BAZZI, CALLED " SODOMA."
Note. The student should observe that the author, in compiling
these lists of Paintings and Drawings, has in great part allowed himself
to be guided in his selection by the consensus of opinion among his
more able predecessors. He therefore invites attention to the Notes
appended to each picture, since he has there endeavoured to state
briefly the sources of his information. Such attention is specially
important in the case of the Lists of Attributed Pictures atid Drawings,
in which many works are included which are certainly not by Bazzi.
Moreover, it should be further remarked that in certain of the older
sources of information examined when preparing this study, such as,
for example, the MSS. of Romagnoli, a yet larger number of paintings,
etc., are attributed to Bazzi, which have either totally disappeared, cannot
be identified, or, in a few cases, are so obviously incorrectly christened,
that to admit them would needlessly lengthen this work. This has
been done to forestall criticism in view of the absence from the text of
all comment on, and consideration of, these works.
ITALY
SIENA.
Palazzo Pubblico (Sala delle Balestre).
5". Victor. Fresco.
S. Ansano. Fresco.
The Blessed Bernardo Tolomei. Fresco.
(Chapel.)
The Holy Family with S. Leonard. Panel.
Formerly the altarpiece of the Chapel of S. Calixtus
in the Duomo. Removed thence in 1681.
(Sala del Sindaco.)
The Resurrection. Fresco.
One of the soldiers is said to be a portrait of the
artist himself. Moved here in 1842.
341
342 APPENDIX
(Sala del Matrimonio.)
Madonna and Child with SS. Ansano and Galgano.
Fresco.
Painted in 1537. (See Frizzoni, Arte del Rinasci-
mento, etc., p. 103.)
(Sala dei Registri.)
An Eagle with two Putti supporting Shields. Fresco.
Charmingly executed and in excellent condition.
Formerly part of the Resurrection. (See above,
and Siena e il suo Territorio, p. 240.) Moved in
1842.
Chapel in the Piazza del Campo.
Madonna and Child with Saints. Fresco.
Very badly injured, and much restored by Liborio
Guerrini in 1800. Perhaps by others since.
Oratory of S. Bernardino.
The Presentation of the Virgin. Fresco. 1518.
The Salutation . .
The Assumption . . ,, 1532.
The Coronation . . - . ,, 15 18.
S. Anthony of Padua
S. Francis of Assisi.
S. Louis of Toulouse
Church of S. Francesco.
Putto and angels over the Piscina in the Sacristy.
Fresco.
Church of S. Domenico (Chapel of S. Catherine of
Siena).
The Swoon of S. Catherine. Fresco.
Her Ecstasy . . . ,,
S. Catherine prays for the Soul of a Crhninal. Fresco.
Figures of a Pi'ophet and an Evangelist ,,
(On the vault of the chapel arch.)
J^he decoration of the arches.
GENUINE PICTURES 343
(Chapel of the Rosary.)
God the Father, with Cherubim, and Saints Catherine,
Sigismund, Dominick, and Sebastian. Canvas.
View of the town of Siena below. In the centre is
set an ancient painting of the Madonna. (See Vasari,
Op. cit., p. 395 ; Frizzoni, Op. cit., p. 163, note.)
(Sacristy.)
The Assumption. Banner.
Charming colour. View of Siena below. Much
repainted. Exhibited at La Nostra dell' Arte
Sacra, Siena, 1904.
House of S. Catherine (Lower Chapel).
Frieze of Putti. Fresco.
Over the altar ; below a painting by Pacchiarotto
of S. Catherine receiving the Stigmata.
Accademia delle Belle Arti.
Room VIII. 360. Madonna and Child with two Angels.
Panel.
,, ,, 361. Pieta. Panel.
, ,, 326. Madonna and Child with two Angels.
Panel.
,, 327. Two Guild Brothers kneeling before
the Cross. Panel.
Portions of a bier, formerly belong-
ing to the Compagnia di Fontegiusta.
,, 352. Christ bound to the Column. Fresco.
Portion of a larger composition.
Brought from the Cloister of the Con-
vent of S. Francesco in Siena in 1841.
,, ,, 354. Judith. Panel.
Probably part of a set of pictures
painted for the Palace of Pandolfo
Petrucci. (See Karl Schuchhardt,
Jahrbuch der Konig. Preuss. Sam.,
vol. 18, 1897.)
344 APPENDIX
Room VIII. 358. The Adoration of the Magi. Small
panel.
Possibly a sketch for the larger
picture in S. Agostino.
M X. 401. The Agony in the Garden. Fresco.
> ,,443. The Descent into Limbo. ,,
These two frescoes, with a third,
now at S. Eugenia, Monistero ( ViUa
Griccioli\ were removed in 1842 from
the Chapel of the suppressed Com-
pagnia della Croce. They were painted
in side niches. Fragments of work by
the artist's pupils still remain in the
desecrated church (now the Palestra
Comunale).
I* ,,413. The Descent from the Cross. Panel.
On the predella 5 Scenes from the
Passion. Formerly the altarpiece in
the Cinuzzi Chapel at S. Francesco
in Siena. Removed after the fire in
August 1655, it was taken to the
Picture Gallery in 1862. Restored
by Giuseppe Collignon, 1829. (See
Romagnoli, Biografia etc., MS) The
smaller scenes are by a pupil : perhaps
Vincenzo Tamagni or Michel Angelo
Anselmi.
,, XI. 512. The Nativity. Tondo, panel.
Removed from the Eremo at Lec-
cetto. Padre de Angelis in his Raggu-
aglio del nuovo Istituto delle Belle Arti
(18 16) suggests that he sees in the
angel here a portrait of Bazzi himself,
as a youth.
Church of S. Agostino (Piccolomini Chapel).
The Adoration of the Magi. Panel.
The head between the trees, praised by Vasari, ig
GENUINE PICTURES 345
said to be a portrait of the painter himself. Painted
for the Arduini family, and paid for in 1536. (See
Frizzoni, Op. cit., p. 152 ; Langton Douglas, History
of Siena, p. 404.)
Church of the Carmine (Chapel of the Sacrament).
The Nativity of the Virgin. Panel.
Genuine but much darkened. Exhibited as above.
Attributed then to Giomnio (sic) del Sodoma.
Church of S. Spirito (Spanish Chapel).
The Virgin, accompanied by SS. Lucy and Cecilia and
two angels, is placing the habit of a bishop over
the head of S. Alfonso. Below are ^vS*. Michael
and Nicholas of Tolentino. On either side of these
SS. Sebastian and Anthony the Abbot. Above,
S. James on horseback tramples on the Saracens.
Painted 1 530. The lower lunette and 6"5'. Michael
and Nicholas are on panel. The rest is in fresco.
The horse of S. James greatly pleased the Emperor
Charles V., who is said to have bestowed the title of
Count Palatine on the artist in consequence. This
fresco was injured in the earthquake of 1798 and
restored in 1800 by Liborio Guerrini. (See Romag-
noli. Op. cit.) Original designs for this chapel are
to be found in the Uffizi, Florence, and in the Becke-
rath Coll., Berlin.
Church of S. Giacomo (Contrada della Torre).
Christ bearing His Cross. Panel.
Fifteen life-size figures. Formerly an altarpiece
in the church of the Compagnia della Croce.
Removed in 1842. Much darkened. Supposed to
have been his last work. (See Frizzoni, Op. cit., p. 1 80.)
Exhibited as above, 1904, as '' Maniera del Sodoma.''
Church of S. Maria sotto le Volte dello Spedale.
The Holy Family. Panel.
Fine painting, but restored. Given to the
346 APPENDIX
Confraternity on November 27th, 1672, by Fedro
Cinuzzi. (See Romagnoli, Op. cit.) Exhibited as
above, 1904.
Porta Pispini.
Tke Adoration of the Shepherds. Fresco.
Magnificent work, but dreadfully injured. Partially
restored in 1899.
Casa Bambagini Galletti (Via di Stalloreggi).
Pieta. Fresco.
Commonly called the Madonna del Corvo. Much
injured. Glass washed and repaired February 1900.
Design for this in the Uffizi.
Piazza Tolomei.
The Holy Family with SS. John, Francis, Roch,
and Crispin. Fresco.
Commonly called Madonna de Calzolari. Com-
pletely ruined by smoke and time.
Church of S. Michele (formerly L'Abbadia Nuova
or St. Donato).
Two paintings of the Holy Trinity.
Pieta.
La Madonna Protettrice. Four panels for a bier.
Fine, but unequal. The two first probably the
work of pupils or assistants. Exhibited as above,
1904.
Confraternity of SS. Giovannino and Gennaro.
Madonna.
S. John the Baptist.
Pieta.
S. Bernardino.
Panels for a bier. (See Frizzoni, Op. cit., p. 164.)
Villa Griccioli, Monistero (Chapel).
The Way of the Cross.
Much restored. (See above, p. 344.)
GENUINE PICTURES 347
Villa Nerucci, Monistero (Chapel).
The Nativity of the Virgin. Panel.
Dated 1 540. Resembles in details the Marriage
of Alexander and Roxana (Villa Farnesina, Rome).
Much restored, and cruelly over-painted and var-
nished. Restored by Giuseppe Collignon in 1820.
(See Romagnoli, Op.cit. ; Delia Valle, Z^//^r^ Sanest,
vol. iii. p. 269; and Frizzoni, Op. cit., p. 175.)
IN THE SIENESE DISTRICT.
SiNALUNGA, COLLEGIATA.
Madonna and Child enthroned ivith SS. Sebastian,
Roch, and Anthony the Abbot. Panel.
A very large painting. Much restored. (See
Frizzoni, Op. cit., p. 168.)
MONTEPULCIANO, PiCTURE GaLLERY.
The Holy Family. Panel.
Beautiful picture, but injured.
Montalcino.
The Banner of the Republic.
Exhibited as above, 1904. Terribly injured and
added to later by an inferior hand.
Convent of S. Anna in Creta, Pienza (Refectory).
The Miracle of the Loaves and Fishes. Fresco.
(End wall.) In three parts. Centre part in good
condition. Right-hand portion much injured by
damp ; left-hand by restoration.
Circular portraits of male and female Saints of the
Olivetan Order. Fresco.
(Wall on the left.) Divided by scenes from the
Life of the Virgin in monochrome. Much injured
in parts. Two or three of the portraits and some of
the scenes are still in fair condition. (Wall on right.)
Similar frieze, practically destroyed.
348 APPENDIX
Pieta. Fresco.
(Entrance wall. Over the door.) In good con-
dition. Note Umbrian characteristics.
Madonna and Child with S. Anne and two Olive tan
Monks. Fresco.
(On the left hand of door.) Very much damaged
by damp. The Holy Child's face quite obliterated.
There is a free copy of this work in the church by
an inferior hand.
A Bishop with six Olivetan Monks. Fresco.
(On the right.) Fair condition.
Head of Christ. Fresco.
(In the arch over the door.) In good condition,
but the surrounding decoration has almost entirely
disappeared.
Convent of Monte Oliveto Maggiore, near Chiu-
suRi (Cloister). Frescoes.
1 . S. Benedict leaves home for school in Rome.
2. S. Benedict abandons the school.
3. S. Benedict mends the Broken Cribble.
4. S. Benedict receives the Hermit's Habit.
5. The devil breaks the Bell attached to a basket^
which a hermit is letting down to S. Benedict.
6. A priest inspired by God takes his Easter meal
to S. Benedict.
7. S. Benedict preaches the Gospel to the Shepherds}
8. The Temptation of S. Benedict.
9. Some hermits invite S. Benedict to become their
Superior.
10. The attempt to poison S. Benedict.
11. 5. Benedict completes the building of twelve
monasteries.
12. S. Benedict receives the two Roman youths^
Maurus and Placidus.
1 A drawing for this (formerly attributed to Timoteo Viti) is in the
UffiziColl., No. 1357. ~
GENUINE PICTURES 349
1 3. S. Benedict exorcises a devil from a monk.
14. S. Benedict produces water from a rock.
15. The Miracle of the Hatchet.
16. S. Maurus saves the life of S. Placidus.
17. The Theft of Bread and Wine.
18. The wicked m^onk Fiorenzo makes another attempt
to poison S. Benedict.
1 9. Fiorenzo introduces loose women into the convent.
20. 5". Benedict foretells the destruction of Monte
Cassino.
21. S. Benedict obtains flour in abundance and restores
the Monks.
22. S. Benedict appears to two monks when away
from home a^id gives them directions as to the
construction of a monastery.
23. S. Benedict having excommuiticated two ituns,
absolves thetn after their death.
24. S. Benedict carries the Host to the body of
a sinful monk, whom the earth refused to
receive.
25. 5". Benedict pardons a monk, who, wishing to
escape from the convent, finds a serpent in his
path.
26. 5". Benedict sets free a peasant who had been bound
by marauders.
S. Benedict founding his Order.
(Cut in half and very much injured by the insertion
of a door leading into the church.)
Christ at the Column.
Christ bearing His Cross.
(These two are on either side of an arch leading
from the cloister.)
(On the stairs) The Coronation of the Virgin.
Much restored.
(In the Superior's reception-room. Near the
ceiling) Head of the Madonna. Charming
fragment.
350 APPENDIX
Castello di Trequanda (Church of Collegiata).
The Ascension. Fresco.
Cruelly injured. (See Frizzoni, 6^.V.,pp. 168-9,
note 2.)
San Gimignano (Loggia of the Palazzo del
PodestA).
Madonna with Saints. Fresco.
Little remains except the cherubs supporting a
curtain at the top of the picture. (See Frizzoni,
Op. cit., p. 136.)
Palazzo Comunale (Cappella del Pretore).
S. Ivo doing justice. Fresco.
Monochrome. Arabesque border decoration.
Injured.
ROME.
Vatican (Camera della Segnatura).
Ceiling decoration. Surrounding tondi by Raphael.
Villa Farnesina (Bedroom).
The Marriage of Alexander and Roxana. Fresco.
The Family of Darius before Alexander. ,,
The Forge of Vulcan. ,,
Alexander and Bucephalus. ,,
This last painting has been so much repainted
that it no longer shows any trace of Bazzi's work.
Has been attributed to Vasari.
Palazzo Spada.
5*. Christopher. Panel.
(On the back.) 5". Luke, in monochrome. (See
Frizzoni, Op. cit., p. 144.)
Palazzo Chigi.
The Rape of the Sabines, or the Punishment of
Rhea Silvia {?). Panel.
Undoubtedly by Bazzi, though attributed to B.
GENUINE PICTURES 351
Peruzzi. (See Frizzoni, Archivio Storico del Arte,
p. 30; also Op. cit., p. 144.)
[This is most probably the picture mentioned in no
less than seven copies of a list of pictures once
belonging to the father of Abate Galgano Ciaccheri
and valued at 100 scudi. Bib. Com. Siena,
D. VII. 21, pp. 305-18.]
Villa Malta, Coll. of Count Bobrinsky.
Allegorical Group ; perhaps a Char it as.
Tondo, with a beautiful border of arabesques.
Formerly in the Palazzo Chigi-Zondadari in Siena.
Attributed by some authorities to B. Peruzzi.
Palazzo Borghese.
No. 459. The Holy Family.
Very beautiful.
No. 462. Pietd.
Darkened by time.
FLORENCE.
Uffizi Gallery.
No. 1279. S. Sebastian.
(On the back). Madonna with SS. Roch and Sigis-
mund and Guild Brethren {Flagellants^. Canvas.
Formerly a banner of the Confraternity of S.
Sebastiano in Camollia at Siena. Painted in 1525.
Finished by Beccafumi. (See Romagnoli, Op. cit.,
and Milanesi MSS.)
No. 282. Portrait of the Painter himself.
No. 156. Ecce Homo.
This picture and that of a similar subject in the
Palazzo Pitti are practically replicas.
Palazzo Pitti.
Room XI. Portrait of a man.
Ecce Homo.
352 APPENDIX
Convent of Monte Oliveto. (Former Refectory.)
The Last Supper. Fresco.
Much damaged fragment Fine heads.
PISA.
Cathedral.
The Sacrifice of Abraham. Canvas.
The Entombment. ,,
These pictures were restored in February and
March, 1893. {SeQ Archivio Storico del f Arte, 1893.)
MusEo Civico. (Suppressed Convent of S. Fran-
cesco.)
Room VII. No. 28. Madonna and Saints. Canvas.
1542. Formerly in the church of S. Maria della
Spina. (As to this picture and suggested portrait of
the artist therein, see Frizzoni, Op. cit., p. 177.)
VOLTERRA.
Palazzo Ricciarelli.
The Marriage of S. Catherine.
Attributed by its owners to Daniele da Vol terra,
but said by Frizzoni to be of Bazzi's best period.
NAPLES.
Museum.
Room II. No. 5. (Tuscan School.) The Resurrec-
tion. Panel. 9 ft. 3 in. X 6 ft. 8 in.
On label below " lo. Ant. Eques. Ve. Auct. F. A.
1535-" (See Gio. Batt. Pacichelli, // Regno di
Napoli in Prospettiva, vol. i., p. 52.)
VENICE.
Palazzo Cappello (Layard).
The Holy Family.
Poor. (See Frizzoni, Op. cit., p. 158, note.)
GENUINE PICTURES 353
BERGAMO.
Galleria Morelli.
No. 60. Madonna.
Poor picture.
No. 83. Fantastic portrait of a man. Canvas.
Has been likened by Morelli to the work of Franz
Hals {^Della Pittura Italiana, p. r52).
REGGIO D'EMILIA.
Church of S. Prospero.
S. Homobonus giving alms. Panel 2*20 m. by
170 m.
(See Frizzoni, Archivio Storico dell' Arte , 1895,
p. 224, and Op. cit., p. 152, note. Attributed to Ber-
nardino Zacchetti by Venturi. L'Arte, September
October, 1901, fasc. ix., x.)
BOLOGNA.
Coll. of Contessa Zucchini Solimei.
Christ appearing to His Mother after His Resur-
rection. Panel 22 x 35 in.
Much repainted, but probably genuine.
(It should be observed that among the paintings
recorded in the Inventory of goods left at Bazzi's
death, mention is made of a picture of this subject.)
TURIN.
Picture Gallery.
No. 50. The Holy Family.
Resembles similar subject in the Pinakothek at
Munich. [Se^post, p. 356.)
No. 55. Madonna and Saints.
Once the altarpiece in a church at Colle di Val
d' Elsa.
No. 376. Lucretia.
Formerly (until i860) attributed to Giampetrino.
(See Morelli, Op. cit., p. 155, note.)
23
354 APPENDIX
VERCELLI.
Coll. of Cav. Aw. Antonio Borgogna.
The Holy Family, little S. John and an Angel.
Tondo.
Formerly in the Palazzo Scarpa at Motta di Livenza,
and there attributed to Cesare da Sesto. Bought for
1 1, GOO fr. at the Scarpa Sale in Milan, November
1895.
MILAN.
Brera Gallery.
Room XIV. No. 299. Madonna and Child with
a Lamb.
Bought in Cologne at the Sale of Baron van der
Ropp, by Herr Habich of Cassel. Said to have been
once in the Borghese Collection in Rome. It was
formerly attributed to Leonardo, but was recognised
by Morelli as by Bazzi from a poor photograph.
Sold by Herr Habich to the Brera in 1891 for
8500 frs.
Coll. of Dr. G. Frizzonl
Penitent Magdalen.
Fragment of a Madonna and Child.
Coll. of M'''' Ginhouliac.
Madonna and Child.
Very beautiful, but unusual.
Coll. of Sig. Silvestri.
The Holy Family.
Good picture, but injured.
MusEo Civico (Castello Sforzesco).
S. Michael. Panel 4 ft. i in. x 2 ft. 9 in.
Legacy from Count Bolognini. (SeeC. J. Ffoulkes,
Archivio Storico dellArte, 1894, p. 255.)
GENUINE PICTURES 355
MUSEO POLDI PeZZOLI.
The Virgin and Child with SS. John the Baptist
and Catherine of Siena. Tondo.
Exhibited (No. 171, ist Room) at the Mostra
dell'Arte Sacra at Pistoia in 1899, under the attribu-
tion of " Scuola Toscana del Secolo XVI." Early
work. Attributed to Bazzi by Frizzoni and Jacobsen,
but to Riccio by Berenson. Much injured. (See
L! Arte, Sept., Oct., 1901, fasc. ix., x., p. 353.)
Church of S. Tomaso.
Dead Christ supported by the Virgin and adored by
the Magdalen.
Very much darkened, and hung in a corner of the
Sacristy. Large picture.
ARCORE, NEAR Milan.
ViTTADiNi Coll.
The Holy Family.
Late Sienese manner.
GENOA.
Palazzo Bianco.
Madonna and Child with S. John.
Much injured by restoration. Resembles Gin-
houliac picture above. Legacy of Prince Oddo of
Savoy.
OTHER CONTINENTAL COLLECTIONS
VIENNA.
Picture Gallery.
No. 51. The Holy Family with little S. John.
Small half-figures. Formerly in the Collection of
Prince Eugene of Savoy.
356 APPENDIX
MUNICH.
Alt Pinakothek.
No. 282. The Holy Family.
Almost identical with a painting in the Royal
Picture Gallery, Turin. (See above, p. 353.)
BERLIN.
Royal Museum.
No. 109. Charitas.
Attributed by some critics to B. Peruzzi.
FRANKFORT-AM-MAIN.
Stadel Art Institute.
No. 42. Portrait of a Lady.
Attributed variously to Paris Bordone and Sebastian
del Piombo ; by Dr. Bode to Jan Scorel {Repertortum
fur Kunstwissenschafty 1889, Band xii., Heft i.,
p. 76); by Burckhardt {Cicerone) to Dosso Dossi; now
attributed by Dr. H. Weizsacker to Parmigianino.
(See Frizzoni, Op. cit., p. 123, Morelli, Op.cit., p. 155
and note, and Cat. of Stadel Gallery.) Bought
in Frankfort from the Coll. of King William II. of
Holland. Very beautiful, and undoubtedly by Bazzi.
Possibly a portrait of one of the Spannocchi.
HANOVER.
Public Gallery (Kestner Coll.).
No. 35. Lucretia Romana. (See Frizzoni, Op. cit.,
and Schuchhardt, Op. cit.)
Cumberland Gallery.
No, 19. The Holy Fainily with SS. Joseph and
Bernardino of Siena.
Much repainted. Probably a late work.
GENUINE PICTURES 357
HAMBURG.
Weber Gallery.
No. 99. Lucretia with bearded man and youth stand-
ing behind her. Panel 71 J X 61 cms.
Acquired in 1885 from the Habich Coll. at Cassel.
(See Fritz Harck, Archivio Storico dell' Arte, 1891,
iv. p. 84.)
STRASBURG.
Picture Gallery.
The Holy Family seated under a tree.
Badly retouched. (See C. Loeser, Archivio Storico
deir Arte, 1896, p. 283.)
TRIER.
Madonna Enthroned.
(See Allgemeines Kunstlerlexicon, vol. iii. p. 327.
Frankfurt a/M. : Rutten & Loening, 1882.)
BUDA-PESTH.
Academy.
No. 1230. The Kiss of Judas.
No. 1 23 1. The Way of the Cross.
The Flagellation. (Not exhibited.)
Parts of a predella.
CHAM BE RY (Chateau de Beauregard).
Coll. of Count Costa de Beauregard.
Christ bearing His Cross. Panel.
Fragment. Early manner. (See Bruzza, Notizie,
etc., p. 27 et seg.)
STOCKHOLM.
Royal Picture Gallery.
Pieta. Panel 35 x 24 in.
Repainted and discoloured. Resembles the
Frizzoni Magdalen. Bought from Count Enrico
Costa, Florence, 1904.
358 APPENDIX
BRUSSELS.
Coll. of M. le Baron Leon de Somzee. (Dispersed
1904.)
Pietct. Dark in colour. Signed, '' Ex pietate Ber.''
Bought in 1876 from the Coll. Marcille (Paris)
for 5200 frs. Engraved by Chapon. Bought by
Due d'Aremberg for ^300. Sale Catalogue, No. 446.
Leda and the Swan. (Not included in the Sale.)
Bought from the same collection as the above for
500 frs.
GREAT BRITAIN
BERKSHIRE.
LocKiNGE Park, Coll. of Lady Wantage.
Madonna and Child with Infant S. John. Tondo.
Grey tones.
BuscoT Park, Coll. of Alexander Henderson,
Esq., M.P.
The Virgin and Child, SS. John the Baptist and
Francis, Tobias and the Angel Raphael. 2 ft. x
2 ft. 6 in.
Bought from Messrs. Agnew, who obtained it
from Florence.
CHESHIRE.
High Legh, Coll. of the late Col. H. Cornwall
Legh.
The Holy Family, S. Elizabeth, and S. John. Tondo.
Early work. Exhibited Burlington Fine Arts
Club, 1898.
LONDON.
Dorchester House, Coll. of Captain Holford.
The Nativity. Tondo. 42 in. diam.
Formerly in the Palazzo Chigi-Zondadari in
Siena. Exhibited at Burlington House (Old Masters),
1886, and Burlington Fine Arts Club, 1898.
GENUINE PICTURES 359
Grosvenor House, Coll. of Duke of Westminster.
The Holy Family.
Pleasing composition. Much darkened and over-
varnished. (Not catalogued.) Mentioned by
Woltmann and Woermann, vol. ii. book iv. part ii.
p. 684.
Melbury Road, Coll. of W. Holman Hunt, Esq.
The Holy Family.
Cartoon washed with oils.
Surrey House, Coll. of Lord Battersea.
Madonna and Child.
Attributed to Leonardo da Vinci. The original
drawing by Leonardo for this composition is in the
Uffizi, and replicas of the same subject abound.
Cf. Palazzo Borghese, Rome ; Palazzo Borromeo,
Milan ; Montagu House, Whitehall ; and Christ
Church, Oxford, Collections.
65, Great Portland Street, Coll. of Mr. J. R.
Saunders.
S. Jerome in the Desert.
A fine picture. Best period. (See Cust, Rassegna
dArte, July 1905.)
Coll. of Dr. J. P. Richter.
Dead Christ supported by Two Angels.
Bought in Venice by its present owner. Exhibited
at the Exhibition of Italian Art, New Gallery, London,
1894, No. 167. (See Archivio Storico deW Arte,
1894. p. 255-)
Madonna suckling her Infant. 26J x \g,\ in.
Most probably the long-lost picture from S.
Francesco at Siena. (See Delia Valle, Op. cit.y
vol. iii. p. 255.) Exhibited at Burlington Housq
^Old Masters), 1904, No. 39.
36o APPENDIX
20, Avenue Road, Regent's Park, Coll. of Dr. L.
MOND.
S. Jerome in the Desert. Panel, 55 x 44111.
This picture was bought at the Monte di Pieta in
Rome by Morelli, from whose Collection it came
into the hands of the present owner. (See Archivio
Storico deir Arte, 1894, p. 255.) Exhibited at
Burlington House (Old Masters) in 1891, and at the
New Gallery, 1893-4, No. 201.
Madonna and Child. Oval panel, 2 7-J x 21 in.
Exhibited at the New Gallery, as above, No. 225.
National Gallery.
No. 1 144. Madonna with Saints. Panel i ft. 7 in.
X I ft. 2 J in.
Formerly in the Rosini Collection at Pisa. Pur-
chased in Florence in 1883 by Mr. C. Fairfax
Murray. Minor work.
No. 1337. Head of our Lord. Canvas i ft. 2|- in.
X I ijin.
Purchased in 1891 from Herr Habich, of Cassel.
The Figure of the Holy Child (in The Circumcision,
of Luca Signorelli, No. 11 28). Painted for the
Convent of S. Francesco at Volterra. Bought at
the Hamilton Palace Sale, in 1882, for ^3150.
Exhibited at Burlington House (Old Masters), 1873.
MONMOUTHSHIRE.
Hardw^ick Court, Chepstow, Coll. of E. Hartland,
Esq.
The Nativity. Panel 38 x 46 J in.
Bought in Florence in 1875 from Mr. Jarvis,