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trentesima settima . . .

MT860.A2B2

. . . Direttorio monastico di canto fermo, per vso particolare della
Congregatione Oliuetana in preuenire Foffitio diurno al choro ; nuoua-
mente registrato dalli libri cnorali alia riforma del breuiario impresso
sotto la santita di N. S. papa Paolo V. dal p. d. Adriano Banchieri
. . . Bologna, Per gli heredi di G. Rossi, 1615-16.

407, [1] p. illus. 15 cm .

Title vignette. Composed* of 2 "books" containing together 4 parts. Each
part has special t.-p., as has an appendix to book i.
2d edition, Bologna, 1622, has title: II can tore Olivetano.

MT860.A2B21

Organo svonarino del p. d. Adriano Banchieri ... In questa
quarta impressione accordato con ogni diligenza e diuiso in cinque
registri, libro vtilissimo a qual si voglia organista per alternare in
voce chorista alii canti fermi di tutto Tanno nelle chiesi secolari,
regolari, monache, e confraternita a secondo Tvso di santa madre
chiesa. Et nel fine dopo la tauola generate di tutta l'opera aggiuntoui
il sesto registro . . . Opera xxxxni. Venetia, A. Vincenti, 1638.

2 p. 1., 159, [1] p. 24 cm .

Errors in paging.

MT190.A2B17

Bandeira, Jeronymo da Cunha.

See Cunha Bandeira, Jeronymo da.

Bandini, Angelo Maria, 1726-1803.

Ang. Maria Bandini Commentariorvm de vita et scriptis Ioannis
Bapt. Doni patricii florentini olim Sacri cardinal, collegii a secretis
libri qvinqve, adnotationibvs illvstrati ad Silvium Valenti . . .
Accedit eivsdem Doni literarivm commercivm nvnc primvm in lvcem
editvm. Florentiae, Typis caesareis, 1755.

2 v. in 1 (v. 1: xx, cxvi p.; v. 2: xii p., 272 col.) front, (port.) vign. 37°



rem



Title vignette; initials; tail-pieces.

Vol. [2] has title: Io. Baptistae Donii . . . Commercivm litterarivm nvnc
primvm collectvm, digestvm editvmqve stvdio et labore Ant. Francisci Gorii
. . . Florentiae, in Typographio caesareo, 1754.

"Autorum omnium nomina . . . qui de Donio nostro honorifice meminerunt,
& quorum potissimum testimonio usi fuimus": v. [1] p. xj-xiiij.

"Index opervm qvorvm partim Io. Bapt. Donivs evvlgavit, partim absolvit,
partim incepit": v. [1] p. cxi-cxvi.

ML423.D6B2



24 LIBRARY OF CONGRESS

Barca, Alessandro, 1741-1814.

Introduzione a una nuova teoria di musica, memoria prima del p. d.
Alessandro Barca. (Letta il di xxiii. gennajo mdlxxxiii.)

(In R. Accademia di scienze, lettere ed arti in Padova. Saggi scientifici e
letterarj. Padova, 1786. 29 cm . 1. 1, p. 365-418)

Detached copy.

ML3800.A2B2

Introduzione ad una nuova teoria di musica, memoria seconda
del p. d. Alessandro Barca c. r. s. (Letta il di xx. dicembre

MDCCLXXXVI.)

(In R. Accademia di scienze, lettere ed arti in Padova. Saggi scientifici e
letterarj. Padova, 1789. 29 cm . t. i, p. 329-362)

AS222.P21

Barnickel,

See Kurtzgefasstes musicalisches lexicon.

Baron, Ernst Gottlieb, 1696-1760.

Ernst Gottlieb Barons . . . Abriss einer abhandlung von der
melodie. Eine materie der zeit. Berlin, A. Haude und J. C. Spener,
1756.

12 p. 21£xl7£ cia . ML3851.B18

Ernst Gottlieb Barons . . . Historisch-theoretisch und practische
untersuchung des instruments der lauten / mit fleiss au%esetzt und
alien rechtschaffenen liebhabern zum vergnugen herausgegeben.
Nurnberg, J. F. Rudiger, 1727.

15 p. 1., 218, [4] p. illus. 16J cm .

ML1010.A2B2

Barradas Muitopao e Morato, Joao Vaz.

See Vaz Barradas Muitopao e Morato, Joao.

[Barthelemy, Jean Jacques] 1716-1795.

Entretiens sur l'etat de la musique grecque, vers le milieu du
quatrieme siecle, avant Fere vulgaire. A Amsterdam, et se trouve
a Paris, chez les freres de Bure, 1777.

110 p., 11. 21 cm . ML169.A2B15

Bartholin, Caspar, 1655-1738.

Caspari Bartholini Thorn, fil. De tibiis vetervm & earum antiquo
vsu libri tres . . . Romse, ex typographia P. Monetae, sumptibus
B. Carrarae, 1677.

8 p. 1., 235, [5] p. 3fold.pl. 17^ cm .

ML169.A2B2

— — Casp. Bartholini Thorn, fil. De tibiis veterum, et earum
antiquo usu libri tres. Editio altera, figuris auctior. Amstelsedami,
apud JHenr. Wetstenium, 1679.

12 p. 1., 415, [5] p. illue. (incl. port.) 5 fold. pi. 14 cm .
Added t.-p., engr.

ML169.A2B28



EAELY BOOKS ON MUSIC 25

Bartl, Franz Konrad, 1750-1813.

Abhandlung von der tastenharmonika, von Franz Konrad Bartl . . .
Mit 5 kupfertafeln. Brtinn, L. Haller, 1798.

8 p. 1., [15]-75 P- v pi. 25i x 20 cm .

Engr. t.-p.

ML1055.A2B18

Bartoli, Daniello, 1608-1685.

Del svono de' tremori armonici e dell' vdito. Trattati del p.
Daniello Bartoli . . . Roma, A spese di N. A. Tinassi, 1679.

9 p. 1., 330 p. diagrs. 21 cm .

ML3805.A2B29

Bartolus, Abraham.

Mvsica mathematica, das ist: Das fundament der allerlieblichsten
kunst der musicse, wie nemlich dieselbe in der natur stecke / vnd jhre
gewisse proportiones, das ist / gewicht vnd mass habe / vnd wie
dieselben in der mathematica, furnemlich aber in der geometria, vnd
astronomia beschrieben seind : sonsten genennet die beschreibung des
instrumentes magadis oder monochordi ... in deutzsch gegeben /
durch M. Abrahamum Bartolum . . .

(Jn Zeising, Heinrich. Theatrum machinarum . Altenburg, 1614. 16$xl9 cm .
v. 6, p. [89J-174. pi. 21-24)

ML3805.A2B19

Baryphonus, Heinrich, 1581-1655.

Henrici Baryphoni . . . Pleiades musicae, qvse in certas sectiones
distributee prsecipuas qusestiones musicas discutiunt, & omnia, quae
ad theoriam pertinent, & melopoeise plurimum inserviunt ex veris
fundamentis mathematicis exstructa, theorematis septenis propo-
nunt, exemphs illustrant, & coram judicio rationis & sensus exami-
nant, studiosis non solum musices, verum etiam matheseos scitu
necessaries & lectu jucundae . . . Halberstadi, ex officina typogra-
phica J. A. Cotenii, 1615.

8 p. 1., 95, [1] p. 14 cm .

ML3805.A2B3

Basili, Domenico Andrea, d. 1775?

Musica universale armonico pratica dettata dall' istinto, e dalla
natura, illuminata dai veriprecetti armonici; opera utile per i studi-
osi di contrapunto, e per l suonatori di grave cembalo, ed organo.
Esposta in ventiquattro esercizi da Andrea Basili . . . [Venezia,
1776?]

1 p. 1., [1], 54, 77 p. 24 x 35 cm .

Title within ornamental border. Engraved throughout. "L'incisione de rami
e fatiha di Innocente Alesandri, e Pietro Scattaglia Veneziani."

MT55.A2B18

Bassi, Antonio Benedetto.

Lettre adressee a la Societe olympique de Paris, a Foccasion de
l'opera boufFon italien de Versailles. Par M. Bassi . . . [Paris]

1787.

2 p. 1., 24 p. 2H cjn .

ML1727.3.A2B18



26 LIBRARY OF CONGRESS

[Baton, Charles] d. 1758.

Examen de la lettre de M. Rousseau, sur la musique francoise.
Dans lequel on expose le plan d'une bonne musique propre a notre
langue. Par M. B. * * * [Paris] 1753.

2 p. 1., 36 p. 17i cm .

Georges Cucuel in his Notes sur Jean-Jacques Rousseau (Zeitschrift d. In f ernat.
musikgesellschaft xiii, 9) cites from a contemporary ms. (Bibl. nat. ms. fram-ais
22158 in 4° fol. 100 a 203. 1753-1754) a passage to the effect that Baton merely lent
his name to the author of the present brochure, who was thought by some to be
Rousseau himself, by others, D'Alembert.

ML1727.33.B17

Bauderon de Senece, Antoine.

See Senece, Antoine Bauderon de.

Baumann, Johann Gottfried.

Schediasma historico-theologicvm de hymnis et hymnopoeis veteris
et recentioris ecclesiae, verae atqve christianae religioni promovendae
ac propagandae inservientibvs, avtore loan. Godofr. Bavmann . . .
Bremae, apvd I. H. Cramer, 1765.

54 p. 18i cm .

Ch. 17. 1896

Bayly, Anselm, 1718 or 19-1794.

The alliance of musick, poetry and oratory. Under the head of
poetry is considered the alliance and nature of the epic and dramatic
poem, as it exists in the Iliad, ^Eneid and Paradise lost. By Anselm
Bayly . . . London, J. Stockdale, 1789.

iv, [1], 384 p. 22£ cm .
Engr. t.-p. PN1066.B3

A practical treatise on singing and playing with just expression
and real elegance. Being an essay on i. Grammar, n. Pronuncia-
tion; or, The art of just speaking, in. Singing — its graces — their
application. — On cathedral compositions. By Anselm Bayly . . .
London, J. Ridley, 1771.

v, 16, 99 p. 21J cm .

MT830.A2B3

Beauford, William.

See Walker, J. C. Historical memoirs, 1786.

[Beaumarchais, Pierre Augustin Caron de] 1732-1799.

Discours preliminaire de 1' opera de Tarare, appauvri de notes.
Par une societe d'indifferens. A Ormus [i. e. Paris] 1787.

2 p. 1., 24 p. 21 cm .
Caption title: Aux abonnes de l'Opera, qui voudraient aimer l'opera.

ML410.S16B3

Beaumont, Saunier de.
See Saunier de Beaumont.



EARLY BOOKS ON MUSIC 27

Beauveset, Pierre Honore Robbe de.

See Robbe de Beauveset, Pierre Honore.

[Beche, ]

Abrege de l'histoire de la Menestrandie, dans lequel on rapporte
les differents arrets du Conseil & lettres-patentes rendus en iaveur
de Tart musical, contre la Communaute de Saint-Julien des men^triers.
[Versailles ? 1774 ?]

36 p. 16 cm .

Caption title. Line borders.

ML270.8.P2B3

Bedford, Arthur, 1668-1745.

The great abuse of musick. In two parts. Containing an account
of the use and design of musick among the antient Jews, Greeks,
Romans, and others; with their concern for, and care to prevent the
abuse thereof. And also an account of the immorality and profane-
ness, which is occasioned by the corruption of that most noble
science in the present age. By Arthur Bedford . . . London,
Printed by J. H. for J. Wyatt, 1711.

2 p. 1., 276 p. 20£ cm .

"A canon of four parts in one, according to Mr. Purcell's rule of fuging": p.
[269J-276.

ML285.3.A2B41

The Temple musick : or, An essay concerning the method of singing
the Psalms of David in the Temple, before the Babylonish captivity.
Wherein, the musick of our cathedrals is vindicated, and supposed to
be conformable, not only to that of the primitive Christians, but also
to the practice of the church in all preceding ages. By Arthur Bed-
ford . . . London, H. Mortlock; [etc., etc.] 1706.

8 p. 1., 253, [1] p. 19£ cm .

ML3001.B41

Bedos de Celles, Francois, 1706-1779.

L'art du facteur d'orgues. Par D. Bedos de Celles, Benedictin.
[Paris, Impr. de L. F. Delatour] 1766-[78]

1 p. 1., xxxii p., 1 1., 676 p. cxxxvn pi. (partly fold.) 43 cm .

Paging irregular. This copy imperfect, wanting plates lxxvii and lxxix and
a portion of each of plates xxx, xxxn, and xxxiii. Issued in 4 parts.

Forms part of a series, Description des arts et metiers, published by the
Academie des sciences, Paris.

ML555.A2B41

Bekuhrs, Gottlob Friedrich Wilhelm, d. 1795.

Ueber die kirchen-melodien . . . von Gottlob Friedrich Wilhelm
Bekuhrs . . . Halle, J. C. Hendel, 1796.

lp. 1., 154 p. 20 cm .

ML3184.A2B2



28 ' LIBRARY OF CONGRESS

Belli, Lazaro Venanzio.

Dissertazione sopra li preggi del canto gregoriano e la necessity che
hanno gli ecclesiastici di saperlo, con le regole principali, e piu
important! per bene apprenderlo, lodevolmente pratticarlo, ed in esso
ancora comporre. Opera diretta alii signori chierici del V. Seminario
vescovile tuscolano ... da Lazaro Venanzio Belli . . . Frascati,
Stamperia dello stesso Seminario, 1788.

xvi, 230 p., 1 1., xxxii, [2] p. 25J x 19£ cm .

Special t.-p. precedes the rules: Regole le principali . . . per bene apprendere
. . . il canto ecclesiastico gregoriano, con i precetti di ben comporre nuovi sog-
getti . . . Same title with slight alterations is prefixed to the appendix.

MT860.A2B44

[Belz, Urban Nathanael] d. 1776.

Dissertation sur le son et sur Fouie, qui a remporte le prix propose

{>ar 1' Academic royale des sciences et belles-lettres de Prusse, pour
'annee mdcclxii. adjuge' en mdcclxiii. Berlin, Haude et Spener,
1764.

viii, 139 p. 21£ x 18 cm .

Half-title: Abhandlung vom schalle . . . von herrn Urban Nathanael Beltz . . .
Text in German.

QC222.B5

Bemetzrieder, Anton, d. 1817.

Lecons de clavecin, et principes d'harmonie, par M r Bemetzrieder.
Paris, Bluet, 1771.

viii, 362 p., 11. 24 x 18 cm .

Preface by Diderot.

MT224.A2B42

. Music made easy to every capacity, in a series of dia-



logues; being practical lessons for the harpsichord, laid down in a
new method, so as to render that instrument so little difficult, that
any person . . . may play well; become a thorough proficient in the
principles of harmony; and will compose music ... in less than a
twelvemonth. Written in French by Monsieur Bemetzrieder . . .
And pub. at Paris, (with a preface) by the celebrated Monsieur
Diderot, the whole tr. and adapted to the use of the English student,
by Giff ard Bernard . . . London, Printed by R. Ayre and G. Moore,
and sold by W. Randall, 1778.
vi, iv, 249 p. 29|x22J cm .

In 3 parts. Parte 2 and 3 have each special t.-p., not included in paging:
Music made easy to every capacity. Part ii[-m] London, Printed by R. Ayre,
1779.

"Subscribers to this work", vi p., inserted after t.-p.

MT224.A2B44

; Music made easy to every capacity, in a series of dialogues ;

being practical lessons for the harpsichord, laid down in a new method,
so as to render that instrument so little difficult, that any person may
. . . play well; become a thorough proficient in the principles of har-
mony; and will compose music ... in less than a twelvemonth.
Written in French by Monsieur Bemetzrieder . . . And pub. at



EARLY BOOKS ON MUSIC 29

Bemetzrieder, Anton — Continued.

Paris, (with a preface) by the celebrated Monsieur Diderot. The
whole tr., and adapted to the use of the English student, by Giffard
Bernard . . . [London] Printed by G. Bigg for Messrs. Birchall and
Andrews, 1785.

viii, iv, 249 p. 27 x 21£ cm .

In 3 parts. Parts 2 and 3 have each special t.-p., not included in paging:
Music made easy to every capacity. Part n[— in] London, Printed by R. Ayre,
1779.

MT224.A2B45

Lecciones de clave, y principios de harmonia. Por D. Benito

Bails . . . Madrid, Por D. J. Ibarra, impresor, 1775.

4 p. 1., vi, 291 p. 1 illus., fold. pi. 22£ cm .

A free translation of Bemetzrieder's Lecons de clavecin.

MT224.A2B47

Lettre de M. Bemetzrieder a MM. * * * musiciens de profession:
ou, R6ponse a quelques objections qu'on a faites a sa methode,
pratique, sa theorie & son ouvrage sur l'harmonie. Paris, Pissot-
1771.

48 p. 24 x 18 cm . (With his Lecons de clavecin. Paris, 1771)

MT224.A2B42

Nouvel essai sur l'harmonie, suite du Traite de musique . . . Par
M. Bemetzrieder. Paris, Chez l'auteur, et chez Onfroy, 1779.

286 p. 20 pi. on 10 fold. 1. 21 cm .

"Approbation" dated 1780.

MT50.A2B45

Precis d'une nouvelle methode de musique. Les differentes
branches du savoir musical sont separees, definies, eclaircies &
arrangees suivant l'ordre naturel. Par M. Bemetzrieder. Londres,
Se vend chez l'auteur, 1783.

65 p. 20 cm .

MT35.A2B47

Reflexions sur les lecons de musique; methode pour enseigner la
lecture musicale, l'accompagnement, l'execution & les elemens de la
composition, par M. Bemetzrieder ... A Amsterdam, et se trouve
a Paris, chez Onfroy, 1778.

iv, [51-66 p. 19* cm .

MT35.A2B3

Methode et reflexions sur les lecons de musique. Nouv. ed.



. . . Par M. Bemetzrieder . . . Paris, Chez l'auteur, et chez Onfroy,
1781.



2 p. 1., 127, [3] p. vi pi. on 3 fold. 1. 21J C
Plates printed on both sides.



MT35.A2B33



Le tolerantisme musical, par M. Bemetzrieder. Paris, Chez l'au<
teur, et chez Onfroy, 1779.

1 p. 1., [5]-32 p. 21 cm .

ML3916.B33



30 LIBEARY OF CONGRESS

Bemetzrieder, Anton — Continued.

Traits de musique, concernant les tons, les harmonies, les accords
et le discours musical; 2. 6d. Par M. Bemetzrieder . . . Paris,
Chez 1'auteuT, et chez Gueffier, 1780.

viij, 254, [2] p.; 1 p. 1., 80 p. (engr.) 20 cm .

"Exemples du Traite" de musique": 30 p.

MT50.A2B43

Bendeler, Johann Philipp, b. ca. 1660.

Organopoeia, oder Unterweisung / wie eine orgel nach ihren haupt-
stucken / als mensuriren / abtheilung derer laden / zufall des windes /
stimung oder temperatur &c, aus wahren mathematischen grunden
zu erbauen / samt einer zugabe / wie alle ubel-klingende spinette /
clavicimbel &c. zu einem lieblichen klange / ohne veranderung der
decke / zu bringen ; ingleichen / wie sie wohl zu bekielen . . . neu aus-

fearb. / und an den tag gegeben von Johann Philipp Bendelern . . .
ranckfurt und Leipzig, In verlegung T. P. Calvisii, Merseburg,
druckts C. Gottschick [1690?]

4 p. 1., 48 p., 1 1. diagrs. 19£ x 15$ cm .

ML552.A2B4

Orgel-bau-kunst, oder : Unterweisung, wie eine orgel nach

ihren haupt-stucken, als mensuriren, abtheilung derer laden, zufall
des windes, stimmung oder temperatur &c. aus wahren mathemati-
schen grunden zu erbauen, sammt einer angabe, wie alle ubel-
klingende spinette, clavicimbel &c. zu einem lieblichen klange, ohne
veranderung der decke, zu bringen; ingleichen wie sie wohl zu
bekielen . . . neu ausgearb., und an den tag gegeben von Johann
Philipp Bendelern . . . Franckfurt, 1739.

52 p. diagre. 19£ x 16 cm .

ML552.A2B42

Benzoni, Donato, 1587-1664, translator.

See Secchi, A. Delia hinnodia, 1643.

Berard, Jean Antoine, 1710-1772.

L'art du chant, dedie a Madame de Pompadour, par M. Berard.
Paris, Dessaint & Saillant [etc.] 1755.
9 p. 1., 158, [6], 34 p.(engr.) pi. 22 cm .

The 34 p. contain musical examples.

Authorship claimed by the Abbe Blanchet, who afterward published his
"L'art, ou les principes philosophiques du chant" (Paris, 1756) as "2. edition,
corrigee & augmentee."

MT820.A2B3

Berardi, Angelo, d. 1693?

Arcani mvsicali suelati dalla vera amicitia, ne' quali appariscono
diuersi studij artificiosi, molte osseruationi, e regole concernenti alia
tessitura de componimenti armonici, con vn modo facilissimo per
sonare trasportato. Dialogo del can. Angelo Berardi . . . Bologna,
P.-M. Monti, 1690.

32 p. 22$ x 16$ cm . ( With his Miscellanea mvsicale. Bologna, 1689)

MT55.A2B50



EARLY BOOKS ON MUSIC 31

Berardi, Angelo — Continued.

Docvmenti armonici di D. Angelo Berardi . . . nelli quali con
varij discorsi, regole, & essempij si dimostrano gli studij arteficiosi
della musica, oltre il modo di vsare le ligature, e d'intendere il valore
di ciascheduna figura sotto qual si sia segno . . . Bologna, G.
Monti, 1687.

178 (i. e. 180) p. 24 cm .

Title vignette : coat of arms; initials; tail-pieces. Errors in paging; p. 67, 97,
132, 133 numbered 76, 95, 130, 131 respectively; no. 95 and 96 repeated.

MT55.A2B48

Miscellanea mvsicale di D. Angelo Berardi . . . divisa in tre parti
doue con dottrine si discorre delle materie pill curiose della musica:
con regole, & essempij si tratta di tutto il contrapunto con l'intreccio
di bellissimi secreti per li professori armonici . . . Bologna, G. Monti,
1689.



6 p. 1., 210, [6] p. 22£ x 16| cm
Title vignette: coat of arms.



MT55.A2B50



II perche mvsicale, overo Staffetta armonica nella quale la ragione
scioglie le difficolta, e gli esempi dimostrano il modo d'isfuggire gli
errori, e di tessere con artificio i componimenti musicali; opera del
canonico D. Angelo Berardi . . . Bologna, P.-M. Monti, 1693.

60 p. 22£ x 16£ cm . ( With his Miscellanea mvsicale. Bologna, 1689)

Title vignette: coat of arms.

MT55.A2B50

Ragionamenti mvsicali composti dal Sig. D. Angelo Berardi . . .
Dedicati all' illustriss. e reuerendiss. Sig. il Sig. abbate Carlo Antonio
Sampieri da Givseppe Orsolini . . . Bologna, G. Monti, 1681.

190 p. 14 x 7£ cm .
A resume^ of lessons given by Berardi, written by Orsolini.

MT6.A2B48

Aggivnta di D. Angelo Berardi . . . alii svoi Ragionamenti



mvsicali, nella quale si pruoua, che la musica e vera, e reale scienza
. . . Bologna, G. Monti, 1681.

34 p. 14 x 7£ cm . (With his Ragionamenti mvsicali. Bologna, 1681)

MT6.A2B48

Berlin, Johann Daniel, 1711-1787.

Anleitung zur tonometrie, oder wie man durch hulfe der logarith-
mischen rechnung nach der geometrischen progressionsrechnung die
so genannte gleichschwebende musikalische temperatur leicht und
bald ausrechnen kann; nebst einem unterrichte von dem 1752.
erfundenen und eingerichteten monochordum, von Johann Daniel
Berlin . . . Kopenhagen und Leipzig, F. C. Pelt, 1767.

1 p. 1., 2, 5-48 p. in fold. pi. 17J em .

• ML3809.A2B36



32 LIBRARY OF CONGRESS

Berlinische musikalische zeitung. Historischen und kritischen in-
halts. Mit funfzig musikstiicken von verschiedenen meistern.
Hrsg. von Carl Spazier . . . 1.-52. stuck; 9. feb. 1793-4. Jan. 1794.
Berlin, Im verlage der neuen musikhandlung, 1794.

210 p. 25 x 21 cm . weekly.

2 numbers issued for Oct. 19, 26, Nov. 2 and Jan. 4 respectively.

ML4.B4

Bermudo, Juan, b. 1510?

Comienca el libro llamado Declaracio de instumetos[ !] musicales . . .
copuesto por el muy reuerendo padre fray Iua Bermudo ... en el
qual hallara todo lo que en musica desseare, y cotiene seys libros . . .
1555. [Colophon: Fin delos cinco libros dela declaracion delos instru-
mento [!] musicales los quales compuso el muy reueredo padre fray
Iua Bermudo . . . y fuero impressos ela villa de Ossuna por Iuan de
Leo ... Y acabarose de imprimir a treze dias del mes de iulio siendo
bispera de Sanct Buenauentura ano de. m.d.l.v.]

8 p. 1., cxlij numb. 1. illus. 29 cm .

Title within ornamental border; title vignette: coat of arms. The 1st edition,
1548, comprised only the first "book." The sixth was not published.

ML171.B52

Bernard, Giffard, translator.

See Bemetzrieder, A. Music made easy.

Bernardo da Conceigao.

O ecclesiastico instruido scientificamente na arte do canto-chao,
composta pelo P. P. Fr. Bernardo da Conceicao . . . e dada a' luz por
Jeronymo da Cunha Bandeira . . . Lisboa, F. L. Ameno, 1788.

3 p. 1., xii p., 1 1., 1091 (i. e. 1094), [1] p. incl. pi., tables. 20£ cm .

"Alguns hymnos selectos, tirados do Psalterio romano": p. 341-360.
"Vario canto-chao pratico, para uso dos principiantes " : p. 361-1028.
"Psalmos, e licoes dos tres officios da Semana santa; e tambem do Officio dos
defuntos" (text only): p. 1029-1086.

MT860.A2B4

Bertalotti, Angelo Michele, b. 1665?

Regole facilissime per apprendere con facilita, e prestezza li canti
fermo, e figvrato, dati alle stampe per comodo delli putti delle scvole
pie di Bologna. Bologna, M. Silvani, 1698.

54 p. 21 cm .

Tail-piece.

MT860.A2B5

# — ■ — Regole facilissime, per apprendere il canto fermo, con vn
dialogo che puo servire tanto per esaminare li scolari, che per esser
esaminato, ed una spiegazione de' tuoni per chi volesse comporre
antifone, o altro in canto fermo; nuovamente per la quinta volta ri-
stampate, e ricorrette . . . da Angelo Michele Bertalotti . . . Bologna,
Stamperia di L. dalla Volffe, 1756.

44 p. illus. 24J cm .

MT860.A2B53



EARLY BOOKS ON MUSIC 33

Bertalotti, Angelo Michele— Continued.

Solfeggi a canto, e alto, dati gia alle stampe per comodo delle
scuole pie di Bologna da Angelo Bertalotti . . . Nuova ed. con ag-
giunta degli elementi, del solfeggio, e de' terzetti. Bologna, Stamperia
di L. dalla Volpe, 1764.

72 p. 20£ x 26£ om .

MT870.A2B4

Bertezen, Salvatore.

Principj di musica teorico-prattica, di Salvatore Bertezen. Roma,
Stamperia Salomoni, 1780.

350, [2] p. 16J x 9 cm -

MT6.A2B5

Principj della musica, di Salvatore Bertezen . . . Londra, E.



Reynell, 1781.

iv, xiii, 14-189, [2] p. xvin pi. 20 cm .



MT6.A2B52



Extract of the work entitled Principles of music by Salvatore

Bertezen. Estratto dell' opera de' Principj della musica, &c. Lon-
don, Printed for the author, 1782.

1 p. 1., 5-46 p. iv pi. 20 cm .

Italian and English in parallel columns.

MT6.A2B53

[Berthet, Pierre]

Lecons de musique, ou Exposition des traits les plus necessaires
pour apprendre a chanter sa partie a livre ouvert. P. L. S. B.
Paris, C. Ballard, imprimeur, 1691.

47, [1] p. 12 x 19 cm .

145 p. of music in ma., by Berthet and others, appended. On fly-leaf at end:
" Le 14 avril 1693 . P . Berthet . ' '

MT870.A2B5

Bertouch, Georg von, 1668-1743.

See Stryk, E. A. Disputatio juridica [1693]

Bethisy, Jean Laurent de, 1702-1781.

Exposition de la theorie et de la pratique de la musique, suivant
les nouvelles decouvertes. Par M. de Bethizy. 2. ed. Cor. & augm.
par l'auteur. Paris, F. G. Deschamps, 1764.

xvj, 331, [4] p., 60 p. (music, engr.) 20 em .

MT6.A2B56.

Beuf, Jean le.

See Lebeuf, Jean.

51234 °:— 13 3



34 LIBRARY OF CONGRESS

Beurhusius, Friedrich, 1536-1609.

Erotematum mvsicse libri dvo, ex optimis hvivs artis scriptoribvs
vera perspicvaqve methodo descripti, per Fredericvm Bevrhvsivm
. . . Cum prsefatione d. Ioannis Tnomse Freigii. Noribergse, 1580.

[126] p. 16 e



?cm



Colophon: Noribergse, imprimebatvr in officina typographica Catharinae
Gerlachin, & hseredum Ioannis Montani.
/ Signatures: A-G in eights, H in seven.



Online LibraryLibrary of Congress. Music DivisionCatalogue of early books on music (before 1800) → online text (page 3 of 30)