immense engine, running without mules, with the voice of a bull
and the smell of a smoky lamp, whizzed past, grazing his knee. A
cab-driver bumped him with a hub and explained to him that kind words
were invented to be used on other occasions. A motorman clanged his
bell wildly and, for once in his life, corroborated a cab-driver. A
large lady in a changeable silk waist dug an elbow into his back, and
a newsy pensively pelted him with banana rinds, murmuring, "I hates
to do it - but if anybody seen me let it pass!"
Cal Harkness, his day's work over and his express wagon stabled,
turned the sharp edge of the building that, by the cheek of
architects, is modelled upon a safety razor. Out of the mass of
hurrying people his eye picked up, three yards away, the surviving
bloody and implacable foe of his kith and kin.
He stopped short and wavered for a moment, being unarmed and sharply
surprised. But the keen mountaineer's eye of Sam Folwell had picked
him out.
There was a sudden spring, a ripple in the stream of passers-by and
the sound of Sam's voice crying:
"Howdy, Cal! I'm durned glad to see ye."
And in the angles of Broadway, Fifth Avenue and Twenty-third Street
the Cumberland feudists shook hands.
XV
ROSES, RUSES AND ROMANCE
Ravenel - Ravenel, the traveller, artist and poet, threw his magazine
to the floor. Sammy Brown, broker's clerk, who sat by the window,
jumped.
"What is it, Ravvy?" he asked. "The critics been hammering your stock
down?"
"Romance is dead," said Ravenel, lightly. When Ravenel spoke lightly
he was generally serious. He picked up the magazine and fluttered its
leaves.
"Even a Philistine, like you, Sammy," said Ravenel, seriously (a tone
that insured him to be speaking lightly), "ought to understand. Now,
here is a magazine that once printed Poe and Lowell and Whitman and
Bret Harte and Du Maurier and Lanier and - well, that gives you the
idea. The current number has this literary feast to set before you:
an article on the stokers and coal bunkers of battleships, an exposé
of the methods employed in making liverwurst, a continued story of a
Standard Preferred International Baking Powder deal in Wall Street,
a 'poem' on the bear that the President missed, another 'story' by
a young woman who spent a week as a spy making overalls on the East
Side, another 'fiction' story that reeks of the 'garage' and a
certain make of automobile. Of course, the title contains the words
'Cupid' and 'Chauffeur' - an article on naval strategy, illustrated
with cuts of the Spanish Armada, and the new Staten Island
ferry-boats; another story of a political boss who won the love of
a Fifth Avenue belle by blackening her eye and refusing to vote
for an iniquitous ordinance (it doesn't say whether it was in the
Street-Cleaning Department or Congress), and nineteen pages by the
editors bragging about the circulation. The whole thing, Sammy, is an
obituary on Romance."
Sammy Brown sat comfortably in the leather armchair by the open
window. His suit was a vehement brown with visible checks,
beautifully matched in shade by the ends of four cigars that his vest
pocket poorly concealed. Light tan were his shoes, gray his socks,
sky-blue his apparent linen, snowy and high and adamantine his
collar, against which a black butterfly had alighted and spread his
wings. Sammy's face - least important - was round and pleasant and
pinkish, and in his eyes you saw no haven for fleeing Romance.
That window of Ravenel's apartment opened upon an old garden full of
ancient trees and shrubbery. The apartment-house towered above one
side of it; a high brick wall fended it from the street; opposite
Ravenel's window an old, old mansion stood, half-hidden in the shade
of the summer foliage. The house was a castle besieged. The city
howled and roared and shrieked and beat upon its double doors, and
shook white, fluttering checks above the wall, offering terms of
surrender. The gray dust settled upon the trees; the siege was
pressed hotter, but the drawbridge was not lowered. No further will
the language of chivalry serve. Inside lived an old gentleman who
loved his home and did not wish to sell it. That is all the romance
of the besieged castle.
Three or four times every week came Sammy Brown to Ravenel's
apartment. He belonged to the poet's club, for the former Browns had
been conspicuous, though Sammy had been vulgarized by Business. He
had no tears for departed Romance. The song of the ticker was the
one that reached his heart, and when it came to matters equine and
batting scores he was something of a pink edition. He loved to sit
in the leather armchair by Ravenel's window. And Ravenel didn't mind
particularly. Sammy seemed to enjoy his talk; and then the broker's
clerk was such a perfect embodiment of modernity and the day's sordid
practicality that Ravenel rather liked to use him as a scapegoat.
"I'll tell you what's the matter with you," said Sammy, with the
shrewdness that business had taught him. "The magazine has turned
down some of your poetry stunts. That's why you are sore at it."
"That would be a good guess in Wall Street or in a campaign for the
presidency of a woman's club," said Ravenel, quietly. "Now, there
is a poem - if you will allow me to call it that - of my own in this
number of the magazine."
"Read it to me," said Sammy, watching a cloud of pipe-smoke he had
just blown out the window.
Ravenel was no greater than Achilles. No one is. There is bound to be
a spot. The Somebody-or-Other must take hold of us somewhere when she
dips us in the Something-or-Other that makes us invulnerable. He read
aloud this verse in the magazine:
THE FOUR ROSES
"One rose I twined within your hair -
(White rose, that spake of worth);
And one you placed upon your breast -
(Red rose, love's seal of birth).
You plucked another from its stem -
(Tea rose, that means for aye);
And one you gave - that bore for me
The thorns of memory."
"That's a crackerjack," said Sammy, admiringly.
"There are five more verses," said Ravenel, patiently sardonic. "One
naturally pauses at the end of each. Of course - "
"Oh, let's have the rest, old man," shouted Sammy, contritely, "I
didn't mean to cut you off. I'm not much of a poetry expert, you
know. I never saw a poem that didn't look like it ought to have
terminal facilities at the end of every verse. Reel off the rest of
it."
Ravenel sighed, and laid the magazine down. "All right," said Sammy,
cheerfully, "we'll have it next time. I'll be off now. Got a date at
five o'clock."
He took a last look at the shaded green garden and left, whistling in
an off key an untuneful air from a roofless farce comedy.
The next afternoon Ravenel, while polishing a ragged line of a new
sonnet, reclined by the window overlooking the besieged garden of
the unmercenary baron. Suddenly he sat up, spilling two rhymes and a
syllable or two.
Through the trees one window of the old mansion could be seen
clearly. In its window, draped in flowing white, leaned the angel of
all his dreams of romance and poesy. Young, fresh as a drop of dew,
graceful as a spray of clematis, conferring upon the garden hemmed
in by the roaring traffic the air of a princess's bower, beautiful
as any flower sung by poet - thus Ravenel saw her for the first time.
She lingered for a while, and then disappeared within, leaving a
few notes of a birdlike ripple of song to reach his entranced ears
through the rattle of cabs and the snarling of the electric cars.
Thus, as if to challenge the poet's flaunt at romance and to punish
him for his recreancy to the undying spirit of youth and beauty, this
vision had dawned upon him with a thrilling and accusive power. And
so metabolic was the power that in an instant the atoms of Ravenel's
entire world were redistributed. The laden drays that passed the
house in which she lived rumbled a deep double-bass to the tune of
love. The newsboys' shouts were the notes of singing birds; that
garden was the pleasance of the Capulets; the janitor was an ogre;
himself a knight, ready with sword, lance or lute.
Thus does romance show herself amid forests of brick and stone when
she gets lost in the city, and there has to be sent out a general
alarm to find her again.
At four in the afternoon Ravenel looked out across the garden. In
the window of his hopes were set four small vases, each containing a
great, full-blown rose - red and white. And, as he gazed, she leaned
above them, shaming them with her loveliness and seeming to direct
her eyes pensively toward his own window. And then, as though she had
caught his respectful but ardent regard, she melted away, leaving the
fragrant emblems on the window-sill.
Yes, emblems! - he would be unworthy if he had not understood. She had
read his poem, "The Four Roses"; it had reached her heart; and this
was its romantic answer. Of course she must know that Ravenel, the
poet, lived there across her garden. His picture, too, she must have
seen in the magazines. The delicate, tender, modest, flattering
message could not be ignored.
Ravenel noticed beside the roses a small flowering-pot containing a
plant. Without shame he brought his opera-glasses and employed them
from the cover of his window-curtain. A nutmeg geranium!
With the true poetic instinct he dragged a book of useless
information from his shelves, and tore open the leaves at "The
Language of Flowers."
"Geranium, Nutmeg - I expect a meeting."
So! Romance never does things by halves. If she comes back to you she
brings gifts and her knitting, and will sit in your chimney-corner if
you will let her.
And now Ravenel smiled. The lover smiles when he thinks he has won.
The woman who loves ceases to smile with victory. He ends a battle;
she begins hers. What a pretty idea to set the four roses in her
window for him to see! She must have a sweet, poetic soul. And now to
contrive the meeting.
A whistling and slamming of doors preluded the coming of Sammy Brown.
Ravenel smiled again. Even Sammy Brown was shone upon by the
far-flung rays of the renaissance. Sammy, with his ultra clothes, his
horseshoe pin, his plump face, his trite slang, his uncomprehending
admiration of Ravenel - the broker's clerk made an excellent foil to
the new, bright unseen visitor to the poet's sombre apartment.
Sammy went to his old seat by the window, and looked out over the
dusty green foliage in the garden. Then he looked at his watch, and
rose hastily.
"By grabs!" he exclaimed. "Twenty after four! I can't stay, old man;
I've got a date at 4:30."
"Why did you come, then?" asked Ravenel, with sarcastic jocularity,
"if you had an engagement at that time. I thought you business men
kept better account of your minutes and seconds than that."
Sammy hesitated in the doorway and turned pinker.
"Fact is, Ravvy," he explained, as to a customer whose margin is
exhausted, "I didn't know I had it till I came. I'll tell you, old
man - there's a dandy girl in that old house next door that I'm dead
gone on. I put it straight - we're engaged. The old man says 'nit' but
that don't go. He keeps her pretty close. I can see Edith's window
from yours here. She gives me a tip when she's going shopping, and I
meet her. It's 4:30 to-day. Maybe I ought to have explained sooner,
but I know it's all right with you - so long."
"How do you get your 'tip,' as you call it?" asked Ravenel, losing a
little spontaneity from his smile.
"Roses," said Sammy, briefly. "Four of 'em to-day. Means four o'clock
at the corner of Broadway and Twenty-third."
"But the geranium?" persisted Ravenel, clutching at the end of flying
Romance's trailing robe.
"Means half-past," shouted Sammy from the hall. "See you
to-morrow."
XVI
THE CITY OF DREADFUL NIGHT
"During the recent warmed-over spell," said my friend Carney, driver
of express wagon No. 8,606, "a good many opportunities was had of
observing human nature through peekaboo waists.
"The Park Commissioner and the Commissioner of Polis and the Forestry
Commission gets together and agrees to let the people sleep in the
parks until the Weather Bureau gets the thermometer down again to
a living basis. So they draws up open-air resolutions and has them
O.K.'d by the Secretary of Agriculture, Mr. Comstock and the Village
Improvement Mosquito Exterminating Society of South Orange, N. J.
"When the proclamation was made opening up to the people by special
grant the public parks that belong to 'em, there was a general exodus
into Central Park by the communities existing along its borders.
In ten minutes after sundown you'd have thought that there was an
undress rehearsal of a potato famine in Ireland and a Kishineff
massacre. They come by families, gangs, clambake societies, clans,
clubs and tribes from all sides to enjoy a cool sleep on the grass.
Them that didn't have oil stoves brought along plenty of blankets,
so as not to be upset with the cold and discomforts of sleeping
outdoors. By building fires of the shade trees and huddling together
in the bridle paths, and burrowing under the grass where the ground
was soft enough, the likes of 5,000 head of people successfully
battled against the night air in Central Park alone.
"Ye know I live in the elegant furnished apartment house called the
Beersheba Flats, over against the elevated portion of the New York
Central Railroad.
"When the order come to the flats that all hands must turn out and
sleep in the park, according to the instructions of the consulting
committee of the City Club and the Murphy Draying, Returfing and
Sodding Company, there was a look of a couple of fires and an
eviction all over the place.
"The tenants began to pack up feather beds, rubber boots, strings of
garlic, hot-water bags, portable canoes and scuttles of coal to take
along for the sake of comfort. The sidewalk looked like a Russian
camp in Oyama's line of march. There was wailing and lamenting up
and down stairs from Danny Geoghegan's flat on the top floor to the
apartments of Missis Goldsteinupski on the first.
"'For why,' says Danny, coming down and raging in his blue yarn socks
to the janitor, 'should I be turned out of me comfortable apartments
to lay in the dirty grass like a rabbit? 'Tis like Jerome to stir up
trouble wid small matters like this instead of - '
"'Whist!' says Officer Reagan on the sidewalk, rapping with his club.
''Tis not Jerome. 'Tis by order of the Polis Commissioner. Turn out
every one of yez and hike yerselves to the park.'
"Now, 'twas a peaceful and happy home that all of us had in them same
Beersheba Flats. The O'Dowds and the Steinowitzes and the Callahans
and the Cohens and the Spizzinellis and the McManuses and the
Spiegelmayers and the Joneses - all nations of us, we lived like one
big family together. And when the hot nights come along we kept a
line of children reaching from the front door to Kelly's on the
corner passing along the cans of beer from one to another without the
trouble of running after it. And with no more clothing on than is
provided for in the statutes, sitting in all the windies, with a
cool growler in every one, and your feet out in the air, and the
Rosenstein girls singing on the fire-escape of the sixth floor, and
Patsy Rourke's flute going in the eighth, and the ladies calling each
other synonyms out the windie, and now and then a breeze sailing in
over Mister Depew's Central - I tell you the Beersheba Flats was a
summer resort that made the Catskills look like a hole in the ground.
With his person full of beer and his feet out the windy and his old
woman frying pork chops over a charcoal furnace and the childher
dancing in cotton slips on the sidewalk around the organ-grinder and
the rent paid for a week - what does a man want better on a hot night
than that? And then comes this ruling of the polis driving people out
o' their comfortable homes to sleep in parks - 'twas for all the world
like a ukase of them Russians - 'twill be heard from again at next
election time.
"Well, then, Officer Reagan drives the whole lot of us to the park
and turns us in by the nearest gate. 'Tis dark under the trees, and
all the children sets up to howling that they want to go home.
"'Ye'll pass the night in this stretch of woods and scenery,' says
Officer Reagan. ''Twill be fine and imprisonment for insoolting the
Park Commissioner and the Chief of the Weather Bureau if ye refuse.
I'm in charge of thirty acres between here and the Agyptian Monument,
and I advise ye to give no trouble. 'Tis sleeping on the grass yez
all have been condemned to by the authorities. Yez'll be permitted
to leave in the morning, but ye must retoorn be night. Me orders was
silent on the subject of bail, but I'll find out if 'tis required and
there'll be bondsmen at the gate.'
"There being no lights except along the automobile drives, us 179
tenants of the Beersheba Flats prepared to spend the night as best we
could in the raging forest. Them that brought blankets and kindling
wood was best off. They got fires started and wrapped the blankets
round their heads and laid down, cursing, in the grass. There was
nothing to see, nothing to drink, nothing to do. In the dark we had
no way of telling friend or foe except by feeling the noses of 'em. I
brought along me last winter overcoat, me tooth-brush, some quinine
pills and the red quilt off the bed in me flat. Three times during
the night somebody rolled on me quilt and stuck his knees against the
Adam's apple of me. And three times I judged his character by running
me hand over his face, and three times I rose up and kicked the
intruder down the hill to the gravelly walk below. And then some one
with a flavour of Kelly's whiskey snuggled up to me, and I found
his nose turned up the right way, and I says: 'Is that you, then,
Patsey?' and he says, 'It is, Carney. How long do you think it'll
last?'
"'I'm no weather-prophet,' says I, 'but if they bring out a strong
anti-Tammany ticket next fall it ought to get us home in time to
sleep on a bed once or twice before they line us up at the polls.'
"'A-playing of my flute into the airshaft, says Patsey Rourke, 'and
a-perspiring in me own windy to the joyful noise of the passing
trains and the smell of liver and onions and a-reading of the latest
murder in the smoke of the cooking is well enough for me,' says he.
'What is this herding us in grass for, not to mention the crawling
things with legs that walk up the trousers of us, and the Jersey
snipes that peck at us, masquerading under the name and denomination
of mosquitoes. What is it all for Carney, and the rint going on just
the same over at the flats?'
"''Tis the great annual Municipal Free Night Outing Lawn Party,' says
I, 'given by the polis, Hetty Green and the Drug Trust. During the
heated season they hold a week of it in the principal parks. 'Tis a
scheme to reach that portion of the people that's not worth taking up
to North Beach for a fish fry.'
"'I can't sleep on the ground,' says Patsey, 'wid any benefit. I
have the hay fever and the rheumatism, and me car is full of ants.'
"Well, the night goes on, and the ex-tenants of the Flats groans and
stumbles around in the dark, trying to find rest and recreation in
the forest. The children is screaming with the coldness, and the
janitor makes hot tea for 'em and keeps the fires going with the
signboards that point to the Tavern and the Casino. The tenants try
to lay down on the grass by families in the dark, but you're lucky if
you can sleep next to a man from the same floor or believing in the
same religion. Now and then a Murpby, accidental, rolls over on the
grass of a Rosenstein, or a Cohen tries to crawl under the O'Grady
bush, and then there's a feeling of noses and somebody is rolled down
the hill to the driveway and stays there. There is some hair-pulling
among the women folks, and everybody spanks the nearest howling kid
to him by the sense of feeling only, regardless of its parentage and
ownership. 'Tis hard to keep up the social distinctions in the dark
that flourish by daylight in the Beersheba Flats. Mrs. Rafferty, that
despises the asphalt that a Dago treads on, wakes up in the morning
with her feet in the bosom of Antonio Spizzinelli. And Mike O'Dowd,
that always threw peddlers downstairs as fast as he came upon 'em,
has to unwind old Isaacstein's whiskers from around his neck, and
wake up the whole gang at daylight. But here and there some few got
acquainted and overlooked the discomforts of the elements. There
was five engagements to be married announced at the flats the next
morning.
"About midnight I gets up and wrings the dew out of my hair, and goes
to the side of the driveway and sits down. At one side of the park I
could see the lights in the streets and houses; and I was thinking
how happy them folks was who could chase the duck and smoke their
pipes at their windows, and keep cool and pleasant like nature
intended for 'em to.
"Just then an automobile stops by me, and a fine-looking,
well-dressed man steps out.
"'Me man,' says he, 'can you tell me why all these people are lying
around on the grass in the park? I thought it was against the rules.'
"''Twas an ordinance,' says I, 'just passed by the Polis Department
and ratified by the Turf Cutters' Association, providing that all
persons not carrying a license number on their rear axles shall keep
in the public parks until further notice. Fortunately, the orders
comes this year during a spell of fine weather, and the mortality,
except on the borders of the lake and along the automobile drives,
will not be any greater than usual.'
"'Who are these people on the side of the hill?' asks the man.
"'Sure,' says I, 'none others than the tenants of the Beersheba
Flats - a fine home for any man, especially on hot nights. May
daylight come soon!'
"'They come here be night,' says he, 'and breathe in the pure air
and the fragrance of the flowers and trees. They do that,' says he,
'coming every night from the burning heat of dwellings of brick and
stone.'
"'And wood,' says I. 'And marble and plaster and iron.'
"'The matter will be attended to at once,' says the man, putting up
his book.
"'Are ye the Park Commissioner?' I asks.
"'I own the Beersheba Flats,' says he. 'God bless the grass and the
trees that give extra benefits to a man's tenants. The rents shall be
raised fifteen per cent. to-morrow. Good-night,' says he."
XVII
THE EASTER OF THE SOUL
It is hardly likely that a goddess may die. Then Eastre, the old
Saxon goddess of spring, must be laughing in her muslin sleeve at
people who believe that Easter, her namesake, exists only along
certain strips of Fifth Avenue pavement after church service.
Aye! It belongs to the world. The ptarmigan in Chilkoot Pass discards
his winter white feathers for brown; the Patagonian Beau Brummell
oils his chignon and clubs him another sweetheart to drag to his
skull-strewn flat. And down in Chrystie Street -
Mr. "Tiger" McQuirk arose with a feeling of disquiet that he did not
understand. With a practised foot he rolled three of his younger
brothers like logs out of his way as they lay sleeping on the floor.
Before a foot-square looking glass hung by the window he stood and
shaved himself. If that may seem to you a task too slight to be
thus impressively chronicled, I bear with you; you do not know of
the areas to be accomplished in traversing the cheek and chin of Mr.
McQuirk.
McQuirk, senior, had gone to work long before. The big son of the
house was idle. He was a marble-cutter, and the marble-cutters were
out on a strike.
"What ails ye?" asked his mother, looking at him curiously; "are ye
not feeling well the morning, maybe now?"
"He's thinking along of Annie Maria Doyle," impudently explained
younger brother Tim, ten years old.
"Tiger" reached over the hand of a champion and swept the small
McQuirk from his chair.
"I feel fine," said he, "beyond a touch of the
I-don't-know-what-you-call-its. I feel like there was going to be
earthquakes or music or a trifle of chills and fever or maybe a
picnic. I don't know how I feel. I feel like knocking the face off a
policeman, or else maybe like playing Coney Island straight across
the board from pop-corn to the elephant houdahs."
"It's the spring in yer bones," said Mrs. McQuirk. "It's the sap
risin'. Time was when I couldn't keep me feet still nor me head cool
when the earthworms began to crawl out in the dew of the mornin'.
'Tis a bit of tea will do ye good, made from pipsissewa and gentian
bark at the druggist's."
"Back up!" said Mr. McQuirk, impatiently. "There's no spring in
sight. There's snow yet on the shed in Donovan's backyard. And
yesterday they puts open cars on the Sixth Avenue lines, and the
janitors have quit ordering coal. And that means six weeks more of
winter, by all the signs that be."
After breakfast Mr. McQuirk spent fifteen minutes before the
corrugated mirror, subjugating his hair and arranging his
green-and-purple ascot with its amethyst tombstone pin - eloquent of
his chosen calling.
Since the strike had been called it was this particular striker's
habit to hie himself each morning to the corner saloon of Flaherty
Brothers, and there establish himself upon the sidewalk, with one
foot resting on the bootblack's stand, observing the panorama of the
street until the pace of time brought twelve o'clock and the dinner
hour. And Mr. "Tiger" McQuirk, with his athletic seventy inches,
well trained in sport and battle; his smooth, pale, solid, amiable
face - blue where the razor had travelled; his carefully considered
clothes and air of capability, was himself a spectacle not
displeasing to the eye.
But on this morning Mr. McQuirk did not hasten immediately to his
post of leisure and observation. Something unusual that he could
not quite grasp was in the air. Something disturbed his thoughts,
ruffled his senses, made him at once languid, irritable, elated,
dissastisfied and sportive. He was no diagnostician, and he did not
know that Lent was breaking up physiologically in his system.
Mrs. McQuirk had spoken of spring. Sceptically Tiger looked about him
for signs. Few they were. The organ-grinders were at work; but they
were always precocious harbingers. It was near enough spring for them
to go penny-hunting when the skating ball dropped at the park. In the
milliners' windows Easter hats, grave, gay and jubilant, blossomed.
There were green patches among the sidewalk debris of the grocers. On
a third-story window-sill the first elbow cushion of the season - old
gold stripes on a crimson ground - supported the kimonoed arms of a
pensive brunette. The wind blew cold from the East River, but the
sparrows were flying to the eaves with straws. A second-hand store,
combining foresight with faith, had set out an ice-chest and baseball
goods.
And then "Tiger's" eye, discrediting these signs, fell upon one that
bore a bud of promise. From a bright, new lithograph the head of
Capricornus confronted him, betokening the forward and heady brew.
Mr. McQuirk entered the saloon and called for his glass of bock. He
threw his nickel on the bar, raised the glass, set it down without
tasting it and strolled toward the door.
"Wot's the matter, Lord Bolinbroke?" inquired the sarcastic
bartender; "want a chiny vase or a gold-lined épergne to drink it out
of - hey?"
"Say," said Mr. McQuirk, wheeling and shooting out a horizontal hand
and a forty-five-degree chin, "you know your place only when it comes
for givin' titles. I've changed me mind about drinkin - see? You got
your money, ain't you? Wait till you get stung before you get the
droop to your lip, will you?"
Thus Mr. Quirk added mutability of desires to the strange humors that
had taken possession of him.
Leaving the saloon, he walked away twenty steps and leaned in the
open doorway of Lutz, the barber. He and Lutz were friends, masking
their sentiments behind abuse and bludgeons of repartee.
"Irish loafer," roared Lutz, "how do you do? So, not yet haf der
bolicemans or der catcher of dogs done deir duty!"
"Hello, Dutch," said Mr. McQuirk. "Can't get your mind off of
frankfurters, can you?"
"Bah!" exclaimed the German, coming and leaning in the door. "I haf
a soul above frankfurters to-day. Dere is springtime in der air. I
can feel it coming in ofer der mud of der streets and das ice in der
river. Soon will dere be bicnics in der islands, mit kegs of beer
under der trees."
"Say," said Mr. McQuirk, setting his hat on one side, "is everybody
kiddin' me about gentle Spring? There ain't any more spring in the
air than there is in a horsehair sofa in a Second Avenue furnished
room. For me the winter underwear yet and the buckwheat cakes."
"You haf no boetry," said Lutz. "True, it is yedt cold, und in der
city we haf not many of der signs; but dere are dree kinds of beoble
dot should always feel der approach of spring first - dey are boets,
lovers and poor vidows."
Mr. McQuirk went on his way, still possessed by the strange
perturbation that he did not understand. Something was lacking to his
comfort, and it made him half angry because he did not know what it
was.
Two blocks away he came upon a foe, one Conover, whom he was bound in
honor to engage in combat.
Mr. McQuirk made the attack with the characteristic suddenness
and fierceness that had gained for him the endearing sobriquet of
"Tiger." The defence of Mr. Conover was so prompt and admirable that
the conflict was protracted until the onlookers unselfishly gave the
warning cry of "Cheese it - the cop!" The principals escaped easily
by running through the nearest open doors into the communicating
backyards at the rear of the houses.
Mr. McQuirk emerged into another street. He stood by a lamp-post
for a few minutes engaged in thought and then he turned and plunged
into a small notion and news shop. A red-haired young woman, eating
gum-drops, came and looked freezingly at him across the ice-bound
steppes of the counter.
"Say, lady," he said, "have you got a song book with this in it.
Let's see how it leads off -
"'When the springtime comes we'll wander in the dale, love,
And whisper of those days of yore - '
"I'm having a friend," explained Mr. McQuirk, "laid up with a broken
leg, and he sent me after it. He's a devil for songs and poetry when
he can't get out to drink."
"We have not," replied the young woman, with unconcealed contempt.
"But there is a new song out that begins this way:
"'Let us sit together in the old arm-chair;
And while the firelight flickers we'll be comfortable there.'"
There will be no profit in following Mr. "Tiger" McQuirk through his
further vagaries of that day until he comes to stand knocking at the
door of Annie Maria Doyle. The goddess Eastre, it seems, had guided
his footsteps aright at last.
"Is that you now, Jimmy McQuirk?" she cried, smiling through the
opened door (Annie Maria had never accepted the "Tiger"). "Well,
whatever!"
"Come out in the hall," said Mr. McQuirk. "I want to ask yer opinion
of the weather - on the level."
"Are you crazy, sure?" said Annie Maria.
"I am," said the "Tiger." "They've been telling me all day there was
spring in the air. Were they liars? Or am I?"
"Dear me!" said Annie Maria - "haven't you noticed it? I can almost
smell the violets. And the green grass. Of course, there ain't any
yet - it's just a kind of feeling, you know."
"That's what I'm getting at," said Mr. McQuirk. "I've had it.
I didn't recognize it at first. I thought maybe it was en-wee,
contracted the other day when I stepped above Fourteenth Street. But
the katzenjammer I've got don't spell violets. It spells yer own
name, Annie Maria, and it's you I want. I go to work next Monday, and
I make four dollars a day. Spiel up, old girl - do we make a team?"
"Jimmy," sighed Annie Maria, suddenly disappearing in his overcoat,
"don't you see that spring is all over the world right this minute?"
But you yourself remember how that day ended. Beginning with so fine
a promise of vernal things, late in the afternoon the air chilled
and an inch of snow fell - even so late in March. On Fifth Avenue the
ladies drew their winter furs close about them. Only in the florists'
windows could be perceived any signs of the morning smile of the
coming goddess Eastre.
At six o'clock Herr Lutz began to close his shop. He heard a
well-known shout: "Hello, Dutch!"
"Tiger" McQuirk, in his shirt-sleeves, with his hat on the back of
his head, stood outside in the whirling snow, puffing at a black
cigar.
"Donnerwetter!" shouted Lutz, "der vinter, he has gome back again
yet!"
"Yer a liar, Dutch," called back Mr. McQuirk, with friendly
geniality, "it's springtime, by the watch."
XVIII
THE FOOL-KILLER
Down South whenever any one perpetrates some particularly monumental
piece of foolishness everybody says: "Send for Jesse Holmes."
Jesse Holmes is the Fool-Killer. Of course he is a myth, like Santa
Claus and Jack Frost and General Prosperity and all those concrete
conceptions that are supposed to represent an idea that Nature has
failed to embody. The wisest of the Southrons cannot tell you whence
comes the Fool-Killer's name; but few and happy are the households
from the Roanoke to the Rio Grande in which the name of Jesse Holmes
has not been pronounced or invoked. Always with a smile, and often
with a tear, is he summoned to his official duty. A busy man is Jesse
Holmes.
I remember the clear picture of him that hung on the walls of my
fancy during my barefoot days when I was dodging his oft-threatened
devoirs. To me he was a terrible old man, in gray clothes, with a
long, ragged, gray beard, and reddish, fierce eyes. I looked to see
him come stumping up the road in a cloud of dust, with a white oak
staff in his hand and his shoes tied with leather thongs. I may yet -
But this is a story, not a sequel.
I have taken notice with regret, that few stories worth reading
have been written that did not contain drink of some sort. Down go
the fluids, from Arizona Dick's three fingers of red pizen to the
inefficacious Oolong that nerves Lionel Montressor to repartee in
the "Dotty Dialogues." So, in such good company I may introduce an
absinthe drip - one absinthe drip, dripped through a silver dripper,
orderly, opalescent, cool, green-eyed - deceptive.
Kerner was a fool. Besides that, he was an artist and my good friend.
Now, if there is one thing on earth utterly despicable to another, it
is an artist in the eyes of an author whose story he has illustrated.
Just try it once. Write a story about a mining camp in Idaho. Sell
it. Spend the money, and then, six months later, borrow a quarter (or
a dime), and buy the magazine containing it. You find a full-page
wash drawing of your hero, Black Bill, the cowboy. Somewhere in your
story you employed the word "horse." Aha! the artist has grasped the
idea. Black Bill has on the regulation trousers of the M. F. H. of
the Westchester County Hunt. He carries a parlor rifle, and wears a
monocle. In the distance is a section of Forty-second Street during a
search for a lost gas-pipe, and the Taj Mahal, the famous mausoleum
in India.
Enough! I hated Kerner, and one day I met him and we became friends.
He was young and gloriously melancholy because his spirits were
so high and life had so much in store for him. Yes, he was almost
riotously sad. That was his youth. When a man begins to be hilarious
in a sorrowful way you can bet a million that he is dyeing his hair.
Kerner's hair was plentiful and carefully matted as an artist's
thatch should be. He was a cigaretteur, and he audited his dinners
with red wine. But, most of all, he was a fool. And, wisely, I
envied him, and listened patiently while he knocked Velasquez and
Tintoretto. Once he told me that he liked a story of mine that he had
come across in an anthology. He described it to me, and I was sorry
that Mr. Fitz-James O'Brien was dead and could not learn of the
eulogy of his work. But mostly Kerner made few breaks and was a
consistent fool.
I'd better explain what I mean by that. There was a girl. Now, a
girl, as far as I am concerned, is a thing that belongs in a seminary
or an album; but I conceded the existence of the animal in order to
retain Kerner's friendship. He showed me her picture in a locket - she
was a blonde or a brunette - I have forgotten which. She worked in a
factory for eight dollars a week. Lest factories quote this wage by
way of vindication, I will add that the girl had worked for five
years to reach that supreme elevation of remuneration, beginning at
$1.50 per week.
Kerner's father was worth a couple of millions He was willing to
stand for art, but he drew the line at the factory girl. So Kerner
disinherited his father and walked out to a cheap studio and lived
on sausages for breakfast and on Farroni for dinner. Farroni had the
artistic soul and a line of credit for painters and poets, nicely
adjusted. Sometimes Kerner sold a picture and bought some new
tapestry, a ring and a dozen silk cravats, and paid Farroni two
dollars on account.
One evening Kerner had me to dinner with himself and the factory
girl. They were to be married as soon as Kerner could slosh paint
profitably. As for the ex-father's two millions - pouf!
She was a wonder. Small and half-way pretty, and as much at her ease
in that cheap café as though she were only in the Palmer House,
Chicago, with a souvenir spoon already safely hidden in her shirt
waist. She was natural. Two things I noticed about her especially.
Her belt buckle was exactly in the middle of her back, and she didn't
tell us that a large man with a ruby stick-pin had followed her
up all the way from Fourteenth Street. Was Kerner such a fool? I
wondered. And then I thought of the quantity of striped cuffs and
blue glass beads that $2,000,000 can buy for the heathen, and I said
to myself that he was. And then Elise - certainly that was her name -
told us, merrily, that the brown spot on her waist was caused by
her landlady knocking at the door while she (the girl - confound the
English language) was heating an iron over the gas jet, and she hid
the iron under the bedclothes until the coast was clear, and there
was the piece of chewing gum stuck to it when she began to iron the
waist, and - well, I wondered how in the world the chewing gum came to
be there - don't they ever stop chewing it?
A while after that - don't be impatient, the absinthe drip is coming
now - Kerner and I were dining at Farroni's. A mandolin and a guitar
were being attacked; the room was full of smoke in nice, long crinkly
layers just like the artists draw the steam from a plum pudding on
Christmas posters, and a lady in a blue silk and gasolined gauntlets
was beginning to hum an air from the Catskills.
"Kerner," said I, "you are a fool."
"Of course," said Kerner, "I wouldn't let her go on working. Not my
wife. What's the use to wait? She's willing. I sold that water color
of the Palisades yesterday. We could cook on a two-burner gas stove.
You know the ragouts I can throw together? Yes, I think we will marry
next week."
"Kerner," said I, "you are a fool."
"Have an absinthe drip?" said Kerner, grandly. "To-night you are the
guest of Art in paying quantities. I think we will get a flat with a
bath."