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CATALOGUE OF THE WORKS OF ART

BELONGING TO

THE CITY OF NEW YORK



\



C ATA L O

OF THE

WORKS OF '■

BELONGING TO

THE CITY OF NEV '

PREPARED AND ISSUtU H j

THE ART COMMISSI M
OF THE CITY OF
NEW YORK




NEW YORK
M C M 1



-J
-1
<



>-

U
W



CATALOGUE

OF THE

WORKS OF ART

BELONGING TO

THE CITY OF NEW YORK

\' ' PREPARED AND ISSUED BY

THE ART COMMISSION

OF THE CITY OF

NEW YORK




NEW YORK
M C M 1 X



COPYRIGHT, 1909, BY
THE CITY OF NEW YORK



ART COMMISSION OF THE
CITY OF NEW YORK

AS CONSTITUTED IN
1 909



RobertW.de Forest, President John Bigelow,

Trustee of Metropolitan Museum of Art

Frank D. Millet, Vice-President
Painter

John B. Pine, Secretary
George B. McClellan,

Mayor of the City of New York

A. Augustus Healy,

President of Brooklyn Institute of Arts



and Sciences



President of the New York Public Library

Arnold W. Brunner,

Architect

Charles Howland Russell
Frederic B. Pratt
Herbert Adams,

Sculptor



FORMER MEMBERS OF THE ART COMMISSION

since its establishment under the

charter of 1898

Robert A. Van Wyck, Ex-officio, Samuel P. Avery,

Mavor, January 1, 1898, to December 31, January i, 1808, to December 31, iSqq;

iQoi. January 1, igoo, to December 31, iqo2.

Henry G. Marquand, Ex-officio, John La Farge,



President Metropolitan Museum of Art,
January 1, i8q8, to February 26, IQ02.

Charles T. Barney,

February 14 to December 31, 1808; Janu-
ary 2, 18(39, to December 31, 1901.



February 14, i8q8. to December 31, iQoo.

Daniel C. French,

February 14, i8q8, to December 31, iSqg;
January 1, iQOO, to December 31, 1902.

Frederick Dielman,

„ r- »« .r January 1, 1901, to December 31, 1903-

Charles F. McKim,

February 14 to December 31, 1898; Janu- JoHN DE WiTT WaRNER,
ary 2, 1899, to December 31, 1901. January 1, 1902, to December 31, 1904.

Henry E. Howland, Henry Rutgers Marshall,

February 14, 1898, to December 31, 1900. January 1, 1902, to December 31, 1904-

V



MEMBERS OF THE ART COMMISSION SINCE ITS ESTABLISHMENT

William J. Coombs, j. Pierpont Morgan, Ex-officio,

February 24, iqo2, to December 31, 11503. President Metropolitan Museum of Art,

November 2\, [904, to December 31,

Frederic W. Rhinelander, "'°'''



Ex-OFFICIO.



J. Carroll Beckwith,



President Metropolitan Museum of Art, ,^ , r

February 26, 1902, to September 25, January 1, 1 904, to December 31. 1906.

John D. Crimmins,

SeTH Low, Ex-officio, J^""^'-y '■ "504. to December 31, ^^06.

Mayor, January 1, 1902, to December 31, WalTER CoOK
1903. '

January i, 1905; resigned June 28, 1907.

A. Phimister Proctor, j^^^ j goy^E,

January ,, ,903. to December 3., 1905. j^„^.,^y , ,q„^^ j„ December 31, 1908,

LoYALL Farragut, Howard Mansfield,

January i, 1903. to December 31, 1905. January 1, 1906, to December 31, 1908.



INTRODUCTION



INTRODUCTION



PAINTINGS

THE City of New York began its valuable collection of por-
traits in 1790 by requesting President Washington "to
permit Mr. Trumbull to take his portrait to be placed in
the City Hall as a monument to the respect which the in-
habitants of this City have toward him." In the autumn
of 1804 — soon after the tragedy at Weehawken — the Common
Council commissioned Colonel Trumbull to paint the portrait of
Alexander Hamilton. The selection of this artist was a wise one,
as he had previously painted several portraits of Secretary Hamil-
ton from life. He also made use of Cerracchi's white marble bust
of Hamilton (now in the Lenox Library). For seventy-five years
the Common Council continued this policy of securing the portraits
of distinguished men, not officially connected with the State or
City, but who by conspicuous public service had won the admira-
tion of its inhabitants.

The series of Governor's portraits was begun in 1791, when Colo-
nel Trumbull was commissioned to take the portrait of Governor
George Clinton. The collection includes the portrait or each
Governor of New York, from Governor George Clinton to Governor
Dix.

In 1804 the Common Council commissioned Colonel Trumbull to
paint the portraits of "the chief magistrates of this City since the
Revolution." This order included Mayors Duane, Varick, and
Livingston, and the City continued to have portraits of its Mayors
painted down to Mayor Gunther.

The City has in its collection four portraits of Washington, three
of Clay, and four of De Witt Clinton. There were two of Governor



INTRODUCTION

Stuyvesant painted and paid for by the City, but one of them has
disappeared.

In addition to securing for the City this invaluable collection of
portraits, the Common Council showed its lively interest in art by
occasionally visiting in a body a public exhibition of paintings.
Sometimes they not only visited it themselves but passed a resolu-
tion urging the citizens "to avail themselves of an opportunity
to improve their taste" by going to see a painting such as "The
Court of Death," by Rembrandt Peale, exhibited at the Academy
in 1820.

The Common Council of Brooklyn confined itself in the main to
securing portraits of the Mayors of the City. It began its collec-
tion in 1834 with the portrait of Mayor George Hall, and attempted
to secure the portrait of every Mayor to 1898, the year of con-
solidation. It has failed, however, to secure the portraits of three
Mayors, who refused to sit for their portrait on the ground that in
their opinion it was not a legitimate expenditure of public money,
in addition to its Mayors, Brooklyn purchased two of the portraits
of Washington and one of Clay. The portraits of Judges in the
County Court House and Hall of Records in Brooklyn were all
presented to the City.

These portraits hang in various public buildings throughout the
City. By far the largest number are to be found in the City Hail,
but by referring to the geographical index, at the end of the book,
it will be seen that they decorate the walls of many municipal
offices.

Until the establishment of the Art Commission in 1898, the care
of paintings was entrusted to different officials, so that at various
times each of the following have been custodians of the paintings:
The keeper of the City Hall; Clerk of Common Council; Committee
on Arts and Sciences, and the Department of Public Works.



SCULPTURE

In the years between the founding of the United States Govern-
ment and 1850 various attempts were made to induce the Common
Council to erect statues to distinguished men, and individuals and
certain societies sought to enlist the cooperation of the citizens to
honor men in this way. All efforts to secure either public or private



INTRODUCTION

funds for erecting statues were unsuccessful during the first sixty
years following the Revolution. The first piece of sculpture
bought by the City was the white marble bust of Henry Clay, pur-
chased in 1852, although a few busts were presented to the City
much earlier than this.

The record in Brooklyn and the other boroughs is as bare as that
of Manhattan. While, to-day, the City of New York possesses
many statues, monuments, and fountains, nearly all of them have
been presented to the municipality. The citizens have been
liberal in this respect, and the streets and parks are adorned in
many places with masterpieces of sculpture.

In the preparation of this catalogue, it has been found necessary
to examine the manuscript and printed proceedings of the legisla-
tive bodies of Manhattan and Brooklyn, the ledgers and journals
of the Comptroller's oftke, as well as many works of reference.
Until this investigation was undertaken comparatively little was
known about the works of art belonging to the city. This catalogue
is believed to give, for the first time, accurate and authentic in-
formation. Nothing has been taken on faith. Every fact has
been verified. Wherever uncertainty exists that fact has been
indicated and in such cases it is hoped that the circulation of this
catalogue may elicit further information. A card catalogue in
the offices of the Commission contains the reference for every fact
stated.

All inscriptions have been copied verbatim, without attempting
to correct the errors, if any, contained therein. Where it has been
possible to decipher the signature of the artist, this has been given.
The asterisk (*) is used to indicate the fact of official approval by
the Art Commission, before acquisition by the City.

In determining whether a painting, sculpture, or structure is a
work of art, the definition used in the Charier in defining the powers
of the Art Commission has been liberally construed. Section 637
provides: "The term 'work of art,' as used in this title, shall apply
to and include all paintings, mural decorations, stained glass,
statues, bas-reliefs, or other sculptures, monuments, fountains,
arches, or other structures of a permanent character intended for
ornament or commemoration."

In selecting the works of art for reproduction, a somewhat difl'er-
ent method has been adopted than is customary in the ordinary
catalogue. Three factors have been considered in the selection of

xi



I NTRODUCTION



an object reproduced in this volume — its excellence as a work of
art, the prominence of the subject of the portrait or statue, and
its rarity.

It may be mentioned that time has had its effect upon many of
the portraits, and that some of them are so placed that photographs
suitable for successful reproduction were not obtainable — and there-
fore such subjects have lost much of their original effectiveness.

The portraits are arranged in the order in vi'hich they were ac-
quired by the City. Those of which no record of their acquisition
has been found have been placed at the end of the list.

The mural decorations, stained glass, and sculpture are arranged
geographically.

This catalogue includes only the works of art acquired by the City
previous to September i, 1908.



CONTENTS

PAGE

Members of the Art Commission viii

Introduction ix

Contents xiii

List of Illustrations xv

Catalogue of Paintings

Arranged in the order of their acquisition by the City of

New York i

Catalogue of Mural Decorations 8i

Catalogues of Sculpture

In the Borough of Manhattan 103

In the Borough of Brooklyn . 197

In the Borough of the Bronx 219

In the Borough of Queens 227



LIST OF ILLUSTRATIONS





PAINTINGS












FACING


SUBJECT


ARTIST PAGE


The City Hall . .


. John McComb, Jr. . . Title.


George Washington


. John Trumbull




3


George Clinton


. John Trumbull








4


John Jay .


John Trumbull








6


Alexander Hamilton


John Trumbull








8


James Duane .


John Trumbull








ID


Richard Varick


John Trumbull








12


Edward Livingston


John Trumbull








•4


Marinus Willett


. John Trumbull








16


Morgan Lewis .


. John Trumbull








18


Daniel D. Tompkins


John Trumbull








20


Peter Stuyvesant .


John Trumbull








22


Jonathan Williams


. Thomas Sully .








24


Stephen Decatur .


. Thomas Sully .








26


William Bainbridge


John Wesley Jarvis






28


Isaac Hull .


. John Wesley Jarvis






30


Thomas McDonough


. John Wesley Jarvis






32


Oliver Hazard Perry


John Wesley Jarvis






34


Jacob Radcliflf . .


John Trumbull






36


James Monroe .


. John Vanderlyn






38


Andrew Jackson .


John Vanderlyn






40


Stephen Allen .


Samuel L. Waldo, A.N


A.




William Jewett, A.N. A. 42


Marquis de Lafayette


Samuel Finley Brcese Morse,
• N.A 44


John Stanford .


Samuel Finley Breese Morse,
• • N.A 46


William Paulding .


Samuel Finley Breese Morse,
• N.A 48


De Witt Clinton .


George Catlin .








50



XV



LIST OF ILLUSTRATIONS



SUBJECT

Philip Hone

John Christopher Yates

Christopher Columbus

Martin Van Buren

Walter Bowne

Gideon Lee

George Hall

William Learned Marcy

William Henry Seward

James Harper .

William C. Bouck

John Young

Jose Antonio Paez

David Thomas Valentine

Townsend Harris .

Winfield Scott . . .

Thomas Jefferson .

Henry Clay

George Brinton McClellan

Richard L. Larremore

Seth Low

Daniel D. Whitney

"Veulvan Cara" .

Charles A. Schieren

Andrew H. Green .

Henry Hudson

James Kent

Robert Kelly . .



ARTIST

John Vanderlyn
John Vanderlyn
Samuel Finley Breese Morse

N.A

Henry Inman, N.A. .
Robert Walter Weir, N.A.
Henry Inman, N.A. .
James Frothingham, N.A.
William Page, N.A. . .
Henry Inman, N.A. .
Henry Inman, N.A. .
Charles Loring Elliott, N.A.
Henry Peters Gray, N.A.
Charles Wesley Jarvis
Charles Wesley Jarvis

J. Bogle, N.A

Miner K. Kellogg .
Charles Wesley Jarvis
P. Staunton ....
William H. Powell, A.N.A.
Thomas Hicks, N.A. .
William Merritt Chase, N.A.
Thomas Jensen
Arturo Michelena .
Richard Creifelds .
B. Kramer-Scheiro
Count Pulaski ....
Rembrandt Peale, N.A. .
Daniel Huntington



FACING
PAGE

54

56

58
60
62
64
66
68
70
72

74
76

78
80

85
86
88
90
92

94
96
98
100
102
105
106
108



MURAL PAINTINGS



Justice

Transmission of Law .

Justice

Banishment of Discord
Justice of the Law

The Power of the Law

Wisdom ....



Edward Simmons . . no

Henry Siddons Mowbray, N.A 112

Robert Reid, N.A. 114

Willard Leroy Metcalf . . 116

Edward Simmons . 118
Edwin Howland Blashfield,

N.A 120

Henry Oliver Walker, N.A. . 122



LIST OF ILLUSTRATIONS



SUBJECT



The Reign of Law
Thejudicial and Other Virtues
Opening of the Erie Canal .



FACING
PAGE



Kenyon Cox, N.A. . . . 124
Joseph Lauber . 126

Charles Yardley 1 urncr, N.A. 128



SCULPTURE



John Ericsson .
Abraham de Peyster
Benjamin Franklin

Nathan Hale .



New York in its Infancy
Jacob H. SchifT Fountain
Peter Cooper . . . .
Memorial Fountain .

Alexander Lyman Holley

Washington Arch .
Abraham Lincoln .
Marquis de Lafayette

George Washington

Fountain .
David Glasgow Farragut
William Jenkins Worth
Horace Greeley
Washington Irving
William Tecumseh Sherm
Christopher Columbus

William Shakespeare .

Indian Hunter

Tigress and Cubs
The Falconer .
Daniel Webster
Fountain

Bethesda Fountain
Richard Morris Hunt
Still Hunt . . .



an



Jonathan Scott Hartley, N.A.
George Edwin Bissell .

E. Plassman

Frederick William MacMon-

nies, N.A

Philip Martiny, A.N.A. . .
Arnold W. Brunner
Augustus Saint Gaudens, N.A.
Bruno Louis Zimm
John Quincy Adams Ward,

N.A

Stanford White ....
Henry Kirke Brown, N.A.
Frederic Auguste Bartholdi .
John Quincy Adams Ward,

N.A

Karl Adolf Donndorf .
Augustus Saint Gaudens, N.A
James Goodwin Batterson
Alexander Doyle ....
Friedrich Beer ....
Augustus Saint Gaudens, N.A.
Gaetano Russo ....
John Quincy Adams Ward,

N.A

John Ouincy Adams Ward,

N.A

Auguste Cain

George Simonds ....

Thomas Ball

Olin Levi Warner, N.A. .
Emma Stebbins ....
Daniel Chester French, N.A. .
Edward Kemeys ....
xvii



30
32
34

36
38
40
42
44

46
48

50

52

54
56

58
60
62
64
66
68

70

72

74
76

78
80
82
84
86



LIST n|- II. LUSTRATIONS



suniixT

Joliann Christoph I'rialiich
von Schiller ....

George Washington

Egyptian Obelisk .

Soldiers' and Sailors' Monii
incnt



F"ranz Sigel ....

Grant's Tomb ....
George Washington

Henry Ward Boeciicr

Ulysses Simpson (^ant .

Henry Warner Slocum

Soldiers' and Sailors' Meniori;
Arcii

James S. T. Stranahan

Henry W. Maxwell
Lioness and (Aibs .



he



lorso I ainers



Panthers



Italian I'ounlain
Botanical Garden I'ouiilain

Soldiers' Monument .



FACING

ATUIM TAGE

C. I.. Kichlrr . , . . 188

Jean Anioine I loiuliiii . . 190

Unknown 192

("harles W. Stoiighton

Arlhur A. Sloughlon . . 194

Paul E. Duboy

Karl Francis Theodore Bitter,

N.A 199

John Hemingway Duncan 200

Henry Merwin Shrady 202
John Ouincy Adams Ward,

N.A! 204

William Ordway Partridge 206
Frederick William MacMon-

nies, N.A 208

|(ihii 1 1. I )uiu'an . .210

i-rederick William MacMon-

nies, N.A 212

Augustus Saint Gaudens, N.A. 214

Victor Peter 216

Frederick William MacMon-

nies, N.A 218

Alexander Phiniisler Proctor,

N.A 221

Unknown 222

(^arl I{. TelTl 224

IVederick Wellington Ruck-

sluhi 234



CATALOGUE OF WORKS
OF ART



PAINTINGS



CATALOGl

PAINTINGS

ARRANGED IN THE ORDER (
ACQUISITION BY ^h"^^



GEORGE WASHING!-
1732-1799

PRESIDENT OF THE UNITED STA'i

ARTIST
JOHN TRUMBULL

I 7 56-. < 8:,-

Wearing a Colonial uniform of b
boots, he stands, with right knee ben i
is turned slightly to the left, with the •.
His right arm, raised on a level with !'
saddle, and the hand, !fK>selv ho'
over the pommel. Hit
chapeau and sword. 1 ;.-
its knee. In the immedi .
Green, with a pedestal st^t
plot surrounded by an iro
ground is seen the corner ot
saluting two mounted of'
corner of a stone wall,
the middle background 1.
long, low brick barrack> \
a flagstaff. New York
as far as the Narrows,

Staten Island. ^[OTDVllHZKl/ 305IO30
signed: in.

■' Ya

Height, 108 in.; width, JAbamunT mho|




GEORGE WASHINGTON

BY

JOHN TRUMBULL



CATALOGUE

PAINTINGS

ARRANGED IN THE ORDER OF THEIR
ACQUISITION BY THE CITY

GEORGE WASHINGTON
1 732- 1 799

PRESIDENT OF THE UNITED STATES, 1 789-97

ARTIST

JOHN TRUMBULL

I756-1843

Wearing a Colonial uniform of buff and blue with black cavalry
boots, he stands, with right knee bent, beside a white horse. His face
is turned slightly to the left, with the eyes looking straight ahead.
His right arm, raised on a level with his shoulder, rests on the brown
saddle, and the hand, loosely holding the reins, drops forward
over the pommel. His left hand, resting against his hip, holds his
chapeau and sword. The horse, with left foreleg raised, is biting
its knee. In the immediate background is a view of Bowling
Green, with a pedestal standing in the center of a circular grass
plot surrounded by an iron fence. In the immediate right back-
ground is seen the corner of a building before which stands a soldier
saluting two mounted officers followed by others coming around the
corner of a stone wall. Extending part way across the scene in
the middle background is a paling, behind which, on the left, are
long, low brick barracks with the Stars and Stripes floating from
a flagstaff. New York Bay, covered with many vessels, is shown
as far as the Narrows, and from its opposite shore rise the hills of
Staten Island.

signed: JN. TRUMBULL NEW YORK 1 79O

Height, 108 in.; width, 72 in. Painted for the City in 1790.



CATALOGUE OF WORKS OF A RT— PA 1 NTI N GS

GEORGE CLINTON

1739-18 I 2

GOVERNOR OF NEW YORK, 1777-95; 180I-O4

VICE-PRESIDENT OF THE UNITED STATES, 1805-I2

ARTIST

JOHN TRUMBULL

I 756- I 843

Dressed in a Colonial uniform of buff and blue, he stands on the
alert in the foreground of a wild and picturesque landscape. He
is in full front view with his head turned a little to the right; his
eyes, slightly raised, look straight ahead into the distance. In
his right hand is a drawn sword with the point resting on the
ground; his left, holding a glove, hangs at his side. In the left
foreground lie two cannon balls at the base of a pile of rocks sur-
mounted by trees in autumn foliage. The butt of a cannon lying
on the ground projects into the right foreground; beyond, a battle
between British and Colonial troops is raging on the border of a
lake, and against the farther shore at the base of mountains are
several vessels on fire, while above the scene rises the thick smoke
of battle.

signed: J. TRUMBULL 1 79 1

Height, 108 in.; width, 71 J in. Painted for the City in 1791.



JOHN JAY
1745-1829

governor of new YORK, I795-180I

ARTIST

JOHN TRUMBULL

1756-1843

Dressed in black and wearing a powdered wig, he stands leaning
lightly on his right elbow, which rests on the back of an armchair
upholstered in dark red brocade. He is in three-quarters view to
the right, with face and eyes turned in the same direction. His
left foot is advanced with the knee slightly bent, and his extended
left hand rests with the index finger between the pages of a book
standing on a table with an ample dark-green cover. Over his
head is draped in ample folds around the bases of two columns a
dark-red curtain, beneath which glimpses of blue sky are shown
through thick, brown clouds.

Height, 89 in.; width, 6oi in. Painted for the City in 1805.



GEORGE CLINTON

BY

JOHN TRUMBULL

FOR DESCRIPTION SEE PAGE 4



c.<



GOVF
VICE-PR



12



Ores
lert ir.



on me

(■e. He

!e to the right; his

the distance. In

int resting on the

'e. In the left

!e of rocks sur-

of a cannon lying

J; beyond, a battle

)n the border of a

nns are

. smoke



.r tTnf> r^i1\' in I Ti I



ORK, I795-180I



Dres =
lightly <■
upholsteroj
the right, v.
left foot is a
left hand rt
standing or,
'■ ■<] is drar
k-red cur,
through thick, bi

Height, 89 in.; v



nvdered wig, he stands leaning

n the back of an armchair

- three-quarters view to

same direction. His

'■ , and his extended

!ie pages of a book

i cover. Over his

of two columns a

iue skv are shown



MOTKUD 3051OH,')

UUaWlUMT HHOI



>r the City in 1805.



CATALOGUE OF WORKS OF A RT — PAINTINGS

ALEXANDER HAMILTON

1757-1804

SECRETARY OF THE TREASURY, I789-95
COMMANDER-IN-CHIEF UNITED STATES ARMY, 1799-1804

ARTIST

JOHN TRUMBULL

1756-1843

Standing in a graceful and dignified attitude with right foot
advanced, the taper fingers of the left hand resting on his hip, and
his right hand, extended a little below the shoulder, palm upward,
in gesture, is the figure of a gentleman, dressed in black, with knee-
breeches, white stock and tie. He is in three-quarters view to the
left, with his face and eyes in the same direction. In the right
background is a mahogany armchair upholstered in brown, above
which hangs a dark red curtain looped in deep folds above the
head of the figure. In the left foreground, against the pedestal of
two large marble columns, is a mahogany table, upon which are
books and documents, and across the corner is spread out a large
manuscript. Beneath the table are several large books and a
loosely-rolled document.

Height, 94 in.; width, 60 in. Painted for the City in 1803.



JAMES DUANE
•733-1797

MAYOR OF NEW YORK, 1 784-89

ARTIST
JOHN TRUMBULL

1756-1843

The head and shoulders of a gentleman with long powdered
hair, curling at the ends, is in front view with his face turned to the
left and his keen, dark eyes looking straight ahead. He is dressed
in a black suit with white stock and jabot, and above his left
shoulder is shown a mass of dark red drapery.

Height, 30 in.; width, 24 in. Painted for the City in 1805.



CATALOGUE OF WORKS OF ART — PAINTINGS

RICHARD VARICK

1753-1831

MAYOR OF NEW YORK, I789-180I

ARTIST

JOHN TRUMBULL

■756-1843

This is the half-length figure of an elderly gentleman of refined
and noble mien, dressed in black, with an ample white tie. He
sits beside a column in three-quarters view to the right, with his
left hand resting on his other wrist, and his face turned toward the
front, while his large brown eyes, with a placid expression, look
straight before him. Beyond the column in the right background
is shown the sky with sunset clouds.

Height, 31 in.; width, 25 in. Painted for the City in 1805.

EDWARD LIVINGSTON

1 764- 1 836

MAYOR OF NEW YORK, 180I-O3

ARTIST

JOHN TRUMBULL

1756-1843

This shows the head and shoulders of a man in three-quarters
view to the left, his large eyes looking calmly at the spectator. He
wears a plain suit of black, with ample white stock.

Height, 31 in.; width, 25 in. Painted for the City in 1805.



MARINUS WILLETT
1740-1830

MAYOR OF NEW YORK, 1807-08

ARTIST

JOHN TRUMBULL

1756-1843

Dressed in a simple suit of black with a white stock is the head
and shoulders of a gentleman in three-quarters view to the left,
with his face turned toward the front, and his eyes looking directly
at the spectator.

Height, 31 in.; width, 25 in. Painted for the City in 1808.

6




JOHN JAY

BY
JOHN TRUMBULL

FOR DESCRIPTION SEE PAGE 4



CATAi KS OF riNGS



'01



we;
Hei



iy gentleman of refined

.pie white tie. He

the right, with his

J turned toward the

id expression, look :

le right background ;

i
ed for the City in 1805. j



^f a man in three-quarters
vic\ y at the spectator. He



le v^iiy m lou^.



'.ETT



he head

he left,

YA[ l/!H(JL directly


1 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

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