bros. & Spindler Barnhart.

Book of type specimens. Comprising a large variety of superior copper-mixed types, rules, borders, galleys, printing presses, electric-welded chases, paper and card cutters, wood goods, book binding machinery etc., together with valuable information to the craft. Specimen book no.9 online

. (page 10 of 71)
Online Librarybros. & Spindler BarnhartBook of type specimens. Comprising a large variety of superior copper-mixed types, rules, borders, galleys, printing presses, electric-welded chases, paper and card cutters, wood goods, book binding machinery etc., together with valuable information to the craft. Specimen book no.9 → online text (page 10 of 71)
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easily. Cap-Line. For Title, Two-Line, and other faces without lower case. All Cap-Line

Lower case alphabet, a to z, 15 6-6 ems.



BARNHART BROS. &. SPINDLER'S 70 SUPERIOR COPPER- MIXED TYPE



OLD STYLE




BODY FACES



Cast on Uniform Line. Partly leaded with two-point leads.



7 POINT OLD STYLE No. 59

THE matter of lining type is so important that every printer should be familiar
with the details of our Point-Line, Point-Set, Point-Body Lining System. This system
saves the printer many a dollar in composition time, to say nothing of the increased
beauty of his work. Every printer has experienced trouble in bringing type on
different bodies to line, and in lining rule with type, and therefore knows the great
loss of time unavoidable when lining type is not available. Take a legal blank, for
instance, in which words in larger type that begin paragraphs, as well as some
others, must be lined as near as may be with the letter selected for the body of the
work, and in which two-point brass rule must be lined with the type ; hours of valuable
time must be spent by the compositor having only old-system material at his disposal,
because of the necessity for using paper and cardboard to bring about even a
semblance of alignment between the various faces and between type and rule.
No printer worthy of the name will willingly send out slip-shod work; hence the
time spent in lining different faces with each other and with rule is a matter of serious
moment. All such expense is unnecessary now, thanks to the Uniform-Line type,
and the printer is enabled to pocket the money heretofore expended for work of
this kind. The Barnhart Bros. & Spindler Point-Line, Point-Set, Point-Body Lining
System embodies the following well-known and tried lines. Uniform-Line. The
point line in each body to which the majority of faces are cast, All Roman and
body faces are cast on this line, as well as the leaders, etc. This line is so placed
that properly proportioned descenders can be cast entirely upon the body, free
of kerning, from smallest to largest size. All Uniform Line cast faces will line
together body for body without justification; and, "by the use of point leads or slugs,
one size body can be readily made to line with all other sizes. In the majority of
Lower case alphabet, a to z, 14% ems.



7 POINT OLD STYLE No. 58

THE matter of lining type is so important that every printer should be familiar
with the details of our Point-Line, Point-Set, Point-Body Lining System. This
system saves the printer many a dollar in composition time, to say nothing of the
increased beauty of his work. Every printer has experienced trouble in bringing
type on different bodies to line, and in lining rule with type, and therefore knows
the great loss of time unavoidable when lining type is not available. Take a legal
blank, for instance, in which words in larger type that begin paragraphs, as well as
some others, must be lined as near as may be with the letter selected for the body of
the work, and in which two-point brass rule must be lined with the type : hours of
valuable time must be spent by the compositor having only old-system material at
his disposal, because of the necessity for using paper and cardboard to bring about
even a semblance of alignment between the various faces and between type and rule.
No printer worthy of the name will willingly send out slip-shod work; hence the time
spent in lining different faces with each other and with rule is a matter of serious
moment. All such expense is unnecessary now, thanks to the Uniform-Line' type,
and the printer is enabled to pocket the money heretofore expended for work of
this kind. The Barnhart Bros. & Spindler Point-line, Point-set, Point-body Lining
System embodies the following well-known and tried lines. Uniform-Line. The
point line in each body to which the majority of faces are cast. All Roman and body
faces are cast on this line, as well as the leaders, etc. This line is so placed that
properly proportioned descenders can be cast entirely upon the body, free of kerning
from smallest to largest size. All Uniform-Line cast faces will line together body
for body without justification; and by the use of point leads or slugs, one size can
be readily made to line with all other sizes. In the majority of cases the difference

Lower case alphabet, a to z. 15 1-7 eins.



POINT-LINE, POINT-SET, POINT-BODY



QUALITY AND FINISH UNEQUALED




OLD STYLE BODY FACES



Cast on Uniform Line. Partly leaded with two-point leads.



8 POINT CASLON OLD STYLE

The matter of lining type is so important that every printer should be familiar
with the details of our Point-Line, Point-Set, Point-Body Lining System. This
system saves the printer many a dollar in composition time, to say nothing of the
increased beauty of his work. Every printer has experienced trouble in bringing type
on different bodies to line, and in lining rule with type, and therefore knows the
great loss of time unavoidable when lining type is not available. Take a legal
blank, for instance, in which words in larger type that begin paragraphs, as well as
some others, must be lined as near as may be with the letter selected for the body
of the work, and in which two-point brass rule must be lined with the type; hours
of valuable time must be spent by the compositor having only old-system material at
his disposal, because of the necessity for using paper and cardboard to bring about
even a semblance of alignment between the various faces and between type and rule.
No printer worthy of the name will willingly send out slip-shod work; hence the
time spent in lining different faces with each other is a matter of serious moment.
All such expense is unnecessary now, thanks to the Uniform-line type, and the
printer is enabled to pocket the money heretofore expended for work of this kind.
The Barnhart Bros. & Spindler Point-Line, Point-Set, Point-Body Lining System
embodies the following well-known and tried lines: Uniform-Line. The point line
in each body to which the majority of faces are cast. All Roman and body faces are
cast on this line, as well as the leaders, etc. This line is so placed that properly
proportioned descenders can be cast entirely upon the body, free of kerning, from
smallest to largest size. All Uniform-Line cast faces will line together body for

Lower case alphabet, a to z, 13% ems.



8 POINT OLD STYLE No. 1

THE matter of lining type is so important that every printer should be familiar with
the details of our Point-Line, Point-Set, Point-Body Lining System. This system saves
the printer many a dollar in composition time, to say nothing of the increased beauty
of his work. Ever}' printer has experienced trouble in bringing type on different bodies
to line, and in lining rule with type, and therefore knows the great loss of time
unavoidable when lining type is not available. Take a legal blank, for instance, in which
words in larger type that begin paragraphs, as well as some others, must be lined as
near as may be with the letter selected for the bod}' of the work, and in which two
point brass rule must be lined with the type; hours of valuable time must be spent by
the compositor having only old-system material at his disposal, because of the necessity
for using paper and cardboard to bring about even a semblance of alignment between
the various faces and between type and rule. No printer worthy of the name will
willingly send out slip-shod work; hence the time spent in lining different faces
with each other and with rule is a matter of serious moment. All such expense is
unnecessary now, thanks to the Uniform-Line type, and the printer is enabled to
pocket the money heretofore expended for work of this kind. The Barnhart Bros. &
Spindler Point-Line, Point-Set, Point-Body Lining System embodies the following well
known and tried lines: Uniform-Line. The point line in each body to which the
majority of faces are cast. All Roman and body faces are cast on this line, as well as the
leaders, etc. This line is so placed that properly proportioned descenders can be cast
entirely upon the body, free of kerning, from smallest to largest size. All Uniform
Line cast faces will line together body for body without justification, and, by the use
Lower case alphabet, a to z, \'.'.y, ems.



BARNHART BROS. & SPINDLER'S 72 SUPERIOR COPPER-MIXED TYPE




OLD STYLE BODY FACES



Cast on Uniform Line. Partly leaded with two-point leads.



8 POINT OLD STYLE No. 58

THE matter of lining type is so important that every printer should be
familiar with the details of our Point- Line, Point- Set, Point- Body Lining
System. This system saves the printer many a dollar in composition time, to
say nothing of the increased beauty of his work. Every printer has experienced
trouble in bringing type on different bodies to line, and in lining rule with
type, and therefore knows the great loss of time unavoidable when lining
type is not available. Take a legal blank, for instance, in which words in
larger type that begin paragraphs, as well as some others, must be lined as
near as may be with the letter selected for the body of the work, and in
which two-point brass rule must be lined with the type; hours of valuable
time must be spent by the compositor having only old-system material at
his disposal, because of the necessity for using paper and cardboard to
bring about even a semblance of alignment between the various faces and
between type and rule. No printer worthy of the name will willingly send
out slip-shod work ; hence the time spent in lining different faces with each
other and with rule is a matter of serious moment. All such expense is
unnecessary now, thanks to the Uniform-Line type, and the printer is
enabled to pocket the money heretofore expended for work of this kind.
The Barnhart Bros. & Spindler Point-Line, Point-Set, Point-Body Lining
System embodies the following well-known and tried lines: Uniform-Line.
The point line in each body to which the majority of faces are cast. All

Lower case alphabet, a to z, U% ems.



8 POINT OLD STYLE No. 59

THE matter of lining type is so important that every printer should be familiar
with the details of our Point-Line, Point-Set, Point-Body Lining System. This
system saves the printer many a dollar in composition time, to say nothing of the
increased beauty of his work. Every printer has experienced trouble in bringing
type on different bodies to line, and in lining rule with type, and therefore knows
the great loss of time unavoidable when lining type is not available. Take a legal
blank, for instance, in which words in larger type that begin paragraphs, as well
as some others, must be lined as near as may be with the letter selected for the
body of the work, and in which two-point brass rule must be lined with the type ;
hours of valuable time must be spent by the compositor having only old-system
material at his disposal, because of the necessity for using paper and cardboard to
bring about even a semblance of alignment between the various faces and between
type and rule. No printer worthy of the .name will willingly send out slip-shod
work; hence the time spent in lining different faces with each other is a matter of
serious moment. All such expense is unnecessary now, thanks to the Uniform-Line
type, and the printer is enabled to pocket the money heretofore expended for
work of this kind. The Barnhart Bros. & Spindler Point-Line, Point-Set, Point
Body Lining System embodies the following well-known and tried lines: Uniform
Line. The point line in each body to which the majority of faces are cast. All
Roman and body faces are cast on this line, as well as the leaders, etc. This line
Lower case alphabet, a to z, 13^ ems.



POINT-LINE, POINT-SET, POINT-BODY 73 QUALITY AND FINISH UNEQUALED




OLD STYLE BODY FACES



Cast on Uniform Line. Partly leaded with two point leads.



8 POINT OLD STYLE No. ft)

THE matter of lining type is so important that every printer should be
familiar with the details of our Point-Line, Point-Set, Point-Body Lining
System. This system saves the printer many a dollar in composition
time, to say nothing of the increased beauty of his work. Every printer
has experienced trouble in bringing type on different bodies to line, and
in lining rule with type, and therefore knows the great loss of time
unavoidable when lining type is not available. Take a legal blank, for
instance, in which words in larger type that begin paragraphs, as well as
some others, must be lined as near as may be with the letter selected for
the body of the work, and in which two-point brass rule must be lined
with the type ; hours of valuable time must be spent by the compositor
having only old-system material at his disposal, because of the necessity for
using paper and cardboard to bring about even a semblance of alignment
between the various faces and between type and rule. No printer worthy
of the name will willingly send out slip-shod work; hence the time spent
in lining different faces with each other and with rule is a matter of serious
moment. All such expense is unnecessary now, thanks to the Uniform
Line type, and the printer is enabled to pocket the money heretofore
expended for work of this kind. The Barnhart Bros. & Spindler Point
Line, Point-Set, Point-Body Lining System embodies the following well
known and tried lines. Uniform-Line. The point line in each body to
which the majority of faces are cast. All Roman and body faces are cast

Lower case alphabet, a to z, U% ems.



8 POINT OLD STYLE No. 90

THE matter of lining type is so important that every printer should be
familiar with the details of our Point-Line, Point-Set, Point-Body Lining
System. This system saves the printer many a dollar in composition time,
to say nothing of the increased beauty of his work. Every printer has
experienced trouble in bringing type on different bodies to line, and therefore
knows the great loss of time unavoidable when lining type is not available.
Take a legal blank, for instance, in which words in larger type that begin
paragraphs, as well as some others, must be lined as near as may be with
the letter selected for the body of the work, and in which two-point brass
rule must be lined with the type ; hours of valuable time must be spent by
the compositor having only old-system material at his disposal, because of
the necessity for using paper and cardboard to bring about even a semblance
of alignment between the various faces and between type and rule. No
printer worthy of the name will willingly send out slip-shod work ; hence
the time spent in lining different faces with each other and with rule is a
matter of serious moment. All such expense is unnecessary now, thanks
to the Uniform-Line type, and the printer is enabled to pocket the money
heretofore expended for work of this kind. The Barnhart Bros. & Spindler
Point-Line, Point-Set, Point-Body Lining System embodies the following
well-known and tried lines : Uniform-Line. The point line in each body to
which the majority of faces are cast. All Roman and body faces are cast
on this line, as well as the leaders, etc. This line is so placed that

Lower case alphabet, a to z, li% etas.



BARNHART BROS. &. SPINDLER'S 74 SUPERIOR COPPER-MIXED TYPE





OLD STYLE BODY FACES






Cast on Uniform Line. Partly leaded with two-point leads.



*8 POINT OLD STYLE No. 100

THE matter of lining type is so important that every printer should be familiar
with the details of our Point-Line, Point-Set, Point-Body Lining System.
This system saves the printer many a dollar in composition time, to say
nothing of the increased beauty of his work. Every printer has experienced
trouble in bringing type on different bodies to line, and in lining rule with type,
and therefore knows the great loss of time unavoidable when lining type is
not available. Take a legal blank, for instance, in which words in larger
type that begin paragraphs, as well as some others, must be lined as near as
may be with the letter selected for the body of the work, and in which two
point brass rule must be lined with the type ; hours of valuable time must be
spent by the compositor having only old-system material at his disposal,
because of the necessity for using paper and cardboard to bring about even a
semblance of alignment between the various faces and between type and rule.
No printer worthy of the name will willingly send out slip-shod work ; hence
the time spent in lining different faces with each other and with rule is a
matter of serious moment. All such expense is unnecessary now, thanks to
the Uniform-line type, and the printer is enabled to pocket the money
heretofore expended for work of this kind. The Barnhart Bros. & Spindler
Point-Line, Point-Set, Point-Body Lining System embodies the following
well-known and tried lines : Uniform-Line. The point line in each body to
which the majority of faces are cast. All Roman and body faces are cast on

Lower case alphabet, a to z, U> ems.
This face matches Linotype Old Style No. 1 Series.



8 POINT ELZEVIR No. 5

THE matter of lining type is so important that every printer should be familiar with
the details of our Point-Line, Point-Set, Point-Body Lining System. This system
saves the printer many a dollar in composition time, to say nothing of the increased
beauty of his work. Every printer has experienced trouble in bringing type
on different bodies to line, and in lining rule with type, and therefore knows
the great loss of time unavoidable when lining type is not available. Take a legal
blank, for instance, in which words in larger type that begin paragraphs, as well as
some others, must be lined as near as may be with the letter selected for the body
of the work, and in which two-point brass rule must be lined with the type; hours
of valuable time must be spent by the compositor having only old-system material
at his disposal, because of the necessity for using paper and cardboard to bring
about even a semblance of alignment between the various faces and between type
and rule. No printer worthy of the name will willingly send out slip-shod work;
hence the time spent in lining different faces with each other and with rule is a
matter of serious moment. All such expense is unnecessary now, thanks to the
Uniform-Line type, and the printer is enabled to pocket the money heretofore
expended for work of this kind. The Barnhart Bros. & Spindler Point-Line, Point
Set, Point-Body Lining System embodies the following well-known and tried lines:
Uniform-Line. The point line in each body to which the majority of faces are
cast. All Roman and body faces are cast on this line, as well as the leaders, etc.

Lower case alphabet, a. to z, 13% ems.



POINT-LINE, POINT-SET, POINT-BODY 75 QUALITY AND FINISH UNEQUALED




OLD STYLE BODY FACES



Cast on Uniform Line. Partly leaded with two-point leads.

8 POINT FRENCH OLD STYLE No. 3

THE matter of lining type is so important that every printer should be familiar
with the details of our Point-Line, Point-Set, Point-Body Lining System. This
system saves the printer many a dollar in composition time, to say nothing of the
increased beauty of his work. Every printer has experienced trouble in bringing
type on different bodies to line, and in lining rule with type, and therefore knows
the great loss of time unavoidable when lining type is not available. Take a legal
blank, for instance, in which words in larger type that begin paragraphs, as well
as some others, must be lined as near as may be with the letter selected for the
body of the work, and in which two-point brass rule must be lined with the type;
hours of valuable time must be spent by the compositor having only old-system
material at his disposal, because of the necessity for using paper and cardboard to
bring about even a semblance of alignment between the various faces and between
type and rule. No printer worthy of the name will willingly send out slip-shod
work; hence the time spent in lining different faces with each other and with rule
is a matter of serious moment. All such expense is unnecessary now, thanks to
the Uniform-Line type, and the printer is enabled to pocket the money heretofore
expended for work of this kind. The Barnhart Bros. & Spindler Point-Line, Point
Set, Point-Body Lining System embodies the following well known and tried lines:
Uniform-Line. The point line in each body to which the majority of faces are
cast. All Roman and body faces are cast on this line, as well as the leaders, etc.
This line is so placed that properly proportioned decenders can be cast entirely
upon the body, free of kerning, from smallest to largest size. All Uniform-Line

Lower case alphabet, a to z, 13% ems.



9 POINT OLD STYLE No. 58

THE matter of lining type is so important that every printer should
be familiar with the details of our Point-Line, Point-Set, Point-Body
Lining System. This system saves the printer many a dollar in
composition time, to say nothing of the increased beauty of his
work. Every printer has experienced trouble in bringing type on
different bodies to line, and in lining rule with type, and therefore
knows the great loss of time unavoidable when lining type is not
available. Take a legal blank, for instance, in which words in larger
type that begin paragraphs, as well as some others, must be lined
as near as may be with the letter selected for the body of the work,
and in which two-point brass rule must be lined with the type; hours
of valuable time must be spent by the compositor having only old
system material at his disposal, because of the necessity for using
paper and cardboard to bring about even a semblance of alignment
between the various faces and between type and rule. No printer
worthy of the name will willingly send out slip-shod work; hence the
time spent in lining different faces with each other and with rule is
a matter of serious moment. All such expense is unnecessary now,
thanks to the Uniform-Line type, and the printer is enabled to

Lower case alphabet a to z, U i-9 ems.



BARNHART BROS. & SPINDLER'S 76 SUPERIOR COPPER-MIXED TYPE



OLD STYLE




BODY FACES



Cast on Uniform Line. Partly leaded with two-point leads.



9 POINT OLD STYLE No. 59

THE matter of lining type is so important that every printer should
be familiar with the details of our Point- Line, Point- Set, Point- Body Lining
System. This system saves the printer many a dollar in composition time,
to say nothing of the increased beauty of his work. Every printer has
experienced trouble in bringing type on different bodies to line, and in lining
rule with type, and therefore knows the great loss of time unavoidable when
lining type is not available. Take a legal blank, for instance, in which
words in larger type that begin paragraphs, as well as some others, must be
lined as near as may be with the letter selected for the body of the work,
and in which two-point brass rule must be lined with the type ; hours of
valuable time must be spent by the compositor having only old-system
material at his disposal, because of the necessity for using paper and card
board to bring about even a semblance of alignment between the various
faces and between type and rule. No printer worthy of the name will
willingly send out slip-shod work; hence the time spent in lining different
faces with each other and with rule is a matter of serious moment. All such
expense is unnecessary now, thanks to the Uniform- Line type, and the printer
is enabled to pocket the money heretofore expended for work of this kind.
The Barnhart Bros. & Spindler Point-Line, Point-Set, Point-Body Lining

Lower case alphabet, a to z, IZ% ems.



9 POINT OLD STYLE No. 70

THE matter of lining- type is so important that every printer should
be familiar with the details of our Point-Line, Point-Set, Point-Body
Lining- System. This system saves the printer many a dollar in
composition time, to say nothing- of the increased beauty of his
work. Every printer has experienced trouble in bring-ing- type on
different bodies to line, and in lining- rule with type, and therefore
knows the great loss of time unavoidable when lining- type is not
available. Take a leg-al blank, for instance, in which words in larg-er
type that beg-in paragraphs, as well as some others, must be lined as
near as may be with the letter selected for the body of the work, and
in which two-point brass rule must be lined with the type ; hours of
valuable time must be spent by the compositor having- only old
system material at his disposal, because of the necessity for using-



Online Librarybros. & Spindler BarnhartBook of type specimens. Comprising a large variety of superior copper-mixed types, rules, borders, galleys, printing presses, electric-welded chases, paper and card cutters, wood goods, book binding machinery etc., together with valuable information to the craft. Specimen book no.9 → online text (page 10 of 71)