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Homer Albert Norris.

Practical harmony : a comprehensive system of musical theory on a French basis online

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Music

Lib.

MT

50

N79p

v.3




THE LIBRARY

OF
THE UNIVERSITY

OF CALIFORNIA
LOS ANGELES

MUSIC



PRACTICAL HA



lOMERA.NORRIS




iS UN BRANCH

IVERSITY OF CALIFORNIA,

'



3 ANGELES. CAUF.



KEY TO



A COMPREHENSIVE SYSTEM OF MUSICAL THEORY
ON A FRENCH BASIS



BY

HOMER A. NORR1S



PART I. CONSONANCE PART II. DISSONANCE

PART III. KEY TO HARMONY



PHILADELPHIA

THEODORE PRESSER



Copyright, 1896,

BY

H. B. STEVENS COMPANY
BOSTON



Copyright secured in England



Copyright transferred, 1903, to
THEO. PRESSER



KEY



TO



PRACTICAL HARMONY,



PART I.



CONSONANCE.



INTERVALS.

( Page 6.)



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KEY TO PRACTICAL HARMONY.
BASSES.

( Page 20.)



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BASSES.

(Page 22.)



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BASSES.

( Page 27-2S.)




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( Page 28.)



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MELODIES.

( Pages 33-34.)



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( Page 39.)




I



KEY TO PRACTICAL HARMONY.



2.



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THE FIRST INVERSION.

( Page 41-42. .)



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KEY TO PRACTICAL HARMONY.
THE SECOND INVERSION.

( Pages 53-54.)



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MODULATION.

FIRST ORDER.
( Pages 72-74.)



Allegretto.






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SECOND ORDER.



4.






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KEY TO PRACTICAL HARMONY.
REMOTE MODULATIONS.



Andante.






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TONAL SEQUENCE.

( Pages 76-77.)



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REAL OR MODULATORY SEQUENCE.

( Page 78.)



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II
U



PART II.



DISSONANCE.



THE DOMINANT SEVENTH CHORD.

( Pages 11-12.)

d l-i 1-



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KEY TO PRACTICAL HARMONY.



'&-.

L !& J



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29

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KEY TO PRACTICAL HARMONY,







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(Almost never employed.)

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aJLJ. L 1 1_



BASSES.

( Pages I 3-14.)



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KEY TO PRACTICAL HARMONY.



31






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KEY TO PRACTICAL HARMONY.






ft






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BASS.

(Page 16.)
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KEY TO PRACTICAL HARMONY.



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(Page 17.)



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35



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BASS.

( Pag 18.)

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KEY TO PRACTICAL HARMONY.






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_ - g:_ it g 11 i?^ T .-^. g ^- gg? _ r . g _ g _-^g- r -gi^i r g-

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( Page 18.)



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KEY TO PRACTICAL HARMONY.



37



-i i



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:=lEEg^gEEpEB

2

s=U



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MELODY.

( Page 2 I .)



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39



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DOMINANT SEVENTH WITHOUT ROOT.

( Page 24.)



1.





1 1



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KEY TO PRACTICAL HARMONY.




CHORD OF THE DOMINANT NINTH.

BASSES.
( Page 29.)



i.






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KEY TO PRACTICAL HARMONY.



^n^rfeiy

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* ^ '




KEY TO PRACTICAL HARMONY.
DOMINANT NINTH WITHOUT ROOT.



Jg ft XT- T'z^ TS^+ST FF*!=SF \-~4-ef=\



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KEY TO PRACTICAL HARMONY.

OJ-J



43



g -F~z5~^ FF**-F T-



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AND MINOR NINTH CHORDS.

( Page 35.)




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44



KEY TO PRACTICAL HARMONY.






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MINOR NINTH WITHOUT ROOT.

(Page 37.)





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KEY TO PRACTICAL HARMONY.



45




SS*












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SECONDARY SEVENTH CHORDS.

BASSES.
( Page 40. >



1..



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SEVENTHS OF THE FOURTH ORDER.

SEQUENCES.

( Pages 43-44.)

2. I I 3. , I , 4.



49



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53



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TONIC SEVENTH.



55







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Page 65.



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67



THE APPOGGIATURA.

( Page 102.)



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(Page 104.)



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1

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