
line work and the study of superficial forms, but in the
general, yet no less certain, laws which underlie and dis-
tinguish the work of every great master in sculpture or
painting. Little attention is paid to pictorial finish, and
in many cases where a tendency toward pictorial finish
seems to interfere with the student's progress in acquir-
ing a comprehensive method of drawing, it is rigorously
discouraged.

LIFE.

Work in the Life Classes consists in drawing and paint-
ing from the living model, both draped and nude, and
either from a whole or a portion of the figure, one class
being entirely devoted to the study of the head. More
attention is given to drawing than to painting, and students
who paint are required to draw a portion of the time. In
all cases a careful study of the model and conscientious
search for contours and construction, requiring continual
use of the mind, are insisted upon. No effort is made
to bring the students to a uniformity of method ; except
to the extent of instructing them to see forms as they
really exist; beyond this each student is permitted to
develop or follow a style of his own. Special attention
is given to the importance of viewing the subject to be
placed upon the paper as a wiiole, thus bringing the pacts
of the figure into proper subordination and avoiding the
natural tendency to exaggerate the importance of details.
Special emphasis is placed on the importance of self-
reliance in the determination of the form of each portion



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92 WASHINGTON UNIVEBSITT.

of the figure, and of bestowing as conscientious care upon
the modeling of the hand and foot as upon the expression
of the face, with the purpose of training the eye to com-
prehend and the hand to reproduce precisely what is seen
and not what may be known to exist from a general
knowledge of the subject or from any preconceived ideas
of whatever kind. This method is carried to the smallest
details with the intention of compelling the student to
rely entirely on the natural form which is before him.

MECHANICAL AND ARCHITECTUKAL DRAWING.

Classes in these subjects are only held at night.
Owing to the variety of knowledge and ability possessed
by the student, the instruction is largely individual.

Mechanical Drawing includes the following branches : —

I. Plane Geometrical Drawing, Orthographic Pro-
jection, Intersection of Solids and Develop-
ment of Surfaces.
II. Drawing of Machine Details from measurement.

III. The making of Assembled Drawings.

IV. Tracing.

The purpose of the instruction is to teach students
how to make practical working drawings, and to read
them with ease.

In the Architectural Drawing Class beginners are
taught how to use their instruments, and to make neat
and accurate line drawings. Instruction is given in the
preparation of plans, elevations and working drawings
for various kinds of buildings. Advanced students are



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SCHOOL OF FINE ARTS. 93

taught Perspective Drawing, and the drawing of orna-
mental forms for decorative purposes.

MODELING.

The work of modeling in the day class of the school is
intended principally to supplement the work in drawing
and painting, for the purpose of giving students a more
detailed knowledge of the form and structure of the
models which they have studied in their work in drawing.
In the night class the work is quite ditferent. Most of
the students are artisans who desire to acquire a knowl-
edge of modeling for specific purposes, principally for
use in exterior decoration and in architectural work. On
account of this ditference the work in the day class is of
a more general character, and intended more to cultivate
the mind, while that of the night class is necessarily
special in character, and intended more particularly to
give the hand skill in producing well-known forms.

LECTURES.

From time to time class and public lectures are given
on subjects pertaining to art history and on other allied
subjects, which it is thought may be for the benefit of the
students. These lectures are arranged, not only for the
purpose of instructing the student by the matter directly
presented, but to awaken a desire for information on a
variety of subjects, literary and historical as well as
artistic, and to suggest a proper course of reading for
the prosecution of any line of study which individual
taste may prefer. Some are purely technical and deal



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94 VTASHINGTON DNIVERSITT.

with the various methods employed at different periods
while others are ioformal and conversatioDal. All are
intended to give the student the latest and best informa-
tion on the subjects treated, and wherever possible are
illustrated either by models and objects or stereopticon
views.

All lectures are given by specialists ; the general sub-
jects treated are history, literature, philosophy, anatomy,
perspective, decorative design.

During the year 1895-96, the following lectures were
given : —

January 31.

Historical Development of Swedish Art — C. F.
von Saltza.

February 18.

Tendencies in Art — Prof. H. C. Ives.

February 22.

Tendencies in Modern Art — T. C. Steele.

April 21.

Russia's Literary and Intellectual Development —
Prince S. Wolkonsky.

April 22.

Russia's Literary and Intellectual Development —
Prince S. Wolkonsky.
April 23.

Russia's Literary and Intellectual Development —

Prince S. Wolkonsky.
Twelve Lectures on Perspective — Mr. Holmes
Smith.



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SCHOOL OF FINE ARTS. 95



COLLECTIONS.



The Museum of the school contains a carefully selected
collection of about five hundred casts from antique and
mediaeval sculpture, and several marbles and works in
bronze ; also collections of examples of art work in por-
celain, glass, metal and wood (originals and reproduc-
tions), and of fictile ivories and laces.

The Picture Galleries contain a collection of paintings,
rare engravings and etchings. Examples are added,
when possible, with a view to affording the student the
best possible opportunity for pursuing the study of art
history by such subjects.

Students are free to visit the galleries of the Museum
at all times when open. Every possible advantage will
be afforded them for work.

The collections for the use of students comprise:
Several hundred autotype reproductions, from sketches,
studies and paintings by celebrated masters from the
fifteenth century to the present time; a set of carbon
prints (numbering 1,041) illustrating the historical devel-
opment of art made from various collections of the British
Museum. The latter is divided into six parts : I. Pre-
historic and Ethnographical Series ; II. Egyptian Series ;
III. Assyrian Series; IV. Grecian Series; V. Etruscan
and Roman Series ; VI. Mediaeval Series.

A Reference Library is being formed for the use of
students. More than five hundred volumes have already
been purchased or given for this purpose.



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i)fi WASHIHaTON UN1VKR8ITY.

The reading room is open daily from 9 a. m. to 5
o'clock p. ra. and on such cveniugs of the week as the
work of the school may demand. The current art pub-
lications and monthly publications of current literature
are on file.

It is the intention of the authorities of the school to add
books of reference as rapidly as possible to those already
acquired.

The Awards in the School of Fine Arts for the year
1895-96 were as follows : —

Miss Hattle Clark, having taken the Prize in the Modeling Class
(life) and Mr. George C. Aid, haying taken the Prize In the Sketch Class
(in black and white), do not compete for these prizes this year.

1. For the most satisfactory progress in all classes,

The Way man Crow Medal \ . . Miss Bbbtha Huntbb.

2. For the best work in Life Classes (In color) from node and draped

models.

Gold Medal Richard £. Milleb.

3. For the best work In the Modeling Class (from life),

Silver Medal Miss Estellb Rum bold.

4. For best work In Modeling Class (from the Antique),

Bronze Medal Miss Florbncx Shabman.

5. For best work in Life Class (in black and white),

Bronze Medal Aliss Cora Timkeii.

For excellent work in Life Class (in black and .vhlte),

Honorable Mention Robert A. Kissack.

6. For second best work in the Head Class (in color),

Bronze Medal Miss Clara Weisman.

For excellent work in the Head Class (In color).

Honorable Mention Robert A. Kissack.

7. For best work in the Head Class (in black and white).

Honorable Mention Gboroe A. Harkbr.

8. For best work in Saturday Sketch Chis^ (in black and white),

Book Prize J. Oliver Spdrr.



CJla



For excellent work in Saturday Sketch dlass (in black and white),

Honorable Mention \ GEORGE A. HarkER and

Honorable Mention j ^^^^ ^^^^ ^^^ Starkloff.

9. For the best work in the Antique Class,

Silver Medal Miss Eitlareb Dix.



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SCHOOL OF FINE ARTS. 97

10. For second best work in the Antique Class,

Bronie Medal Miss Irma von Starkloff.

For excellent work in the Antique Glass,

Honorable Mention J. Oliver Spurr.

11. For the bedt work in the Still Life Class,

Silver Medal Miss Eleanor Lipfincott

12. For the second best work In the Still Life Class,

Bronze Medal Miss Laura Mbnnb.

For excellent work in the Still Life Class,

Honorable Mention Miss Lucy Matthbws.

IS. For the best work done in the Architectural Class,

Bronze Medal M. H. Fburbrinobr.



THE ST. LOUIS MUSEUM OF FINE ARTS.

The Museum of Fine Arts has a valuable permanent
collection of statuary, paintings, pottery, carvings, etc.,
which affords the public, as well as students, an indis-
pensable aid to the study of art. And in order that
opportunity may be given for studying the methods of the
different schools of painting and the works of celebrated
artists, arrangements have been made for a series of fine
exhibitions of oil and water color paintings, architectural
drawings and engravings.

Any one desiring to become a member of the Museum
of Fine Arts may do so by the annual payment of $10.00.
This membership entitles him, with his family and non-
resident guests, to the privilege of visiting the Museum
at all times when open to the public, and to all lectures,
receptions, and special exhibitions given under the
auspices of the Board of Control.



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98 WASHINGTON UNIVERSITY.



SCHOOL OF FINE ARTS.



Students enrolled from date of issue of last catalogue,
February U, 189C, to February 1, 1897.

FULL TIME STUDENTS.
NAMB. BB8IDENCB.

Adrian, James Weaver 3226 Lucas av.

Aid, Geo. Chas 1715 Carroll st.

Armstrong, Minnie W Edina^ Mo.

Bancroft, Luella H Lindell Hotel.

Beach, Alice Mary 4464 Labadie av .

Boswell, Georgette L 4117 McPherson av.

Bosworth, Frank Edward 753 Aubert av.

Bottom. Julia Maude Sparta, 111.

Boyer, Evellu Eastou, Mo.

Bruno, Frida 680 i Minnesota av.

Chopia, Lelia 8317 Morgan st.

Cunningham, Alice Springfield, Mo.

Cushman, Guy . . 603 Garrison av.

Dale, Rhetta Verseilles, Mo.

Dewey, Maud 3009 Pine st.

Dilks, Morton 1819 Franklin av.

Dix, Eulabee 3117 Washington av.

Duttlinger, Gertrud 4223 Castleman av.

Eichholz, Fredk. Aujrust 3311 N. 19th st.

Evans, Lela 2932 Lucas av.

Federer, Chas. Alfred 908 Russell av.

Filley, Louise 4416 Lindell av.

Fitch, Evelyn . . . • 4933 Reber pi.

Franklin, Ethel Chandler Kirkwood, Mo.

Goodrich, Ella H 3<;r»3 Blain av.



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SCHOOL OP PINE ARTS. 99

NAME. RE8TDBNCB.

Gordon, Elizabeth 3913 VVestmiuster pi.

Gross, Emllle Mary Webster Groves, Mo.

Graner, Louis Fred 10 Nicholson pi.

Barker, Geo. Albert 2940 Laclede av.

Hazard, Grace Klrkwood, Mo.

Hirst, Sae Gertrude 2223 S. Jefferson av.

Hunter, Bertha Edna 3663 Blain av.

James, Ray Fitz 1426 Lucas pi.

Jameson, Marie Louise 5 Benton pi.

Johns, Chas. Fred 3958 Cook av.

Jones, Charlotte Thorn tou Kirk wood, Mo.

Jones, Isabel Claire 3843 Olive st.

Eissack, Robert Ashton 3023 Chestnut st.

Euhn, Estella 1110 N. 19th st.

Learned, Harlet P 10 Benton pi.

Lionberger, John Robert Boonville, 111.

Lippincott, Eleanor Edward:* .... Webster Groves, Mo.

Lowell, James H., Jr 2929 Washington av.

Luyties, Gerda Edna 2100 Lafayette av.

Malin, Belle Augusta 3634 Russell av.

Massey, Grace 3513 Morgan st.

Matthews, Lucy 5447 Cabanne pi.

Mattick, Malcolm Otto 1819 Lafayette av.

McGaugby, May Pine Bluff, Ark.

Menne, Laura Estelle 4387 West Pine st.

Meston, Nan van R 4051 Olive st.

Metcalfe, Alice Walker Webster Groves, Mo.

Murphy, Martha Alice Forest Pk. University.

Pattison, Alice M. G 4254 Olive st.

Pfeifer, Clara M 2917 Henrietta st.

Provenchere, Genevieve 4472 Maryland av.

Remmers, Louis John 3049 Sheridan av.

^ ^ f 1117 Chem vert,

Rue, Tom J ,- ^ «,

' \ Houston, Tex.

Scales, Nancy Logan 1443 Dodier st.

Schaper, Elfrida 2726 Dayton st.



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100 WASHINGTON UNIVERSITY..

NAME. RESIDENCE.

Schroeder, Walter Rolland 3101 Rauschenbach av.

Scroggs, Helen Elizabeth Marr . . . Lenox, la.

Shank, Lotta Wichita, Kan.

Sharman, Florence 2124 S. Compton av.

Siboni, Emma 2149 S. Jefferson av.

Souther, Mary Lizzie 4329 West Belle pi.

Spencer, Anna 2725 Washington av.

Spurr, J. Oliver . ^ 2130 John av.

Starkloff, Irma Louise vou 3148 Longfellow boul.

Stephens, Lula Pearl Macon, Mo.

Stix, Alma 3135 Washington av.

Stoecker, Martha J 1319 Lami st.

Sullivan, Ella Mary 3228 Pine st.

Tapp, Fanny Louisville, Ky.

Timken, Cora 2933 Eads av.

Walsh, Joseph Paul 4362 Cook av.

Warren, Madge 3512 Washington av.

White, Edna Jefferson Barracks.

Wiesraan, Clara Effingham, 111.

Wilson, Lena Columbia, Mo.

Students working full time ... 80
Students workiug part time ... 72
Students working in Night Classes 122

Total number enrolled . . . 274



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ST. LOUIS LAW SCHOOL.

(law department of WASHINGTON UNIVERSITY.)



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CALENDAR 1896-97.



Law School opens Thursday, September 24th, 1896.
Holiday, Thanksgiving Day, Thursday, November 26th, 1896.
Vacation, December 24th, 1896, to.Janaary 4, 1897, inclusive.

Holiday, Washington's Birthday, Monday, February 22,

1897.

University Holiday, Friday, May 14, 1897.

CoMMENCBMBNT, Thursday evening, June 17, 1897.

Vacation, from June 17 to Thursday, September 23, 1897.

Examinations for Entrance to Senior Class, Tuesday,
September 21, 1897.

Law School opens Thursday, September 23, 1897.

Holiday, Thanksgiving Day, Thursday, November 26, 1898.

Vacation, from December 24, 1897, to January 2, 1898, in-
clusive.



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LAW SCHOOL.



FACULTY.



WINFIBLD S. CHAPLIN, LL.D.,
Chancellor of Washington Uniybrsity.

WILLIAM S. CURTIS, LL.B.,
Dean of the Law Faculty.

ROBERT £. ROMBAUER (Presiding Justice St. Louis

Court of Appeals),

Professor, Real Property Law and Equity.

AMOS M. THAYER, LL.D. (Judge of U. S. Circuit Court

of Appeals),

Professor^ Law of Contracts and Commercial Law.

QUSTAVUS A. FINKBLNBURG, A. B.,
Lecturer, Constitutional Limitations.

CHAS. P. JOHNSON, A. M.,
Lecturer, Criminal Law.

FREDERICK N. JUDSON, LL.D.,
Lecturer, Constitutional Law.



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104 WASHINGTON VNIVERSITT.

CHAS. NAGEL, LL.B.,
Lecturer, Corporations.

JAMES O. BROADHEAD, LL.D.,
Lbcturkr, International Law.

EDWARD C. ELIOT, LL.B.,
Lecturer, Sales and Bailments.

F. A. WISLIZENUS, LL.B.,
Lecturer, Administration.

L H. LIONBERGER, A. M.,
Lecturer, Statute of Limitations and Statute of Frauds.

PAUL F. COSTE, LL.B.,
Lecturer, Agency.

PENDLETON TAYLOR BRYAN, LL.B.,
Lecturer, Torts and Negligence.

JACOB KLEIN, LL.B. (Judge of St. Louis Circuit Court),
Lecturer, Advanced Class.

LEE SALE, LL.B.,
Lecturer, Partnership.

C. 0. BISHOP, LL.B.,
Lecturer, Criminal Law.

EDWARD S. ROBERT, LL.B.,
Lrcturkr, Evidence.

EDWARD P. PERRY,
Instructor in Elocution.



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ADVISORY AND EXAMINING BOARD.



DAVID J. BREWER, Justice of U. S. Supreme Court.
SAMUEL TREAT, LL.D., U. S. District Judge (retired).
8HEPARD BARCLAY, Justice of the Supreme Court of Mis-
souri.

WARWICK HOUGH, late Justice of tlie Supreme Court of
Missouri.

SEYMOUR D. THOMPSON, late Judge of St. Louis Court of

Appeals.
WILLIAM H. BIGGS, Judge of St. Louis Court of Appeals.
HENRY W. BOND, *' ^* ** *' "

R. A. BAKEWELL, late Judge of St. Louis Court of Appeals.
DANIEL DILLON, Judge of St. Louis Circuit Court.
LBROY B. VALLIANT, Judge of St. Louis Circuit Court.
JACOB KLEIN, " <* " ** "

JAMES E. WITHROW, ^* '

DANIEL D. FISHER, *^

J. GABRIEL WOERNER, late Judge of St. Louis Probate Court.

ELMER B. ADAMS, Judge of U. S. District Court.

WILBUR F. BOYLE, late Judge of St. Louis Circuit Court.

GEORGE W. LUBKE, •» " " '< " *'

JAMES A. SEDDON, *• '« «' «'

JOHN W. NOBLE, Ex-Secretary of the Interior.

HENRY S. PRIEST, late U. S. District Judge.



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106 WASHINGTON UNIVERSITY.

EDWARD C. KEHR, TRUMAN A. POST,

ARBA N. CRANE, HUGO MUENCH,

JAMES TAUSSIG, ELENEIOUS SMITH,

JOHN W. DRYDEN, JAMES P. DAWSON,
EDWARD CUNNINGHAM, Jr., DAVID GOLDSMITH,

GEORGE H. SHIELDS, JOHN A. HARRISON,

JOHN P. ELLIS, CHARLES S. TAUSSIG,
CHARLES CLAFLIN ALLEN, GARLAND POLLARD,

JOHN M. HOLMES, WELLS H. BLODGETT,

HENRY A. KENT, E. T. ALLEN.

JAMES P. MAGINN, JOHN F. LEE,

LEVERETT BELL, HORATIO D. WOOD,

EDWARD T. FARISH, JOHN D. DAVIS,

EVERETT W. PATTISON, JAMES L. BLAIR,

JOHN E. McKEIGHAN, WILLIAM B. HOMER,



Online LibraryMo.) Washington University (Saint LouisA catalogue of the officers and students of Washington University, for the academic year .. → online text (page 18 of 70)