Catalogue of early books on music (before 1800) online

rati apvd Petrvm || Schoeffer & Mathiam Apiarium. Anno Salutis ||
m.d.xxxv]

[78] p. incl. 2 tab. fold, diagr. 28£ cm .

Printer's mark on t.-p.; side-notes. Signatures: 1 1. unsigned, 3 1. signed 2, 3
and 4 respectively, 2 1. unsigned, A-D in sixes, E in four, F in five. Dedication
has date 1532.

"Exempla": 1. E v°-l. [Fv] r°.

ML171.F93-

Frustabirbe, avvocato, pseud.?

Lettera dell' avvocato Frustabirbe, indirizzata al Signor Antonio
Sacchini, maestro di cappella. Torrni Vonor cercasti ed il danaro Solo
per odio, e senza tuo profttto: Perche non m'hai o pezzo di sontaro Col
coltej, di Baretti il cor trafitto? — Badini. In Roma, Alia bocca della
Verita, 1774.



Jem



94, [1] p. 23 c

"Elogj de' congiurati contro il Badini:" p. [79]-88.



ML410.S13F8



[Fuhrmann, Martin Heinrich] b. 1669.

Die an der kirchen Gottes gebauete satans-capelle; darin dem
Jehova Zebaoth zu leid und verdruss, und dem Baal-Zebub zur freud
und genuss, (1.) Die operisten und comcedianten mancher orten ihren
zuschauern eine theologiam gentilium aus den griechischen und
lateinischen fabel-matzen, und eine moral aus des verlohrnen sohns
catechismo vorbringen; und (2.) Die menschliche welsche wallachen



EARLY BOOKS ON MUSIC 99

[Fuhrmann, Martin Heinrich] — Continued.

und Amadis-sirenen aus dem hohen lied Ovidii De arte amandi, lieb-
liche Venus-lieder dabey singen; und (3.) Die Jubalisten mit geigen
und pfeiffen nach des alten Adams lust und wust darzu klingen; und
(4.) Sylvester mit seiner Herodias-schwester, und Arlequin in einem
frantzdsischen kalber-tantz herum springen; in einem wald-discours
uber des autoris zwey letzte tractatlein wider die hamburgischen
operisten und herrn d. Mayern betrachtet, von Caspar, Baltzer, Mel-
cher. Und alien christlichen seelen zur anschau und abscheu vorge-
stellet, von Marco Hilario Frischmuth [pseud.] Gedruckt zu C6lln am
Rhein, und verlegt von der heil. drey k6nige erben. [Berlin, 1729]

96 p. 15i cm .

ML63.F78

Das in unsern opern-theatris und comcedien-buhnen siechende
christenthuni und siegende heidenthum, auf veranlassung zweyer
wider den Musicalischen patrioten sich empdrenden hamburgischen
theatral-malcontenten, Musandri und Harmonii, betrachtet, und . . .
in einem gesprach vorgestellet von Liebhold und Leuthold . . . Ge-
druckt zu Canterbury [i. e. Berlin, 1728]

32 p. 15J cm .

"Zuschrift" signed: N. N. N. Dated: Ascher-mittwoch, 1728. Canterbury,
in dem musicalischen haupt-quartir, 36. meilen von Hamburg.

Written in reply to an^ anonymous work pub. the same year under title: Ein
paar derbe musikalisch-patriotische ohrfeigen dem . . . herrn Mattheson . . . zu
wiederherstellung seines verlornen geh&rs und verstandes . . . ertheilt von . . .
Musandern und Harmonio.

ML63.F821

Musica vocalis in nuce, das ist: Richtige und vdllige unterweisung
zur singe-kunst / in wenig blattern / nach welcher ein informator seinen
informandis die gantze vocal-music nach heutiger manier bald und
leicht beybringen kan / ausgefertigt von Martin Henrich Fuhrmann
. . . Berlin / Gedruckt bey J. Lorentz [1715]

64 p. 17£ cm .

MT6.A2F91

M. H. F. G. F. C. Musicalische strigel / womit (1.) Diejenige super-
lativ-virtuosen aus der singenden und klingenden gesellschafft / so
nicht chor-massig als kunstler die grantzen des Apollinis seines musi-
calischen reichs; sondern thor-massig als humpler die platze des
Apollyonis seiner music-kahlen barbarey vermehren; (2.) Diejenige
super-kluge quacksalber aus der musical, guide, so in des autoris
Musical, trichter / sine fronte & fonte herum stdhren, sauberlich
geputzet werden. Denen canonicis zur nachricht / denen apocryphis
zum unterricht / und dem neid zu leid herausgegeben, un. in diese form
gedruckt, damit dis tractatchen auf verlangen an dessen auchange-
fochtenen Musica in nuce kdnne beygebunden werden. Athen an der
Pleisse [i. e. Leipzig, 17 — ]

36 p. 16 x 9J cm .

MT6.A2F8



100 LIBRARY OF CONGRESS

[Fuhrmann, Martin Heinrich] — Continued.

Musicalischer-trichter / dadurch ein geschickter informator semen
informandis die edle singe-kunst nach heutiger manier bald und leicht
einbringen kan / darinn vitiosa ausgemustert : obscura erlautert :
deficienta[!] aber erstattet / mit einer vorrede / von der heutigen music
vollkommenheit / krafft / nutz und nothwendigkeit / hrsg. durch ein
mitglied der singenden und klingenden gesellschafft ... In verle-
gung des autoris. Franckfurt / an der Spree [i. e. Berlin] gedruckt
1706.



tcm



96p. 15J x 18£ c
Preface signed: Meines hertzena freude.



MT6.A2F9



Funk, Christlieb Benedict, 1736-1786.

De sono et tono . . . Lipsiae, litteris Langenhemiorvm haered. et
Klavberthiis [1779]

16 p. 20J x 16 cm .

Programm (Ad capessendoa summos in philosophia honores invitat procancel-
lariua C. B. Funccius) — Univ. Leipzig.

ML3809.A2F9

Disquisitionem in doctrinam de sono et tono continvat



Christlib Benedictvs Fvnk . . . Lipsiae, ex officina Klavbarthia
[1782]

8 p. 20J x 16 cm .

Programm (Ad celebrandam memoriam Henricianam, Ridelianam et Seyfer-
tianam) — Univ. Leipzig.

ML3S09.A2F9

Fusee de Voisenon, Claude Henri de.

See Voisenon, Claude Henri de Fusee, abbS de.

Fux, Johann Joseph, 1660-1741.

Gradus ad Parnassum, sive Manuductio ad compositionem musicse
regularem, methodo nova ac certa, nondum ante tarn exacto ordine
in lucem edita: elaborata a Joanne Josepho Fux . . . Yiennse Aus-
tria, typis Joannis Petri van Ghelen, 1725.

5 p. 1., 280 p. lillus. 32 cm .

Added t.-p., engr.

MT40.A2F99

Practical rules for learning composition, translated from a

work intitled Gradus ad Parnassum, written originally in Latin by
John Joseph Feux . . . London, J. Preston [1791 ?]

1 p. 1., 49 p. 35J cra .

Engraved throughout.

MT40.A2F998



EARLY BOOKS ON MUSIC 101

Fux, Johann Joseph — Continued.

Traite de composition musicale, fait par le celebre Fux. On

peut en etudiant ce traite avec attention parvenir a bien composer
en tres peu de terns . . . Tr. en francais par le S r . Pietro Dems . . .
Paris, M. Boyer [etc., 17 — ]

1 p. 1., 272 p. 24 c



lcm



Engraved throughout. Only a partial translation of the " Gradus."
let edition, Paris, 1773.

MT40.A2F996

Gradvs ad Parnassvm, oder Anfuhrung zur regelmassigen



musikalischen composition . . . ausgearb. von Johann Joseph Fiix
Aus dem lateinischen ins teutsche ubersetzt, mit . . . anmerckungen
versehen und heraus gegeben von Lorenz Mizlern . . . Mit sieben
und funfzig kupfertafeln in quart. Leipzig, Mizler, 1742.

4 p. 1., 197, [3] p. lvii pi. on 29 fold. 1. (music) 21£ x 16£ cm .

Title vignette

MT40 A2F993

Gabler, Matthias, 1736-1805.

Der instrumentalton ; eine physikalische abhandlung verf asset von
Matthias- Gabler . . . als Joseph Hubbauer . . . fur den grad des magi-
steriums aus der weltweisheit geprufet wurde. Im monate august
1775. [Ingolstadt] Gedruckt bey J. F. Lutzenberger [1776]

1 p. 1., 42 p. 20 x 16 cm .

ML3807.G12

Gabriel da Annunciagao, b. 1681.

Arte de cantocham resumida, para o uso dos Religiosos Franciscanos
observantes da Santa Provincia de Portugal. Composta pelo padre
Fr. Gabriel da Annunciacam . . . Lisboa Occidental, Officina da
musica, 1735.

6 p. 1., 83 p. 1 illus. 21 cm .

MT860.A2A61

Gaffurio, Franchino, 1451-1522.

Angelicum ac diuinum opus musice || Franchini Gafurii laudensis
Re || gii musici: ecclesieqj MTe || diolanensis phonasci: || materna lingua
|| scriptum. [Colophon: Impressum Mediolani per Gotardum de pote
Anno Salutis Millesimo quin || getesimo octauo die sextadecima sep-
tembris . . .]

[96] p. illus., diagrs. 28£ c



Lcm



Signatures: A in four, B-F in sixes, G-H in fours, I in six. 1st ed. Milan, 1496.

ML171.G10

C Apologia Franchini Gafurii musici aduersus Ioannem || Spata-
rium & complices musicos bononienses. [Colophon: C Impressum
Taurini per magistrum Augustinum de Vi || comercato. Anno do-
mini, m.d.xx. die xx. Aprilisl

[19] p. diagrs. 28 cm .

Caption title. Signature: A of ten leaves.

Ends with: Cum opera nostra sana sint si sane intelligantur / & sententiae
nostrse recta? nisi peruertantur. Quo fit: ut & si incocessa rabie torquearis:
harmonia Gafurii & Ioannes Grolierius patronus seternum uiuant (followed by
the arms of Jean Grolier)

ML171.G105



102 LIBRARY OF CONGRESS

Gaffurio, Pranchino — Continued.

C Franchini Gafurii Laudensis Regii Musici publice || profitentis:
Delubriq, Mediolanensis Phona || sci: de Harmonia Musicorum In ||
strumentorum Opus. || Io. Iacobi Lomatii Epygrama. || Vt quon-
dam e Phrygia matrem Nasica Deorum || Aduectam meruit solus ut
exciperet, |[ Sic fieri solus noster Grolierius hospes || Coelestis meruit
cultor & Harmonise || Et merito: nam cum foueat pascatq* sorores : |j
Quae poterat Diuse gratior esse domus? [Colophon: (E Impressum
Mediolani per || Gotardum Pontanum Calco || graphum die. xxvii.
Nouem || bris. 1518. Authoris praef ectu j| rse Anno trigesimoquinto.
Leo || ne Decimo Potifice Maximo : J| ac Christianissimo Francorum ||
Rege Francisco Duce Medio || lani. Fcelici Auspicio Regnan |l tibus]

4 p. 1., c numb. 1., [4] p. illus., diagrs. 28 cm .

Woodcut on t.-p. ; initials ; on verso of 4th prelim, leaf the arms of Jean Groiier;
printer's mark at end. lxi omitted in numbering leaves; lxiii repeated.

ML171.G11

Practica musicae. [Mediolani, Guillermus Le Signerre, 1496]
28J cm .

Hain 7407, Proctor 6067, Panzer, v. 2, p. 83, Copinger.

ML171.G12

Practica Musicae vtriusq, || cantus excellentis fran || chini gaf-

fori Lau- |]desis. quatuor || libris mo || dulatis || sima.|| [Colophon:
Impressa Brixie opera & impensa Angeli Britannici: anno salutis.
m.d.viii. || die ultimo maii]

[222] p. 3l£ cm .
Signatures: 4 1. unsigned, a-b in eights, c in six, A-K in eights, L in five.

ML171.G121

Practica musicae vtriusq. catus excelletis Frachini Gaffori



Laudesis. Quattuor libris modulatissima : sumaq, diligetia nouissime
Ipressa. [Colophon: Musicse Franchini Laudensis : cantoris solemnis-
simi pratica quattuor libris compraehesa explicit. Impressa nouissime
Venetiis: multisq, erroribus expurgata per Augustinum de Zannis de
Portesio bibliopolam accuratissimum. Anno dominic83 incarnationis.
m.d.xii. die. xxvin. iulii]

82 numb. 1. illus. 30£ cm .

Title-page has woodcut 21£ x 16£ cm , signed "L." 4 large initials, 2 full page
illustrations. The woodcut, initials and illustrations are in this copy roughly-
colored by hand.

ML171.G13

Galeazzi, Francesco, 1758-1819.

Elementi teorico-pratici di musica, con un saggio sopra l'arte di
suonare il violino analizzata, ed a' dimostrabili principj ridotta. Opera
utilissima a chiunque vuol applicar con profitto alia musica, e speci-
almente a' dilettanti, e professor! di stromenti d'arco, di Francesco
Galeazzi . . . Ascoli, F. Cardi, 1817, 1796.

2 v. (v. 1: xviii, [2], 286, [2] p.; v. 2: viii, xxvi, 327, [1] p.1 14 fold, pi., fold,
tables. 21£ cm .



EARLY BOOKS ON MUSIC 103

Galeazzi, Francesco — Continued.

Vol. 1: Ed. 2., ricorretta, e considerabilmente dall' autore accresciuta col'-
l'aggiunta di molte, e nuove tavole in rame, e specialmente di quattro gran pro-
epetti concernenti l'arte dell' arco.

"Vol. 2 has slightly varying title,with imprint: Roma, Stamperia di M. Puccinelli,
1796.

MT6.A2G15

Galeota, Onofrio, pseud.
See Galiani, Ferdinando.

Galiani, Ferdinando, 1728-1787.

See Mattei, S. Se i maestri di cappella son . . . artigiani [1785?]

Galilei, Vincenzo, d. 1591.

Dialogo di Vincentio Galilei nobile fiorentino della mvsica antica,
et della moderna. Fiorenza, G. Marescotti, 1581.

2 p. 1., 149, [10] p. illus., diagrs. (1 fold.) 32 cm .

Title within ornamental design; printer's mark at end. The folding diagram is
7x31 cm . Between p. 40 and 41 in this copy is inserted a pen and ink illustra-
tion, headed: Cithara nova et antiqua. Ms. notes throughout the book and the
following note on t.-p.: Con le note e correttioni di . . . Don Barttolomeo Cara-
sciolo.

ML171.G15

Fronimo, dialogo di Vincentio Galilei . . . sopra l'arte del bene inta-
volare, et rettamente sonare la mvsica negli strumenti artificiali si di
corde come di fiato, & in particulare nel huto. Nuouamente ristam-
pato, & dall' autore istesso arrichito, & ornato di nouita di concetti,
& d'essempi. Vineggia, Appresso l'herede di G. Scotto, 1584.

4 p. 1., 182 p. 32£ cm .

Title vignette (repeated on last page)

MT640.G25

Galle, Daniel.

See SchurtZfleisch, C. S. De hymnis ecclesise veteris [1725]

Galle, Philippe, 1537-1612.

See Straet, J. van der. Enconivm mvsices [ca. 1600]

Galliard, John Ernest, 1687 ?-1749, translator.

See Raguenet, F. A comparison between the French and
Italian musick, 1709.
Tosi, P. F. Observations on the florid song, 1743.

Galliculus, Johannes.

Isagoge j| Ioannis |[ Gallicv- || li de || compo- || sicione [| cantvs. |j
Lipsise, apud Valenti- || num Scnumannu An. || Christi. m.d.xx.

[46] p. 16i cm . (In Rhaw, Georg. Enchiridion vtriusqj musicQ practice^
[Lipske, 1520] [pt. 3J)

ML171.R42



104 LIBRARY OF CONGRESS

Galliculus, Johannes — Continued.

Libellvs de || compositione || cantvs. || Ioannis Gallicvli. ||

Vitebergae || apud Georgium || Rhau. || Anno m.d.xlvi.

[19] p. 15 cm .

Title within ornamental border, colored by hand. Signatures: a-B in eights,
C in four.
"Exemplvm omnivm regvlarvm": [2] p. at end.

ML171.G17

Gallini, Giovanni Andrea Battista, 1728-1805.

A treatise on the art of dancing. By Giovanni Andrea Gallini.
London, Printed for the author and sold by It. Dodsley [etc.] 1772.

2 p. 1., [ix]-xvi, [17]-292 p. fold, front. 20£ cm .

Copy 2.

GV1601.G17

Ganassi, Silvestro, dal Fontego.

Opera Intitulata Fontegara || Laquale Isegna a sonare di flauto ch<5
tutta Parte opportuna a esso Istrumento || massime il diminuire
ilquale sara utile ad ogni istrumento di fiato et chorde: et achora
a }| chi si dileta di canto, cSposta per syluestro di ganassi dal fOtego
sonator d la Ill ma . S a . D. V a . [Colophon : C Impressum Venetiis per
Syluestro di ganassi || dal fontego sonator della illustrissima si [|
gnoria di Venetia hautor pprio. || mdxxxv]

[158] p. 15§ x 21 cm .

Title and accompanying woodcut within heavy black border. Signatures: 4 1.
unsigned, â– , A-S in fours (last 1. blank)

MT342.A2F55

[Garcin, Laurent] d. 1788.

Traite du melo-drame, ou Reflexions sur la musique dramatique
. . . Paris, Vallat-la-Chapelle, 1772.

xxxij, 380, [3] p. 19£ cm .

ML1727.35.G2

Gaspar, Michael, pseud.
See Michell, Henry.

Gasparini, Francesco, 1668-1727.

L'armonico pratico al cimbalo. Regole, osservazioni, ed avver-
timenti per ben suonare il basso, e accompagnare sopra il cimbalo,
spinetta, ed organo. Di Francesco Gaspanm . . . Venezia, A. Bor-
toli, 1708.

118, [2] p. 22 x 17$ cm .

MT68.A2G17

L'armonico pratico al cimbalo, regole, osservazioni, ed avver-



timenti per ben suonare il basso, e accompagnare sopra il cimbalo,
spinetta, ed organo. Di Francesco Gasparini ... 4. impressione.
Venezia, A. Bortoli, 1745.

4 p. 1., 86 p., 1 1. 24} cm .

Title vignette.

MT68.A2G175



EARLY BOOKS ON MUSIC 105

Gatta, Marco della.

Breve ra'gguaglio delle principali regole del canto fermo gregoriano
parte prima divisa in nove dialoghi con breve appendice del canto
iratto, opera del rev. sacerdote D. Marco della Gatta . . . per uso, e
studio de' convittori del seminario diocesano . . . Napoli, V. Orsini,
1793-94.

2 v. in 1 (v. 1: xxvi, [2], 132 p.; v. 2: viii, 85, [2], 137, [2] p.) 1 illus. 26 cm .

Vol. 2 has title: Esempj e cantilene di canto fermo gregoriano con appendice
di messe, ed officiatura de' morti. Parte seconda . . .

MT860.A2G26

Gaudentius.

See Meibom, M., translator. Antiqvae mvsicse avctores, 1652.

Gaultier, Aloisius Edouard Camille, 1746 ?-1818.

Methode pour apprendre a lire la musique, et a battre la mesure
en tres-peu de temps, faisant partie du cours d'etudes elementaires
de M. l'abbe Gaultier, destine a instruire les enfans en les amusant,
par le moyen de plusieurs jeux . . . Paris, Au Cours des jeux instruc-
tifs pour la jeunesse, 1789. - "

24 p. 3 fold pi. 18£ cm .

Appended: Cours de jeux instructifs pour la jeunesse, sous la protection du
gouvernement . . . Par M. I'abb6 Gaultier. 14 p., 1 1.

MT35.A2G18

[Gauthier, Francois Louis] 1696-1780.

Traite contre les danses et les mauvaises chansons, dans lequel le
danger & le mal qui y sont renferm^s sont demontres par les temoi-
gnages multiplies des Saintes Ecritures, des ss. pp. des conciles, de
plusieurs ev^ques du siecle passe & du notre, d'un nombre de th6o-
logiens moraux & de casuistes, de jurisconsultes, de plusieurs ministres
protestans, & enfin des payens meme. Paris, Froulle, 1785.

36, 347 p. 17 cm .

"Revu par L.-E. Rondet." — Barbier, Diet, des ouvrages anonymes.
First edition, 1765.

ML3920.A2G19

[Gauthier de Montdorge, Antoine] 1700-1768.

Reflexions d'un peintre sur l'opera. La Haye, P. Gosse, 1743.

41 p. 16£ cm .

ML3858.G27

Gavinies, Pierre, 1726-1800.

See Latour de Fraxqueville, Mme. de. Mon dernier mot [1781]

Gebst, Volckmarus Leisringius.

Corona musices, qvam ex lectissimis & svavissimis, ac ex musaru
charitumejj viridario decerptis flosculis, cum antiquitatis dignitate, et
multiphci utilitate; turn concinna jucunditate, e perpetua durabili-
tate, sestimandis, collegit, & sub orationis ju^um coegit ac revocavit:
et deniq^ publice exhibuit Volckmarus Leisringius Gebst . . . Jense,
typis VVeidnerianis, 1611.

[16] p. 19£ x 15i cm .

Title within ornamental border. Signatures: A-B in fours.

ML64.G3



106 LIBRAKY OF CONGRESS

Gedanken uber die welschen tonkunstler. Zur beantwortung des
im sieben und dreissigsten stucke der hamburgischen Freyen
urtheile befindlichen Schreibens an den herrn verfasser des
Kritischen musikus an der Spree. Halberstadt, C. E. I. Weldige,
1751.



23 p. 21* x 17 cm .



ML275.3.G26



Gehot, Jean, b. ca. 1756.

The art of bowing on the violin, calculated for the practice &
improvement of juvenile performers, by Joseph Gehot. London, G.
Goulding[179-?]

9 p. 25 x 31 cm .

MT267.A2G31

Geminiani, Francesco, 1680 M762.

The art of accompaniament, or A new and well digested method to
learn to perform the thorough bass on the harpsichord, with propriety
and elegance, by F. Geminiani. Opera 11 th .. . London, Preston
and son [1753 «]

2 v. (v. 1: 1 p. L, 4, 33 p.; v. 2: 1 p. L, 4, 36 p.) 36i cm .

Engraved, with exception of preliminary matter (p. 1^1) in each vol.
Vol. 2: Opera 11 th . Part the 2 d . Treating of position and motion of harmony,
and the preparation and resolution of discords.

MT49.A2G4

The art of playing on the violin; containing all the rules
necessary to attain to a perfection on that instrument, with great
variety of compositions, which will also be very useful to those who
study the violoncello, harpsichord &c. Composed by F. Geminiani
. . . Opera ix. London, Printed for the author by J: Johnson, 1751.

1 p. 1., 9, 51 p. 34 x 25$ cm . (With his Rules for playing in a true taste. [Lon-
don, 1745?])

Not identical with pt. v of Prelleur's "Modern musick-master." The first
edition, according to the Oxford history of music, can not have been issued
before 1734.

MT262.A2G32

L'art de jouer le violon, contenant les regies necessaires a la

perfection de cet instrument, avec une grande variete de compositions
tres-utiles a ceux qui jouent le violoncelle ou le clavessin, &c. Par
F. Geminiani. Opera ix. Grave par Madame de Lusse ... Paris,
De la Chevardiere; [etc., etc., 17 — ]

2 p. 1., 55 p. 34 cm .

Added t.-p., illustrated.

MT262.A2G31

The art of playing the guitar or cittra, containing several compo-
sitions with a Dass for the violoncello or harpsichord ... by F. Gemi-
niani . . . Edinburgh, Printed for the author by R: Bremner, 1760.

1 p. 1., 2-51 p. 35i cm .

Engraved throughout.

MT582.A2G2



EARLY BOOKS ON MUSIC 107

Geminiani, Francesco — Continued.

Compleat instructions for the violin, containing the easiest and
best methods for learners to obtain a proficiency, with some useful
directions, lessons, graces, &c. by Geminiani. To which is added a
favorite collection of airs, marches, minuets, &c. with several excellent
peices [!] for two violins . . . [London] G. Goulding [ca. 1790?]

1 p. 1., 28, [2] p. front., pi. 17 x 24 cm . (With Entire new . . . instructions
for the fife. London [17—])

Caption title: New instructions for the violin. Engraved throughout.

MT356.A2E62

Guida armonica, o Dizionario armooico. Being a sure guide to
harmony and modulation, in which are exhibited, the various com-
binations of sounds, consonant, and dissonant, progressions of har-
mony, ligatures and cadences, real and deceptive. By F. Geminiani.
Opera x . . . London, Printed for the author, by J. Johnson [1742]

3 p. 1., 34 p. front. 33i cm .

Engr. t.-p.

MT52.A2G3

A supplement to the Guida armonica, with examples shewing



it's use in composition: by F. Geminiani. London, Printed for the
author, by J. Johnson [17 — ]

4 p. 1., 10 p. 33£ cm . (With his Guida armonica. London [1742])

MT52.A2G3

Dictionaire harmonique ; ou Guide sur pour la vraie modu-

laison. Par F. Geminiani. Dictionarium harmonicum, of Zeekere
wegwyzer tot de waare modulatie . . . Amsterdam, Aux depens de
l'auteur, 1756.

4 p. 1., 34 p. 34} cm .

Title-page, verso blank. — Privilegie. p. 1. [2] — Au lecteur (French and Dutch
in parallel columns) p. 1. [3] — Methode de composer suivant ce dictionaire
(French and Dutch) p. 1. [4] — [Modulations] 34 p., engr.

MT52.A2G32

Rules for playing in a true taste on the violin, German flute,
violoncello and harpsicord, particularly the thorough bass; exem-
plify'd in a variety of compositions on the subjcts [!] of English,
Scotch and Irish tunes; by F. Geminiani. Opera vm. [London,
1745 ?]

2 p. 1., 2-19 p. 34 x 25£ cm .

MT262.A2G32

A treatise of good taste in the art of musick ... by F. Geminiani.

London, 1749.

1 p. 1., 4, [2], 30 p. front. 37J cm .

Engraved, with the exception of 4 pages following t.-p.

MT80.A2G32



108 LIBRARY OF CONGRESS

Gerber, Ernst Ludwig, 1746-1819.

Historisch-biographisches lexicon der tonkunstler, welches nach-
richten von dem leben und werken musikalischer schriftsteller,
beruhmter componisten, sanger, meister auf instrumenten, dilet-
tanten, orgel- und instrumentenmacher . . . enthalt; zusammen-
getragen von Ernst Ludwig Gerber . . . Leipzig, J. G. I. Breitkopf,
1790-92.

2 v. (v. 1: xiv, [2] p., 992 col.; v. 2: 1 p. 1., 860 col., xvi, 86 p.) 22£ cm .

" Verzeichniss derjenigen musikalischen werke, welche bey dem sammeln
dieser nachrichten am meisten zu rathe gezogen worden sind:" v. 1, 2 p. fol-
lowing p. xiv.

"Anhang, welcher nachrichten von bildnissen, busten und statuen beruhmter
tonlehrer und tonkunstler . . . desgleichen von beruhmten orgelwerken und
ein instrumenten-register enthalt": v. 2, xvi, 86 p. at end.

ML105.A2G36
Gerbert, Martin, freiherr von Homau, 1720-1793.

De cantv et mvsica sacra a prima ecclesiae aetate vsqye ad praesens
tempus. Avctore Martino Gerberto . . . Typis San-Blasianis, 1774.

2 v. (v. 1: 10 p. L, 590 p.; v. 2: 6 p. 1., 409, [29], 112 p.) illus., xxxv pi. (partly
fold., incl. facsims.) 26 x 20 cm .

Title vignette; head-pieces; initials.

"Missa in coena Domini": 112 p. at end of v. 2.

ML3002.A2G3

Martini Gerberti . . . Iter alemannicum, accedit italicum et galli-
cum. Sequuntur Glossaria theotisca ex codicibus manuscriptis a
sseculo ix. usque xiii. Typis San-Blasianis, 1765.

4 p. 1., 519, [15], 144 p. 18 cm .

Z1001.G44
Gerbert, Martin, freiherr von Hornau, 1720-1793, editor.

Scriptores ecclesiastici de musica sacra potissimum. Ex variis
Italia?, Gallise & Germanise codicibus manuscriptis collecti et nunc
primum publica luce donati a Martino Gerberto m'onasterii et congreg.
S. Blasii in Silva Nigra abbate, s. q. r. i. p. ... Typis San-Blasianis
1784.

3 v. fronts., fold, tables. 26 x 20£ cm .

ML170.G3

Gervasio, Giovanni Battista.

Methode tres facile pour apprendre a jouer de la mandoline a
quatre cordes, instrument fait pour les dames. Avec les regies les
plus exactes pour la fapon de se servir de la plume . . . Par M r . J. B.
Gervasio . . . GEuvre l r . Paris, Bouin; [etc., etc., 17 — ]

1 p. 1., 15 p. 34} em .

Engraved throughout.

MT602.A2G3

Gesius, Bartholomaus, d. 1613.

Synopsis mysicse practicse, variis exemplis illustrata, et exercitiis
ad 12. modos in utroque cantu, regulari scilicet ac transposito ampli-
ficata. In usum scholasticae juventutis francofurtensis cis Viadrum