Catalogue of early books on music (before 1800) online

conscripta a Bartholomseo Gesio . . . Francofurti Marchionum, typis
& impensis Johannis Eichorn, 1609.

[240] p. 14 cm .

Signatures: A-P in eights.

MT6.A2G39



EARLY BOOKS OK MUSIC 109

Gestrinius, Sueno.

See Ltjndius, D. Dissertatio gradualis [1707]

Gianotti, Pietro, d. 1765.

Le guide du compositeur, contenant des regies sures pour trouver
d'abord, par les consonnances, ensuite par les dissonnances, la basse
fondamentale de tous les chants possibles, & dans tous les genres de
musique; avec les moyens les plus surs pour reussir dans la recherche
& la connoissance du ton dans le sujet . . . Par M. Gianotti. Paris,
Durand [etc.] 1759.

xxiv, 310, [6], 39 p. (engr.) 20 cm .

"Exemples": 39 p. at end.

MT68.A2G43
Gibel, Otto, 1612-1682.

Ottonis Gibelii . . . Introductio musicse theoretics didacticse, in
qua prsecipua ejus principia, cum primis vero mathematica . . . summa
pariter perspicuitate ac brevitate proponuntur; nee tantimi ad mono-
chordum, sed aha quoqj hodie usitatiora & nobiliora instrumenta, turn
secundum veterem turn novam musices rationem, accurate applican-
tur. Pars generalis . . . Bremae, typis & sumptibus J. Kohleri, 1660.

6 p. 1., 128 p. diagrs. on fold. 1. 19 x 14£ cm . (With his Propositiones mathe-
matico-musicae. Minden an der Weser, 1666)

The second and concluding part mentioned in the preface was not published.

ML3809.A2G4

Propositiones mathematico-musicae, das 1st : Etliche f urnehme und
gar nutzliche musicalische auffgaben / auss der mathesi demonstriret,
und nach beschaffenheit in beygefugten kupfferstucken kunstlich
reprsesentiret und fur augen gestellet / alien wahren music-liebhabern
zum besten auffgesetzet und an tag gegeben. Von Ottone Gibelio.
Minden an der Weser, J. E. Heydorn, 1666.

2 p. 1., 53 (i. e. 44) p. fold, pi., fold. tab. 19 x 14$ c,n .

Last four pages numbered 50-53 for 41-44.

ML3809.A2G4

Ginguene, Pierre Louis, 1748-1816, editor.
See Framery, N. £. Musique, 1791-1818.

Glareanus i. e. Heinrich Loriti, ofGlarus, 1488-1563.

Glareani JcodeKaxopdov . . . Basileaa. [Colophon: Basileae per Hen-
richvm Petri mense septembri anno post Virgihis partvm. m.d.xlyii]

10 p. 1., 470, [6] p. illus., diagrs. 31i cm .

Printer's mark at end.

Glareanus' autograph presentation copy to Francisco Spinola. Inserted at
end are 4 leaves containing in ms. (1) Presentation note: Anno a Jesu Christi
natali MDLni. Clarissimo viro P. Francisco Spinola Glareanus a Friburgo Brisgoa.^
D. M. (2) Ode: Ad ornatissimum virum P. Franciscum Spinolam Glareani
Trimetri. (3) Codex Glareani manu emendatus in his maxime, quae neces-
sitas postulabat, caetera, quae innumera quidem sunt, et a mediocris ingenij
cantoribus videri faciliter poterunt, in genere duntaxat ac breuiter hie perstricta
conspiciuntur. (4) Alia huius codicis errata quae prima relectione minus anim-
aduersa fuere denuo ipsius Glareani cura ac manu hue pernotata conspiciuntur.
At end, in a different hand: Decessit anno 1563, aetatis 75.

The third part contains examples from the works of Okeghem, Obrecht,
Josquin de Pres and others.

ML171.G54



</



110 LIBRARY OF CONGRESS

Glareanus i. e. Heinrich Loriti — Continued.

Dvo elegiarvm libri || Henrici Glareani || Helvetii ad || Vlderi- fl
cvm. j| Zinlivm || Doggivm. [ColopTion: Basileae in aedibvs Ioannis ||
Frobenij Hammelburgensis diligen- || tissimi apud Alemannos || Chal-
cographi, || expensis || aute || Gertrudae || Lachnerae uxoris || Frobenij.
Anno domini | m.d.xvi. Decimooctauo || Calendas Decemoreis.]

[42] p. 21 cm . (With his Isagoge in mvsicen. Basileae, 1516)

Title within ornamental border; initials; printer's mark at end. Signatures
continuous with those of his Isagoge in mvsicen: F-I in fours, K in five.

ML171.G56

Isagoge in mvsicen || Henrici Glarea || ni Helvetii || poe. lav. || e
quibusqj bonis au |j thorib 9 latinis & graecis ad || studiosoru utilitate ||
multo labore || elaborata. || Ad Falconem coss. || vrbis Aventicensis.
[Basileae, 1516]

[39] p. diagrs. 21 CIn .

Title within woodcut border by Hans Holbein the younger; initials; printer's
mark of J. Frobeniuson t.-p. Signatures: A-E in fours. Preface dated: Basileae,
1516.

ML171.G56

Musicae epitome ex Gla- [| reani Dodecachordo || Vna cum || qvinqve
vocvm melodiis svper || eivsdem Glareani Panegyrico de Helve || tica-
rum xin urbium laudibus, per Manfredum || Barbarinum Coregien-
sem. || Basileae [1559] >

8 p. 1., 150, [2] p. 1 illus., fold, tab., diagrs. 15 x ll£ cm .

Colophon on p. 103 and on recto of last leaf: Basileae, || ex officina Hieronymi ||
Cvrionis, impensis Hen || rici Petri, anno || m.d.lix. men- 1| se martio.

Guidonian hand on t.-p. (repeated on p. 5) Preliminary leaves 7-8 blank.
Printer's mark on p. [104] and on last page.

Caption of preface: Ioannes Litauicus Vuonnegger lectori S.

"Mensuralis Musices || ex Glareani Dode- || cachordo Compendium": p. 105-
150.

ML171.G55

See also Boethitts, A. M. S. Opera omnia [1570]

Glaser, Johann Adam.

See Weidling, C. Exercitatio philologica [1686]

Godin d'Abguerbe, Quentin.

â– See Parfaict, F." Dictionnaire des theatres, 1756.

Goetting, Valentin.

Compendium || mvsicae mo- || dulativae, quale brevitate ordinis |[
commoditate & facilitate nun- || quam visum, || Observatum & in
usum puero- || rum jam primum ad Musicam adniben- || dorum Col-
lectum a || Valentino Goettingi Witzen- || husano Musicae studioso, ||
Aimo salutis 1587. editum secund6 in gratiam || tarn docentium quam
discentium, J| Accessit Exercitiil Musicum, ad || duodecim Dode-
cachordi modos & puerorum inci- || pientium captum accommodatum,
[I Cum Praefatione Henningi Deaekindi || Cantoris Salzensis. || . . .
[Colophon: Erphordiae Georgius Bauman excudebat]

[64] p. 16 c ».



EARLY BOOKS ON MUSIC 111

Goetting, Valentin — Continued.

Signatures: A-D in eights. Ms. note on fly-leaf: "Deux exemplaires connus:
a la Bibl. Fetis (n 9 5465) et celui-ci. A[lfred] Wfotquenne] "

Title, with dedicatory verse "Ad Fridericum Beurhusium" at foot of page. —
Insignia nobilium de Sachsa. t.-p. verso. — Poem "In insignia nobilium de
Sachsa" signed H. D. N. F. 1. [2] r°. — Aeqvo lectori, bonis viris, et iuvenibus
musicae studiosis salutem dicit Henningus Dedekindus Neostadianus. (Run-
ning title "Prsefatio") 1. [2] v°-l. [11] r°. — Epistola nobilibvs ingenvisethonestis
adolescentibvs, stemmatissui nobilitatem liberalium artium studio illustrantibus:
Sigismvndo de Sachsa [et al.] ingeniis musicse amantibus, salutem & plenum
liberalium studiorum amorem optat Valentinus Goettingi Witzenhus. (dated
1586) 1. [11] v°-l. [13] r°. — Instrvctio ad docentes initia musicae. 1. [13] v°-l.

!14] v°. — Methodus hujus Compendii. 1. [15] r°. — Compendivm mvsicse modu-
ativae. 1. [15] v°-l. [19] v .— Ad lectorem. 1. [20] r .— Henricvs Gottingi ludi
Gebeseni moderator suo fratri s. d. p. (poem) 1. [20] v°. — Exercitivm musicum

{>ro incipientibus. 1. [21] r°-l. [32] v°. — Fragmentum ex Henningi Dedekindi
iteris ad autorem missis. [Colophon] 1. [32] v°.

ML171.G63
Goeze, Johann Melchior, d. 1727.

Der weit-beriihmte musicus und organista wurde bey trauriger
leich-bestellung des weyland edlen una kunst-hoch-erfahrnen herrn
Andrese Werckmeisters, treu-verdient-gewesenen organistens bey
unserer St. Martini-kirche, und kdnigl. preuss. wohl-bestallt-gewese-
nen inspectoris uber alle orgel-wercke im fiirstenthumb Halberstadt,
welcher am abgewichenen 26. octobr. des 1706ten jahres in Jesu seelig
verstorben, in einer stand-rede dargestellet von Iohann Melchior
G6tzen . . . [Quedlinburg ?] Gedruckt 1707.

[16] p. 19£ x 16 cm . {With Werckmeister, Andreas. Musicalische paradoxal-
discourse. Qvedlinburg, 1707)

ML3800.A2W4

Gogava, Antonius Hermannus, 1529-1569, translator.

Aristoxeni mvsici antiqviss. Harmonicorvm elementorvm libri in.
CI. Ptolemsei Harmonicorum, seu de musica lib. in. Aristotelis de
obiecto auditus fragmentum ex Porphyrij commentarijs. Omnia
nunc primum latine conscripta & edita ab Ant. Gogauino . . . Vene-
tijs, apud V. Valgrisium, 1562.

165, [1] p. diagrs. 22i cm .

Printer's mark on t.-p. and on last page.

ML171.G65

Goldschad, Gotthelf Conrad, b. 1719.

Chorvm mvsicvm gloriam Christi celebrantem ex Ps. lxviiI. v. 26.
sistit . . . M. Gotthelff Conrad Goldschad. Dresdae, literis Harpe-
terianis [17511

[12] p. I9i cm .

Programm — St. Annaschule, Dresden.

ML3001.G62

Gomes da Silva, Alberto Jose, d. 1795.

Regras de acompanhar para cravo, ou orgao, e ainda tambem para
qualquer outro instrumento de vozes, reduzidas a breve methodo, e
facil percepcao . . . por Alberto Joseph Gomes da Silva . . . Lisboa,
F. L. Ameno, 1758.

4 p. 1., 39 (i. e. 47), [2] p. tab., diagr. 20£ x 16 cm .

Pages 45-47 wrongly numbered 37-39. Pages [21-24] and [35-42] contain
"exemplos."

MT68.A2G63



112 LIBRARY OF CONGRESS

Gonzaga, Silvio Valenti-, cardinal.

See Valenti-Gon^zaga, Silvio, cardinal.

Gori, Antonio Francesco, 1691-1757, editor.

See Bandini, A. M. Commentariorvm de vita . . . Ioannis Bapt.
Doni, 1755.
Doni, G. B. Lyra Barberina, 1763.

Gori Pannilini, Francesco de'.

Lettera dell' abate Francesco de' Gori Pannilini . . . sopra l'opera
dell' abate Giuseppe Pizzati che ha per titolo La scienza de' suoni e
delV armonia, diretta specialmente a render ragione de' fenomeni, e a
conoscer la natura e le teggi della medesima, ed a giovare alia pratica
del contrappunto. Opera dell' ah. Giuseppe Pizzati divisa in cinque
parti. In Venezia 1782. appresso Gio. Gatti. Pisa, J. Grazioli, 1782.

39 p. 15 x 8£ cm .

MT50.A2P692

Gorton, William.

Catechetical questions in musick, containing a hundred and seventy
questions, fairly answered and made plain to the meanest capacity.
By William Gorton . . . London, Printed by W. Pearson for the
author, 1704.

3 p. 1., 41 p. 14 cm .

MT7.A2G7

Gottsched, Luise Adelgunde Viktoria (Kulmus) 1713-1762.

See Grimm, F. M., freiherr von. Ici sont ecrits les vingt-un
chapitres [17 — ]

[Goudar, Ange] 1720-1791.
Le brigandage de la musique italienne ... [n. p.] 1777.

2 p. 1., viij, 156 p. 19£ cm .

The dedication, "Epitre aux amateurs de la musique italienne du parterre de
l'Opera de Paris," is signed: Jean-Jacques Sonnette [pseud, of Ange Goudar]

ML1727.35.G6

Goudar, Mme. Sara, d. ca. 1800.

De Yenise. Remarques sur la musique & la danse, ou Lettres de
M?.G . . . a Milord Pembroke. Venise, C. Palese, 1773.

3 p. 1., 3-136 p. 19i cm .

ML3845.A2G68

Supplement aux Remarques sur la musique, & la danse, ou

Lettres de M> G . . . a Milord Pembroke. Venise, C. Palese, 1773.

95 p. 16$ cm .

ML3845.A2G69

(Euvres melSes de Madame Sara Goudar . . . Amsterdam, 1777.

2 v. in 1 (v. 1: xij, 203 p.; v. 2: 2 p. 1., 198 p.) 17 cm .

Contents. — t. 1. Lettres sur les divertissements du carnaval de Naples & de
Florence. — t. 2. Remarques sur la musique italienne & but la danse, a Milord
Pembroke.

DG447.G6



EARLY BOOKS OST MUSIC 113

Gournay, B. C, d. ca. 1794.

Lettre a M. l'abb(3 Roussier, sur une nouvelle regie de l'octave que
propose M. le marquis de Culant; par M. Gournay . . . Paris,
Koyez [etc.] 1785.

36, [2] p. 21£ cm .

MT50.A2G6

Graaf, Christiaan Ernst, b. ca. 1726.

Proeve over de natuur der harmonie in de generaal bas, benevens
een onderricht eener korte en regelmaatige becyffering, door C. E.
Graaf ... 's Graavenhaage, B. Wittelaer, 1782.

46 p. xi fold. pi. 20£ cm .

MT49.A2G8

Grassineau, James, d. 1769.

A musical dictionary; being a collection of terms and characters,
as well ancient as modern; including the historical, theoretical, and

Eractical parts of music . . . The whole carefully abstracted from the
est authors in the Greek, Latin, Italian, French, and English lan-
guages. By James Grassineau . . . London, J. Wilcox, 1740.
xii, 347 p. 4 pi. (3 fold.) 20 em .

Paging irregular.

Translated, with additions, from the French of Sebastien de Brossard, probably
under the supervision of Dr. Pepusch.

ML108.A2B7

Gratus, Veridicus, pseud.

See Printz, W. C. Phrynis Mitilenseus, 1696.

[Gresset, Jean Baptiste Louis] 1709-1777.

Discours sur l'harmonie. Paris, J.-N. Le Clerc, 1737.
2 p. 1., 89, [1] p. 20£ cm .

Title vignette.

"Le manuscrit que je publie aujourd'hui est secret depuis mil sept cens trente-
trois. Ce discours fut alors compose en latin, pour etre prononce dans un pays
eloigne de Paris. L'auteur le traduisit en meme temps pour une dame, & tel
qu'on le trouve ici." — Preface.

ML3815.A2A5

Gretry, Andre Ernest Modeste, 1741-1813.

Me 1 moires, ou essai sur la musique, par M. Gretry . . . Paris, Chez
l'auteur; [etc., etc.] 1789.

2 p. 1., 565, [3] p. 20£ cm .

ML410.G83A

Memoires, ou essais sur la musique; par le c. en Gretry . . .

Paris, Imprimerie de la republique, pluvi6se, an v [1797]

3 v. 21 cm .

A reprint of the first edition, 1789, with two additional volumes.
"Liste des ouvrages dramatiques mis en musique par l'auteur de ces essais":
v. 3, p. [465]-[473]

ML410.G83A1

51234°— 13 8



114 LIBKAEY OF CONGRESS

[Grimaldi, Francesco Antonio] 1741-1783.

Lettera sopra la musica all' eccellentissimo Signore Agostino Lomel-
lini gia' doge della serenissima repubblica di Genova. [Napoli, 1766]
lxiv p. 22 cm .

Title vignette.

Signed: Francesco Antonio Grimaldi.

ML3800.A2G7

[Grimm, Friedrich Melchior, freihefr von] 1723-1807.

Le petit prophete de Boehmischbroda. [n. p., 1753]

56 p. front. 19£ cm .

Caption title: Ici sont ecrits les vingt-un chapitres de la prophetie de Gabriel
Joannes Nepomucenus Fran'ciscus de Paula Waldstorc, dit Wasdstoerchel . . .

"Reponse du coin du roi au coin de la reine [par Tabbed de Voisenon] Seconde
edition corrigee & augmentee": p. 49-56.

ML1727.33.G8

Ici sont ecrits les vingt-un chapitres de la prophetie de Gabriel

Joannes Nepomucenus Franciscus de Paula Waldstorch, dit Wald-
stoerchel, natif de Boehmischbroda en Boheme ... il les a ecrits de
sa main, & il les appelle sa vision. Lat. canticum Cygni bohemici.
[n. p., 17—]

58 p. 19 cm .

Caption title.

No. 11 in a volume of pamphlets lettered Quere[lle] des Bouffofns]
In part an imitation and in part a translation by Frau Gottsched of Le petit
prophete de Boehmischbroda. cf. Fetis, Biog. univ. des musiciens.

ML1727.33.A1 '
Les vingt-un chapitres de la prophetie de Gabriel-Joannes-



Nepomucenus-Franciscus de Paula Waldstorch, dit Waldstoerchel,
qu'il appelle sa vision. Lat. canticum Cygni bohemici. Imprime
a Prague en Boheme [i. e. Paris, 17 — ]

1 p. 1., 43 p. 16£ x 9£ cm .

ML3925.G86

Grosvenor, Benjamin, 1676-1758.
See Practical discourses, 1708.

Grube, Hermann, 1637-1698.

Hermanni Grube . . . De ictu tarantula?, & vi musices in ejus cura-
tione, conjecture physico-medicse. Francofurti, ex bibliopolio Haf-
niensi, D. Paulli, 1679.

7 p. 1., 76, [10] p. 18 cm .

RC426.G88

Gruber, Johann Sigmund, 1759-1805.

Beytrage zur litteratur der musik, hrsg. von Johann Sigmund
Gruber . . . Nurnberg, In commission bey G. W. Gruber; [etc., etc.]
1785.



116, [4] p. 16 cm .
Based upon an unpublished list by C. S. Zeidler. cf. Preface.



ML116.G88



EARLY BOOKS ON" MUSIC 115

Gruber, Johann Sigmund — Continued.

Beytrage zur litteratur der musik, hrsg. von Johann Sigmund

Gruber . . . Frankfurt und Leipzig, 1790.

2 v. in 1 (v. 1: 116 p.; v. 2: 74 p.) 17 cin .

Part 2, forming a supplement to part 1 and also to the author's "Litteratur
der musik," is here published for the first time.

ML116.G89

Litteratur der musik, oder Anleitung zur kentnis der vorzuglichen
musikalischen bucher, fur liebhaber der musikalischen litteratur
bestimmt. Hrsg. von einem liebhaber der musik. Nurnberg, Auf
kosten des verfassers, 1783.

56 p. 16 cm .

ML111.A2G8

Gruner, Caspar.

. . . Ein ratschlag wider die gotlosen tentz . . . Caspar Gruner.
[n. p.] 1525.

[11] p. 18 cm .

At head of title: "Euangelion Marci. vj." Title within ornamental border.
Signatures: A in four, B in two.

GV1740.G8

Gualterotti, Francesco Maria.

La mvsica, idilio di Francescomaria Gvalterotti. Al m. illustre,
e m. reuer. Sig. il Sig. Fabbrizio Alba Bocca. Firenze, Z. Pignoni,
1626.

25, [1] p. 18 cm .

In verse.

Coat of arms on t.-p.; printer's mark (?) at end.

ML64.G9

[Guerson, Guillaume]

UTilissime musicales regule neces |[ sarie plani cantus / simplicis
contra || pucti / reru factaru / tonoru vsuali || um: necno artis acee-
tuandi || tarn speculatiue <p pra || ctice: acriori lima || mundate.
[Parisiis, F. Regnault, 1518]

[63] p. 1 illus. 20 cm .

Colophon: CE Utilissime musicales regule ne |j cessarie plani cantus / simplicis
co- || trapuncti: rerum factaru3: tonoru || vsualium: necnon artis accetuan- || di
epistolas et euagelia: que antea mendose erant: nunc vero correcte || Impresse
Anno salutifere passio- 1| nisMillesimoquingentesimode- 1| cimo octauo Penultima
Mensis || Augusti.

Signatures: A-D in sixes, E in eight. Diii and Diiii transposed in binding.

Rubricated; gothic type. Printer's mark on t.-p; illustration, Guidonian
hand, pn recto of 1. [4]

ML171.G82

Gugl, Matthaeus.

Fundamenta partiturse in compendio data. Das ist: Kurtzer und
grundlicher unterricht, den general-bass, oder partitur, nach denen
reglen recht und wohl schlagen zu lernen. In den druck gegeben
von Matthseo Gugl . . . Augspurg und Insprugg, J. Wolff, 1757.

1 p. 1., 50 p. 16$ x 20i cm .

First edition, Salzburg, 1719.

MT49.A2G9



116 LIBRARY OF CONGRESS

Guidetti, Giovanni, 1532-1592.

Directorivm chori ad vsvm omnivm ecclesiarum cathedralium, &
collegiatarum a Ioanne Gvidetto olim editum, et nvper ad novam
Romani breuiarij correctionem ex precepto dementis vni. impressam
restitutum, & plurimis in locis auctum, & emendatum. Accesserunt
huic postremae editioni quamplures hymnorum, & antiphonarum
toni, qui in praecedentibus desiderabantur. Romae, apud A. Pheum,
1615.



4 p. 1., 619, [3] p. 16i c
Rubricated.



M2150.A2G92



Directorivm chori. Ad vsvm omnivm ecclesiarum cathedra-

lium, & collegiatarum. A Ioanne Gvidetto olim editum. Et nvper
ad novam Romani breuiarij correctionem ex praecepto Clementis vni.
impressam restitutum, & plurimis in locis auctum, & emendatum.
Huic postremae editioni prseter errorum correctionem nouissime acces-
serunt Officium angeli custodis, & Missa pro defunctis, cum antiphonis
integris, ac responsorijs, quae in defunctorum officio desiderabantur.
Monachii, apud N. Henricum, 1618.

4 p. 1., 649, [3] p. 17 cm .

Rubricated.

M2150.G94

[Guilford, Francis North, 1st baron] 1637-1685.

A philosophical essay of musick, directed to a friend . . . London,

J. Martyn, 1677.

25 (i. e. 35) p., 1 1. fold. tab. 20 om .

Page 35 wrongly numbered 25.

ML3805.A2G9

Guisbarchi, Annio.

L'ecclesiastico in coro ammonito dal suo prelato a salmeggiare nella
forma, che deve, con tre' raggionamenti messi sotto gli occhi di tutti
quelli, che tengono l'obligo del servizio corale, cioe canonici, benefi-
ciati, cappellani, e musici. Dal conte Annio Guisbarchi ... 2. ed.
ricorretta, ed in piil luoghi ampUata, e specialmente con un' aggiunta
in fine di Ricordi di S. Carlo Borromeo, e d'un avvertimento circa la
maniera di portarsi nelle pubhche processioni. Roma, Stamperia di
G. Zempel, 1745.

Ill p. 16£ cm .

MT860.A2G96

Gumpeltzhaimer, Adam, 1559-1625.

Compendivm mvsicae latino-germanicvm. Studio & opera Adami
Gumpelzhaimeri . . . Xvnc editione hac sexta nonnvsqvam .correc-
tum, & auctum. Avgvstae, typis et impensis I. V. Schoenigij, 1616.

45 numb. 1., 47-78, 47-78, 79-82 p. illus. 20 x 16£ cm .

Title within historiated border. Pages 47-78 numbered in duplicate.

Title-page mutilated; title in part from Becker's Systemat.-chron. darstellung
d. musikalischen lit., Nachtrag, 1839. With this copy is bound a collection of
canons for from two to six voices, [30] p., without title.

Based upon Heinrich Faber's ' Compendiolum musicae." Title of 1st edition,
Augsburg, 1591, reads "Compendium musicae, pro illius artis tironibus. A m.
Hemrico Fabro latine conscriptum, & a m. Christophoro Rid in vernaculum
sermonem conversum, nunc praeceptis & exemplis ^uctum studio & opera
Adami Gumpelzhaimeri."

MT6.A2G9



EARLY BOOKS ON MUSIC 117

Gunn, John, ca. 1765-ca. 1824.

The theory and practice of fingering the violoncello, containing
rules & progressive lessons for attaining the knowledge & command
of the whole compass of the instrument, by John Gunn . . . London,
Printed for & sold by the author [1793]

3 p. 1., 96 p. pi. 33^ cm .

Engr. t.-p.

"Dissertation on the origin of the violoncello": p. [l]-32.

MT302.A2G97

Gutierrez, Francisco Antonio, d. 1828, translator.

See Eximeno y Pujades, A. Del origen . . . de la musica, 1796.

Guzman, Jorge de.

Cvriosidades del cantollano, sacadas de las obras del reverendo Don
Pedro Cerone de Bergamo, y de otros autores, dadas a luz a costa de
Jorge de Guzman . . . Madrid, Imprenta de musica, 1709.

8 p. 1., 272, [28] p. 21 cm .

MT860.A2G97

H., D. v.

See De zangkunst, 1788.

H., M. H.

See Schreiben an die herren verfasser der Freyen urteile [1752]

Halm, Georg Joachim Joseph.

Der nach der neuern art wohl unterwiesene general-bass-schuler,
oder Gesprach zwischen einem lehrmeister und scholaren von dem
general-bass . . . von Georg Joachim Joseph Hahn ... 2. verb, und
verm. aufl. Augsburg, J. J. Lotter, 1768.

4 p. 1., 95 p. 18 x 21 cm .

* MT49.A2H2

Halle, Johann Samuel, 1727-1810.

Die kunst des orgelbaues, theoretisch und praktisch beschrieben
von Johann Samuel Hallen . . . Nebst viii. kupfertafeln. Branden-
burg, J. W. Halle und J. S. Halle, 1779.

1 p. 1., [215]-411 p. vm (i. e. 6) pi. (2 fold.) 20£ x 17 cm .

Illustrated t.-p. Running title: Nachtrag zum Orgelbauer.

Issued also as part of the 6th volume of Halle's " Werkstatte der kiinste."

ML552.A2H18

Haltmeier, Carl Johann Friedrich.

Weiland herrn Carl Johann Friedrich Haltmeiers . . . Anleitung:
wie man einen general-bass, oder auch handstucke, in alle tone trans-
poniren k6nne; zum druck befdrdert von Georg Philip Telemann . . .
Hamburg, Gedruckt bey J. G. Piscator, 1737.

16 p. 10 pi. (music) 20£ x 17£ cm .

Published also in Mizler's Neu er&ffnete musikalische bibliothek, 2. bd.,
2. th.,p. 256-268.

MT42.A2H19



118 LIBEARY OF CONGRESS

Hammett, John, 1678 or 9-1773.

Promiscuous singing no divine institution ; having neither president
nor precept to support it, either from the musical institution of David,
or from trie gospel dispensation. Therefore it ought to be exploded,
as being a humane invention, tending rather to gratify the carnal
ears of men, than to be acceptable and pleasing worship to God.
By John Hammett ... [n. p.] Printed in the year 1739.

1 p. 1., iii, 29 p. 17 cm .

"Newport? Printed by the Widow Franklin?" — Evans, American bibliogra-
phy, v. 2, p. 140. #

ML3001.H22

The harpsichord illustrated and improv'd; wherein is shewn the
Italian manner of fingering, with suits of lessons for beginners &
those who are already proficients on that instrument and the organ,
with Rules for attaining to play a thorough bass, also with Rules for
tuning the harpsichord or spinnet. London, W. Dicey [etc., 174-]

2 p. 1., 48, 4 p. front. 24£ cm .

Engraved throughout.

Published also as part 6 of Peter Prelleur's "Modern musick-master " (<?/. The
compleat tutor for the harpsichord)

"A dictionary explaining such Greek, Latin, Italian & French words as gen-
erally occur in musick": 4 p. at end.

MT252.A2H28

The harpsichord preceptor. Being a new & complete introduction
to playing the harpsichord, organ, or pianoforte. Containing i.
A familiar elucidation of the first principles of music, with the
most modern . . . method of playing the above instruments, n.
Thirty easy & pleasing lessons . . . progressively arranged, with
preludes, canzonetts, & a duett for 2 performers . . . London,
3., A. & P. Thompson [178-?]

2 p. 1., 2-28 p. 23£x32£ cm .

Engraved throughout.

MT252.A2H3

Harris, William, d. 1740.

See Practical discourses, 1708.

Harrison, John, 1693-1776.

A description concerning such mechanism as will afford a nice, or
true mensuration of time; together with some account of the attempts
for the discovery of the longitude by the moon: as also an account of
the discovery of the scale of musick. By John Harrison . . . Lon-
don, Printed for the author, 1775.

108 p. 2l cm .

QB107.H26

[Hartong, ]

Musicus theoretico-practicus, bey welchem anzutreffen i. Die
demonstrativische theoria musica auf ihre wahre principia gebauet,